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* RescueEquipmentAttack: In the first episode, Sayaka uses a fire extinguisher on Homura Akemi when she seemingly threatens Madoka and Kyubey, before throwing the extinguisher itself in her direction.
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* SignatureMove: Mami's Tiro Finale is pretty iconic and there hasn't been one installment of the franchise where she hasn't launched it at least once. She merges a handful of her muskets to produce a gun that is as big as her and then fires a devastating energy beam. This also makes it the SuperSpecialMove version of her normal musket attacks.


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* SuperSpecialMove:
** Madoka's magical girl weapon is a bow that fires pink energy arrows. When dealing with particularly resilient witches, she has an unnamed, stronger version of it. She charges an arrow for a while and then shoots it at the sky where it appears a pattern made of circles and lines, also pink. Finally, several big energy arrows rain from the pattern. She's launched this attack successfully against [[spoiler: the FinalBoss witch Walpurgisnatch]] on several occasions. It doubles as an EvolvingAttack because it gets considerably stronger [[spoiler: with each new timeline]].
** Mami's weapons are ribbon-made muskets that she often summons in batches. Her finisher attack consists of merging a bunch of them to create a giant gun that fires an equally big beam of yellow energy. She calls it "Tiro Finale", which is the Italian for "final shot". It's also Mami's SignatureMove.
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* SceneryDissonace: Many of the witches' labyrinths look as if they came from Wonderland -- they are collages of vibrant, bizarre, colorful elements. Some of the minions even go around singing and dancing. As a result, everything fits surreal and out of place (in a good sense) whenever an unsuspecting or mind-controlled civilian gets trapped or a magical girl goes hunting the witch and its minions down. It's made worse after TheReveal that the witches are [[spoiler: the corrupted versions of magical girls that fell into despair or ran out of magic and that the labyrinths are depictions of their broken mindscapes and unfulfilled wishes]].

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* SceneryDissonace: SceneryDissonance: Many of the witches' labyrinths look as if they came from Wonderland -- they are collages of vibrant, bizarre, colorful elements. Some of the minions even go around singing and dancing. As a result, everything fits surreal and out of place (in a good sense) whenever an unsuspecting or mind-controlled civilian gets trapped or a magical girl goes hunting the witch and its minions down. It's made worse after TheReveal that the witches are [[spoiler: the corrupted versions of magical girls that fell into despair or ran out of magic and that the labyrinths are depictions of their broken mindscapes and unfulfilled wishes]].
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Moved from another page during disambiguation

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* SoleSurvivor:
** [[spoiler: In all the previous timelines she has gone through, Homura has always been the only survivor.]]
** [[spoiler: The final scene implies that everybody but Homura has died and that she doesn't have much time left either.]]
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Up To Eleven is a defunct trope


** Mami's [[spoiler:final]] battle with the witch in Episode 3 may look familiar, and ''[[https://www.youtube.com/watch?v=brkbyYPd_RE this]] [[Anime/NeonGenesisEvangelion is why]]''. Somehow this just makes it [[UpToEleven worse]].

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** Mami's [[spoiler:final]] battle with the witch in Episode 3 may look familiar, and ''[[https://www.youtube.com/watch?v=brkbyYPd_RE this]] [[Anime/NeonGenesisEvangelion is why]]''. Somehow this just makes it [[UpToEleven worse]].worse.
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Added an example from the new trope page.

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* OldTimeyCinemaCountdown: The show itself begins with a variation of this using runic symbols. This countdown also appears in the penultimate episode, before Homura's climactic battle with Walpurgisnacht.
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Dewicked trope


** It isn't the first [[Anime/OkusamaWaMahouShoujo unconventional magical girl series]] with a [[TaremeEyes tareme-eyed]], pink-haired protagonist, a [[RavenHairIvorySkin black-haired]], {{Meganekko}} sort-of friend with confusing allegiances, and a blue, [[BoyishShortHair short-haired]], {{Tomboy}} ActionGirl called Sayaka.

