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Shown Their Work is not really apply here since unlike Ulysses which realistically depicts Dublin, this isn't a realistic work.
* DecompositeCharacter: The central cast of HCE, ALP, Shaun, Shem and Issy are often refracted under new names and puns, and no one's sure if these are the same characters or different characters with the same name and theme.
* GratuitousForeignLanguage: Joyce would occassionally drop lines in Hindi and Turkish, just because he could. A good example is the non-sequitir: "cha kai rotty kai makkar, sahib" (Tea or Roti - bread - or butter, mister?).
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* HurricaneOfPuns: Almost '''''every single word of the book''''' is a wordplay of some sort, or part of a wordplay. And Joyce didn't limit the puns to English, either -- by some official estimates, he crammed words from about '''''sixty separate languages''''' into the book, and you would have to know at least ''nine'' different languages other than English (including Latin, Greek, and especially Gaelic) to get half of the jokes.
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* HurricaneOfPuns: HurricaneOfPuns:
** Almost '''''every single word of the book''''' is a wordplay of some sort, or part of a wordplay. And Joyce didn't limit the puns to English, either -- by some official estimates, he crammed words from about '''''sixty separate languages''''' into the book, and you would have to know at least ''nine'' different languages other than English (including Latin, Greek, and especially Gaelic) to get half of thejokes.jokes.
** There are also paragraphs which pun on a specific theme. One paragraph in the Third Chapter puns on William Makepeace Thackeray and Creator/CharlesDickens, making references to Literature/OurMutualFriend (also a book which has a theme of resurrection) and Literature/TheOldCuriosityShop.
** Almost '''''every single word of the book''''' is a wordplay of some sort, or part of a wordplay. And Joyce didn't limit the puns to English, either -- by some official estimates, he crammed words from about '''''sixty separate languages''''' into the book, and you would have to know at least ''nine'' different languages other than English (including Latin, Greek, and especially Gaelic) to get half of the
** There are also paragraphs which pun on a specific theme. One paragraph in the Third Chapter puns on William Makepeace Thackeray and Creator/CharlesDickens, making references to Literature/OurMutualFriend (also a book which has a theme of resurrection) and Literature/TheOldCuriosityShop.
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** TheWalrusWasPaul
* {{Neologism}}
* {{Neologism}}
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* NoPlotNoProblem
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* ShoutOut: Not in, but from the book, we have three. "Quark" was borrowed from here to name the subatomic particle. JosephCampbell also first saw the word "monomyth" in its pages, and GeorgeRRMartin named a castle in Literature/ASongOfIceAndFire after the first word, "riverrun".
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* ShoutOut: ShoutOut:
** Not in, but from the book, we have three. "Quark" was borrowed from here to name the subatomic particle. JosephCampbell also first saw the word "monomyth" in its pages, and GeorgeRRMartin named a castle in Literature/ASongOfIceAndFire after the first word, "riverrun".
** Not in, but from the book, we have three. "Quark" was borrowed from here to name the subatomic particle. JosephCampbell also first saw the word "monomyth" in its pages, and GeorgeRRMartin named a castle in Literature/ASongOfIceAndFire after the first word, "riverrun".
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* ShownTheirWork: And ''how!''
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** Joyce also drops in some movie references (he ''did'' start and run Dublin's first cinema hall). One multilingual extended pun refers to "bilker's dozen of dowdycameraman", the dances of "lewd Buylan" (Berlin caberet) and "the phylli-sophies of Bussup Bulkeley", a double reference to both Bishop Berkeley, the philosopher and Creator/BusbyBerkeley, the musical choreographer[[note]]The word phylli-sophies, refers to both philosophies and the pun of "filly" used for girl, referring to Busby Berkeley's famously gorgeous chorines[[/note]].
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* BrotherSisterIncest: Shem and Shaun towards Issy.
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* ParentalIncest: HCE with his daughter Issy.
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* AnachronicOrder: Doesn't really have a beginning, [[NoEnding doesn't have an ending either]]. Not to mention the "story" jumps back and forth through many stages of history. There's a good chance any given historical event or person prior to 1939 has been mentioned in the ''Wake.''
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* LoadsAndLoadsOfCharacters: More like loads and loads of ''names.'' There are hundreds of name changes throughout the book, although a popular interpretation is that there is a set number of abstract characters that these names are supposed to represent.
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* ShownTheirWork: And ''how!''
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trope links are not allowed in page quotes
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->''"Despite these obstacles, readers and commentators have reached a broad consensus about the book's central cast of characters and, to a lesser degree, [[NoPlotNoProblem its plot]]."''
