[006]
Bloodseeker
Current Version
Changed line(s) 7 from:
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If the writing team tried to say \
to:
If the writing team tried to say \\\"yes\\\", I think that would be one of the highest forms of a false sense of entitlement that a creator can possibly have. If they didn\\\'t want the audience to view Marche as the story\\\'s villain, then they shouldn\\\'t have written a character who\\\'s main goal in the story is something that a large part of the audience views as nonsensical and mean-spirited. It\\\'s not their place to tell the audience that \\\"Marche was the sympathetic figure, the people who disagreed with him were morally wrong, end of story\\\". They could try, but it wouldn\\\'t make them correct.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
Changed line(s) 7 from:
n
If the writing team tried to say \
to:
If the writing team tried to say \\\"yes\\\", I think that would be one of the highest forms of a false sense of entitlement that a creator can possibly have. If they didn\\\'t want the audience to view Marche as the story\\\'s villain, then they shouldn\\\'t have written a character who\\\'s main goal in the story is something that a large part of the audience views as nonsensical and mean-spirited. It\\\'s not their place to tell the audience that \\\"Marche was right, the people who disagreed with him were wrong, end of story\\\". They could try, but it wouldn\\\'t change anything about how the audience interprets the work, nor would it make them correct.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
Changed line(s) 7 from:
n
If the writing team tried to say \
to:
If the writing team tried to say \\\"yes\\\", I think that would be one of the highest forms of a false sense of entitlement that a creator can possibly have. If they didn\\\'t want the audience to view Marche as the story\\\'s villain, then they shouldn\\\'t have written a character who\\\'s main goal in the story is something that a large part of the audience views as nonsensical and mean-spirited. It\\\'s not their place to tell the audience that \\\"Marche was right, the people who disagreed with him were wrong, end of story\\\".
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
Changed line(s) 7 from:
n
If the writing team tried to say \
to:
If the writing team tried to say \\\"yes\\\", I think that would be one of the highest forms of a false sense of entitlement that a creator can possibly have. If they didn\\\'t want the audience to view Marche as a villain, then they shouldn\\\'t have written a character who\\\'s main goal in the story is something that a large part of the audience views as nonsensical and mean-spirited. It\\\'s not their place to tell the audience that \\\"Marche was right, the people who disagreed with him were wrong, end of story\\\".
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
Changed line(s) 7 from:
n
If the writing team tried to say \
to:
If the writing team tried to say \\\"yes\\\", I think that would be one of the highest forms of a false sense of entitlement that a creator can possibly have.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to do with it.
Changed line(s) 5 from:
n
Is the audience wrong for coming to their own conclusions about Marche and his actions, which differ from the writing team\'s intent?
to:
Is the audience wrong for coming to their own conclusions about the morality of Marche and his actions, which differ from the writing team\\\'s intent?
Changed line(s) 7 from:
n
If the writing team tried to say \
to:
If the writing team tried to say \\\"yes\\\", I think that would be one of the highest forms of a false sense of entitlement that a creator can possibly have.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to with it.
It\\\'s the same with finding your own meaning to a story or character, or having your own rational theories about what happened in a particular scenario. (especially if what the author says doesn\\\'t make a lot of sense)
Once the scenario is penned, it\\\'s not the writer\\\'s place to tell the reader what to with it.