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** It isn't the first [[Anime/OkusamaWaMahouShoujo unconventional magical girl series]] with a [[TaremeEyes tareme-eyed]], pink-haired protagonist, a [[RavenHairIvorySkin black-haired]], {{Meganekko}} Meganekko sort-of friend with confusing allegiances, and a blue, [[BoyishShortHair short-haired]], {{Tomboy}} ActionGirl called Sayaka.
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cut trope


* RapunzelHair: [[spoiler:Ultimate Madoka has the longest hair in the series as part of her goddess elegance. A design note advises that except for the ponytails on either side of her head, the viewer should never see the ends of her hair.]]
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* OneWingedAngel: Charlotte in Episode 3. [[spoiler: Starts off as a shout-out of [[TastesLikeDiabetes Pukka]] and becomes a supremely creepy Takashi Murakami-style thing that looks like what you'd get if you mated a clown with a {{Sandworm}}.]]

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* OneWingedAngel: Charlotte in Episode 3. [[spoiler: Starts off as a shout-out of [[TastesLikeDiabetes Pukka]] Pukka and becomes a supremely creepy Takashi Murakami-style thing that looks like what you'd get if you mated a clown with a {{Sandworm}}.]]

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* SceneryDissonace: Many of the witches' labyrinths look as if they came from Wonderland -- they are collages of vibrant, bizarre, colorful elements. Some of the minions even go around singing and dancing. As a result, everything fits surreal and out of place (in a good sense) whenever an unsuspecting or mind-controlled civilian gets trapped or a magical girl goes hunting the witch and its minions down. It's made worse after TheReveal that the witches are [[spoiler: the corrupted versions of magical girls that fell into despair or ran out of magic and that the labyrinths are depictions of their broken mindscapes and unfulfilled wishes]].



* SuicidePact: Episode/Chapter 4. [[spoiler: A witch trances a large group of people to gather in a warehouse and gas themselves to death.]]

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* SuicidePact: Episode/Chapter 4. In episode 4, a witch [[spoiler: A witch trances a large group of people to gather in a warehouse and gas themselves to death.]]
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No longer a trope.


** It isn't the first [[Anime/OkusamaWaMahouShoujo unconventional magical girl series]] with a [[TaremeEyes tareme-eyed]], pink-haired protagonist, a [[RavenHairIvorySkin black-haired]], {{Meganekko}} sort-of friend with confusing allegiances, and a [[YouGottaHaveBlueHair blue]], [[BoyishShortHair short-haired]], {{Tomboy}} ActionGirl called Sayaka.

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** It isn't the first [[Anime/OkusamaWaMahouShoujo unconventional magical girl series]] with a [[TaremeEyes tareme-eyed]], pink-haired protagonist, a [[RavenHairIvorySkin black-haired]], {{Meganekko}} sort-of friend with confusing allegiances, and a [[YouGottaHaveBlueHair blue]], blue, [[BoyishShortHair short-haired]], {{Tomboy}} ActionGirl called Sayaka.
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TRS has decided that Schoolgirl Lesbians is no longer a valid trope. Removing all links to the page and changing them to more appropriate pages if one can be found


* SchoolgirlLesbians: Invoked by Hitomi who is convinced that Madoka and Sayaka have the hots for each other. In her defense, Sayaka spent the first episode giving her that impression. [[spoiler: It turns out that Hitomi was aiming for the same boy Sayaka was aiming for, which gave her a reason to hope that Sayaka was a lesbian or at least lesbian-leaning bi or that she just preferred Madoka over Kyosuke, so they wouldn't have to "fight" for him.]]
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** The incredibly ominous ending animation has the mask of Mephistopheles, from the 1981 movie ''[[http://en.wikipedia.org/wiki/Mephisto_%281981_film%29 Mephisto]]'' (which while decidedly non-supernatural, is itself a Myth/{{Faust}}ian story).

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** The incredibly ominous ending animation has the mask of Mephistopheles, from the 1981 movie ''[[http://en.wikipedia.org/wiki/Mephisto_%281981_film%29 Mephisto]]'' ''Film/{{Mephisto}}'' (which while decidedly non-supernatural, is itself a Myth/{{Faust}}ian story).

