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A subset of HeavyMetal which combines the musical intricacies of ProgressiveRock with the heavy, guitar/drum-driven sound of metal. Progressive Metal may also include more overt flavorings of Classical music, such as operatic vocals or symphonic arrangements; bands with modern classical leanings usually skew more towards AvantGardeMetal. A concrete definition of progressive metal is hard to pin down, so the status of many bands as progressive metal can be ambiguous. Its roots trace all the way back to hard rock and early heavy metal acts who dabbled in progressive rock (namely Music/BlackSabbath, Music/DeepPurple, Music/{{Rainbow}}, and Music/{{Scorpions}}), as well as prog acts with heavier songs (particularly Music/KingCrimson, Music/{{Rush}} and Music/{{Hawkwind}}), and [[Music/KingDiamond Mercyful Fate]] and Music/IronMaiden were among the first acts to play traditional heavy metal with overt prog elements. Progressive metal itself is generally agreed to have solidified with Music/{{Queensryche}}, Music/{{Watchtower}}, Music/CrimsonGlory, Fates Warning, and Voivod, while Music/{{Savatage}}'s burgeoning RockOpera-centric SignatureStyle and heavily showtune-influenced compositions also helped build the genre, though it is debatable whether they were a full example by the time that the others were making their mark.

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A subset of HeavyMetal which combines the musical intricacies of ProgressiveRock with the heavy, guitar/drum-driven sound of metal. Progressive Metal may also include more overt flavorings of Classical music, such as operatic vocals or symphonic arrangements; bands with modern classical leanings usually skew more towards AvantGardeMetal. A concrete definition of progressive metal is hard to pin down, so the status of many bands as progressive metal can be ambiguous. Its roots trace all the way back to hard rock and early heavy metal acts who dabbled in progressive rock (namely Music/BlackSabbath, Music/DeepPurple, Music/{{Rainbow}}, and Music/{{Scorpions}}), Music/{{Scorpions|Band}}), as well as prog acts with heavier songs (particularly Music/KingCrimson, Music/{{Rush}} and Music/{{Hawkwind}}), and [[Music/KingDiamond Mercyful Fate]] and Music/IronMaiden were among the first acts to play traditional heavy metal with overt prog elements. Progressive metal itself is generally agreed to have solidified with Music/{{Queensryche}}, Music/{{Watchtower}}, Music/CrimsonGlory, Fates Warning, and Voivod, while Music/{{Savatage}}'s burgeoning RockOpera-centric SignatureStyle and heavily showtune-influenced compositions also helped build the genre, though it is debatable whether they were a full example by the time that the others were making their mark.
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** Music/{{Metallica}}: ''...And Justice For All'' (1988), also listed as prog metal on Wikipedia, had several tracks that ran for almost ten minutes, but even before then, ''Music/RideTheLightning'' (1984) and ''Music/MasterOfPuppets'' (1986) had several tracks with multiple segments that ran for seven or eight minutes

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** Music/{{Metallica}}: ''...And Justice For All'' (1988), also listed as prog metal on Wikipedia, had several tracks that ran for almost ten minutes, but even before then, ''Music/RideTheLightning'' (1984) and ''Music/MasterOfPuppets'' (1986) had several tracks with multiple segments that ran for seven or eight minutesminutes.
** Music/{{Megadeth}}: The Chris Poland/Gar Samuelson lineup was significantly more technical and complex than their peers, featuring numerous non-standard song structures with multiple tempo changes, as well as prominent jazz fusion elements from Poland and Samuelson's shared backgrounds. 1990's ''Rust in Peace'', meanwhile, descended particularly deep into progressive metal territory, especially on tracks like "Holy Wars... The Punishment Due" and "Five Magics".
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* Music/{{Allegaeon}} (''Damnum'', also TechnicalDeathMetal, though they had been moving in this direction since ''Proponent for Sentience'')
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* Music/GenghisTron
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* Music/{{Exotype}} (GenreBusting example combined with {{Metalcore}}, NuMetal, {{Deathcore}}, {{Djent}}, [[{{Dubstep}} Brostep]], {{Industrial}}, Glitch, {{Trance}}, and whatever else)

