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Ill Girl has been cut per TRS decision. Examples are moved to Delicate And Sickly when appropriate.


Pauline Rieper is [[AloofDarkHairedGirl a bright, imaginative, but gloomy girl,]] traits that set her apart from both her salt-of-the-earth working-class parents and her run-of-the-mill schoolmates. Enter [[ManicPixieDreamGirl Juliet]] [[IllGirl Hulme]] (Winslet), a NewTransferStudent from England, born to [[TheBeautifulElite a wealthy, glamorous, intellectual family]]--everything that Pauline dreams of for herself.

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Pauline Rieper is [[AloofDarkHairedGirl a bright, imaginative, but gloomy girl,]] traits that set her apart from both her salt-of-the-earth working-class parents and her run-of-the-mill schoolmates. Enter [[ManicPixieDreamGirl Juliet]] [[IllGirl Hulme]] Hulme (Winslet), a NewTransferStudent from England, born to [[TheBeautifulElite a wealthy, glamorous, intellectual family]]--everything that Pauline dreams of for herself.



* CommonalityConnection: Juliet and Pauline bond over their shared history of being [[IllGirl Ill Girls.]] They are also both huge fans of the ''Literature/{{Biggles}}'' adventure series.

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* CommonalityConnection: Juliet and Pauline bond over their shared history of being [[IllGirl Ill Girls.]] sick. They are also both huge fans of the ''Literature/{{Biggles}}'' adventure series.



* IllGirl: Both girls as children, but mainly Juliet.
** Juliet has had tuberculosis and was left 5 years on Bahamas (without her parents) for the warm climate [[ForYourOwnGood to improve her health]]. Her illness returns briefly in the course of the movie.
** Pauline had osteomyelitis and had to have many operations. She says she had spent ages in hospitals.

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%% * {{Gayngst}}: To the utmost extreme.



** When asked by police if his daughter kept a diary, Herbert Reiper directed them to where the diary was kept, unlocked and in plain sight on Pauline's desk. He stated that neither he nor his wife would ever read their child's diary as they considered that an unforgivable breach of privacy--a very honorable sentiment, particularly for parents in conservative Christchurch in the 1950s. Had they been a little less noble and a little more nosy, Honorah's death might have been prevented.

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** When asked by police if his daughter kept a diary, Herbert Reiper Rieper directed them to where the diary was kept, unlocked and in plain sight on Pauline's desk. He stated that neither he nor his wife would ever read their child's diary as they considered that an unforgivable breach of privacy--a very honorable sentiment, particularly for parents in conservative Christchurch in the 1950s. Had they been a little less noble and a little more nosy, Honorah's death might have been prevented.



%% * LargeHam: Kate Winslet as Juliet.



--> '''Honora''': You're nothing but a cheap little tart!
-->'''Pauline''': Well I must take after you, then! ''(Honora slaps her)'' You ran off with Dad when you were only seventeen! Nana Parker told me!

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--> '''Honora''': '''Honorah''': You're nothing but a cheap little tart!
-->'''Pauline''': Well I must take after you, then! ''(Honora ''(Honorah slaps her)'' her.)'' You ran off with Dad when you were only seventeen! Nana Parker told me!



-->'Tis indeed a miracle one must feel\\
That two such heavenly creatures are real

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-->'Tis -->''"'Tis indeed a miracle one must feel\\
That two such heavenly creatures are realreal."''
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--> ''They sent me off to the Bahamas for the good of my health. They sent me to the Bay of bloody Islands for the good of my health!!!''

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--> ''They -->'''Juliet:''' They sent me off to the Bahamas for the good of my health. They sent me to the Bay of bloody Islands for ''for the good of my health!!!''health!''
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--> My worst fear about all this is that you will find Pauline. - Anne Perry to Robert McCrum, interview in ''The Guardian'', 29 June 1996.

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--> My worst fear about all this is that you will find Pauline. - Anne Perry to Robert McCrum, [=McCrum=], interview in ''The Guardian'', 29 June 1996.
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--> My worst fear about all this is that you will find Pauline. - Anne Perry to Robert McCrum, interview in ''The Guardian'', 29 June 1996.
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[[quoteright:250:https://static.tvtropes.org/pmwiki/pub/images/heavenlycreatures_8108.jpg]][[caption-width-right:250:''Tis indeed a miracle, one must feel... That two such heavenly creatures are real.'']]

