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* Most {{Shoegazing}} bands suffered this after the end of the fad. With the exception of MyBloodyValentine, CatherineWheel, {{Ride}} and {{Slowdive}}, many of the bands' albums went out of print. This wouldn't be so bad if the CultClassic status of the craze didn't raise new interest in this music. While some bands are relatively easy to find in used record stores ({i.e. {Lush}}, KitchensOfDistinction, TheBooRadleys), some other artists (i.e. Lilys, Moose, Majesty Crush) are damn near impossible to find without paying an arm and a leg. Sometimes even ''when'' the recording is available via audio cassette or CD, it's in terrible condition and isn't even worth paying so much for.

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* Most {{Shoegazing}} bands suffered this after the end of the fad. With the exception of MyBloodyValentine, CatherineWheel, {{Ride}} and {{Slowdive}}, many of the bands' albums went out of print. This wouldn't be so bad if the CultClassic status of the craze didn't raise new interest in this music. While some bands are relatively easy to find in used record stores ({i.(i.e. {Lush}}, {{Lush}}, KitchensOfDistinction, TheBooRadleys), some other artists (i.e. Lilys, Moose, Majesty Crush) are damn near impossible to find without paying an arm and a leg. Sometimes even ''when'' the recording is available via audio cassette or CD, it's in terrible condition and isn't even worth paying so much for.

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* Most {{Shoegazing}} bands suffered this after the end of the fad. With the exception of MyBloodyValentine, CatherineWheel, {{Ride}} and {{Slowdive}}, many of the bands' albums went out of print. This wouldn't be so bad if the CultClassic status of the craze didn't raise new interest in this music. While some bands are relatively easy to find in used record stores ({i.e. {Lush}}, KitchensOfDistinction, TheBooRadleys), some other artists (i.e. Lilys, Moose, Majesty Crush) are damn near impossible to find without paying an arm and a leg. Sometimes even ''when'' the recording is available via audio cassette or CD, it's in terrible condition and isn't even worth paying so much for.
** Even MyBloodyValentine themselves invoke this trope with their early discography and EPs.
* ModestMouse have several EPs from the mid to late 90s that are almost completely impossible to find. They're rarely available for download, had extremely limited print runs, and theories go that even Isaac Brock ''himself'' doesn't have to master tapes of said recordings (some of which were even recorded on an answering machine).

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* Before they signed with Hopeless (and graduated from high school), AllTimeLow had two releases on a regional imprint: ''The Three Words to Remember in Dealing with the End,'' an EP; and ''The Party Scene,'' a full-length. Five of the songs on the latter were re-recorded on ''Put Up or Shut Up'' ("Break Out! Break Out!", "The Girl's a Straight-Up Hustler", "The Party Scene", "Running from Lions", and "Lullabies"), but the rest have been out of print for years and are almost never played live, so the only way to hear them is to track down an MP3 download somewhere. In fact, Alex apparently has the only known physical copy of the former, which suggests that he himself leaked it.
* You kind of have to resort to this if you really want to hear TheFlamingLips' ''Zaireeka'' and don't have four cd players to play the the four discs at once. While there are stereo remixes of "Riding to Work in the Year 2025 (Your Invisible Now)" and "Thirty-Five Thousand Feet of Despair" released as b-sides to the "Waiting For A Superman" single, the band have refused to put out a single disc version because it wouldn't sound right. There ''are'' still plans to release a DVD surround sound version of the album though. Until then, well, suffice it to say that there are fan-made stereo mixes of varying quality out there.



* Before they signed with Hopeless (and graduated from high school), AllTimeLow had two releases on a regional imprint: ''The Three Words to Remember in Dealing with the End,'' an EP; and ''The Party Scene,'' a full-length. Five of the songs on the latter were re-recorded on ''Put Up or Shut Up'' ("Break Out! Break Out!", "The Girl's a Straight-Up Hustler", "The Party Scene", "Running from Lions", and "Lullabies"), but the rest have been out of print for years and are almost never played live, so the only way to hear them is to track down an MP3 download somewhere. In fact, Alex apparently has the only known physical copy of the former, which suggests that he himself leaked it.
* You kind of have to resort to this if you really want to hear TheFlamingLips' ''Zaireeka'' and don't have four cd players to play the the four discs at once. While there are stereo remixes of "Riding to Work in the Year 2025 (Your Invisible Now)" and "Thirty-Five Thousand Feet of Despair" released as b-sides to the "Waiting For A Superman" single, the band have refused to put out a single disc version because it wouldn't sound right. There ''are'' still plans to release a DVD surround sound version of the album though. Until then, well, suffice it to say that there are fan-made stereo mixes of varying quality out there.

