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* Though it's ostensibly about the UsefulNotes/IraqWar, "Panzer Battalion" appropriately sounds a lot more like a Nazi anthem than something you'd expect to here from the United States, [[{{Dehumanization}} referring to Iraqis as "animals", "rats" and "insects"]] and boasting about how all who stand before them will be annihilated, including bragging about burning Iraqi forces with napalm.

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* Though it's ostensibly about the UsefulNotes/IraqWar, "Panzer Battalion" appropriately sounds a lot more like a Nazi anthem than something you'd expect to here hear from the United States, [[{{Dehumanization}} referring to Iraqis as "animals", "rats" and "insects"]] and boasting about how all who stand before them will be annihilated, including bragging about burning Iraqi forces with napalm.
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''A deadly mist on the battlefield!''

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''A deadly mist on the battlefield!''battlefield!''
* Though it's ostensibly about the UsefulNotes/IraqWar, "Panzer Battalion" appropriately sounds a lot more like a Nazi anthem than something you'd expect to here from the United States, [[{{Dehumanization}} referring to Iraqis as "animals", "rats" and "insects"]] and boasting about how all who stand before them will be annihilated, including bragging about burning Iraqi forces with napalm.
--->''Rats who dare to stand before us''\\
''Feel our guns go live!''\\
''Death in the shape of a [[TitleDrop panzer battalion]]!''\\
''Insect of terror, don't run, face your fate like a man!''
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"Back in Control" is standard Sabaton fare, not nightmarish at all.


* On the subject of Attero Dominatus, it is probably the darkest album in their library. The title track is about the Soviets burning Berlin to the ground and giving no mercy. "Nuclear Attack" Talks about the devestation of the nuclear weapons dropped on Hiroshima and Nagasaki. "Rise of Evil," is all about the Nazi Germany's rise to power. "In the Name of God," is about Terror in the name of religious extremism. While no one particular incident is used, one video listing songs in historical order puts the 9/11 attacks as part of the inspiration. "We Burn," as discussed above is about the Bosnian Genocide during the Yugoslav wars. "Angels Calling," is all about the trenches of World War 1, something later albums "Great War" and "War To End All Wars," go into more detail. "Back in Control," talks about the Falkland conflict and the controversy on both sides. "Light in the Black," while appearing lighthearted, when taken in context of the album, proves why the Peace corps and other humanitarian groups exist. It says a lot when "Metal Crue" is the lightest song thematically and it talks about heavy metal influential bands.

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* On the subject of Attero Dominatus, it is probably the darkest album in their library. The title track is about the Soviets burning Berlin to the ground and giving no mercy. "Nuclear Attack" Talks about the devestation of the nuclear weapons dropped on Hiroshima and Nagasaki. "Rise of Evil," is all about the Nazi Germany's rise to power. "In the Name of God," is about Terror in the name of religious extremism. While no one particular incident is used, one video listing songs in historical order puts the 9/11 attacks as part of the inspiration. "We Burn," as discussed above is about the Bosnian Genocide during the Yugoslav wars. "Angels Calling," is all about the trenches of World War 1, something later albums "Great War" and "War To End All Wars," go into more detail. "Back in Control," talks about the Falkland conflict and the controversy on both sides. "Light in the Black," while appearing lighthearted, when taken in context of the album, proves why the Peace corps and other humanitarian groups exist. It says a lot when "Metal Crue" is the lightest song thematically and it talks about heavy metal influential bands.
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* On the subject of Attero Dominatus, it is probably the darkest album in their library. The title track is about the Soviets burning Berlin to the ground and giving no mercy. "Nuclear Attack" Talks about the devestation of the nuclear weapons dropped on Hiroshima and Nagasaki. "Rise of Evil," is all about the Nazi Germany's rise to power. "In the Name of God," is about Terror in the name of religious extremism. While no one particular incident is used, one video listing songs in historical order puts the 9/11 attacks as part of the inspiration. "We Burn," as discussed above is about the Bosnian Genocide during the Yugoslav wars. "Angels Calling," is all about the trenches of World War 1, something later albums "Great War" and "War To End All Wars," go into more detail. "Back in Control," talks about the Falkland conflict and the controversy on both sides. "Light in the Black," while appearing lighthearted, when taken in context of the album, proves why the Peace corps and other humanitarian groups exist. It says a lot when "Metal Crue" is the lightest song thematically and it talks about heavy metal influential bands.
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* "Father" is appropriately ominous for a song about [[http://en.wikipedia.org/wiki/Fritz_Haber the father of chemical warfare]] and his weapons. Several times, Haber is shown ominously looming over the battlefield while chlorine gas closes in on several unsuspecting soldiers to create a distinctly sinister image. Joakim's vocals during the chorus work particularly well on setting the tone:

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* "Father" is appropriately ominous for a song about [[http://en.wikipedia.org/wiki/Fritz_Haber the father of chemical warfare]] and his weapons. Several times, Haber is shown ominously looming over the battlefield while chlorine gas closes in on several unsuspecting soldiers to create a distinctly sinister image. The part where it talks about where it will lead is a dark reference to how Haber´s inventions will be used by Nazi Germany to exterminate over a million people in the Holocaust´s gas chambers using derivatives of his work. Joakim's vocals during the chorus work particularly well on setting the tone:
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I am the soldier of heaven

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I am the soldier of heavenheaven
* "Father" is appropriately ominous for a song about [[http://en.wikipedia.org/wiki/Fritz_Haber the father of chemical warfare]] and his weapons. Several times, Haber is shown ominously looming over the battlefield while chlorine gas closes in on several unsuspecting soldiers to create a distinctly sinister image. Joakim's vocals during the chorus work particularly well on setting the tone:
---> ''Father of toxic gas and chemical warfare''\\
''His [[DeadlyGas dark creation]] has been revealed!''\\
''Flow over no-man's-land, a poisonous nightmare,''\\
''A deadly mist on the battlefield!''
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** The music video compliments this perfectly by blending archival footage of UsefulNotes/AudieMurphy in action with that of the band performing the song and of an actor portraying Murphy as he experiences PTSD in his older years.

