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* ''Theatre/TheMisanthrope, or The Splenetic in Love'' (''Le Misanthrope, ou L'Atrabilaire amoureux'')

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* ''Theatre/TheMisanthrope, or The Splenetic Malcontent in Love'' (''Le Misanthrope, ou L'Atrabilaire amoureux'')



* ''The Hypochodriac'' (''Le Malade imaginaire'')

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* ''The Hypochodriac'' Hypochondriac'' (''Le Malade imaginaire'')

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[[index]]



* ''Theatre/DonJuan, or The Stone Guest'' (''Dom Juan, ou Le Festin de pierre'')

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* ''Theatre/DonJuan, or The Stone Guest'' Feast with the Statue'' (''Dom Juan, ou Le Festin de pierre'')




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[[/index]]
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* CelebrityParadox: Might be the TropeMaker. In ''The Imaginary Invalid'', which satirizes the medicine of the era, the brother of Argan (the hypochondriac main character) asks him if he would like to see a Moliére play. Argan angrily berates Moliére for making fun of doctors.

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* CelebrityParadox: Might be the TropeMaker. In ''The Imaginary Invalid'', which satirizes the medicine of the era, the brother of Argan (the hypochondriac main character) asks him if he would like to see a Moliére play. Argan angrily berates Moliére for making fun of doctors.
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* ParentalMarriageVeto: In ''Le Bourgeois gentilhomme'', M. Jourdain, a recently ennobled bourgeois who has become uppity due to his rise in rank, refuses to let an otherwise perfectly eligible young man, who is not a nobleman himself, marry his daughter. Circumventing that veto for the young couple becomes the main plot of the rest of the play.

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* ParentalMarriageVeto: In ''Le Bourgeois gentilhomme'', M. Jourdain, a recently ennobled wealthy bourgeois who has become uppity due to his rise in rank, aspirations to join the ranks of the nobility, refuses to let an otherwise perfectly eligible young man, who is not a nobleman himself, marry his daughter. Circumventing that veto for the young couple becomes the main plot of the rest of the play.
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* TakingTheVeil: In ''Les Précieuses ridicules'', Gorgibus threatens Magdelon and Cathos that if they are not married soon, "you will be nuns", I.E. he will dispose of his daughter and niece in a convent.

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* TakingTheVeil: In ''Les Précieuses ridicules'', Gorgibus threatens Magdelon and Cathos that if they are not married soon, "you will shall be nuns", I.E. he will dispose of his daughter and niece in a convent.

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Added a trope and edited another.


* TheDandy: Mascarille and Jodelet in ''Les Précieuses ridicules'' are played for laughs as two period fops. [[spoiler: They are actually the rejected suitors' valets, sent by their masters to fool the young ladies who rejected the latter into thinking they are suitors more to their taste.]]



* LeftHanging: The ending of ''Les Précieuses ridicules'' leaves the protagonists' situation unresolved. Gorgibus furiously chases Magdelon and Cathos away with the injunction: "Out of my sight and hide yourselves, you jades; go and hide yourselves forever." Will he kick his daughter and niece out of the house? Force them into a convent like he had threatened earlier? Or will he calm down and will everything go back to normal? Have Magdelon and Cathos changed their opinion about the fashionable manners that informed their behavior throughout the play? It's anyone's guess.



* ThinksLikeARomanceNovel: Magdelon and Cathos, the two cousins in ''Les Précieuses ridicules'' imagine that the way their relationship before marriage to a future husband should play out according to a formula lifted from romance novels. This is diametrally opposite to their father/uncle's resolve that they accept what amounts to an ArrangedMarriage as the right and proper thing to do.

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* ThinksLikeARomanceNovel: Magdelon and Cathos, the two cousins in ''Les Précieuses ridicules'' imagine that the way their relationship before marriage to a courtship with their future husband husbands should play out according to a formula lifted from romance novels. This is diametrally opposite to their father/uncle's resolve that they accept what amounts to an ArrangedMarriage as the right and proper thing to do.

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Added some tropes


* ChildMarriageVeto: ''Les Précieuses ridicules'' starts with the protagonists, two fashionable young ladies, rejecting the offer of marriage made to them by two young men that Gorgibus, their father and uncle, had chosen for them, and that are more or less unknown to them, because they don't like the notion of their relationship beginning with marriage as opposed to a protracted courtship.



