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* ''Anime/KazeNoShojoEmily'' is set in [[AmbiguousTimePeriod 1900s-something Canada]]. Aunt Elizabeth doesn't like that Emily is a writer and many of her criticisms fall into straight sexism, like saying Emily should take up textile work instead and refrain from partaking in "unladylike" sports. The unladylike sport in question, you may ask? Ice skating.
to:
* ''Anime/KazeNoShojoEmily'' is set in [[AmbiguousTimePeriod 1900s-something Canada]]. Aunt ''Anime/KazeNoShojoEmily'':
**Aunt Elizabeth doesn't like that Emily is a writer and many of her criticisms fall into straight sexism, like saying Emily should take up textile work instead and refrain from partaking in "unladylike" sports. The unladylike sport in question, you may ask? Iceskating.skating.
**Perry's aunt has never enrolled him in school (she even gets angry when he suggests it) and he had to learn how to read and write from Emily. Nowadays, she would be arrested for child abuse as Canada has [[https://www.strategiccriminaldefence.com/faq/truancy-laws-in-canada/ compulsory attendance laws]].
**Aunt Elizabeth doesn't like that Emily is a writer and many of her criticisms fall into straight sexism, like saying Emily should take up textile work instead and refrain from partaking in "unladylike" sports. The unladylike sport in question, you may ask? Ice
**Perry's aunt has never enrolled him in school (she even gets angry when he suggests it) and he had to learn how to read and write from Emily. Nowadays, she would be arrested for child abuse as Canada has [[https://www.strategiccriminaldefence.com/faq/truancy-laws-in-canada/ compulsory attendance laws]].
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** The main character is a textbook example of the archetypical romantic ''samurai'' ideal: MasterSwordsman, follows his school's ''bushido'' [[HonorBeforeReason code of honor]], and will possibly end up as its political [[ArrangedMarriage and biological]] heir as a reward for his lifelong devotion... In practice, this means that he and a new generation of ''samurai'' just carry on the vices of the military-noble feudal class, who can murder anyone who they want to with the excuse of their privilege, are expected to [[BlindObedience blindly obey]] their master (even if he is a tyrannical assassin and rapist), and are [[ImpoverishedPatrician mostly irrelevant without a lord's patronage]] (not to mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects or, at best, childbearers). [[spoiler: His unshakeable dogma ultimately bites him in the ass in the ending, since the heiress of the school decides that she [[{{Seppuku}} can't live with him]] after realizing that, despite finally standing all alone by himself without any masters nor rivals, he will always be as a mindless puppet of someone else's orders and not as an individual who will create his own path, unlike his ambitious rival: even their thirst for revenge was merely inherited.]]
** In contrast, the "villain", who doesn't care for the ''samurai'' class, gets his status for breaking any so-called "codes of honor" to [[AtLeastIAdmitIt fulfill his ambition]]: forcibly achieving the school's heirdom [[SocialClimber for a purely economical reason]][[note]]Although getting revenge on the man that blinded and tried to castrate him and almost murdered their lover, as well as his mindless minions, might be another reason[[/note]], something practically impossible to low-class people like him... And, despite being a womanizer and serial cheater, is TheCasanova of the setting just because he ''[[ALighterShadeOfGrey treats women as human beings]]'', unlike almost everybody else who sees them as their sole property.
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because ''[[OnlyInItForTheMoney they're that desperate]]'' for patronage. Sure, he might be TheCaligula and fully abuse of his DroitDuSeigneur status, but even thinking of disobeying him is downright treason and a crime easily punishable with execution -- or ''[[WithGreatPowerComesGreatInsanity merely annoying him]]'', for that matter... However, nobody except the most daring political schemers try to oppose him, with everyone else [[ProfessionalButtKisser preferring to blindly obey him]] in hopes that he'll gain their favor. [[note]]That said, he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]
** In contrast, the "villain", who doesn't care for the ''samurai'' class, gets his status for breaking any so-called "codes of honor" to [[AtLeastIAdmitIt fulfill his ambition]]: forcibly achieving the school's heirdom [[SocialClimber for a purely economical reason]][[note]]Although getting revenge on the man that blinded and tried to castrate him and almost murdered their lover, as well as his mindless minions, might be another reason[[/note]], something practically impossible to low-class people like him... And, despite being a womanizer and serial cheater, is TheCasanova of the setting just because he ''[[ALighterShadeOfGrey treats women as human beings]]'', unlike almost everybody else who sees them as their sole property.
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because ''[[OnlyInItForTheMoney they're that desperate]]'' for patronage. Sure, he might be TheCaligula and fully abuse of his DroitDuSeigneur status, but even thinking of disobeying him is downright treason and a crime easily punishable with execution -- or ''[[WithGreatPowerComesGreatInsanity merely annoying him]]'', for that matter... However, nobody except the most daring political schemers try to oppose him, with everyone else [[ProfessionalButtKisser preferring to blindly obey him]] in hopes that he'll gain their favor. [[note]]That said, he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]
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** The main character is a textbook example of the archetypical romantic ''samurai'' ideal: MasterSwordsman, follows his school's ''bushido'' [[HonorBeforeReason code of honor]], and will possibly end up as its political [[ArrangedMarriage and biological]] heir as a reward for his lifelong devotion... In practice, this means that he and a new generation of ''samurai'' just carry on the vices of the their military-noble feudal class, caste, who can murder anyone below their class who they want to with the excuse of their privilege, privilege (in fact, they are ''expected to do so'' if they are challenged), are expected to [[BlindObedience blindly obey]] their master masters (even if he is a they are tyrannical assassin and rapist), murderers and/or rapists), and are [[ImpoverishedPatrician mostly irrelevant without a lord's patronage]] (not patronage during peacetime]] -- not to mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects or, at best, childbearers). childbearers. [[spoiler: His unshakeable dogma ultimately bites him in the ass in the ending, since the heiress of the school decides that she [[{{Seppuku}} can't live with him]] after realizing that, despite finally standing all alone by himself without any masters nor rivals, he will always be as a mindless puppet of someone else's orders and not as an individual who will create his own path, unlike his ambitious rival: even their the couple's thirst for revenge was merely inherited.inherited from their former master.]]
** In contrast, his rival is ''de facto'' villainous for breaking most of the"villain", who doesn't care for era's so-called social "codes of honor" to [[SocialClimber fulfill his own ambitions]]: desiring to damage the ''samurai'' class, gets caste [[TheInfiltration under their own rules]] for their alleged perpetuation of injustice (relying on [[TheGift his status for breaking any so-called "codes of honor" own natural talent]] over [[BrilliantButLazy having to [[AtLeastIAdmitIt fulfill his ambition]]: endlessly practice swordfighting drills]]), and forcibly achieving the a ''samurai'' school's heirdom [[SocialClimber [[AtLeastIAdmitIt for a purely economical reason]][[note]]Although reason]][[note]](Although getting revenge on the man that blinded and tried to castrate him and almost murdered their lover, as well as his mindless minions, might be is another reason[[/note]], something practically impossible to perfectly valid reason)[[/note]] -- indeed, many other social pariahs (like blind men) [[DarkMessiah idolize him for achieving what is mostly impossible]] for low-class people like him...them, even as a blind and lame man... And, despite being a womanizer and serial cheater, is TheCasanova of the setting just because he ''[[ALighterShadeOfGrey treats women as human beings]]'', unlike almost everybody else who sees them as their sole property.