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Not So Different Remark seems to be talking about a different title, not the original anime. Please put it where it belongs


* NeverFoundTheBody: [[spoiler: As Homura explains to Madoka, a magical girl who dies in a witch's barrier [[NoBodyLeftBehind does not leave a corpse in the real world]]. Thus, they will forever be "missing".]]
** [[spoiler: Defied in Episode 11 with regards to Sayaka. Kyoko makes sure to take her body out of the witch's barrier and place it in a hotel for it to be found by a {{muggle}}. ]]

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* NeverFoundTheBody: [[spoiler: As NeverFoundTheBody:
** [[spoiler:As
Homura explains to Madoka, a magical girl who dies in a witch's barrier [[NoBodyLeftBehind does not leave a corpse in the real world]]. Thus, they will forever be "missing".]]
** [[spoiler: Defied [[spoiler:Defied in Episode 11 with regards to Sayaka. Kyoko makes sure to take her body out of the witch's barrier and place it in a hotel for it to be found by a {{muggle}}. ]]



* NewTransferStudent: Homura transfers at the start of the series. [[spoiler: In the original timeline, this is the cause of her meeting with Madoka.]]

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* NewTransferStudent: Homura transfers at the start of the series. [[spoiler: In [[spoiler:In the original timeline, this is the cause of her meeting with Madoka.]]



* NotSoDifferentRemark: [[spoiler:Yachiyo ends up compelling Holy Mami from succumbing to the Rumor that is attached to her by remarking that they both are the [[BeneathTheMask same emotionally distant person who other girls are looking up to as paragons of virtues]] and making them especially susceptible to loneliness, something that Yachiyo found out previously with Iroha's help. Because of that distance, Yachiyo actually doubts that the other Mitakihara girls could reach Mami the same way Tsuruno was saved. Instead, Yachiyo offers Mami a camaraderie with her as fellow emotionally distant people. Mami accepts]].
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* NotSoDifferentRemark: [[spoiler:Yachiyo ends up compelling Holy Mami from succumbing to the Rumor that is attached to her by remarking that they both are the [[BeneathTheMask same emotionally distant person who other girls are looking up to as paragons of virtues]] and making them especially susceptible to loneliness, something that Yachiyo found out previously with Iroha's help. Because of that distance, Yachiyo actually doubts that the other Mitakihara girls could reach Mami the same way Tsuruno was saved. Instead, Yachiyo offers Mami a camaraderie with her as fellow emotionally distant people. Mami accepts]].
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* SanityMeter: The amount of darkness in a magical girl's Soul Gem shows how close she is to crossing the DespairEventHorizon. [[spoiler:When the Soul Gem turns completely black, its owner will turn into a witch.]]
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Unnecessary.


* Main/SekaikeiGenre: The fact that magic is dependent on Emotional Powers is the perfect fuel for a world whose fate is ultimately dictated by a key relationship between two otherwise normal people. In this case, [[spoiler:Madoka and Homura's status as either StarCrossedLovers or star-crossed close friends (depending on your perspective)]] eventually has cosmological implications. By the time of The Movie's conclusion, [[spoiler:both characters have taken a stab at rewriting the laws of reality for the greater good, tragically pushing their partner away in the process.]]

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* Main/SekaikeiGenre: SekaikeiGenre: The fact that magic is dependent on Emotional Powers is the perfect fuel for a world whose fate is ultimately dictated by a key relationship between two otherwise normal people. In this case, [[spoiler:Madoka and Homura's status as either StarCrossedLovers or star-crossed close friends (depending on your perspective)]] eventually has cosmological implications. By the time of The Movie's conclusion, [[spoiler:both characters have taken a stab at rewriting the laws of reality for the greater good, tragically pushing their partner away in the process.]]
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* SekakeiGenre: The fact that magic is dependent on Emotional Powers is the perfect fuel for a world whose fate is ultimately dictated by a key relationship between two otherwise normal people. In this case, [[spoiler:Madoka and Homura's status as either StarCrossedLovers or star-crossed close friends (depending on your perspective)]] eventually has cosmological implications. By the time of The Movie's conclusion, [[spoiler:both characters have taken a stab at rewriting the laws of reality for the greater good, tragically pushing their partner away in the process.]]