* ParentalMarriageVeto: In ''Le Bourgeois gentilhomme'', M. Jourdain, a recently ennobled bourgeois who has become uppity due to his rise in rank, refuses to let an otherwise perfectly eligible young man, who is not a nobleman himself, marry his daughter. Circumventing that veto for the young couple becomes the main plot of the rest of the play.



* TakingTheVeil: In ''Les Précieuses ridicules'', Gorgibus threatens Magdelon and Cathos that if they are not married soon, "you will be nuns", I.E. he will dispose of his daughter and niece in a convent.
* ThinksLikeARomanceNovel: Magdelon and Cathos, the two cousins in ''Les Précieuses ridicules'' imagine that the way their relationship before marriage to a future husband should play out according to a formula lifted from romance novels. This is diametrally opposite to their father/uncle's resolve that they accept what amounts to an ArrangedMarriage as the right and proper thing to do.



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Legend has it he died on the stage, in 1673, playing the main role in ''The Imaginary Invalid''.[[note]]In fact, he collapsed on stage due to a coughing fit, while playing a hypochondriac. Moliere had long suffered from tuberculosis, but insisted on finishing the performance, then was taken home and died there a few hours later.[[/note]]

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Legend has it he died on the stage, in 1673, playing the main role in ''The Imaginary Invalid''.[[note]]In fact, he collapsed on stage due to a coughing fit, while playing a hypochondriac.the hypochondriac of the title. Moliere had long suffered from tuberculosis, but insisted on finishing the performance, then was taken home and died there a few hours later.[[/note]]
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Legend has it he died on the stage, in 1673, playing the main role in ''The Imaginary Invalid''.[[note]]In fact, he collapsed on stage, was taken home and died there a few hours later.[[/note]]

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Legend has it he died on the stage, in 1673, playing the main role in ''The Imaginary Invalid''.[[note]]In fact, he collapsed on stage, stage due to a coughing fit, while playing a hypochondriac. Moliere had long suffered from tuberculosis, but insisted on finishing the performance, then was taken home and died there a few hours later.[[/note]]
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Moli&egrave (born Jean-Baptiste Poquelin, 15 January 1622 – 17 February 1673) was one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''. In many ways, he's a rough French equivalent to [[Creator/WilliamShakespeare Shakespeare]], though his stature isn't quite as towering (since unlike Shakespeare, Molière wrote more or less only comedies, while the Bard wrote tragedies, histories, "problem plays" and standalone poems).

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Moli&egrave Molière (born Jean-Baptiste Poquelin, 15 January 1622 – 17 February 1673) was one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''. In many ways, he's a rough French equivalent to [[Creator/WilliamShakespeare Shakespeare]], though his stature isn't quite as towering (since unlike Shakespeare, Molière wrote more or less only comedies, while the Bard wrote tragedies, histories, "problem plays" and standalone poems).
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Molière was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''. In many ways, he's a rough French equivalent to [[Creator/WilliamShakespeare Shakespeare]], though his stature isn't quite as towering (since unlike Shakespeare, Molière wrote more or less only comedies, while the Bard wrote tragedies, histories, "problem plays" and standalone poems).

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Molière was born in 1622 as Moli&egrave (born Jean-Baptiste Poquelin, 15 January 1622 – 17 February 1673) was one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''. In many ways, he's a rough French equivalent to [[Creator/WilliamShakespeare Shakespeare]], though his stature isn't quite as towering (since unlike Shakespeare, Molière wrote more or less only comedies, while the Bard wrote tragedies, histories, "problem plays" and standalone poems).
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!!Works by Molière with their own trope pages:

* ''Theatre/TheDoctorInSpiteOfHimself''
* ''Theatre/TheMisanthrope''
* ''Theatre/TheMiser''
* ''Theatre/{{Tartuffe}}''
* ''Theatre/TheLearnedLadies''
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Molière was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''. In many ways, he's a rough French equivalent to [[Creator/WilliamShakespeare Shakespeare]], though his stature isn't quite as towering (since unlike Shakespeare, Molière wrote more or less only comedies, without the Bard's tragedies, histories, "problem plays", or standalone poems).

to:

Molière was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''. In many ways, he's a rough French equivalent to [[Creator/WilliamShakespeare Shakespeare]], though his stature isn't quite as towering (since unlike Shakespeare, Molière wrote more or less only comedies, without while the Bard's Bard wrote tragedies, histories, "problem plays", or plays" and standalone poems).
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Molière was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''.