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because ''[[OnlyInItForTheMoney they're that desperate]]'' for patronage. Sure, he might be TheCaligula and fully abuse of his DroitDuSeigneur status, but even thinking of disobeying him is downright treason and a crime easily punishable with execution -- or ''[[WithGreatPowerComesGreatInsanity merely annoying him]]'', for that matter... However, nobody except the most daring political schemers try to oppose him, with everyone else [[ProfessionalButtKisser preferring to blindly obey him]] in hopes that he'll gain their favor. [[note]]That said, not even he is immune to the social stratification pyramid: he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]
** In contrast, his rival is ''de facto'' villainous for breaking most of the
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because ''[[OnlyInItForTheMoney they're that desperate]]'' for patronage. Sure, he might be TheCaligula and fully abuse of his DroitDuSeigneur status, but even thinking of disobeying him is downright treason and a crime easily punishable with execution -- or ''[[WithGreatPowerComesGreatInsanity merely annoying him]]'', for that matter... However, nobody except the most daring political schemers try to oppose him, with everyone else [[ProfessionalButtKisser preferring to blindly obey him]] in hopes that he'll gain their favor. [[note]]That said, not even he is immune to the social stratification pyramid: he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]
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** The main character is a textbook example of the archetypical romantic ''samurai'' ideal: MasterSwordsman, follows his school's ''bushido'' [[HonorBeforeReason code of honor]], and will possibly end up as its political [[ArrangedMarriage and biological]] heir as a reward for his lifelong devotion... In practice, this means that he and a new generation of ''samurai'' just carry on the vices of the military-noble feudal class, who can murder anyone who they want to with the excuse of their privilege, are expected to [[BlindObedience blindly obey]] their master (even if he is a tyrannical assassin and rapist), and are [[ImpoverishedPatrician mostly irrelevant without a lord's patronage]] (not to mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects or, at best, childbearers). [[spoiler: His unshakeable dogma ultimately bites him in the ass in the ending, since the heiress of the school decides that she [[{{Seppuku}}can't live with him]] after realizing that, despite finally standing all alone by himself without any masters nor rivals, he will always be as a mindless puppet of someone else's orders and not as an individual who will create his own path, unlike his ambitious rival: even their thirst for revenge was merely inherited.]]
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** The main character is a textbook example of the archetypical romantic ''samurai'' ideal: MasterSwordsman, follows his school's ''bushido'' [[HonorBeforeReason code of honor]], and will possibly end up as its political [[ArrangedMarriage and biological]] heir as a reward for his lifelong devotion... In practice, this means that he and a new generation of ''samurai'' just carry on the vices of the military-noble feudal class, who can murder anyone who they want to with the excuse of their privilege, are expected to [[BlindObedience blindly obey]] their master (even if he is a tyrannical assassin and rapist), and are [[ImpoverishedPatrician mostly irrelevant without a lord's patronage]] (not to mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects or, at best, childbearers). [[spoiler: His unshakeable dogma ultimately bites him in the ass in the ending, since the heiress of the school decides that she [[{{Seppuku}}can't [[{{Seppuku}} can't live with him]] after realizing that, despite finally standing all alone by himself without any masters nor rivals, he will always be as a mindless puppet of someone else's orders and not as an individual who will create his own path, unlike his ambitious rival: even their thirst for revenge was merely inherited.]]
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** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because ''[[OnlyInItForTheMoney they're that desperate]]'' for patronage. Sure, he might be TheCaligula and fully abuse of his DroitDuSeigneur status, but even thinking of disobeying him is downright treason and a crime easily punishable with execution -- or [[WithGreatPowerComesGreatInsanity merely ''annoying him'']], for that matter... However, nobody except the most daring political schemers try to oppose him, with everyone else [[ProfessionalButtKisser preferring to blindly obey him]] in hopes that he'll gain their favor. [[note]]That said, he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]
to:
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because ''[[OnlyInItForTheMoney they're that desperate]]'' for patronage. Sure, he might be TheCaligula and fully abuse of his DroitDuSeigneur status, but even thinking of disobeying him is downright treason and a crime easily punishable with execution -- or [[WithGreatPowerComesGreatInsanity ''[[WithGreatPowerComesGreatInsanity merely ''annoying him'']], annoying him]]'', for that matter... However, nobody except the most daring political schemers try to oppose him, with everyone else [[ProfessionalButtKisser preferring to blindly obey him]] in hopes that he'll gain their favor. [[note]]That said, he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]
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* ''Manga/{{Shigurui}}'':
** The main character is a textbook example of the archetypical romantic samurai ideal: ace swordsman, follows his school's ''bushido'' [[HonorBeforeReason code of honor]], and will possibly end up as its political [[ArrangedMarriage and biological]] heir as a reward for his lifelong devotion... In practice, this means that he and a new generation of ''samurai'' just carry on the vices of the military-noble feudal class, who can murder anyone who they want to with the excuse of their privilege, are expected to [[BlindObedience blindly obey]] their master (even if he is a tyrannical assassin and rapist), and are [[ImpoverishedPatrician mostly irrelevant without a lord's patronage]] (not to mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects, DroitDuSeigneur included).
** In contrast, the "villain" get his status for breaking the so-called "codes of honor" to get what he wants: forcibly achieving the school's heirdom [[SocialClimber for a purely economical reason]][[note]]Although getting revenge on the man that blinded and castrated him and almost murdered their lover, as well as his mindless minions, might be another reason.[[/note]], something practically impossible to low-class people like him... And is TheCasanova of the setting just because he treats women as human beings, unlike almost everybody else who sees them as their sole property.
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because they're ''that'' desperate.
** The main character is a textbook example of the archetypical romantic samurai ideal: ace swordsman, follows his school's ''bushido'' [[HonorBeforeReason code of honor]], and will possibly end up as its political [[ArrangedMarriage and biological]] heir as a reward for his lifelong devotion... In practice, this means that he and a new generation of ''samurai'' just carry on the vices of the military-noble feudal class, who can murder anyone who they want to with the excuse of their privilege, are expected to [[BlindObedience blindly obey]] their master (even if he is a tyrannical assassin and rapist), and are [[ImpoverishedPatrician mostly irrelevant without a lord's patronage]] (not to mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects, DroitDuSeigneur included).
** In contrast, the "villain" get his status for breaking the so-called "codes of honor" to get what he wants: forcibly achieving the school's heirdom [[SocialClimber for a purely economical reason]][[note]]Although getting revenge on the man that blinded and castrated him and almost murdered their lover, as well as his mindless minions, might be another reason.[[/note]], something practically impossible to low-class people like him... And is TheCasanova of the setting just because he treats women as human beings, unlike almost everybody else who sees them as their sole property.
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because they're ''that'' desperate.
to:
** The main character is a textbook example of the archetypical romantic
** In contrast, the
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely ''[[ForTheEvulz personal entertainment for a few minutes]]'' that he can arrange just because ''[[OnlyInItForTheMoney they're
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** ''Film/BackToTheFuturePartIII'' has Buford Tannen's self-proclaimed murder tally ''not counting'' Indians and Chinamen.
