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** Also, the film features Murnau visiting a brothel and literally kissing one of the female prostitutes' backsides prior to getting down to the real sex and drugs, while it's also implied that he slept with Greta at some point in the past. The ''real'' Murnau was gay.
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** Greta Schröder is depicted in the film as a famous actress. The real life Greta was relatively unknown at the time and even after ''Nosferatu'''s release, her film career only peaked during the early twenties with half of her known film appearances being from 1920 to 1923. By the time the 30s rolled around, her career had largely diminished to making the occasional appearance here and there before retiring in the 50s with ''Nosferatu'' being the film she's mainly remembered for.
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** Audiences may also feel this way about [Schreck himself, as his description of Dracula is clearly [[PsychologicalProjection a description of himself]]; once a man who had servants, friends, family... now a blood-sucking parasite skulking in the ruins of his once-magnificent home, with only the flickering memories of memories from life to remind him of what he once was.
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* DownerEnding: Pretty much. [[spoiler:Murnau's entire film crew is dead and the man himself has pretty much lost his mind, to the point that he directs the townsfolk that just arrived on the scene to provide him with an end board, so he can stop rolling the camera. On the bright side, Schreck is also dead having been disintegrated by the early sunlight, just like his movie counterpart. Aside from that, it's a total downer.]]
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* DoingItForTheArt: Murnau's excuse InUniverse, though he uses the words ForScience.
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** The obvious one: the film's premise is that the urban myth that Max Schreck was a real vampire is ''not'' a myth. Any reputable source will attest to Schreck having been an accomplished stage actor for over a decade when he was cast as Orlok, and he continued to appear on the German stage and screen until he died of a heart attack in 1936. For that matter, neither was Schreck a method actor who remained constantly in character, though the elaborate make-up he wore as Orlok couldn't be removed during breaks in filming. The myth, however, makes for a much more entertaining story. (It didn't help Schreck himself was an eccentric, solitary man who delighted in being scary.)

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** The obvious one: the film's premise is that the urban myth that Max Schreck was a real vampire is ''not'' a myth. Any reputable source will attest to Schreck having been an accomplished stage actor for over a decade when he was cast as Orlok, and he continued to appear on the German stage and screen until he died of a heart attack in 1936. For that matter, neither was Schreck a method actor who remained constantly in character, though the elaborate make-up he wore as Orlok couldn't be removed during breaks in filming. The myth, however, makes for a much more entertaining story. (It didn't help Schreck himself was an eccentric, solitary man who delighted in being scary.)
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* ChekhovsGun: During the opening scene of the film, Albin reveals they gave the cat actor laudanum to make it less difficult to control under the hot lights. [[spoiler:Murnau uses this again on Greta to make her more docile after she sees Schreck has no reflection, making her docile for "Orlock's"feeding scene and her eventual death. The plan is twofold here, as it also drugs her blood so that Schreck passes out after drinking from her.]]

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* ChekhovsGun: During the opening scene of the film, Albin reveals they gave the cat actor laudanum to make it less difficult to control under the hot lights. [[spoiler:Murnau uses this again on Greta to make her more docile after she sees Schreck has no reflection, making her docile for "Orlock's"feeding "Orlock's" feeding scene and her eventual death. The plan is twofold here, as it also drugs her blood so that Schreck passes out after drinking from her.]]
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* AllThereInTheManual: When Albin Grau and Henrick Galeen ask Schreck how he became a vampire, Schreck states it was a woman and the film doesn't go into detail about it. The original script revealed that it was his wife, a child bride who died while giving birth. He would only ever see her at night as she was slowly turning him into a vampire. She eventually left him and over the centuries Schreck forgot what she even looked like.

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* AllThereInTheManual: When Albin Grau and Henrick Galeen ask Schreck how he became a vampire, Schreck states it will only say "It was a woman woman," and the film doesn't go into detail about it. The original script revealed that it he was turned by his wife, a child bride who died while giving birth. He would only ever see her at night as she was slowly turning him into a vampire. She eventually left him him, and over the centuries Schreck forgot what she even looked like.



* ChekhovsGun: During the opening scene of the film, Albin reveals they gave the cat actor laudanum to make it less difficult to control under the hot lights. [[spoiler: Murnau uses this again on Greta to make her more docile after she sees Schreck has no reflection, making her docile for "Orlock's"feeding scene and her eventual death. The plan is twofold here, as it also drugs her blood so that Schreck passes out after drinking from her.]]
** Seems like the shutter door mechanism Schreck finds will be one. [[spoiler: Schreck sabotages it before his final scene, cutting the counterweight out of an excess of caution. However, when some of the crew open the shutter door manually, Schreck is exposed to the light and dies.]]