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Molière was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''.
Molière"''. In many ways, he's a rough French equivalent to [[Creator/WilliamShakespeare Shakespeare]], though his stature isn't quite as towering (since unlike Shakespeare, Molière wrote more or less only comedies, without the Bard's tragedies, histories, "problem plays", or standalone poems).
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* ''The Blunderer, or The Dust-Up'' (''L'Étourdi, ou Le Contretemps'')

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* ''The Blunderer, or The Dust-Up'' Mishaps'' (''L'Étourdi, ou Le Contretemps'')Les Contretempss'')



* ''The Mad'' (''Les Fâcheux'')

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* ''The Mad'' Pests'' (''Les Fâcheux'')



* ''Theatre/TheMisanthrope, or The Malcontent in Love'' (''Le Misanthrope, ou L'Atrabilaire amoureux'')

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* ''Theatre/TheMisanthrope, or The Malcontent Splenetic in Love'' (''Le Misanthrope, ou L'Atrabilaire amoureux'')



* ''The Pranks of Scapin'' (''Les Fourberies de Scapin'')

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* ''The Pranks Schemes of Scapin'' (''Les Fourberies de Scapin'')
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* ''Don Juan, or The Stone Guest'' (''Dom Juan, ou Le Festin de pierre'')

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* ''Don Juan, ''Theatre/DonJuan, or The Stone Guest'' (''Dom Juan, ou Le Festin de pierre'')
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'''Molière''' was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''.

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'''Molière''' Molière was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''.
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* CelebrityParadox: Might be the TropeMaker. In ''The Imaginary Invalid'', which satirizes the medicine of the era, the brother of Argan (the hypochondriac main character) asks him if he would like to see a Moliére play. Argan angrily berates Moliére for making fun of doctors.
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'''Molière''' was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV.

to:

'''Molière''' was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV.
XIV. He's so big in French culture that the language itself is nicknamed ''"La langue de Molière"''.

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* GoldDigger: Beline, Argan's second wife in ''The Hypochondriac'' (also translated as ''The Imaginary Invalid''), is a two-faced woman: she flatters and pampers her husband, but schemes all the time, trying to figure out how to get all his money after his death, and she wants to deprive his two daughters of their share.



* MayDecemberRomance / WifeHusbandry: Subverted, in that it's usually young girls who want nothing to do with the old men who are being forced on them.
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* ''TheLearnedLadies'' (''Les Femmes savantes'')

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* ''TheLearnedLadies'' ''Theatre/TheLearnedLadies'' (''Les Femmes savantes'')



* ''TheLearnedLadies''

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* ''TheLearnedLadies''
''Theatre/TheLearnedLadies''



* AuthorTract: Moliere really, ''really'' hated doctors and the clergy, and had very snarky comments on bourgeois. He let ''everyone'' know about it. Why'd you think that ''Theatre/{{Tartuffe}}'' was banned for several years?

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* AuthorTract: Moliere Molière really, ''really'' hated doctors and the clergy, and had very snarky comments on bourgeois. He let ''everyone'' know about it. Why'd you think that ''Theatre/{{Tartuffe}}'' was banned for several years?



* FrenchMaid: The ''soubrette'' found in several of his plays; Dorine in ''{{Theatre/Tartuffe}}'' is perhaps the clearest example.

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* FrenchMaid: The ''soubrette'' found in several of his plays; Dorine in ''{{Theatre/Tartuffe}}'' ''Theatre/{{Tartuffe}}'' is perhaps the clearest example.



* MayDecemberRomance - WifeHusbandry: Subverted, in that it's usually young girls who want nothing to do with the old men who are being forced on them.