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** ''Film/BackToTheFuturePartIII'' has ''Film/BackToTheFuturePartIII'':
*** Buford Tannen's self-proclaimed murder tally''not counting'' ''specifically'' excludes Indians and Chinamen.Chinamen.
*** When Marty walks into the saloon in 1885, one of the old timers sees [[FashionsNeverChange his "western" attire]] and quips "Musta gotten that shirt off'n a dead Chinee".
*** Buford Tannen's self-proclaimed murder tally
*** When Marty walks into the saloon in 1885, one of the old timers sees [[FashionsNeverChange his "western" attire]] and quips "Musta gotten that shirt off'n a dead Chinee".
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* The main character of *Manga/{{Shigurui}}* is a textbook example of the archetypical romantic samurai ideal: ace swordsman, follows his school's *bushido* [[HonorBeforeReason code of honor]], and will possibly end up as its political [[ArrangedMarriage and biological]] heir as a reward for his lifelong devotion... In practice, this means that he and a new generation of *samurai* just carry on the vices of the military-noble feudal class, who can murder anyone who they want to with the excuse of their privilege, are expected to [[BlindObedience blindly obey]] their master (even if he is a tyrannical assassin and rapist), and are [[ImpoverishedPatrician mostly irrelevant without a lord's patronage]] (not to mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects, DroitDuSeigneur included). In contrast, the "villain" get his status for breaking the so-called "codes of honor" to get what he wants: forcibly achieving the school's heirdom [[SocialClimber for a purely economical reason]][[note]]Although getting revenge on the man that blinded and castrated him and almost murdered their lover, as well as his mindless minions, might be another reason.[[/note]], something practically impossible to low-class people like him... And is TheCasanova of the setting just because he treats women as human beings, unlike almost everybody else who sees them as their sole property. The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely *[[ForTheEvulz personal entertainment for a few minutes]]* that he can arrange just because they're *that* desperate.
to:
* ''Manga/{{Shigurui}}'':
** The main characterof *Manga/{{Shigurui}}* is a textbook example of the archetypical romantic samurai ideal: ace swordsman, follows his school's *bushido* ''bushido'' [[HonorBeforeReason code of honor]], and will possibly end up as its political [[ArrangedMarriage and biological]] heir as a reward for his lifelong devotion... In practice, this means that he and a new generation of *samurai* ''samurai'' just carry on the vices of the military-noble feudal class, who can murder anyone who they want to with the excuse of their privilege, are expected to [[BlindObedience blindly obey]] their master (even if he is a tyrannical assassin and rapist), and are [[ImpoverishedPatrician mostly irrelevant without a lord's patronage]] (not to mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects, DroitDuSeigneur included). included).
** In contrast, the "villain" get his status for breaking the so-called "codes of honor" to get what he wants: forcibly achieving the school's heirdom [[SocialClimber for a purely economical reason]][[note]]Although getting revenge on the man that blinded and castrated him and almost murdered their lover, as well as his mindless minions, might be another reason.[[/note]], something practically impossible to low-class people like him... And is TheCasanova of the setting just because he treats women as human beings, unlike almost everybody else who sees them as their soleproperty. property.
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely*[[ForTheEvulz ''[[ForTheEvulz personal entertainment for a few minutes]]* minutes]]'' that he can arrange just because they're *that* ''that'' desperate.
** The main character
** In contrast, the "villain" get his status for breaking the so-called "codes of honor" to get what he wants: forcibly achieving the school's heirdom [[SocialClimber for a purely economical reason]][[note]]Although getting revenge on the man that blinded and castrated him and almost murdered their lover, as well as his mindless minions, might be another reason.[[/note]], something practically impossible to low-class people like him... And is TheCasanova of the setting just because he treats women as human beings, unlike almost everybody else who sees them as their sole
** The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat that stages their life-or-death fight whom they desperately need to ascend social ladders, it is merely
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* The main character of ''Manga/{{Shigurui}}'' is a textbook example of the archetypical romantic ''samurai'' ideal of HonorBeforeReason, being an ace swordsman who [[BlindObedience blindly follows his school]]'s code of honor, and expects to be the its heir in both a political [[ArrangedMarriage and biological]] sense for his lifelong devotion to it... Even if the master who he follows is an absolute sadist who, under the excuse of being a genius swordsman, always acted as a tyrannical murderer and rapist, and only cares about gaining a feudal lord's patronage after the ''samurai'' class [[ImpoverishedPatrician fell to irrelevance]]. In contrast, the "villain" wants to be the heir of the school for purely economical reasons, breaking any so-called "codes of honor" to achieve what is [[SocialClimber practically impossible to lower-class people]], and might be TheCasanova of the setting just because he ''treats women as human beings'', unlike almost everybody else. To boot, the aristocrat who they desperately need to ascend social ladders stages their deadly fight ''[[ForTheEvulz just because it entertains him]]'', and could [[DroitDuSeigneur easily reclaim their lovers at whim]], since nobody has the power to stop him.[[note]]Although he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]
to:
* The main character of ''Manga/{{Shigurui}}'' *Manga/{{Shigurui}}* is a textbook example of the archetypical romantic ''samurai'' ideal of HonorBeforeReason, being an samurai ideal: ace swordsman who [[BlindObedience blindly swordsman, follows his school]]'s school's *bushido* [[HonorBeforeReason code of honor, honor]], and expects to be the will possibly end up as its heir in both a political [[ArrangedMarriage and biological]] sense heir as a reward for his lifelong devotion to it... Even if devotion... In practice, this means that he and a new generation of *samurai* just carry on the master vices of the military-noble feudal class, who he follows is an absolute sadist who, under can murder anyone who they want to with the excuse of being a genius swordsman, always acted as their privilege, are expected to [[BlindObedience blindly obey]] their master (even if he is a tyrannical murderer assassin and rapist, rapist), and only cares about gaining a feudal lord's patronage after the ''samurai'' class are [[ImpoverishedPatrician fell mostly irrelevant without a lord's patronage]] (not to irrelevance]]. mention that, as expected of many males in a feudal setting, they treat women as disposable sex objects, DroitDuSeigneur included). In contrast, the "villain" wants to be the heir of the school get his status for purely economical reasons, breaking any the so-called "codes of honor" to achieve get what is he wants: forcibly achieving the school's heirdom [[SocialClimber for a purely economical reason]][[note]]Although getting revenge on the man that blinded and castrated him and almost murdered their lover, as well as his mindless minions, might be another reason.[[/note]], something practically impossible to lower-class people]], and might be low-class people like him... And is TheCasanova of the setting just because he ''treats treats women as human beings'', beings, unlike almost everybody else. To boot, else who sees them as their sole property. The two characters' lifelong rivalry might follow some skewed or deeply personal code of honor, but to the aristocrat who that stages their life-or-death fight whom they desperately need to ascend social ladders stages their deadly fight ''[[ForTheEvulz ladders, it is merely *[[ForTheEvulz personal entertainment for a few minutes]]* that he can arrange just because it entertains him]]'', and could [[DroitDuSeigneur easily reclaim their lovers at whim]], since nobody has the power to stop him.[[note]]Although he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]they're *that* desperate.
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*''Anime/LauraThePrairieGirl'': The portrayal of bullfighting and rodeo for fun, where the poor bull is tied up and abused. Even Jack the dog whimpers at the sight of the whip and covers his eyes, but Laura and everyone else think it's entertaining.