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[[quoteright:250:https://static.tvtropes.org/pmwiki/pub/images/heavenlycreatures_8108.jpg]][[caption-width-right:250:''Tis jpg]][[caption-width-right:250:''"'Tis indeed a miracle, one must feel... That two such heavenly creatures are real.'']]
"'']]
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Romantic Two Girl Friendship has been renamed to Pseudo Romantic Friendship. All misuse and ZC Es will be deleted and all other examples will be changed to the correct trope.


* RomanticTwoGirlFriendship: A central theme of the whole movie with Juliet and Pauline.
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* CommonalityConnection: Juliet and Pauline bond over their shared history of being [[IllGirl Ill Girls.]] They are also both huge fans of the [[https://en.wikipedia.org/wiki/Biggles Biggles]] adventure series.

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* CommonalityConnection: Juliet and Pauline bond over their shared history of being [[IllGirl Ill Girls.]] They are also both huge fans of the [[https://en.wikipedia.org/wiki/Biggles Biggles]] ''Literature/{{Biggles}}'' adventure series.
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TRS has decided that Schoolgirl Lesbians is no longer a valid trope. Removing all links to the page and changing them to more appropriate pages if one can be found


* SchoolgirlLesbians: They appear to be this in the movie (a deep friendship becoming romantic, passionate love) but Anne Perry insists it was "only" a really intense two-girl friendship. (Pauline doesn't talk to the press.) The actresses were instructed to play the girls as "devoted friends" who were just role-playing love scenes between their favorite characters.
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* MarySue: In-universe, Empress Deborah and Gina seem to fit all the standard characteristics, especially because both are idealized versions of Juliet and Pauline, respectively.
-->'''Pauline''': ''[explaining her fictional characters, showing him a clay statuette of Gina]'' Nicolas has got his eye on Gina, an amazingly beautiful gypsy.\\
'''John''': ''[teasing]'' Looks a bit like you, Yvonne.[[note]]Yvonne is Pauline's middle name and family nickname[[/note]]
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* BathtubBonding: The girls frequently bathe together and are shown chatting from opposite ends of an enormous clawfoot bathtub. [[spoiler: (The subject they're bonding over is murder.)]]
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Unfortunate Names is In Universe Examples Only now; the name's negative qualities should be pointed out


* UnfortunateNames: Pauline ''[[TheGrimReaper Rieper]]'' especially after what she does to her mother.
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** ''Pauline'' was described as glamorous by classmates: a "proud beauty" "like a gypsy" with "flashing eyes that would just strike you dead." Far from being ostracized or withdrawn, Pauline was a clever, well-liked {{Tomboy}}, while Juliet was considered by her classmates as a [[BritishStuffiness snooty Brit]] with a "perpetual cold" who they believed [[PlayingSick exaggerated her symptoms]] for attention.

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** In the film, Juliet is framed as the rich, popular blonde beauty and Pauline the dumpy, friendless outsider. In real life, however, ''Pauline'' was described as glamorous by classmates: a "proud beauty" "like a gypsy" with "flashing eyes that would just strike you dead." Far from being ostracized or withdrawn, Pauline was a clever, well-liked {{Tomboy}}, while {{Tomboy}} who only became an outsider when she dropped all her old mates in favor of Juliet. In contrast, Juliet was considered by her classmates as a [[BritishStuffiness snooty Brit]] with a "perpetual cold" who they believed [[PlayingSick exaggerated her symptoms]] for attention. attention, and who was described as sickly and sallow, with a constant dour expression.[[note]]In fairness, all her former classmates also remember Juliet as beautifully dressed, and envied her for being allowed to put a blonde rinse on her hair--quite daring for a teen in the 1950s.[[/note]]
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* ScreamingBirth: Juliet enacts one as Empress Deborah giving birth to Prince Diello (a cushion). Pauline is on hand as Emperor Charles assisting the delivery.