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* ChekhovsGun: During the opening scene of the film, Albin reveals they gave the cat actor laudanum to make it less difficult to control under the hot lights. [[spoiler: Murnau [[spoiler:Murnau uses this again on Greta to make her more docile after she sees Schreck has no reflection, making her docile for "Orlock's"feeding scene and her eventual death. The plan is twofold here, as it also drugs her blood so that Schreck passes out after drinking from her.]]
** Seems like the shutter door mechanism Schreck finds will be one. [[spoiler: Schreck [[spoiler:Schreck sabotages it before his final scene, cutting the counterweight out of an excess of caution. However, when some of the crew open the shutter door manually, Schreck is exposed to the light and dies.]]



'''Greta:''' [[spoiler: A theatrical audience gives me life. This... thing only takes it from me.]]

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'''Greta:''' [[spoiler: A [[spoiler:A theatrical audience gives me life. This... thing only takes it from me.]]



* NoSell: [[spoiler: Fritz tries to shoot Schreck at the end. It doesn't work, with dust pouring from his injuries.]]

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* NoSell: [[spoiler: Fritz [[spoiler:Fritz tries to shoot Schreck at the end. It doesn't work, with dust pouring from his injuries.]]
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Malkovich plays Creator/FriedrichWilhelmMurnau, the German director who sets out to make his most identifiable film, ''{{Film/Nosferatu}}: Eine Symphonie des Grauens'', in 1922. To make his somewhat lawyer-friendly take on {{Dracula}}, he hires the mysterious Max Schreck to play the vampire Count Orlock. Murnau knows that Schreck is a real-life vampire, and he's hired the actor to ensure a real-life performance. [[{{Pun}} But, he's really bitten off more than he can chew this time]]...

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Malkovich plays Creator/FriedrichWilhelmMurnau, the German director who sets out to make his most identifiable film, ''{{Film/Nosferatu}}: Eine Symphonie des Grauens'', in 1922. To make his somewhat lawyer-friendly take on {{Dracula}}, he hires the mysterious Max Schreck to play the vampire Count Orlock. Murnau knows that As it turns out, Schreck is actually a real-life vampire, and he's Murnau hired the actor him to ensure a real-life performance. [[{{Pun}} But, he's really bitten off more than he can chew this time]]...
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** The film also implies that Murnau's camera can record sound, even though this is still TheSilentEra and talkies were less than a decade away in 1921.

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** The film also implies that Murnau's camera can record sound, even though this is still TheSilentEra the SilentMovie era and talkies were less than a decade away in 1921.1921. (In fact, the real Murnau actually ''resisted'' shooting with sound when that become possible.)

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** In 1922, shooting outdoors at night simply wasn't possible with the film stocks and cameras available, and in fact all of the night scenes in the actual ''Nosferatu'' were obviously shot [[HollywoodDarkness day-for-night]] for this reason. However, it serves the "Max Schreck was a vampire" narrative better to pretend these scenes were shot at night.

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** In 1922, 1921, shooting outdoors at night simply wasn't possible with the film stocks and cameras available, and in fact all of the night scenes in the actual ''Nosferatu'' were obviously shot [[HollywoodDarkness day-for-night]] for this reason. However, it serves the "Max Schreck was a vampire" narrative better to pretend these scenes were shot at night.night.
** The film also implies that Murnau's camera can record sound, even though this is still TheSilentEra and talkies were less than a decade away in 1921.


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* TroubledProduction: In-universe. As one might expect, casting the role of the vampire ''with an actual vampire'' causes the production of ''Film/{{Nosferatu}}'' to spin out of control[[note]]No, the shoot for the real ''Nosferatu'' wasn't nearly as troubled, with or without a real vampire[[/note]]:
** Almost immediately into the shoot, Schreck attacks his co-star, Gustav von Wangenheim, after he accidentally cuts his finger during the dinner scene and forces filming to wrap for the night.
** Soon after, Schreck feeds on the cinematographer, Wolfgang Muller, requiring Murnau to go to Berlin to find another cinematographer and calm the film's financiers. In his absence, Schreck kills another crewmember.
** Schreck's vampiric nature requires Murnau to make expensive accommodations that wouldn't be necessary with a normal actor, such as transporting Schreck to Heligoland by plane instead of boat (since vampires can't cross bodies of water).
** [[spoiler:Shooting of the final scene quickly goes south and leads to Murnau losing his mind and to the deaths of Schreck, Greta, Grau and Fritz. It's probably safe to say that, had this happened in real life, the toxic buzz from the high body count on set would have killed the film's chances of release.]]
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-->'''Crew member:'''f you're so lonely, why don't you make more vampires?\\

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-->'''Crew member:'''f member:''' If you're so lonely, why don't you make more vampires?\\
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->'''F. W. Murnau''': I! Will! Finish! My picture!
->'''Max Schreck''': This is hardly your picture any longer!

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->'''F. W. Murnau''': I! Will! Finish! My picture!
->'''Max
picture!\\
'''Max
Schreck''': This is hardly your picture any longer!



* WritersSuck: After Schreck [[spoiler:kills the cinematographer, he quips "I don't think we need the writer..."]]