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** Anamaria's gender makes Gibbs wary of bringing her on the ship because of the belief that women bring bad luck, but eventually relents. It's historically accurate that sailors were wary of having women on board, and there ''were'' a few notable female pirates during the Golden Age of Piracy, including [[http://en.wikipedia.org/wiki/Anne_Bonny Anne Bonny]] and [[http://en.wikipedia.org/wiki/Mary_Read Mary Read]]. The fact that no one even considers it worth mentioning that she's black is also accurate, since pirates loved stealing slave vessels (they had a lot of room), and would happily take on competent sailors regardless of skin colour.
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** Anamaria's gender makes Gibbs wary of bringing her on the ship because of the belief that women bring bad luck, but eventually relents. It's historically accurate that sailors were wary of having women on board, and there ''were'' a few notable female pirates during the Golden Age of Piracy, including [[http://en.wikipedia.org/wiki/Anne_Bonny Anne Bonny]] and Bonny]], [[http://en.wikipedia.org/wiki/Mary_Read Mary Read]].Read]] and [[https://en.wikipedia.org/wiki/Zheng_Yi_Sao Zheng Yi Sao]] (who would inspire Mistress Ching from ''[[Film/PiratesOfTheCaribbeanAtWorldsEnd At World's End]]''). The fact that no one even considers it worth mentioning that she's black is also accurate, since pirates loved stealing slave vessels (they had a lot of room), and would happily take on competent sailors regardless of skin colour.
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* ''Anime/MobileSuitGundamIronBloodedOrphans'': Post-Calamity War society has regressed socially in a number of ways. The world military is [[FeudalFuture controlled by an aristocracy]], no one bats an eye arranged marriages where one of the parties involved is 11 years old, and polygamy also appears to be socially accepted. There's even a scene where Kudelia and Atra casually discuss which one of them will get to bear Mikazuki's children.
to:
* ''Anime/MobileSuitGundamIronBloodedOrphans'': Post-Calamity War society has regressed socially in a number of ways. The world military is [[FeudalFuture controlled by an aristocracy]], no one bats an eye arranged marriages where one of the parties involved is 11 years old, and polygamy also appears to be socially accepted. There's even a scene where Kudelia and Atra casually discuss which one of them will get to bear Mikazuki's children. On the more dietary side of this, the Mars-born protagonists are weirded out when they're offered flounder for dinner after arriving on Earth for the first time; Mars has no indigenous ecosystem and the locals--the lower-classes, at least, which all of Tekkaden belong to--are basically all vegetarians by necessity rather than it being a deliberate lifestyle choice.
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* ''Film/{{Surrounded}}'': The film does not shy from showing just how much racism Mo, a young black woman, is forced to suffer, since it's 1870 in the American West. Given she passes as a man, she's in danger too from being found out and punished for this. Mo angrily rants at one man for goading her about both her race and presentation, quite understandably.
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* In ''Film/BlazingSaddles'', Creator/MelBrooks' deconstruction of the Western, all of the "good" townsfolk of Rock Ridge display violent racism toward black, Chinese and (in one scene especially) Irish[[note]]This is not an example of ArsonMurderAndJaywalking. The Irish [[TruthInTelevision really were discriminated against during the time period the film takes place]].[[/note]] people. The process of gaining their trust is a fairly major plot point.
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* In ''Film/BlazingSaddles'', Creator/MelBrooks' deconstruction of the Western, all of the "good" townsfolk of Rock Ridge display violent racism toward black, Chinese and (in one scene especially) Irish[[note]]This is not an example of ArsonMurderAndJaywalking. The Irish [[TruthInTelevision really were discriminated against during the time period the film takes place]].[[/note]] people. The process of gaining their trust is a fairly major plot point.
* The 1987 ''Franchise/{{Dragnet}}'' film contrasts the Detective Friday character, who is a throwback to TheFifties, with his more modern new partner played by Creator/TomHanks.
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* The 1987 ''Franchise/{{Dragnet}}'' film contrasts the Detective Friday character, who is a throwback to TheFifties, with his more modern new partner played by Creator/TomHanks.
* ''Film/TheKingsSpeech'': The first speech therapist promotes cigarettes to calm the nerves and soothe the throat.
* ''Film/KongSkullIsland'': The movie takes place in 1973, and the Landsat scientist [[Characters/MonsterVerseSkullIslandExpedition Steve Woodward]] is genuinely and openly surprised to see that [[GenderBlenderName Mason Weaver]] the photographer accompanying his expedition is a woman.
* ''Film/KongSkullIsland'': The movie takes place in 1973, and the Landsat scientist [[Characters/MonsterVerseSkullIslandExpedition Steve Woodward]] is genuinely and openly surprised to see that [[GenderBlenderName Mason Weaver]] the photographer accompanying his expedition is a woman.
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* ''Film/Paddington2014'': The Geographer's Guild expel Montgomery Clyde because he refused to bring home a "specimen" (i.e. the stuffed skin of a talking bear) from Peru. When Montgomery tries to protest that the bears were intelligent and civilized, the Guild blows him off, stating that any definition of "civilized" that does not involve typicaly British things like drinking tea, playing cricket and solving the ''Times'' crossword is broad enough to be meaningless.
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* ''Film/Paddington2014'': The Geographer's Guild expel Montgomery Clyde because he refused to bring home a "specimen" (i.e. the stuffed skin of a talking bear) from Peru. When Montgomery tries to protest that the bears were intelligent and civilized, the Guild blows him off, stating that any definition of "civilized" that does not involve typicaly typically British things like drinking tea, playing cricket and solving the ''Times'' crossword is broad enough to be meaningless.
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* ''Film/TheKingsSpeech'': The first speech therapist promotes cigarettes to calm the nerves and soothe the throat.
* ''Film/WhereTheTruthLies'': The film is set in the 50s and 60s, with the plot hinging on the fact that being publicly known to have sex with a person of your own gender (or wanting this) would be a social death sentence along with prime fodder for {{blackmail}}.
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* ''Film/WhereTheTruthLies'': The film is set in the 50s and 60s, with the plot hinging on the fact that being publicly known to have sex with a person of your own gender (or wanting this) would be a social death sentence along with prime fodder for {{blackmail}}.
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* A case of in universe ValuesDissonance shows up in Volume 11 of ''ComicBook/{{Saga}}''. Alana tries doing a "secret book club" reading with her daughter Hazel and adopted son Squire, reading them her favorite work by Oswald Heist. Heist is an author who secretly snuck anti-war messages into his books, anti-war messages which helped turn both Alana and her husband Marko against the war ripping apart the galaxy, and one of the first things that Marko and Alana bonded over were his books. The kids don't pick up on the subtext and are angry and aghast at one point when the word "retarded" is used, which wasn't considered a slur in previous generations but is for them, and worse still, it has been hurled at Squire because he went mute for years following [[spoiler:the murder of his father]], so the term hits hard for them. It's pretty clear Alana doesn't get why it's such a big deal to them and they react so strongly to it until Hazel points out the way it's been used against Squire as the two are storming away.