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* ScreamingBirth: Juliet enacts one as Empress Deborah giving birth to Prince Diello (a cushion).([[PillowPregnancy a cushion]]). Pauline is on hand as Emperor Charles assisting the delivery.
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Pauline Rieper is [[AloofDarkHairedGirl a bright, imaginative, but gloomy girl,]] traits that set her apart from both her salt-of-the-earth working-class family and her run-of-the-mill schoolmates. Enter [[ManicPixieDreamGirl Juliet]] [[IllGirl Hulme]] (Winslet), a NewTransferStudent from England, born to [[TheBeautifulElite a wealthy, glamorous, intellectual family]]--everything that Pauline dreams of for herself.

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Pauline Rieper is [[AloofDarkHairedGirl a bright, imaginative, but gloomy girl,]] traits that set her apart from both her salt-of-the-earth working-class family parents and her run-of-the-mill schoolmates. Enter [[ManicPixieDreamGirl Juliet]] [[IllGirl Hulme]] (Winslet), a NewTransferStudent from England, born to [[TheBeautifulElite a wealthy, glamorous, intellectual family]]--everything that Pauline dreams of for herself.

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* AdaptationDistillation: Of the girls' fantasy realms. In real life, Pauline wrote as the ruler of her own fictional kingdom of Volumnia, while Juliet's kingdom was Borovnia. Likewise each kingdom had a tyrannical, murderous heir of the realm: Princess Marioli for Volumnia and Prince Diello for Borovnia (with Marioli being the more sadistic and dominant of the two). The film condenses this down to the single kingdom of Borovnia and makes Diello the primary baddie.
* AdaptedOut:
** Pauline's younger sister Rosemary. Rosemary had Down's Syndrome and lived apart from the family in a state institution, as did many such children at the time. ''Unlike'' most institutionalized children, however, Rosemary was still very much a part of the family: the family travelled to see her almost every weekend and frequently took her home for extended visits.[[note]]For what it's worth, Pauline was said to be especially close to Rosemary, which might have influenced her decision to work with disabled children as an adult.[[/note]] Likely she was Adapted Out because it would have required explaining why a young child kept disappearing and reappearing throughout the film, a narrative thread that might have distracted from the main story. Even a casual mention of "we're going to see Rosemary on Saturday" would seem like a throwaway line without more context.
** People watching the film might not even realize that Pauline's maternal grandmother (the "Nana Parker" who told her about Honorah running off with Pauline's father) lives with the family. She's the elderly woman visible in the background during the second Christmas scene, and in the "dinner table" sequence in the Director's Cut, she offers to break a wishbone with Pauline. While technically present, the film makes it seem she's only visiting for the holiday, not the part of daily life she really was.



* {{Irony}}: The girls concoct the scheme because they are desperate not to be separated--only for them to be arrested immediately, sent to different prisons, and "it was a condition of their release that they never meet again".[[note]]This is a load of bunkum, originally concocted by Juliet / Anne Perry. According to Peter Graham's account of the Parker-Hulme murder, ''So Brilliantly Clever'', "It has often been said, not least by Juliet Hulme herself, that a condition of the girls’ release was that they were to have no further communication. This was not so. The ''Sydney Sun-Herald'' quoted [Secretary for Justice] Barnett as saying, "Miss Hulme’s release is unconditional. . . . Miss Parker’s release is subject to general control as to her residence, employment and the like". Asked if the girls had been given, or been asked to give, an understanding to keep apart or refrain from corresponding, the secretary for justice said they had not been released on such a condition."[[/note]]

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* {{Irony}}: {{Irony}}:
**
The girls concoct the scheme because they are desperate not to be separated--only for them to be arrested immediately, sent to different prisons, and "it was a condition of their release that they never meet again".[[note]]This is a load of bunkum, originally concocted by Juliet / Anne Perry. According to Peter Graham's account of the Parker-Hulme murder, ''So Brilliantly Clever'', "It has often been said, not least by Juliet Hulme herself, that a condition of the girls’ release was that they were to have no further communication. This was not so. The ''Sydney Sun-Herald'' quoted [Secretary for Justice] Barnett as saying, "Miss Hulme’s release is unconditional. . . . Miss Parker’s release is subject to general control as to her residence, employment and the like". Asked if the girls had been given, or been asked to give, an understanding to keep apart or refrain from corresponding, the secretary for justice said they had not been released on such a condition."[[/note]]"[[/note]]
** When asked by police if his daughter kept a diary, Herbert Reiper directed them to where the diary was kept, unlocked and in plain sight on Pauline's desk. He stated that neither he nor his wife would ever read their child's diary as they considered that an unforgivable breach of privacy--a very honorable sentiment, particularly for parents in conservative Christchurch in the 1950s. Had they been a little less noble and a little more nosy, Honorah's death might have been prevented.
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* DatingWhatDaddyHates: A variation, but when Pauline's parents are SlutShaming her for sleeping with Jonathan (when she actually had only cuddled with him), she retaliates by sneaking over to his house and making it official, whilst imagining she's actually in Borovnia reuniting with Diello and the rest of the royal family, including Juliet.