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->''"Despite these obstacles, readers and commentators have reached a broad consensus about the book's central cast of characters and, to a lesser degree, [[NoPlotNoProblem its plot]].plot."''
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* EvilCounterpart: [[https://en.wikipedia.org/wiki/Mug_Ruith Magrath]] and his wife [[https://en.wikipedia.org/wiki/Lilith Lily]] Kinsella to Earwicker and Anna Livia.
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* SpeechImpediment: HCE's stutter, usually over his guilt at his sexual indiscretions, is one of his distinguishing characteristics.
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* AnthropomorphicPersonification: HCE represents the landscape of Dublin, Anna Livia [[note]]from ''Amhain Life''[[/note]] the river Liffey, Issy takes the form of clouds and light rain.
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* AnthropomorphicPersonification: HCE represents the landscape of Dublin, Anna Livia [[note]]from ''Amhain ''Abhainn na Life''[[/note]] the river Liffey, Issy takes the form of clouds and light rain.
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* FootnoteFever: Many scholarly editions of the book.
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* FootnoteFever: Many scholarly editions of the book. They also appear in the schoolbook chapter (2.2), representing Issy's commentary on the material ([[MindScrew not that it helps the reader much]])
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* [[ThoseTwoGuys Those Four Guys]]: the Four Masters/Evangelists, who always travel together, appear to be seeking out HCE and serve as judges in his trial, spy on Tristan and Iseult, and generally try to impose order and fixity on the book.
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* AnthropomorphicPersonification: HCE represents the landscape of Dublin, Anna Livia [[note]]from ''Amhain Life''[[/note]] the river Liffey, Issy takes the form of clouds and light rain.
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* BookEnds
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* BookEndsBookEnds: as well as the opening/closing sentence fragments, the characters Mutt and Jute from chapter one show up again in the final chapter (as Muta and Juva) to discuss the sunrise and celebrate HCE waking up.
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* KangarooCourt: the chaotic trial of Festy King.
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* SpookySeance: Shaun (or Yawn) is subjected to one by the Four Masters. They put him to sleep on [[https://en.wikipedia.org/wiki/Hill_of_Uisneach the Hill of Uisneach]], afflict him with nightmares, and channel the spirit of HCE and his many incarnations through him.
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* RuleOfSymbolism: Extensive, if cryptic, references to CelticMythology, the Phoenix Park Murders of 1882, the Egyptian Book of the Dead and EgyptianMythology, among many many others.
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* RuleOfSymbolism: Extensive, if cryptic, references to CelticMythology, Myth/CelticMythology, the Phoenix Park Murders of 1882, the Egyptian Book of the Dead and EgyptianMythology, Myth/EgyptianMythology, among many many others.
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->''Despite these obstacles, readers and commentators have reached a broad consensus about the book's central cast of characters and, to a lesser degree, [[NoPlotNoProblem its plot]].''
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* ShoutOut: Not in, but from the book, we have two. "Quark" was borrowed from here to name the subatomic particle. JosephCampbell also first saw the word "monomyth" in its pages.
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* ShoutOut: Not in, but from the book, we have two.three. "Quark" was borrowed from here to name the subatomic particle. JosephCampbell also first saw the word "monomyth" in its pages.pages, and GeorgeRRMartin named a castle in Literature/ASongOfIceAndFire after the first word, "riverrun".
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According to the rest of this page, there should be no apostrophe
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* ArcWords: more like Arc Cadences, really. Many phrases throughout the book -- such as "Buckley shot the Russian general", "hitherandthithering waters of. Night", "Earwicker", and of course "Finnegan's wake" itself -- reoccur in highly modified forms, so that often only the broad rhythm survives. The effect is like that of variations in a musical theme.
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* ArcWords: more like Arc Cadences, really. Many phrases throughout the book -- such as "Buckley shot the Russian general", "hitherandthithering waters of. Night", "Earwicker", and of course "Finnegan's "Finnegans wake" itself -- reoccur in highly modified forms, so that often only the broad rhythm survives. The effect is like that of variations in a musical theme.
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a long the
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* InterruptedByTheEnd: The novel ends in mid-sentence, with the words "''Away alone at long at last the''" implying that the ''real'' story is just about to begin.
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* InterruptedByTheEnd: The novel ends in mid-sentence, with the words "''Away alone at "''A way a lone a last a loved a long at last the''" implying that the ''real'' story is just about to begin.begin.