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* A case of in universe ValuesDissonance shows up in Volume 11 of ''ComicBook/{{Saga}}''. Alana tries doing a "secret book club" reading with her daughter Hazel and adopted son Squire, reading them her favorite work by Oswald Heist. Heist is an author who secretly snuck anti-war messages into his books, anti-war messages which helped turn both Alana and her husband Marko against the war ripping apart the galaxy, and one of the first things that Marko and Alana bonded over were his books. The kids don't pick up on the subtext and are angry and aghast at one point when the word "retarded" is used, which wasn't considered a slur in previous generations but is for them, and worse them. Worse still, it has been hurled at Squire because he went mute for years following [[spoiler:the murder of his father]], so the term hits extra hard for them. It's pretty clear Alana doesn't get understand why it's such a big deal to them and they react or they're reacting so strongly to it until Hazel points out the way it's been used against Squire as the two are storming away.
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* ''Fanfic/LittleHandsBigAttitude'': Since many characters are aliens from different cultures, this comes up a lot.
** Diapers are not a thing in Mobian culture because the parents will carry the young to the yard when they have to go. This also implies that every Mobian house has a yard, which is unthinkable (and impossible) on Earth.
** Knuckles believes that one of the first gifts a newborn receives must be a family heirloom from an older member. None of the other characters has such a concept.
** [[spoiler:Silver and Blaze]], who come from a world that's been [[ApocalypseHow burned to ash]], think that the trash are supplies that the generous people leave out for the less fortunate.
** Diapers are not a thing in Mobian culture because the parents will carry the young to the yard when they have to go. This also implies that every Mobian house has a yard, which is unthinkable (and impossible) on Earth.
** Knuckles believes that one of the first gifts a newborn receives must be a family heirloom from an older member. None of the other characters has such a concept.
** [[spoiler:Silver and Blaze]], who come from a world that's been [[ApocalypseHow burned to ash]], think that the trash are supplies that the generous people leave out for the less fortunate.
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** ''Film/BackToTheFuturePartII'': A futuristic example occurs when, explaining a newspaper report a shocked Marty is reading about his son getting swiftly sentenced to a long prison term, the Doc nonchalantly points out that "the justice system works swiftly in the future now that they've abolished all lawyers!" (One need only think about the negative implications of that...)
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** ''Film/BackToTheFuturePartII'': A futuristic example occurs when, explaining a newspaper report a shocked Marty is reading about his son getting swiftly sentenced to a long prison term, the Doc nonchalantly points out that "the justice system works swiftly in the future now that [[EvilLawyerJoke they've abolished all lawyers!" lawyers!]]" (One need only think about the negative implications of that...)
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[[folder:Film -- Animation]]
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[[folder:Film -- Live-Action]]
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* ''WesternAnimation/KingOfTheHill'' at times ran on this, as the show was about an old-fashioned conservative family adjusting to a changing world in the TurnOfTheMillennium. One example in particular would be the episode "Revenge of the Lutefisk" in which everyone in Hank's community is skeptical about a new female minister (as Abrahamic religion teaches that men and women have different but complementary roles and responsibilities in society), but warm up to her quickly upon realizing they share common ground like enjoying sports. When she says that female church leaders typically don't last long down South, [[ComicallyMissingThePoint Hank thinks she means because of the temperature]].
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* ''WesternAnimation/KingOfTheHill'' at times ran on this, as the show was about an [[GoodOlBoy old-fashioned conservative conservative]] family adjusting to a changing world in the TurnOfTheMillennium. One example in particular would be the episode "Revenge of the Lutefisk" in which everyone in Hank's community is skeptical about a new female minister (as Abrahamic religion teaches that men and women have different but complementary roles and responsibilities in society), but warm up to her quickly upon realizing they share common ground like enjoying sports. When she says that female church leaders typically don't last long down South, [[ComicallyMissingThePoint Hank thinks she means because of the temperature]].
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* In ''[[https://archiveofourown.org/works/34346623/chapters/97512555 Hawkmoth Gets a Reference]]''. André Glacier's sweetheart ice cream magic was created by his father, [[HeteronormativeCrusader who believed that love is just a boy and girl together]], which André finds out the hard way when his attempt to [[ShipperOnDeck show his support to a young lesbian couple]] causes his cart to spew out waste ice, [[DespairEventHorizon with the guilt that he can't help queer or polyamory couples leading him to be akumatized]]. Thankfully, Ladybug and Chat Noir's greater control of their powers allows them to reforge the sweetheart ice cream magic to be more progressive.
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* In ''[[https://archiveofourown.org/works/34346623/chapters/97512555 Hawkmoth Gets a Reference]]''.''Fanfic/HawkmothGetsAReference''. André Glacier's sweetheart ice cream magic was created by his father, [[HeteronormativeCrusader who believed that love is just a boy and girl together]], which André finds out the hard way when his attempt to [[ShipperOnDeck show his support to a young lesbian couple]] causes his cart to spew out waste ice, [[DespairEventHorizon with the guilt that he can't help queer or polyamory couples leading him to be akumatized]]. Thankfully, Ladybug and Chat Noir's greater control of their powers allows them to reforge the sweetheart ice cream magic to be more progressive.
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* ''Fanfic/IAintADollThisAintADollhouse'': In chapter 7, the more modern heroes from Parts 3 to 5 are shocked to discover that [[GenderFlip Johanna Joestar]] has been using cocaine. Joseph has to explain that in the 19th century, people like Johanna and Speedwagon saw cocaine as a miracle drug rather than a dangerous addiction, with Johanna using it to keep herself fighting against Dio's zombies, especially since unlike her canon male self in ''VideoGame/JoJosBizarreAdventureEyesOfHeaven'' [[AdaptationalWimp she doesn't have her hamon yet]]. Joseph also adds that his grandfather Erin gave it to him as a child to alleviate toothache, along with people adding it to Coke soda.
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* A case of in universe ValuesDissonance shows up in Volume 11 of ''ComicBook/{{Saga}}''. Alana tries doing a "secret book club" reading with her daughter Hazel and adopted son Squire, reading them her favorite work by Oswald Heist. Heist is an author who secretly snuck anti-war messages into his books, anti-war messages which helped turn both Alana and her husband Marko against the war ripping apart the galaxy, and one of the first things that Marko and Alana bonded over were his books. The kids don't pick up on the subtext and are angry and aghast at one point when the word "retarded" is used, which wasn't considered a slur in previous generations but is for them, and worse still, it has been hurled at Squire because he went mute for years following [[spoiler:the murder of his father]], so the term hits hard for them. It's pretty clear Alana doesn't get why it's such a big deal to them and they react so strongly to it until Hazel points out the way it's been used against squire as the two are storming away.
to:
* A case of in universe ValuesDissonance shows up in Volume 11 of ''ComicBook/{{Saga}}''. Alana tries doing a "secret book club" reading with her daughter Hazel and adopted son Squire, reading them her favorite work by Oswald Heist. Heist is an author who secretly snuck anti-war messages into his books, anti-war messages which helped turn both Alana and her husband Marko against the war ripping apart the galaxy, and one of the first things that Marko and Alana bonded over were his books. The kids don't pick up on the subtext and are angry and aghast at one point when the word "retarded" is used, which wasn't considered a slur in previous generations but is for them, and worse still, it has been hurled at Squire because he went mute for years following [[spoiler:the murder of his father]], so the term hits hard for them. It's pretty clear Alana doesn't get why it's such a big deal to them and they react so strongly to it until Hazel points out the way it's been used against squire Squire as the two are storming away.