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* DatingWhatDaddyHates: A variation, but when Pauline's parents are SlutShaming her for sleeping with Jonathan John (when she actually had only cuddled with him), she retaliates by sneaking over to his house and making it official, whilst imagining she's actually in Borovnia reuniting with Diello and the rest of the royal family, including Juliet.
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* OneGenderSchool: The girls attend Christchurch Girls High School, one of the oldest all-girls schools in New Zealand. It remains girls-only to this day.
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* ClosetKey: The introduction of Juliet. Not only do her personality and interests perfectly compliment Pauline's, but she is also constantly shot in a romantic/idealised way, never more so than when Pauline visits her house for the first time. Whatever the true story was, the film frames it as a love story between Pauline and Juliet- and Juliet is most certainly the Closet Key.

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No longer a trope.


Bonding over their childhood ailments, their feelings of superiority and loneliness, and their shared [[WorldBuilding imaginary fantasy kingdom]], Pauline and Juliet quickly become inseparable. Both the fantasies and the friendship sustain the girls during a tumultuous year in which Pauline's already [[ToughLove rocky relationship]] with her mother steadily declines, Juliet's [[IncurableCoughOfDeath health issues]] threaten her life, and [[YourCheatingHeart the Hulmes' marriage teeters on the brink of divorce.]] With their worlds falling apart around them, Pauline and Juliet seem to withdraw not only from their families, but from reality itself, falling into fantasies in which they escape to [[ImagineSpot The Fourth World]], a PersonalizedAfterlife of "music, art, and pure enjoyment" occupied by their hand-selected "saints" and accessible to only an elite few [[TitleDrop "heavenly creatures"]]--such as themselves.

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Bonding over their childhood ailments, their feelings of superiority and loneliness, and their shared [[WorldBuilding imaginary fantasy kingdom]], Pauline and Juliet quickly become inseparable. Both the fantasies and the friendship sustain the girls during a tumultuous year in which Pauline's already [[ToughLove rocky relationship]] with her mother steadily declines, Juliet's [[IncurableCoughOfDeath health issues]] threaten her life, and [[YourCheatingHeart the Hulmes' marriage teeters on the brink of divorce.]] divorce. With their worlds falling apart around them, Pauline and Juliet seem to withdraw not only from their families, but from reality itself, falling into fantasies in which they escape to [[ImagineSpot The Fourth World]], a PersonalizedAfterlife of "music, art, and pure enjoyment" occupied by their hand-selected "saints" and accessible to only an elite few [[TitleDrop "heavenly creatures"]]--such as themselves.



* YourCheatingHeart: Hilda Hulme, a marriage counselor, begins an affair with Bill Perry, one of her clients, and actually ''moves him into their house'', devastating her husband, who's aware of the whole arrangement.
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* DidNotThinkThisThrough: The murder plot was just as poorly thought out as you'd expect from two teenage girls with [[SmugSnake delusions of grandeur]]. Their plan hinged on the (unbeknownst to them) very unlikely possibility that Honorah would die instantly from a blow to the back of the head. When this doesn't happen, they panic and kill her in such a brutal way that it's virtually impossible for the police to even consider any other hypothesis than murder. Even more egregious is the fact that Pauline wrote extensively about her plans and left the highly incriminating journal in plain sight in her room. The police wastes no time in arresting and charging both of them.

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* {{Hypocrite}}: Mrs. Rieper chastises Pauline for having a boy in her bed even though she herself had run away with Mr. Rieper when she was only 17, and never married him.



* ParentalHypocrisy: When Mrs. Rieper chews out Pauline about sleeping with John and calls her a "cheap little tart", Pauline angrily retorts that she's no better, as Honorah ran away with Pauline's father (who abandoned the wife and children he already had) when she was only a little older than Pauline herself.