** I.e. recirculation back to the first page, which continues the sentence interrupted on the last page.
** I.e. recirculation back to the first page, which continues the sentence interrupted on the last page.
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ten thunderclaps across the book
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* WrittenSoundEffect: The thunderclap on page one.[[note]]Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk![[/note]]
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* WrittenSoundEffect: The thunderclap ten thunderclaps strewn across the book, the first one being on page one.[[note]]Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk![[/note]]
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Self-Deprecation
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* SelfDeprecation: HCE's "[[Literature/{{Ulysses}} usylessly unreadable blue book of Eccles]]"
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Interrupted By The End
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* InterruptedByTheEnd: The novel ends in mid-sentence, with the words "''Away alone at long at last the''" implying that the ''real'' story is just about to begin.
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* DoingItForTheArt: The man spent 17 years writing a novel that's borderline impossible to read. The man had gone ''partially blind'' by the time he finished it. Parts of it were ''dictated''. Read a paragraph and just imagine having to write and edit it without being able to see what you're writing it on.
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* WordOfDante: See the top quote on this page.
* WordOfGod: And thankfully quite a bit of it; although even this can be [[DeathOfTheAuthor debated among critics]]. One that stands out is Joyce saying he was "[[AllJustADream writing of the night]]".
* WordOfGod: And thankfully quite a bit of it; although even this can be [[DeathOfTheAuthor debated among critics]]. One that stands out is Joyce saying he was "[[AllJustADream writing of the night]]".
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* ArcWords: more like Arc Cadences, really. Many phrases throughout the book -- such as "Buckley shot the Russian general", "hitherandthithering waters of. Night", "Earwicker", and of course "Finnegan's wake" itself -- reoccur in highly modified forms, so that often only the broad rhythm survives.
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* ArcWords: more like Arc Cadences, really. Many phrases throughout the book -- such as "Buckley shot the Russian general", "hitherandthithering waters of. Night", "Earwicker", and of course "Finnegan's wake" itself -- reoccur in highly modified forms, so that often only the broad rhythm survives. The effect is like that of variations in a musical theme.
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* ArcWords: more like Arc Cadences, really. Many phrases throughout the book -- such as "Buckley shot the Russian general", "hitherandthithering waters of. Night", "Earwicker", and of course "Finnegan's wake" itself -- reoccur in highly modified forms, so that often only the broad rhythm survives.
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* CallBack: In the penultimate chapter, ALP comforts Shaun after he has a nightmare about "phanthares in the room", mirroring Haines' nightmares about a panther in {{Ulysses}}. The book is also full of hidden references to Bloom and Stephen's experiences in the earlier books, and even several passages fully rewritten in "Wakese".
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* BeastFable: "The Mookse and the Gripes" and "The Ondt and the Gracehoper" are two quite fun examples.
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If you would like to read a description written in the same style as the book, see ''SelfDemonstrating.FinnegansWake''.
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If you would like to read a description written in the same style as the book, see ''SelfDemonstrating.FinnegansWake''.the ''[[SelfDemonstrating.FinnegansWake self demonstrating page]]''.
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* WrittenSoundEffect: The thunderclap on page one:
--> Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!
--> Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!
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* WrittenSoundEffect: The thunderclap on page one:
--> Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!one.[[note]]Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk![[/note]]
--> Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!
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* ArcNumber: 1132 appears repeatedly, both as a date and in various addresses. [[note]]AD 1132 saw the defilement of a nunnery at Kildare, particularly marked by the rape of the abbess; the man who ordered the attack, Dermot mac Murrough, did so as a move to make the abbess unfit for her office and force her removal in favor of a kinswoman of his own. Mac Murrough's lust for power caused a great deal of internal strife, and it was he who, some thirty-seven years later, offered an allegiance with the Normans which became the second (after the Vikings came in in the 9th century( of many long and humiliating occupations of Ireland. James Joyce, like many, traced Ireland's history of oppression, treachery, and sectarian strife firmly back to the rape of the abbess of Kildare.[[/note]]
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* ArcNumber: 1132 appears repeatedly, both as a date and in various addresses. [[note]]AD 1132 saw the defilement of a nunnery at Kildare, particularly marked by the rape of the abbess; the man who ordered the attack, Dermot mac Murrough, did so as a move to make the abbess unfit for her office and force her removal in favor of a kinswoman of his own. Mac Murrough's lust for power caused a great deal of internal strife, and it was he who, some thirty-seven years later, offered an allegiance with the Normans which became the second (after the Vikings came in in the 9th century( century) of many long and humiliating occupations of Ireland. James Joyce, like many, traced Ireland's history of oppression, treachery, and sectarian strife firmly back to the rape of the abbess of Kildare.[[/note]]
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* ArcNumber: 1132 appears repeatedly, both as a date and in various addresses. [[note]]AD 1132 saw the defilement of a nunnery at Kildare, particularly marked by the rape of the abbess; the man who ordered the attack, Dermot mac Murrough, did so as a move to make the abbess unfit for her office and force her removal in favor of a kinswoman of his own. Mac Murrough's lust for power caused a great deal of internal strife, and it was he who, some thirty-seven years later, offered an allegiance with the Normans which became the first of many long and humiliating occupations of Ireland. James Joyce, like many, traced Ireland's history of oppression, treachery, and sectarian strife firmly back to the rape of the abbess of Kildare.[[/note]]
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* ArcNumber: 1132 appears repeatedly, both as a date and in various addresses. [[note]]AD 1132 saw the defilement of a nunnery at Kildare, particularly marked by the rape of the abbess; the man who ordered the attack, Dermot mac Murrough, did so as a move to make the abbess unfit for her office and force her removal in favor of a kinswoman of his own. Mac Murrough's lust for power caused a great deal of internal strife, and it was he who, some thirty-seven years later, offered an allegiance with the Normans which became the first second (after the Vikings came in in the 9th century( of many long and humiliating occupations of Ireland. James Joyce, like many, traced Ireland's history of oppression, treachery, and sectarian strife firmly back to the rape of the abbess of Kildare.[[/note]]
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* PerfectlyCromulentWord: so full of them that you'll reach the same level of comprehension if you tried to achieve osmotic pressure by holding the book in your hands.