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* A case of in universe ValuesDissonance shows up in Volume 11 of ''ComicBook/{{Saga}}''. Alana tries doing a "secret book club" reading with her daughter Hazel and adopted son Squire, reading them her favorite work by Oswald Heist. Heist is an author who secretly snuck anti-war messages into his books, anti-war messages which helped turn both Alana and her husband Marko against the war ripping apart the galaxy, and one of the first things that Marko and Alana bonded over were his books. The kids don't pick up on the subtext and are angry and aghast at one point when the word "retarded" is used, which wasn't considered a slur in previous generations but is for them, and worse still, it has been hurled at Squire because he went mute for years following [[spoiler:the murder of his father]], so the term hits hard for them. It's pretty clear Alana doesn't get why it's such a big deal to them and they react so strongly to it until Hazel points out the way it's been used against squire as the two are storming away.
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* ''ComicBook/SupermanSmashesTheKlan'' is set in the 1940's, so casual racism is everywhere, between the depictions of Asians as alien conqueror in film, the racism displayed against the Lees by Chuck, the Klan, and an old police officer, and Clark's own fear of being outed as an alien.
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* ''ComicBook/SupermanSmashesTheKlan'' is set in the 1940's, 1940s, so casual racism is everywhere, between the depictions of Asians as alien conqueror in film, the racism displayed against the Lees by Chuck, the Klan, and an old police officer, and Clark's own fear of being outed as an alien.
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* ''Fanfic/TheNewRetcons'': When Elly [[spoiler: went through a TeenPregnancy with Claire, Jim and Marian’s reaction was to send her to a mother and baby home where she was coerced into giving her daughter up for adoption and then was told to not talk about it, which was seen as normal in the 1960’s. In addition, her grandmother called her unclean for it.]] this fuels much of her mental illness and poor relationships with her children.
** Later, Elly admits that she never actually ''wanted'' children in the first place, but 1970’s social norms of NotWantingKidsIsWeird made force herself to have them.
** Later, Elly admits that she never actually ''wanted'' children in the first place, but 1970’s social norms of NotWantingKidsIsWeird made force herself to have them.
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* ''Fanfic/TheNewRetcons'': When Elly [[spoiler: went through a TeenPregnancy with Claire, Jim and Marian’s reaction was to send her to a mother and baby home where she was coerced into giving her daughter up for adoption and then was told to not talk about it, which was seen as normal in the 1960’s.1960s. In addition, her grandmother called her unclean for it.]] this fuels much of her mental illness and poor relationships with her children.
** Later, Elly admits that she never actually ''wanted'' children in the first place, but1970’s 1970s social norms of NotWantingKidsIsWeird made force herself to have them.
** Later, Elly admits that she never actually ''wanted'' children in the first place, but
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* ''Fanfic/RocketshipVoyager'' is ''Series/StarTrekVoyager'' written InTheStyleOf a 1950's sci-fi PulpMagazine serial. EverybodySmokes and the eponymous rocketship uses radium, asbestos, and chlorofluorocarbon refrigerant. Spacefleet has a PrimeDirective against [[BoldlyComing miscegenation]]. Despite ''Voyager'' having a female captain, engineers and soldiers are AlwaysMale. Women under thirty are referred to as "girls", African-Americans as "Negroes", B'Elanna Torres is a "half-caste" and Chakotay is a "Red Indian".
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* ''Fanfic/RocketshipVoyager'' is ''Series/StarTrekVoyager'' written InTheStyleOf a 1950's 1950s sci-fi PulpMagazine serial. EverybodySmokes and the eponymous rocketship uses radium, asbestos, and chlorofluorocarbon refrigerant. Spacefleet has a PrimeDirective against [[BoldlyComing miscegenation]]. Despite ''Voyager'' having a female captain, engineers and soldiers are AlwaysMale. Women under thirty are referred to as "girls", African-Americans as "Negroes", B'Elanna Torres is a "half-caste" and Chakotay is a "Red Indian".
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* ''Film/Mid90s'' focuses on the much more realistic 90's rather than the [[NostalgiaFilter idealized version]] that is frequently portrayed in popular culture, and as a result, this happens quite a bit.
** Stevie having an [[BigBrotherBully abusive older brother]], and it really not being dealt with by the mother was very much how sibling abuse was like back in the 90's.
** Stevie having an [[BigBrotherBully abusive older brother]], and it really not being dealt with by the mother was very much how sibling abuse was like back in the 90's.
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* ''Film/Mid90s'' focuses on the much more realistic 90's 90s rather than the [[NostalgiaFilter idealized version]] that is frequently portrayed in popular culture, and as a result, this happens quite a bit.
** Stevie having an [[BigBrotherBully abusive older brother]], and it really not being dealt with by the mother was very much how sibling abuse was like back in the90's.90s.
** Stevie having an [[BigBrotherBully abusive older brother]], and it really not being dealt with by the mother was very much how sibling abuse was like back in the
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** Stevie has a sexual encounter at a party with a girl much older than him. Stevie is 13, but everyone treats it as a great accomplishment. One night stands between people who had age differences between them, even if that person could not legally consent, were very common at parties in the 90's.
** One of the teens faces absolutely no punishment, aside from what is implied to be a guilty conscience for driving drunk and high and nearly getting Stevie killed. This is very much how drunk driving was treated during the decade, as a minor crime, even if people died in a crash.
** One of the teens faces absolutely no punishment, aside from what is implied to be a guilty conscience for driving drunk and high and nearly getting Stevie killed. This is very much how drunk driving was treated during the decade, as a minor crime, even if people died in a crash.
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** Stevie has a sexual encounter at a party with a girl much older than him. Stevie is 13, but everyone treats it as a great accomplishment. One night One-night stands between people who had age differences between them, even if that person could not legally consent, were very common at parties in the 90's.
90s.
** One of the teens faces absolutely no punishment, aside from what is implied to be a guiltyconscience conscience, for driving drunk and high and nearly getting Stevie killed. This is very much how drunk driving was treated during the decade, as a minor crime, even if people died in a crash.
** One of the teens faces absolutely no punishment, aside from what is implied to be a guilty
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* ''Film/TeenBeachMovie'' is about a pair of teens from UsefulNotes/TheNewTens getting transported into a 60's-made movie, so this trope is a given. Of particular note is the musical number "Like Me", in which Mack and Brady try (and fail) to convince the 60's teens that they should use more modern tactics to attract a potential lover.
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* ''Film/TeenBeachMovie'' is about a pair of teens from UsefulNotes/TheNewTens getting transported into a 60's-made 60s-made movie, so this trope is a given. Of particular note is the musical number "Like Me", in which Mack and Brady try (and fail) to convince the 60's 60s teens that they should use more modern tactics to attract a potential lover.
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* ''Film/WhereTheTruthLies'': The film is set in the 50's and 60's, with the plot hinging on the fact that being publicly known to have sex with a person of your own gender (or wanting this) would be a social death sentence along with prime fodder for {{blackmail}}.
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* ''Film/WhereTheTruthLies'': The film is set in the 50's 50s and 60's, 60s, with the plot hinging on the fact that being publicly known to have sex with a person of your own gender (or wanting this) would be a social death sentence along with prime fodder for {{blackmail}}.