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* MayDecemberRomance - / WifeHusbandry: Subverted, in that it's usually young girls who want nothing to do with the old men who are being forced on them.
Willbyr MOD

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it\'s obviously his page, so the caption\'s kinda pointless


[[caption-width-right:220:Molière]]

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[[caption-width-right:220:Molière]]






* ''{{Theatre/Tartuffe}}, or The Hypocrite'' (''Tartuffe, ou L'Imposteur'')

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* ''{{Theatre/Tartuffe}}, ''Theatre/{{Tartuffe}}, or The Hypocrite'' (''Tartuffe, ou L'Imposteur'')



* ''{{Theatre/Tartuffe}}''

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* ''{{Theatre/Tartuffe}}''''Theatre/{{Tartuffe}}''









* AuthorTract: Moliere really, ''really'' hated doctors and the clergy, and had very snarky comments on bourgeois. He let ''everyone'' know about it. Why'd you think that ''{{Theatre/Tartuffe}}'' was banned for several years?
* CatchPhrase: One of Molière's favourite source of comedy involves a character repeating the same line over and over again in one scene. In some cases they became proverbial (''e.g.'', "What the devil was he doing on that galley?" (« ''Que diable allait-il faire dans cette galère?'' ») from ''Les Fourberies de Scapin'', and "Poor man!" (« ''Le pauvre homme!'' ») from ''{{Theatre/Tartuffe}}'')

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* AuthorTract: Moliere really, ''really'' hated doctors and the clergy, and had very snarky comments on bourgeois. He let ''everyone'' know about it. Why'd you think that ''{{Theatre/Tartuffe}}'' ''Theatre/{{Tartuffe}}'' was banned for several years?
* CatchPhrase: One of Molière's favourite source of comedy involves a character repeating the same line over and over again in one scene. In some cases they became proverbial (''e.g.'', "What the devil was he doing on that galley?" (« ''Que diable allait-il faire dans cette galère?'' ») from ''Les Fourberies de Scapin'', and "Poor man!" (« ''Le pauvre homme!'' ») from ''{{Theatre/Tartuffe}}'')''Theatre/{{Tartuffe}}'')



* StrawHypocrite: {{Theatre/Tartuffe}}

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* StrawHypocrite: {{Theatre/Tartuffe}}Theatre/{{Tartuffe}}


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Legend has it he died on the stage, in 1673, playing the main role in ''The Imaginary Invalid''.[[hottip:*: In fact, he collapsed on stage, was taken home and died there a few hours later.]]

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Legend has it he died on the stage, in 1673, playing the main role in ''The Imaginary Invalid''.[[hottip:*: In [[note]]In fact, he collapsed on stage, was taken home and died there a few hours later.]]
[[/note]]
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* SelfPlagiarism: He reused some dialogues in his plays.
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* ''TheLearnedLadies''
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* SmugSnake: Don Juan
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* ''The Learned Ladies'' (''Les Femmes savantes'')

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* ''The Learned Ladies'' ''TheLearnedLadies'' (''Les Femmes savantes'')
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* AuthorTract: Moliere really, ''really'' hated doctors and the clergy, and had very snarky comments on bourgeois. He let ''everyone'' know about it. Why d you think that ''{{Theatre/Tartuffe}}'' was banned for several years?

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* AuthorTract: Moliere really, ''really'' hated doctors and the clergy, and had very snarky comments on bourgeois. He let ''everyone'' know about it. Why d Why'd you think that ''{{Theatre/Tartuffe}}'' was banned for several years?

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Heavily influenced by ''CommediaDellArte'', his plays are full of slapstick, misunderstandings, and thwarted lovers.

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Heavily influenced by ''CommediaDellArte'', his plays are full of slapstick, snark, misunderstandings, and thwarted lovers.



* AuthorTract

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* AuthorTractAuthorTract: Moliere really, ''really'' hated doctors and the clergy, and had very snarky comments on bourgeois. He let ''everyone'' know about it. Why d you think that ''{{Theatre/Tartuffe}}'' was banned for several years?



* MayDecemberRomance: Subverted, in that it's usually young girls who want nothing to do with the old men who are being forced on them.

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* MayDecemberRomance: MayDecemberRomance - WifeHusbandry: Subverted, in that it's usually young girls who want nothing to do with the old men who are being forced on them.


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* WorldOfSnark
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Moving to Namespace.

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[[quoteright:220:http://static.tvtropes.org/pmwiki/pub/images/220px-Molire_-_Nicolas_Mignard_1658_8522.jpg]]
[[caption-width-right:220:Molière]]

'''Molière''' was born in 1622 as Jean-Baptiste Poquelin, one of the many children of the French royal tapestry-maker. He tried to follow his father's footsteps and later, to become a lawyer, but his heart wasn't in it, and he ended up as one of the greatest French playwrights, and a protégé of King Louis XIV.