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* Before they signed with Hopeless (and graduated from high school), AllTimeLow had two releases on a regional imprint: ''The Three Words to Remember in Dealing with the End,'' an EP; and ''The Party Scene,'' a full-length. Five of the songs on the latter were re-recorded on ''Put Up or Shut Up'' ("Break Out! Break Out!", "The Girl's a Straight-Up Hustler", "The Party Scene", "Running from Lions", and "Lullabies"), but the rest have been out of print for years and are almost never played live, so the only way to hear them is to track down an MP3 download somewhere. In fact, Alex apparently has the only known physical copy of the former, which suggests that he himself leaked it.
* You kind of have to resort to this if you really want to hear TheFlamingLips' ''Zaireeka'' and don't have four cd players to play the the four discs at once. While there are stereo remixes of "Riding to Work in the Year 2025 (Your Invisible Now)" and "Thirty-Five Thousand Feet of Despair" released as b-sides to the "Waiting For A Superman" single, the band have refused to put out a single disc version because it wouldn't sound right. There ''are'' still plans to release a DVD surround sound version of the album though. Until then, well, suffice it to say that there are fan-made stereo mixes of varying quality out there.
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*You kind of have to resort to this if you really want to hear TheFlamingLips' ''Zaireeka'' and don't have four cd players to play the the four discs at once. While there are stereo remixes of "Riding to Work in the Year 2025 (Your Invisible Now)" and "Thirty-Five Thousand Feet of Despair" released as b-sides to the "Waiting For A Superman" single, the band have refused to put out a single disc version because it wouldn't sound right. There ''are'' still plans to release a DVD surround sound version of the album though. Until then, well, suffice it to say that there are fan-made stereo mixes of varying quality out there.
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** AndTheFandomRejoiced
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* The original 1982 master recording of Buckner & Garcia's ''Pac-Man Fever'' is owned by Sony, who has no plans to re-release it on CD. Thus, the version that's currently circulating is a re-recording that was made for K-Tel, those infamous purveyors of "re-recorded by the original artist" [=CDs=].
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* TheCrystallineEffect's second EP was originally called ''Do Not Open''. Pete gave several copies to some friends, and someone leaked their copy. As a result, half the songs on the EP were permanently scrapped and they had to pull some tracks off their second album, then called ''Hypothermia'', and make new songs for ''Hypothermia''. The result: ''Do Not Open'' was renamed ''Hypothermia'', ''Hypothermia'' was renamed ''Identity'', and there's about half an EP that only exists on the Internet.

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** Bootlegging is also the only way to obtain recordings of his concerts in full length. ''Jarre in China'' is the sole exception, and it was released in full length because thousands of fans requested it by e-mail.



** Bootlegging is also the only way to obtain recordings of his concerts in full length. ''Jarre in China'' is the sole exception, and it was released in full length because thousands of fans requested it by e-mail.
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* The Dixie Dregs were an acclaimed Southern Rock/Jazz Fusion outfit from Florida founded by legendary guitarist Steve Morse. They released six studio albums between 1977 and 1982, and then disbanded. While their first three albums have been re-released on CD by Capricorn Records, their other three, done with Arista Records, haven't seen print since the 80's.
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* In the early 80's, prominent producer Fred Catero founded his own label, Catero Records, that specialized in excellent jazz artists and projects that were not as commercially viable as big-label artists. It didn't last long, and the majority of the label's releases were never heard from again (an exception being Cyrille Verdeaux's "Messenger of the Son"), including never getting CD releases.
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* Before they signed with Hopeless (and graduated from high school), AllTimeLow had two releases on a regional imprint: ''The Three Words to Remember in Dealing with the End,'' an EP; and ''The Party Scene,'' a full-length. Five of the songs on the latter were re-recorded on ''Put Up or Shut Up'' ("Break Out! Break Out!", "The Girl's a Straight-Up Hustler", "The Party Scene", "Running from Lions", and "Lullabies"), but the rest have been out of print for years and are almost never played live, so the only way to hear them is to track down an MP3 download somewhere. In fact, Alex apparently has the only known physical copy of the former, which suggests that he himself leaked it.
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** Because Apple Corp., the corporation that manages TheBeatles' copyrighted materials, is slow and inefficient and has strange priorities when it comes to group productions. Many Beatles songs have not been properly remastered since 1987, and those songs likely won't hit the internet until the remastering is finished....