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* WritersSuck: After Schreck [[spoiler:kills the cinematographer, he quips "I don't think we need the writer..."]]" Murnau then dares him to, saying that Schreck would have to explain how his character gets to Bremen if he does so.]]
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* FakeNationality: Other than Udo Kier, none of the actors are actually German(or Romanian in Schreck's case). Cary Elwes accent as [[spoiler: OohMeAccentsSlipping Fritz standing out the most.]]
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* DoesThisRemindYouOfAnything: Everyone involved with filmmaking will recognize the film as one big metaphor for film production itself. Creator/RogerEbert noticed this in his [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20010126/REVIEWS/101260302/1023 review]]:

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* DoesThisRemindYouOfAnything: Everyone involved with filmmaking will recognize the film as one big metaphor for film production itself. Creator/RogerEbert noticed this in his [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20010126/REVIEWS/101260302/1023 [[https://www.rogerebert.com/reviews/shadow-of-the-vampire-2001 review]]:
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* EnforcedMethodActing: The end result of having to work with an actual bloodsucker InUniverse. Murnau even lampshades it:
-->"They don't need to act. They need to '''be'''"
** "Consider this a ''sacrifice'' for your art"

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* EnforcedMethodActing: The end result of having to work with an actual bloodsucker InUniverse. In fact, Murnau doesn't let any of the actors interact with Shreck until the first scene with Gustav. Murnau even lampshades it:
-->"They don't need to act. They need to '''be'''"
'''be'''."
** "Consider this a ''sacrifice'' for your art"art."

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%%* BlackComedy


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* CryForTheDevil: [[invoked]][[InUniverse Schreck's impressions]] of the novel, ''Literature/{{Dracula}}'', as he describes it as a sad story about a Romanian Lord reduced to a lonely undead monster.

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Not So Different has been renamed, and it needs to be dewicked/moved


* NotSoDifferent:
** One of the themes of the film is that film is a vampire of its own. The celluloid of film itself is destroyed by sunlight -- just like a vampire. When Shreck dies, the film melts.
--->'''Greta:''' A theatrical audiences gives me ''life'', while this... thing ''(indicates movie camera)'' takes it from me.
** Invoked verbatim, by Shreck, telling Murnau, "You and I... are not so different."

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* NotSoDifferent:
** One of the themes of the film is that film is a vampire of its own. The celluloid of film itself is destroyed by sunlight -- just like a vampire. When Shreck dies, the film melts.
--->'''Greta:''' A theatrical audiences gives me ''life'', while this... thing ''(indicates movie camera)'' takes it from me.
** Invoked
NotSoDifferentRemark: Said verbatim, by Shreck, telling Murnau, "You and I... are not so different."

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* RealityEnsues: When you live as long as Schreck (which is ''centuries''), you don't remember your early life as well as you'd expect. It's like trying to remember one's infanthood.


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* SurprisinglyRealisticOutcome: When you live as long as Schreck (which is ''centuries''), you don't remember your early life as well as you'd expect. It's like trying to remember one's infanthood.
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* WhoWantsToLiveForever: Schreck reads the book ''{{Dracula}}'' in order to study for his role, and is saddened by the scene where Dracula leaves a meal for Jonathan Harker, and remembers when [[RichesToRags he used to have servants to do such tasks for him, which reminds him of when he had a wife, family, estates, etc., and now he's just a lonely scavenger squatting in a ruined castle]].
-->'''Max Schreck:''' He has to feed him, when he himself hasn't eaten food in centuries. Can he even remember how to buy bread? How to select cheese and wine? And then he remembers the rest of it. How to prepare a meal, how to make a bed. He remembers his first glory, his armies, his retainers, and what he is reduced to. The loneliest part of the book comes when the man accidentally sees Dracula setting his table.

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* WhoWantsToLiveForever: Schreck reads the book ''{{Dracula}}'' in order to study for his role, and is saddened by the scene where Dracula leaves a meal for Jonathan Harker, and remembers when [[RichesToRags he used to have servants to do such tasks for him, which reminds him of when he had a wife, family, estates, etc., and now he's just a [[RichesToRags lonely scavenger squatting in a ruined castle]].
-->'''Max Schreck:''' Dracula hasn't had servants in 400 years and then a man comes to his ancestral home, and he must convince him that he... that he is like the man. He has to feed him, when he himself hasn't eaten food in centuries. Can he even remember how to buy bread? How to select cheese and wine? And then he remembers the rest of it. How to prepare a meal, how to make a bed. He remembers his first glory, his armies, his retainers, and [[HowTheMightyHaveFallen what he is reduced to.to]]. The loneliest part of the book comes when the man accidentally sees Dracula setting his table.
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Cut trope.


* DangerouslyGenreSavvy: [[spoiler: Schreck.]] After an incident where he hits a lever that opens a large metal shutter door and [[spoiler: lets in the daylight, forcing him to flee to the safety of darkness, Shreck]]destroys the chain mechanism unseen before the crew [[spoiler: uses Greta's blood, drugged with laudanum, to put him to sleep, hoping to expose him to the sun.]] This leads to him waking up and being extremely pissed off. [[spoiler: RoaringRampageOfRevenge ensues.]]

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