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* Music/{{Exotype}} (GenreBusting example combined with {{Metalcore}}, NuMetal, {{Deathcore}}, {{Djent}}, [[{{Dubstep}} Brostep]], {{Industrial}}, Glitch, {{Trance}}, and whatever else)else they feel like)
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* Music/{{Northlane}} (also {{Metalcore}})
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* Music/AnEndlessSporadic

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* MohsScaleOfRockAndMetalHardness:
** Varies wildly up and down the scale; it can go anywhere from a low 6 to 10. It can usually be found near on the scale to its non progressive equivalent.
** Neo Classical Metal is often found from between 5-8



** Music/VanDerGraafGenerator are a strange case in that they manage to be as heavy as many progressive metal bands (reaching an 8 on the MohsScaleOfRockAndMetalHardness at the heaviest parts of all three songs on ''Pawn Hearts'' [1971], for example) without using electric guitars much. This is accomplished in large part through the central role of brass instruments and organ (which, under the right circumstances, can have a heaviness similar to that of guitars) and Peter Hammill's ''intense'' MetalScream.

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** Music/VanDerGraafGenerator are a strange case in that they manage to be as heavy as many progressive metal bands (reaching an 8 on the MohsScaleOfRockAndMetalHardness at the heaviest parts of all three songs on ''Pawn Hearts'' [1971], for example) without using electric guitars much. This is accomplished in large part through the central role of brass instruments and organ (which, under the right circumstances, can have a heaviness similar to that of guitars) and Peter Hammill's ''intense'' MetalScream.
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* Music/{{Architects}} (mixed with {{Metalcore}})
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** 2014 - ''Music/DarkMatters''
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* Creator/NobuoUematsu with his bands The Black Mages and Earthbound Papas

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* Creator/NobuoUematsu Music/NobuoUematsu with his bands The Black Mages and Earthbound Papas
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* Music/JordanRudess
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Capitalization was fixed from Music.Lascaillesshroud to Music.Lascailles Shroud. Null edit to update index.
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* Music/CellarDarling

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** Music/DeepPurple: Straddled the line between conventional hard rock/proto-metal and prog rock. Also known for the sheer virtuosity of it's members, with Richie Blackmore and Jon Lord basically ''inventing'' neoclassical metal, and to a lesser extent power metal, with Blackmore in particular being considered by many to be the first "shredder", a style readily adopted by progressive guitarists the world over. Also well-known for their extremely intricate, long composition, the longest of which being over ''twelve minutes'' long. Also dabbled in odd time signatures and abrupt tempo shifts, and cited as an influence on many a progressive bands.



** Music/{{Yes}}' live material, most notably the live performance of "The Fish (Schindleria praematurus)" on ''Yessongs'' (recorded 1972, released 1973), could sometimes have the power and intensity of heavy metal. As for their studio efforts, their otherwise divisive 1980 album ''Drama'' features heavier riffing from Steve Howe than had ever before, particularly on the opening track "Machine Messiah", a song which [[Music/DreamTheater Mike Portnoy]] cited as an influence.

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** Music/{{Yes}}' live material, most notably the live performance of "The Fish (Schindleria praematurus)" on ''Yessongs'' (recorded 1972, released 1973), could sometimes have the power and intensity of heavy metal. As for their studio efforts, their otherwise divisive 1980 album ''Drama'' features heavier riffing from Steve Howe than had ever before, particularly on the opening track "Machine Messiah", a song which [[Music/DreamTheater Mike Portnoy]] cited as an influence. Bassist Chris Squire is also highly revered for his incredibly distinctive, aggressive playing, and his distortive, metallic bass tone, being considered some what of a patron saint among prog bassists.
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* Music/RiversOfNihil (also TechnicalDeathMetal, though they lean ''much'' more heavily towards prog circa ''Where Owls Know My Name'')