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** Because Apple Corp., the corporation that manages TheBeatles' copyrighted materials, is slow and inefficient and has strange priorities when it comes to group productions. Many For instance, before the 9/9/2009 remasters of the band's discography, most Beatles songs have (the exceptions being the ones present on the ''1'' compilation) had not been properly remastered since 1987, and those songs likely won't hit the internet until the remastering is finished....1987.
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* PinkFloyd's ''Masters of Rock'' went out of print before the transition to CD, and many of the songs on it are original singles that were only ever released individually, or on ''Masters of Rock''.It doesn't seem likely that it will ever be rereleased either, due to a combination of song rights (some were written by other bands, who may or may not even have the rights) and OldShame. As such, bootlegging is rampant.

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* PinkFloyd's ''Masters of Rock'' went out of print before the transition to CD, and many of the songs on it are original singles that were only ever released individually, or on ''Masters of Rock''.It doesn't seem likely that it will ever be rereleased either, due to However, being a combination of song rights (some were written by compilation, all songs from the album are available on other bands, who may or may not even have PinkFloyd releases. The reason its collectable and demands high prices from Pink Floyd completists is because it includes a rare radio edit of the rights) song "It Would Be So Nice" and OldShame. As such, bootlegging is rampant.alternate mixes of the songs "Julia Dream" and "Apples and Oranges".

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* {{Pantera}}'s first four albums will probably never be reprinted ever again, for [[OldShame various reasons]].
** [[OldShame Thank God]]

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* {{Pantera}}'s first four albums will probably never be reprinted ever again, for [[OldShame various reasons]].
** [[OldShame Thank God]]
reasons]] YMMV on whether or not that's a good thing, as some people consider those early releases to be guilty pleasures.
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* Soundtracks in general; they're released usually a short time during and after the release of its corresponding work; and then disappear for good. If the medium isn't a game where you can extract sound files, hope that you can find the music on {{YouTube}}.
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* When BobDylan left Columbia Records in the early 70s for Asylum Records, Columbia released an album cleverly called "Dylan" of some of the less-usable outtakes (they range from listenable to unexceptional to downright awful). This move was partially motivated by profit and partially by revenge. A few years later, Dylan was back to Columbia and the album has largely been buried, never released on CD (though it apparently can now be purchased through iTunes).

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* When BobDylan left Columbia Records in the early 70s for Asylum Records, Columbia released an album cleverly called "Dylan" ''Dylan'' of some of the less-usable outtakes (they range from listenable to unexceptional to downright awful). This move was partially motivated by profit and partially by revenge. A few years later, Dylan was back to Columbia and the album has largely been buried, never released on CD (though it apparently can now be purchased through iTunes).
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* When BobDylan left Columbia Records in the early 70s for Asylum Records, Columbia released an album cleverly called "Dylan" of some of the less-usable outtakes (they range from listenable to unexceptional to downright awful). This move was partially motivated by profit and partially by revenge. A few years later, Dylan was back to Columbia and the album has largely been buried, never released on CD (though it apparently can now be purchased through iTunes).
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* Peter Schilling is known in the United States mostly for his single "Major Tom (Coming Home)," but good luck in finding copies of his albums ''Things To Come'' and ''Error in the System,'' both of which are loaded with spaced-out themes and weren't released on CD.
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* DonnaSummer's 1981 album, ''I'm A Rainbow'', was a deliberate effort to shed her 1970s disco diva image. However, her label, Geffen Records, was unhappy with the result, and the album in its entirety would not be released for another 15 years, despite a small number of the tracks appearing on film soundtracks. This would also be her last collaboration with famed composer-producer Giorgio Moroder.