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* ParentalHypocrisy: When Mrs. Rieper chews out Pauline about sleeping with John and calls her a "cheap little tart", Pauline angrily retorts that she's no better, as Honorah ran away with Pauline's father (who abandoned the wife and children he already had) when she was only a little older than Pauline herself. Even more scandalous for the 50s, Mrs. Rieper actually never married Mr. Rieper.
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* {{Hypocrite}}: Mrs. Rieper chastises Pauline for having a boy in her bed even though she herself had run away with Mr. Rieper when she was only 17, and never married him.
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* AdaptationalHeroism: Although she is rightfully portrayed as the undeserving victim of a terrible betrayal and murder, Honorah's more unreasonable aspects are toned down for the film.


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* UnwittingInstigatorOfDoom: Juliet's mother, as mentioned by director Peter Jackson. He believes it's possible that Mrs. Hulmes told Juliet that Pauline could come with her to South Africa, but that she would need Mrs. Rieper's permission. Jackson believes Mrs. Hulmes knew that Mrs. Rieper would never consent, and so made the offer in order to not come out like the bad guy. Unfortunately, this led to Pauline seeing her mother as the only obstacle to a happy life with Juliet...
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* DoggedNiceGuy: John takes this to creepy levels when he climbs into Pauline's bed, then they have sex later, and then follows her train on a bike, screaming about how much he loves her. ValuesDissonance as back then this would just be considered cute teenage/young adult behaviour.

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* DoggedNiceGuy: John takes this to creepy levels when he climbs into Pauline's bed, then they pressures her to have sex later, and then follows her train on a bike, screaming about how much he loves her. ValuesDissonance as back then this would just be considered cute teenage/young adult behaviour.
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* MadeOfPlasticine: The Borovnians. ''Literally''. The girls create their characters from clay in their reality, and they look like that in their fantasy world as well.

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* MadeOfPlasticine: The Borovnians. ''Literally''. The girls create their characters from clay in their reality, and they look like that in their fantasy world as well. Those plasticine suits must have been hell to wear. There's a note in the credits: ''Special thanks to the brave Borovnian extras.''

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* AntiEscapismAesop: The movie involves two girls escaping from the harsh reality they live in by creating an imaginary kingdom - this trope comes into effect when one of the girls starts showing signs of insanity and becomes more and more obsessed with the imaginary world to the extent of everything else. Even her parents' lives. But the girls are also obsessed with being together in reality. This is a pretty significant divergence from the events the movie was based on, as such claims were part of InsanityDefense that was pretty quickly rejected.

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* AntiEscapismAesop: The movie involves two girls escaping from the harsh reality they live in by creating an imaginary kingdom - this trope comes into effect when one of the girls starts showing signs of insanity and becomes more and more obsessed with the imaginary world to the extent of everything else. Even her parents' lives. But the girls are also obsessed with being together in reality. This is a pretty significant divergence from the events the movie was based on, as such claims were part of an InsanityDefense that was pretty quickly rejected. rejected (more like demolished, accompanied by ridicule from the prosecution. The girls' own statements and writings proved that they knew exactly what they were doing and that it was morally and legally wrong, just felt it was justified under the circumstances).



* DoggedNiceGuy: John takes this to creepy levels when he climbs into Pauline's bed, then they have sex later, and then follows her train on a bike, screaming about how much he loves her.

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* DoggedNiceGuy: John takes this to creepy levels when he climbs into Pauline's bed, then they have sex later, and then follows her train on a bike, screaming about how much he loves her. ValuesDissonance as back then this would just be considered cute teenage/young adult behaviour.



* ForYourOwnGood: Juliet is repeatedly told "it's for the good of your health" and sees it as an excuse for her parents abandoning her. She does a towering rant on this subject when Honorah uses the phrase. When her parents tell her they're not only leaving Christchurch for England but that ''she isn't going with them'', that they're going to ditch her in South Africa with an aunt, they give her the "for the good of your health" bullshit again and she lets out a frustrated, gut-wrenching scream.
--> ''They sent me off to the Bahamas for the good of my health. They sent me to the Bay of bloody Islands for the good of my health!!!''