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* Music/RiversOfNihil (also (earlier material overlaps with TechnicalDeathMetal, though which they lean ''much'' more heavily towards almost entirely abandoned for prog circa ''Where Owls Know My Name'')
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* Creator/BrendonSmall
** 2012 - ''Music/BrendonSmallsGalaktikon''
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* Music/{{Toehider}}
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** 2016 - ''Music/TheTheaterEquation''
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** 2016 - ''Music/TheAstonishing''
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** 1997 - ''Music/OceanMachineBiomech''
** 2007 - ''Music/ZiltoidTheOmniscient''
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It helps that there's been an overlap between both metal and prog from the beginning since both genres were in heavy rotation on FM rock stations in America in the early '70s.
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* Spiritbox (SpiritualSuccessor to iwrestledabearonce, also metalcore)
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* Interloper
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** Warlord: They had far more elaborate and complex songs than the rest of their Los Angeles peers, with Rainbow and Jethro Tull cited as major influences, while founding drummer Mark Zonder (who would later join Fates Warning) brought a jazz background that lent a further air of sophistication.
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Part of that last batch of musician sortings. Preparing to make a move on Rock and Alternative Indie

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* Music/{{Area 11}}


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* Music/{{D}}
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* Witherfall (also power metal)
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* Music/{{Dorso}}


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* Music/{{Gigan}}


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* Music/GreenCarnation


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* Music/LascaillesShroud


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* Music/{{Mnemic}}


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* Music/ChristianMuenzner


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* Music/{{Pestilence}}


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* Music/ReVamp


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* Music/RoloTomassi


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* Music/ScarSymmetry


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* Music/SleepytimeGorillaMuseum


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* Music/{{Sylosis}}


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* Music/VisionDivine


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* Music/WutheringHeights
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** 1992 - ''Music/ImagesAndWords''
** 1999 - ''Music/MetropolisPt2ScenesFromAMemory''


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* Music/{{Fireaxe}}
** 2003 - ''Music/FoodForTheGods''
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A subset of HeavyMetal which combines the musical intricacies of ProgressiveRock with the heavy, guitar/drum-driven sound of metal. Progressive Metal may also include more overt flavorings of Classical music, such as operatic vocals or symphonic arrangements; bands with modern classical leanings usually skew more towards AvantGardeMetal. A concrete definition of progressive metal is hard to pin down, so the status of many bands as progressive metal can be ambiguous. Its roots trace all the way back to hard rock and early heavy metal acts who dabbled in progressive rock (namely Music/BlackSabbath, Music/DeepPurple, Music/{{Rainbow}}, and Music/{{Scorpions}}), as well as prog acts with heavier songs (particularly Music/KingCrimson and Music/{{Rush}}), and [[Music/KingDiamond Mercyful Fate]] and Music/IronMaiden were among the first acts to play traditional heavy metal with overt prog elements. Progressive metal itself is generally agreed to have solidified with Music/{{Queensryche}}, Music/{{Watchtower}}, Music/CrimsonGlory, Fates Warning, and Voivod, while Music/{{Savatage}}'s burgeoning RockOpera-centric SignatureStyle and heavily showtune-influenced compositions also helped build the genre, though it is debatable whether they were a full example by the time that the others were making their mark.

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A subset of HeavyMetal which combines the musical intricacies of ProgressiveRock with the heavy, guitar/drum-driven sound of metal. Progressive Metal may also include more overt flavorings of Classical music, such as operatic vocals or symphonic arrangements; bands with modern classical leanings usually skew more towards AvantGardeMetal. A concrete definition of progressive metal is hard to pin down, so the status of many bands as progressive metal can be ambiguous. Its roots trace all the way back to hard rock and early heavy metal acts who dabbled in progressive rock (namely Music/BlackSabbath, Music/DeepPurple, Music/{{Rainbow}}, and Music/{{Scorpions}}), as well as prog acts with heavier songs (particularly Music/KingCrimson Music/KingCrimson, Music/{{Rush}} and Music/{{Rush}}), Music/{{Hawkwind}}), and [[Music/KingDiamond Mercyful Fate]] and Music/IronMaiden were among the first acts to play traditional heavy metal with overt prog elements. Progressive metal itself is generally agreed to have solidified with Music/{{Queensryche}}, Music/{{Watchtower}}, Music/CrimsonGlory, Fates Warning, and Voivod, while Music/{{Savatage}}'s burgeoning RockOpera-centric SignatureStyle and heavily showtune-influenced compositions also helped build the genre, though it is debatable whether they were a full example by the time that the others were making their mark.

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