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* DonnaSummer's 1981 album, ''I'm A Rainbow'', was a deliberate effort to shed her 1970s disco diva image. However, her label, Geffen Records, was unhappy with the result, and the album in its entirety would not be released for another 15 years, despite a the circulation of bootleg copies of the album. A small number of the tracks appearing also appeared on film soundtracks.soundtracks during the 1980s. This would also be her last collaboration with famed composer-producer Giorgio Moroder.
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* DonnaSummer's 1981 album, ''I'm A Rainbow'', was a deliberate effort to shed her 1970s disco diva image. However, her label, Geffen Records, was unhappy with the result, and the album in its entirety would not be released for another 15 years, despite a small number of the tracks appearing on film soundtracks. This would also be her last collaboration with famed composer-producer Giorgio Moroder.

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* Adrian Legg's pre-Relativity records releases: ''Technopicker'', ''Lost For Words'', ''All Round Gigster'', and ''Fretmelt''
* Leo Kottke's ''Circle 'Round the Sun'' and ''12-String Blues''. This may just be one album, or one is a live version of the other. In either case, it is/they are rare.
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* The full 15-minute version of AphexTwin & Chris Cunningham's "Flex" video. Warning: NSFW.
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** [[OldShame Thank God]]
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* This is more or less the only way to obtain {{Autechre}}'s ''Quaristice Versions'', a bonus disc included with the ultra-rare limited edition of ''Quaristice', which sold out on pre-order. Even more inaccessible is the [[NoExportForYou iTunes Japan-exclusive]] companion EP.
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* Bad Religion's second album ''Into The Unknown'' will most likely never make it to CD, although this is actually a deliberate case of CanonDiscontinuity on the part of the band themselves (see it's entry in OldShame for details on why).

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* Bad Religion's second album ''Into The Unknown'' will most likely never make it to CD, although this is actually a deliberate case of CanonDiscontinuity on the part of the band themselves (see it's its entry in OldShame for details on why).
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* Run DMC's "It's Tricky" was pulled from circulation in 2005 due to copyright infringement from sampling The Knack's "My Sharona".
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* SkinnyPuppy's "Worlock" video, due to its extreme {{Gorn}} content and laundry list of copyright violations, was completely banned from TV and commercial distribution, thus bootlegging is the only way to see it.
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* {{Nine Inch Nails}}' release ''Closure'' was released on VHS, and a DVD version was planned, with extra content, but scrapped. So what did Trent do? He leaked it onto the internet himself. It is still available if you know where to look.
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* There was a trance remix of {{Vangelis}}' "Pulstar" by an artist calling himself Majestic 12 (perhaps an actual member of that secret society?) in 1999, that was never released to the public, although it was leaked and distributed by a few P2P users in the early 2000s. Pretty much LostForever.

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* There was a trance remix of {{Vangelis}}' "Pulstar" by an artist calling himself Majestic 12 (perhaps an actual member of that secret society?) in 1999, that was never released to the public, although it was leaked and distributed by a few P2P users in the early 2000s. Pretty much If you're not one of the lucky few who ran across it than, it's LostForever.
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** After 1991, most of the American Capitol Beatles albums went out of print. The ones issued in 1963 & 1964 got reissued in a limited edition boxset, which is likely out of print by now. Because of lack of demand, the others weren't.




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* There was one album covering an interview between PaulMcCartney and ''Rolling Stone'' magazine, released in 1980. It was recalled the day after it was issued for copyright reasons.
** The ''Thrillington'' album, which is Paul under that pseudonym doing an orchestral vs. of the ''RAM'' album, has not been legally available since [=CDs.=]
* ''The Concert for Kampuchea,'' released late 1979-early 1980, is out of print these days. It doesn't help that this is a charity concert album that failed in its cause. (Kampuchea was where Cambodia is.)



* If it wasn't for YouTube a lot of old school hip-hop videos (and old skool vids in general) would have been lost into the ether. Keep in mind there isn't a VH1 Classics for urban music videos. There was BETJ but they only played a few token old skool vids, Same with "centric". Even then HipHop was persona non grata. But YouTube was a great source for old school urban music vids....Excluding the whole WMG thing of course.

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* If it wasn't for YouTube a lot of old school hip-hop videos (and old skool vids in general) would have been lost into the ether. Keep in mind there isn't a VH1 Classics for urban music videos. There was BETJ but they only played a few token old skool vids, Same with "centric". Even then HipHop was persona ''persona non grata. grata.'' But YouTube was a great source for old school urban music vids....Excluding the whole WMG thing of course.


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* The Music/{{Wings}} concert film ''Rockshow'' is considerably harder to find than ''Wings Over America,'' the live album for that tour.

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