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* ''Film/TheWorldUnseen'': The film takes place in South Africa in the 1950's, and does not gloss over the racism from that era, even among the Indian community, who look down on Amina because of her mixed ancestry. Same-sex relationships of any kind are prohibited and taboo.
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* ''Film/TheWorldUnseen'': The film takes place in South Africa in the 1950's, 1950s, and does not gloss over the racism from that era, even among the Indian community, who look down on Amina because of her mixed ancestry. Same-sex relationships of any kind are prohibited and taboo.
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* ''TabletopGame/{{FATAL}}'': Half of all men are rapists (and receive less punishment for this than keeping a disorderly house), women are considered DefiledForever for being raped and prostitution is accepted and common. The author flip-flops between saying it's "controversial humour" or that this applies to all of Europe for all of its history because of one book about prostitution in 1400's.
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* ''TabletopGame/{{FATAL}}'': Half of all men are rapists (and receive less punishment for this than keeping a disorderly house), women are considered DefiledForever for being raped and prostitution is accepted and common. The author flip-flops between saying it's "controversial humour" or that this applies to all of Europe for all of its history because of one book about prostitution in 1400's.the 1400s.
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* ''WebAnimation/StrongBadEmail'': [[ParodiedTrope Parodied]] when Strong Bad and the Cheat decide to [[EggSitting take their "baby" (a zip-lok of banana pudding)]] to the King of Town's restaurant [=SteaKastle=] which hasn't been updated since the 70's featuring a high chair that's a bear trap and cigars on the kids menu. Strong Bad opts to go to a modern family day out, a vape shop that also sells hot fries.
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* ''WebAnimation/StrongBadEmail'': [[ParodiedTrope Parodied]] when Strong Bad and the Cheat decide to [[EggSitting take their "baby" (a zip-lok of banana pudding)]] to the King of Town's restaurant [=SteaKastle=] which hasn't been updated since the 70's 70s featuring a high chair that's a bear trap and cigars on the kids menu. Strong Bad opts to go to a modern family day out, a vape shop that also sells hot fries.
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* ''Website/CollegeHumor'': [[https://youtu.be/HQ7mJFNkLAU In this]] sketch, the guys want to pull pranks like in the classic 80’s movies. One of the guys tries pointing out a lot of those pranks were basically assault battery and sexual assault and borderline rapes so they wouldn’t be a good idea to pull in the modern age.
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* ''Website/CollegeHumor'': [[https://youtu.be/HQ7mJFNkLAU In this]] sketch, the guys want to pull pranks like in the classic 80’s 80s movies. One of the guys tries pointing out a lot of those pranks were basically assault battery and sexual assault and borderline rapes so they wouldn’t be a good idea to pull in the modern age.
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* ''WebVideo/Needlem0use'': This series pulls no punches in showcasing the rampant homophobia present in 1960's America, and [[spoiler:Sarah expresses concern about her and her girlfriend Lily's safety to the point where she asks Luther to watch over them]].
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* ''WebVideo/Needlem0use'': This series pulls no punches in showcasing the rampant homophobia present in 1960's 1960s America, and [[spoiler:Sarah expresses concern about her and her girlfriend Lily's safety to the point where she asks Luther to watch over them]].
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'''Bandit''': Yeah, it was the 80's. Mums were allowed to be mean.
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'''Bandit''': Yeah, it was the 80's.80s. Mums were allowed to be mean.
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** 19th Century-1930’s: It's something of a RunningGag that anti-Irish sentiment was prevalent in Springfield at one point and still leaves traces in the present, which, naturally, has never stopped the town from getting roaringly drunk on St. Patrick's Day.
** 1940’s: In "Stealing First Base", Bart asks Grandpa for help with his latest GirlOfTheWeek, and Grandpa, working off 1940's-era logic, advises him to give her a ShutUpKiss. When Bart kisses the girl out of nowhere, she begins screaming and he gets suspended for sexual assault.
** 1940’s: In "Stealing First Base", Bart asks Grandpa for help with his latest GirlOfTheWeek, and Grandpa, working off 1940's-era logic, advises him to give her a ShutUpKiss. When Bart kisses the girl out of nowhere, she begins screaming and he gets suspended for sexual assault.
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** 19th Century-1930’s: Century-1930s: It's something of a RunningGag that anti-Irish sentiment was prevalent in Springfield at one point and still leaves traces in the present, which, naturally, has never stopped the town from getting roaringly drunk on St. Patrick's Day.
**1940’s: 1940s: In "Stealing First Base", Bart asks Grandpa for help with his latest GirlOfTheWeek, and Grandpa, working off 1940's-era 1940s-era logic, advises him to give her a ShutUpKiss. When Bart kisses the girl out of nowhere, she begins screaming and he gets suspended for sexual assault.
**
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** 1950 & 1960’s: In the episode "Three Men and a Comic Book", Bart sees an old Radioactive Man cartoon wherein the eponymous superhero is smoking.
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** 1950 1950s & 1960’s: 1960s: In the episode "Three Men and a Comic Book", Bart sees an old Radioactive Man cartoon wherein the eponymous superhero is smoking.
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** 1970’s: The episode "Homer Is Where The Art Isn't", we see Manacek, an stereotypical 1970s-era P.I. whose attitudes towards women ([[WouldHitAGirl including knocking one out cold]]) are now seen as incredibly misogynistic (specially considering that the episode aired at a time [=#MeToo=] and women's lib were hot topics, whereas the former did not exist during production).
** 1980’s: In "Bart Stops to Smell the Roosevelts", Superintendent Chalmers takes over educating Bart, and later other troubled boys. Chalmers hasn't taught since TheEighties, and is disdainful of modern teaching practices. Although he does actually start to make progress with his students, he takes the boys on an unauthorised camping trip in the woods where Nelson is hurt. Chalmers thinks that the (admittedly minor) injuries are no big deal, and is stunned when he is fired.
** 1990’s: Invoked but subverted in "Mr. Spritz Goes to Washington"; Krusty's rival for congress shows an old sketch where he interprets insensitive stereotypes in a UN meeting (A stereotypical Frenchman who stinks worse than his French cheese, a pothead Rastafarian from Jamaica and a San Francisco homosexual). Krusty tries to defend himself by saying that it was a different time... [[NotHelpingYourCase 1998]].
** 2000’s: In the episode, "The Last Temptation of Krust", Krusty performs at a comedy festival, but not really having created any new material in years, his old bits are incredibly outdated, especially an extremely cringeworthy Asian stereotype. He almost retires after the negative responses.
** 2010’s: In the episode "Lisa's Wedding", which takes place fifteen years into the future, this quote from Marge shows what type of content will be acceptable to show on broadcast TV, and doubles as BitingTheHandHumor:
** 1980’s: In "Bart Stops to Smell the Roosevelts", Superintendent Chalmers takes over educating Bart, and later other troubled boys. Chalmers hasn't taught since TheEighties, and is disdainful of modern teaching practices. Although he does actually start to make progress with his students, he takes the boys on an unauthorised camping trip in the woods where Nelson is hurt. Chalmers thinks that the (admittedly minor) injuries are no big deal, and is stunned when he is fired.
** 1990’s: Invoked but subverted in "Mr. Spritz Goes to Washington"; Krusty's rival for congress shows an old sketch where he interprets insensitive stereotypes in a UN meeting (A stereotypical Frenchman who stinks worse than his French cheese, a pothead Rastafarian from Jamaica and a San Francisco homosexual). Krusty tries to defend himself by saying that it was a different time... [[NotHelpingYourCase 1998]].