** Juliet Hulme, AKA Deborah ("Debórah," her role-playing name), Guilletta (Italian for "Juliet" and Pauline's romantic name for Juliet in her diary), Antoinette in French class (though In Real Life, she briefly insisted on being called this by her family), and [[spoiler: Anne, as the alias she used after she was released from prison]].

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** Juliet Hulme, AKA Deborah ("Debórah," her role-playing name), Guilletta Giulietta (Italian for "Juliet" and Pauline's romantic name for Juliet in her diary), Antoinette in French class (though In Real Life, she briefly insisted on being called this by her family), and [[spoiler: Anne, as the alias she used after she was released from prison]].



** Juliet has had tuberculosis and was left 5 years on Bahamas (without her parents) for the warm climate to improve her health. Her illness returns briefly in the course of the movie.

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** Juliet has had tuberculosis and was left 5 years on Bahamas (without her parents) for the warm climate [[ForYourOwnGood to improve her health.health]]. Her illness returns briefly in the course of the movie.



-->'''Pauline''': ''[explaining her fictional characters]'' Nicolas has got his eye on Gina, an amazingly beautiful gypsy.\\

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-->'''Pauline''': ''[explaining her fictional characters]'' characters, showing him a clay statuette of Gina]'' Nicolas has got his eye on Gina, an amazingly beautiful gypsy.\\



* ParentalNeglect: Juliet's parents left her alone in hospital for ''five years'' when she was first sick. Then in the film, when she's diagnosed with tuberculosis on her lungs, her parents simply leave her behind to go on a business trip (her father has a conference while her mother is accompanying him).

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* ParentalNeglect: Juliet's parents left her alone in hospital for ''five years'' when she was first sick. Then in the film, when she's diagnosed with tuberculosis on her lungs, her parents simply leave her behind to go on a business trip (her father has a conference while her mother is accompanying him). Honorah had believed they'd cancelled the trip and is clearly bewildered by their decision.

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* ParentalHypocrisy: When Mrs. Rieper chews out Pauline about sleeping with John and calls her a "cheap little tart", Pauline angrily retorts that she's no better, as Honorah married Pauline's father when she was only a little older than Pauline herself.

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* NiceGuy: In real life, Mr "Bloody Bill" Perry turned out to be this. He married Hilda, was very kind to Juliet, and soon adopted her, giving her his surname.
* ParentalHypocrisy: When Mrs. Rieper chews out Pauline about sleeping with John and calls her a "cheap little tart", Pauline angrily retorts that she's no better, as Honorah married ran away with Pauline's father (who abandoned the wife and children he already had) when she was only a little older than Pauline herself.
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Alarmed by the intensity of the friendship and the changes it has wrought on their daughters, the two sets of parents agree that it would be best to separate them, with Pauline's mother appearing to be the ringleader behind the plot. Juliet will be sent to live with relatives in South Africa, and Pauline, unable to obtain a passport without her parents' consent, will be left behind. But on the eve of Juliet's departure, [[{{Matricide}} Pauline comes up with the perfect plan to stay together.]]

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Alarmed by the intensity of changes the intense friendship and the changes it has wrought on their daughters, the two sets of parents agree that it would be best to separate them, with Pauline's mother appearing to be the ringleader behind the plot. Juliet will be sent to live with relatives in South Africa, and Pauline, unable to obtain a passport without her parents' consent, will be left behind. But on the eve of Juliet's departure, [[{{Matricide}} Pauline comes up with the perfect plan to stay together.]]
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* EnglishRose: Juliet is a pretty, intelligent girl from England, born to a rich, glamorous, intellectual family. She has striking eyes, blond hair, peachy-pale complexion, bee-stung lips and visually fits the archetype very well. She's attached to her parents, is seen playing with her little brother and has an intense friendship with Pauline. She's occasionally too spirited and sometimes downright rude to teachers, which might be excused because she's a teenager, but later events subverts this trope entirely: English Rose can't be a murderer.

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* EnglishRose: Juliet is a pretty, intelligent girl from England, born to a rich, glamorous, intellectual family. She has striking eyes, blond hair, peachy-pale complexion, bee-stung lips and visually fits the archetype very well. She's attached to her parents, is seen playing with her little brother and has an intense friendship with Pauline. She's occasionally too spirited and sometimes downright rude to teachers, which might be excused because she's a teenager, but later events subverts subvert this trope entirely: English Rose can't be a murderer.

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