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* PerfectlyCromulentWord: so So full of them that you'll reach the same level of comprehension if you tried to achieve osmotic pressure by holding the book in your hands.
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* BilingualBonus: More like ''Nonalingual'' Bonus. As the HurricaneOfPuns entry below states, you'd have to be fairly knowledgeable in nine different languages (not including English) to even get more than half the jokes.
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* BilingualBonus: More like ''Nonalingual'' Bonus. As the HurricaneOfPuns entry below states, you'd have to be fairly knowledgeable in nine different languages (not including English) to even get understand more than half the jokes.
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* BilingualBonus
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* BilingualBonusBilingualBonus: More like ''Nonalingual'' Bonus. As the HurricaneOfPuns entry below states, you'd have to be fairly knowledgeable in nine different languages (not including English) to even get more than half the jokes.
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* PatterSong: ''The Ballad of Persse O'Reilly''[[note]] from ''perce-oreille'', French for "earwig" [[/note]] has elements of this and WordSaladLyrics.
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** The title of the book comes from an [[http://www.youtube.com/watch?v=nl7axmO4A24 Irish ballad]] that can itself be rather hard to understand.
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* PerfectlyCromulentWord: so full of them that you'll reach the same level of comprehension if you tried to achieve osmotic pressure by holding the book in your hands.
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* ArcNumber: 1132 appears repeatedly, both as a date and in various addresses. [[hottip:*:AD 1132 saw the defilement of a nunnery at Kildare, particularly marked by the rape of the abbess; the man who ordered the attack, Dermot mac Murrough, did so as a move to make the abbess unfit for her office and force her removal in favor of a kinswoman of his own. Mac Murrough's lust for power caused a great deal of internal strife, and it was he who, some thirty-seven years later, offered an allegiance with the Normans which became the first of many long and humiliating occupations of Ireland. James Joyce, like many, traced Ireland's history of oppression, treachery, and sectarian strife firmly back to the rape of the abbess of Kildare.]]
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* ArcNumber: 1132 appears repeatedly, both as a date and in various addresses. [[hottip:*:AD [[note]]AD 1132 saw the defilement of a nunnery at Kildare, particularly marked by the rape of the abbess; the man who ordered the attack, Dermot mac Murrough, did so as a move to make the abbess unfit for her office and force her removal in favor of a kinswoman of his own. Mac Murrough's lust for power caused a great deal of internal strife, and it was he who, some thirty-seven years later, offered an allegiance with the Normans which became the first of many long and humiliating occupations of Ireland. James Joyce, like many, traced Ireland's history of oppression, treachery, and sectarian strife firmly back to the rape of the abbess of Kildare.]][[/note]]
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* GenreBusting: To the point where TheOtherWiki, which is usually very good at finagling a book into a particular genre, simply gives its genre as ''sui generis''.[[hottip:*:That's "one of a kind" for those unfamiliar with the expression.]] Of course, the first sentence of the article identifies it as "a work of [[SurrealHumor comic fiction]]" as well.
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* GenreBusting: To the point where TheOtherWiki, which is usually very good at finagling a book into a particular genre, simply gives its genre as ''sui generis''.[[hottip:*:That's [[note]]That's "one of a kind" for those unfamiliar with the expression.]] [[/note]] Of course, the first sentence of the article identifies it as "a work of [[SurrealHumor comic fiction]]" as well.