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** The music video compliments such moments like this perfectly by hauntingly, blending archival footage of UsefulNotes/AudieMurphy Creator/AudieMurphy (the topic of this song) in action with that of the band performing the song and of an actor portraying Murphy as he experiences PTSD in his older years.
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** The music video compliments this perfectly by blending archival footage of UsefulNotes/AudieMurphy in action with that of the band performing the song and of an actor portraying Murphy as he experiences PTSD in his older years.



'''''[[UsefulNotes/WorldWarII It's the war that will end all war]]!'''''

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'''''[[UsefulNotes/WorldWarII It's the war that will end all war]]!'''''war]]!'''''
* "Soldier of Heaven" is an incredibly haunting song told from the point of view of a soldier who, like many of his fellow comrades, froze to death in the Alps during World War I, on what would become known as "White Friday", as he prepares to make his final - and possibly fatal - ascent into action. [[SugarWiki/HeReallyCanAct This is easily one song where full credit should be given to Joakim.]]
--->[[UsefulNotes/WorldWarI White Friday,]] I'll take the [[Music/LedZeppelin stairway to heaven]]\\
I'm sky high; when I die, [[BeAllMySinsRemembered I'll be immortal]]\\
Forever, I never, I won't return to Blood Mountain[[note]]The nickname for Col di Lana, a mountain in the Swiss Alps, given due to the unusually high number of casualties that occurred following the White Friday avalanche.[[/note]]\\
I am the soldier of heaven
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With so many songs about epic battles across history, of course there are going to be some [[NightmareFuel particularly disturbing pieces]].
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* [[LyricalDissonance Awesome-sounding as it may be]], "The Final Solution" is a very chilling reflection on the sheer villainy, pointlessness, and unreason of UsefulNotes/TheHolocaust. [[CreatorBacklash Sabaton stopped playing it for several years]] because [[EveryoneHasStandards they started getting disturbed by fans singing along to a song about one of the most horrific events in human history.]] However, during The Last Tour, they played it with piano keyboard and acoustic guitar, inviting fans to sing along with lighters or phone lights in the air, and sang it as a metal song on the 2018 North America tour.
--->[[TheGreatDepression Country in depression]]\\
[[UsefulNotes/WeimarGermany Nation in despair]]\\
[[UsefulNotes/AdolfHitler One man]] seeking reasons everywhere\\
[[PowderKegCrowd Growing hate and anger]]\\
The Führer's orders were precise\\
[[TheScapegoat Who was to be blamed]] and pay the price!
* "Inmate 4859". This one's about Witold Pilecki, a leader of the Polish resistance in World War 2. Pilecki deliberately got himself sent to Auschwitz in order to investigate claims about its horrors. While in the concentration camp, Pilecki was heavily tortured. Pilecki finally escaped, [[ShootTheShaggyDog but after the war's end he was captured and executed by the new Communist government of Poland.]] Add in the grim and sinister feel of the music, and the song's downright chilling:
---> Inmate in Hell or a hero in prison?\\
Soldier in Auschwitz, we know his name!\\
Locked in a cell, waging war from the prison,\\
He hides behind 4859!
* On the subject of genocide, there's "We Burn", a song about the Srebrenica massacre. It's sung from the perspective of Radovan Karadžić, who orders his troops to slaughter people just for practicing the "wrong" religion and being of the "wrong" ethnicity. He even goes so far as to gloat about how (so he thinks) he won't be prosecuted. (Karadžić was still at large when the song was recorded, though he has since been caught and given a life sentence.)
---> Genocide? Who will drag me to court?\\
There's no crime if you do not get caught!\\
I am the law!
* "To Hell and Back" is an upbeat and badass song... But then there's the bridge:
---> Oh, gather 'round me, and listen while I speak\\
Of a war where ''Hell is six feet deep!''\\
And all along the shore, where cannons still roar,\\
[[ShellShockedVeteran They're haunting my dreams,]] ''[[ShellShockedVeteran they're still there when I sleep!]]''
* "Firestorm" has this chilling chorus. Fitting for a song about [[DeathFromAbove strategic bombing]].
--->''Burn! Burn!''\\
Rage of the heavens!\\
''Burn! Burn!''\\
Death from above!\\
''Die! Die!''\\
Merciless killing!\\
''Burn! Burn!''\\
Death from above!
* You've got to hand it to Joakim, [[SugarWiki/HeReallyCanAct he does a fantastic job of portraying]] {{UsefulNotes/Peter The Great}} as a truly menacing figure in ''Poltava''. His voice sends chills down your spine.
* The final song of ''The War to End All Wars'', ''Versailles'', initially starts out being hopeful of how the treaty will bring an end to conflict. About halfway through the song, though, the chorus returns to that of ''Sarajevo'', before finally asking if [[ArmorPiercingQuestion can one war]] ''[[ArmorPiercingQuestion really]]'' [[ArmorPiercingQuestion end all war]], before solemnly wondering if [[ForegoneConclusion another war is already on the horizon]].
--->''[[ArmorPiercingQuestion Will this war really end all war]]?''\\
''[[ArmorPiercingQuestion Can a war really end all war]]?''\\
''[[WhamLine Will this war bring another war]]?''\\
'''''[[UsefulNotes/WorldWarII It's the war that will end all war]]!'''''

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