** 2000’s: In the episode, "The Last Temptation of Krust", Krusty performs at a comedy festival, but not really having created any new material in years, his old bits are incredibly outdated, especially an extremely cringeworthy Asian stereotype. He almost retires after the negative responses.
** 2010’s: In the episode "Lisa's Wedding", which takes place fifteen years into the future, this quote from Marge shows what type of content will be acceptable to show on broadcast TV, and doubles as BitingTheHandHumor:
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** 1970’s: 1970s: The episode "Homer Is Where The Art Isn't", we see Manacek, an stereotypical 1970s-era P.I. whose attitudes towards women ([[WouldHitAGirl including knocking one out cold]]) are now seen as incredibly misogynistic (specially considering that the episode aired at a time [=#MeToo=] and women's lib were hot topics, whereas the former did not exist during production).
**1980’s: 1980s: In "Bart Stops to Smell the Roosevelts", Superintendent Chalmers takes over educating Bart, and later other troubled boys. Chalmers hasn't taught since TheEighties, and is disdainful of modern teaching practices. Although he does actually start to make progress with his students, he takes the boys on an unauthorised camping trip in the woods where Nelson is hurt. Chalmers thinks that the (admittedly minor) injuries are no big deal, and is stunned when he is fired.
**1990’s: 1990s: Invoked but subverted in "Mr. Spritz Goes to Washington"; Krusty's rival for congress shows an old sketch where he interprets insensitive stereotypes in a UN meeting (A stereotypical Frenchman who stinks worse than his French cheese, a pothead Rastafarian from Jamaica and a San Francisco homosexual). Krusty tries to defend himself by saying that it was a different time... [[NotHelpingYourCase 1998]].
**2000’s: 2000s: In the episode, "The Last Temptation of Krust", Krusty performs at a comedy festival, but not really having created any new material in years, his old bits are incredibly outdated, especially an extremely cringeworthy Asian stereotype. He almost retires after the negative responses.
**2010’s: 2010s: In the episode "Lisa's Wedding", which takes place fifteen years into the future, this quote from Marge shows what type of content will be acceptable to show on broadcast TV, and doubles as BitingTheHandHumor:
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* ''Film/{{Little Women 2019}}'' shows women not being expected to work and their property going automatically to their husbands. Meg also never gets to become an actress because of the stigma towards the profession of acting. Aunt March compares acting to prostitution.
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* ''Film/{{Little Women 2019}}'' ''Film/LittleWomen2019'' shows women not being expected to work and their property going automatically to their husbands. Meg also never gets to become an actress because of the stigma towards the profession of acting. Aunt March compares acting to prostitution.
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* ''Film/{{Little Women 2019}}'' shows women not being expected to work and their property going automatically goes to their husbands. Meg also never gets to become an actress because of the stigma towards the profession of acting. Aunt March compares acting to prostitution.
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* ''Film/{{Little Women 2019}}'' shows women not being expected to work and their property going automatically goes to their husbands. Meg also never gets to become an actress because of the stigma towards the profession of acting. Aunt March compares acting to prostitution.
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* The main character of ''Manga/{{Shigurui}}'' is a textbook example of the archetypical romantic ''samurai'' ideal of HonorBeforeReason, being an ace swordsman who [[BlindObedience blindly follows his school]]'s code of honor, and expects to be the its heir in both a political [[ArrangedMarriage and biological]] sense for his lifelong devotion to it... Even if the master who he follows is an absolute sadist who, under the excuse of being a genius swordsman, always acted as a tyrannical murderer and rapist, and only cares about gaining a feudal lord's patronage after the ''samurai'' class [[ImpoverishedPatrician fell to irrelevance]]. In contrast, the "villain" wants to be the heir of the school for purely economical reasons, breaking any so-called "codes of honor" to achieve what is [[SocialClimber practically impossible to lower-class people]], and might be TheCasanova of the setting just because he ''treats women as human beings'', unlike almost everybody else. To boot, the aristocrat who they desperately need to ascend social ladders stages their deadly fight ''[[ForTheEvulz just because it entertains him]]'', and could [[DroitDuSeigneur easily reclaim their lovers at whim]], since nobody has the power to stop him.[[note]]Although he's the shōgun's brother, not [[AlwaysABiggerFish THE shōgun]]...[[/note]]
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*''Anime/KazeNoShojoEmily'' is set in [[AmbiguousTimePeriod 1900s-something Canada]]. Aunt Elizabeth doesn't like that Emily is a writer and many of her criticisms fall into straight sexism, like saying Emily should take up textile work instead and refrain from partaking in "unladylike" sports. The unladylike sport in question, you may ask? Ice skating.
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*''Anime/LaSeineNoHoshi'': In the first episode, after Milan is arrested, Simone asks the Parisians to take her with them when they go free him. The man leading the commoners laughs and says it's a man's job. [[DramaticIrony This becomes deeply ironic once she becomes La Seine No Hoshi]].
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* An in-universe example played for comedy can be seen in the marriage of Jessica and Roger Rabbit in ''Film/WhoFramedRogerRabbit''. The two are an extremely mismatched pair; Jessica is an animated pin-up girl with an ImpossibleHourglassFigure and [[WomenAreWiser a great deal of street smarts]], whilst Roger is a hyperactive, bumbling, toony rabbit -- sort of if WesternAnimation/BugsBunny was designed more like WesternAnimation/MickeyMouse, then given a double-helping of comedic bad luck. Both humans and toons comment on the strangeness of the pairing, and that one partner clearly married up. Humans think that it's Roger... but toons think it's ''Jessica''. FridgeBrilliance kicks in as to why the reactions are so different, and it boils down to another layer of this trope; toon culture revolves around comedy and being funny, and Jessica Rabbit? She's a living ''human'' sex symbol that works as a lounge singer -- she pushes human buttons fine, thanks to her figure and her voice, but she literally does nothing for the standard toon, because there's nothing inherently funny about her. Roger, on the other hand, is a successful Hollywood comedian that can get most people laughing, so he's extremely attractive by toon standards.
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* An in-universe example played for comedy can be seen in the marriage of Jessica and Roger Rabbit in ''Film/WhoFramedRogerRabbit''. The two are an extremely mismatched pair; Jessica is an animated pin-up girl with an ImpossibleHourglassFigure and [[WomenAreWiser [[StreetSmart a great deal of street smarts]], whilst Roger is a hyperactive, bumbling, toony rabbit -- sort of if WesternAnimation/BugsBunny was designed more like WesternAnimation/MickeyMouse, then given a double-helping of comedic bad luck. Both humans and toons comment on the strangeness of the pairing, and that one partner clearly married up. Humans think that it's Roger... but toons think it's ''Jessica''. FridgeBrilliance kicks in as to why the reactions are so different, and it boils down to another layer of this trope; toon culture revolves around comedy and being funny, and Jessica Rabbit? She's a living ''human'' sex symbol that works as a lounge singer -- she pushes human buttons fine, thanks to her figure and her voice, but she literally does nothing for the standard toon, because there's nothing inherently funny about her. Roger, on the other hand, is a successful Hollywood comedian that can get most people laughing, so he's extremely attractive by toon standards.