Legend has it he died on the stage, in 1673, playing the main role in ''The Imaginary Invalid''.[[hottip:*: In fact, he collapsed on stage, was taken home and died there a few hours later.]]

Heavily influenced by ''CommediaDellArte'', his plays are full of slapstick, misunderstandings, and thwarted lovers.
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!!Among his works are:

* ''The Flying Doctor'' (''Le Médecin volant'')
* ''The Blunderer, or The Dust-Up'' (''L'Étourdi, ou Le Contretemps'')
* ''The Doctor in Love'' (''Le Docteur amoureux'')
* ''The Affected Young Ladies'' (''Les Précieuses ridicules'')
* ''Sganarelle, or the Imaginary Cuckold'' (''Sganarelle, ou Le Cocu imaginaire'')
* ''Don Garcia of Navarre, or the Jealous Prince'' (''Dom Garcie de Navarre, ou Le Prince jaloux'')
* ''The School for Husbands'' (''L'École des maris'')
* ''The Mad'' (''Les Fâcheux'')
* ''The School for Wives'' (''L'École des femmes'')
* ''Critique of the School for Wives'' (''La Critique de l'école des femmes'')
* ''The Forced Marriage'' (''Le Mariage forcé'')
* ''The Princess of Elid'' (''La Princesse d'Élide'')
* ''{{Theatre/Tartuffe}}, or The Hypocrite'' (''Tartuffe, ou L'Imposteur'')
* ''Don Juan, or The Stone Guest'' (''Dom Juan, ou Le Festin de pierre'')
* ''Doctor Love'' (''L'Amour médecin'')
* ''Theatre/TheMisanthrope, or The Malcontent in Love'' (''Le Misanthrope, ou L'Atrabilaire amoureux'')
* ''Theatre/TheDoctorInSpiteOfHimself'' (''Le Médecin malgré lui'')
* ''Mélicerte''
* ''The Sicilian, or Love the Artist'' (''Le Sicilien, ou L'Amour peintre'')
* ''Amphitryon''
* ''George Dandin, or the Husband Abashed'' (''George Dandin, ou Le Mari confondu'')
* ''Theatre/TheMiser, or The School for Lying'' (''L'Avare, ou L'École du mensonge'')
* ''Monsieur de Pourceaugnac''
* ''The Magnificent Lovers'' (''Les Amants magnifiques'')
* ''The Bourgeois Gentleman'' (''Le Bourgeois gentilhomme'')
* ''Psyche''
* ''The Pranks of Scapin'' (''Les Fourberies de Scapin'')
* ''The Countess of Escarbagnas'' (''La Comtesse d'Escarbagnas'')
* ''The Learned Ladies'' (''Les Femmes savantes'')
* ''The Hypochodriac'' (''Le Malade imaginaire'')

!!Works by Molière with their own trope pages:

* ''Theatre/TheDoctorInSpiteOfHimself''
* ''Theatre/TheMisanthrope''
* ''Theatre/TheMiser''
* ''{{Theatre/Tartuffe}}''
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!!Molière's works provide examples of the following tropes:

* ArrangedMarriage: Always thwarted by the lovers.
* AuthorTract
* CatchPhrase: One of Molière's favourite source of comedy involves a character repeating the same line over and over again in one scene. In some cases they became proverbial (''e.g.'', "What the devil was he doing on that galley?" (« ''Que diable allait-il faire dans cette galère?'' ») from ''Les Fourberies de Scapin'', and "Poor man!" (« ''Le pauvre homme!'' ») from ''{{Theatre/Tartuffe}}'')
* FrenchMaid: The ''soubrette'' found in several of his plays; Dorine in ''{{Theatre/Tartuffe}}'' is perhaps the clearest example.
* GrandeDame: Mme. Pernelle; Arsinoé has some affinities with the type.
* LongLostSibling
* MayDecemberRomance: Subverted, in that it's usually young girls who want nothing to do with the old men who are being forced on them.
* OrphansPlotTrinket: In ''Les Fourberies de Scapin'', Zerbine's bracelet.
* RhymesOnADime: Much of Molière's dialogue rhymes, as per the conventions of his day.
* TheScrooge: Harpagon from ''The Miser''.
* ServileSnarker: There's one in every one of his plays.
* StrawHypocrite: {{Theatre/Tartuffe}}
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