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* SekakeiGenre: Main/SekaikeiGenre: The fact that magic is dependent on Emotional Powers is the perfect fuel for a world whose fate is ultimately dictated by a key relationship between two otherwise normal people. In this case, [[spoiler:Madoka and Homura's status as either StarCrossedLovers or star-crossed close friends (depending on your perspective)]] eventually has cosmological implications. By the time of The Movie's conclusion, [[spoiler:both characters have taken a stab at rewriting the laws of reality for the greater good, tragically pushing their partner away in the process.]]

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* {{Seinen}}: It looks like shoujo but in reality this is what happens when you place magical girls in a CosmicHorrorStory.

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* {{Seinen}}: It looks like shoujo a normal Shoujo but in reality reality, this is what happens when you place magical girls in a CosmicHorrorStory. CosmicHorrorStory.
* SekakeiGenre: The fact that magic is dependent on Emotional Powers is the perfect fuel for a world whose fate is ultimately dictated by a key relationship between two otherwise normal people. In this case, [[spoiler:Madoka and Homura's status as either StarCrossedLovers or star-crossed close friends (depending on your perspective)]] eventually has cosmological implications. By the time of The Movie's conclusion, [[spoiler:both characters have taken a stab at rewriting the laws of reality for the greater good, tragically pushing their partner away in the process.]]



* {{Sentai}}: Although they're never all together as a team, the girl's costumes do fit the formula: Pink Madoka, Black Homura, Blue Sayaka, Yellow Mami and Red Kyouko.

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* {{Sentai}}: Although they're never all together as a team, the girl's costumes do fit the formula: Pink Madoka, Black Homura, Blue Sayaka, Yellow Mami Mami, and Red Kyouko.

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* NotSoDifferent: [[spoiler: Episode 7 implies this between Sayaka and Kyoko; both of them made selfless wishes for the sake of a higher ideal and were eventually broken by their wish backfiring. The only difference is that Kyoko became jaded instead of a monster.]]

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* RealityEnsues:
** Magical girls aim to kill Witches. However, as is the case with fights, one mistake can be lethal even if the person who made it was previously winning the fight, as [[spoiler:Mami]] found out- and there's no second chances or miraculous saves at the last moment.
** Sayaka becomes a magical girl and gets powers and the ability to summon weapons. But what she doesn't automatically get is the knowledge of ''how'' to fight, which puts her far behind all the other magical girls, especially since they all had a lot more experience.


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* SurprisinglyRealisticOutcome:
** Magical girls aim to kill Witches. However, as is the case with fights, one mistake can be lethal even if the person who made it was previously winning the fight, as [[spoiler:Mami]] found out- and there's no second chances or miraculous saves at the last moment.
** Sayaka becomes a magical girl and gets powers and the ability to summon weapons. But what she doesn't automatically get is the knowledge of ''how'' to fight, which puts her far behind all the other magical girls, especially since they all had a lot more experience.
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%%* SceneryPorn:

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%%* * SceneryPorn: Mitakihara is a gigantic skyscraper-laden futuristic city, and there are plenty of establishing shots dedicated to showing it off. Hell, with each time the series is remade and the budget is, as a result, increased, everything just gets increasingly fancier, until the roof of Mitakihara Junior High starts looking like a straight-up [[https://i.imgur.com/Ew7wtlj.jpeg gothic cathedral]] by the movie.
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** On [[https://youtu.be/G1B0LWSw3QU?t=27 Madoka's shelf]] lies a [[Franchise/SylvanianFamilies Freya Chocolate]] doll.
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** This is somewhat toyed with since [[spoiler:this raises the audience's expectations that Madoka will be a magic girl for most of the show and so spend the entire time expecting her to be one and are then caught off guard when it only happens so late in the show]].

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** This is somewhat toyed with since [[spoiler:this raises the audience's expectations that Madoka will be a magic magical girl for most of the show and so spend the entire time expecting her to be one and are then caught off guard when it only happens so late in the show]].
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The girls are only ever referred to as Magical Girls in-universe.


** In regards to the series as a whole: Some people have called ''Puella Magi Madoka Magica'' the Anti-''[[Anime/NeonGenesisEvangelion Evangelion]]'', as the philosophy is entirely different. Whereas in ''Evangelion'', the main character transforms from a depressed boy who hates himself to a happy boy who appreciates his shitty life [[spoiler:in the last episode, while preventing the AssimilationPlot]], Madoka transforms from a girl who hates herself to[[spoiler:…a happy girl who essentially kills herself and disembodies her spirit in order to create a new system where all [[MagicalGirl magical girls]] are saved while the Energy system is not compromised. Madoka let the Kyubey exist to prevent entropy and give humanity civilization, only now the worst and unnecessary waste products of the Puella Magi system (witches) are gone.]]

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** In regards to the series as a whole: Some people have called ''Puella Magi Madoka Magica'' the Anti-''[[Anime/NeonGenesisEvangelion Evangelion]]'', as the philosophy is entirely different. Whereas in ''Evangelion'', the main character transforms from a depressed boy who hates himself to a happy boy who appreciates his shitty life [[spoiler:in the last episode, while preventing the AssimilationPlot]], Madoka transforms from a girl who hates herself to[[spoiler:…a happy girl who essentially kills herself and disembodies her spirit in order to create a new system where all [[MagicalGirl magical girls]] are saved while the Energy system is not compromised. Madoka let the Kyubey exist to prevent entropy and give humanity civilization, only now the worst and unnecessary waste products of the Puella Magi Magical Girl system (witches) are gone.]]



** By saying that it would be a Creator/JohnWoo styled work if the Puella Magis are replaced by Cantonese men, the producer implies that this show is inspired by his movies.

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** By saying that it would be a Creator/JohnWoo styled work if the Puella Magis Magical Girls are replaced by Cantonese men, the producer implies that this show is inspired by his movies.
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** By saying that it would be a ‘’Creator/JohnWoo’’ styled work if the Puella Magis are replaced by Cantonese men, the producer implies that this show is inspired by his movies.

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** By saying that it would be a ‘’Creator/JohnWoo’’ Creator/JohnWoo styled work if the Puella Magis are replaced by Cantonese men, the producer implies that this show is inspired by his movies.
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Fixed error


** By saying that it would be a [[Creator/JohnWoo]] styled work if the Puella Magis are replaced by Cantonese men, the producer implies that this show is inspired by his movies.

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** By saying that it would be a [[Creator/JohnWoo]] ‘’Creator/JohnWoo’’ styled work if the Puella Magis are replaced by Cantonese men, the producer implies that this show is inspired by his movies.
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** By saying that it would be a [[Creator/JohnWoo]] styled work if the Puella Magis are replaced by Cantonese men, the producer implies that this show is inspired by his movies.

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* RealityEnsues: Magical girls aim to kill Witches. However, as is the case with fights, one mistake can be lethal even if the person who made it was previously winning the fight, as [[spoiler:Mami]] found out- and there's no second chances or miraculous saves at the last moment.

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* RealityEnsues: RealityEnsues:
**
Magical girls aim to kill Witches. However, as is the case with fights, one mistake can be lethal even if the person who made it was previously winning the fight, as [[spoiler:Mami]] found out- and there's no second chances or miraculous saves at the last moment.
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None

Added DiffLines:

* RealityEnsues: Magical girls aim to kill Witches. However, as is the case with fights, one mistake can be lethal even if the person who made it was previously winning the fight, as [[spoiler:Mami]] found out- and there's no second chances or miraculous saves at the last moment.
** Sayaka becomes a magical girl and gets powers and the ability to summon weapons. But what she doesn't automatically get is the knowledge of ''how'' to fight, which puts her far behind all the other magical girls, especially since they all had a lot more experience.

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