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1[[WMG: The film's factual misrepresentation of Sean Parker is entirely intentional.]]
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3Upon the film's release, numerous critics attacked it for its VeryLooselyBasedOnATrueStory approach to factual accuracy. Of the particular inaccuracies singled out, the film misrepresenting Sean Parker was a frequent one, and indeed the film's Sean Parker is nothing like the real Sean Parker: he's much more [[AdaptationalAttractiveness good-looking]], more overtly devious and charming, and for purposes of simplifying the narrative is a [[CompositeCharacter composite]] of Sean Parker and Shawn Fanning, the latter of whom traditionally gets the credit for founding Napster (although it has been acknowledged that the filmmakers did get one thing right: the real Sean's [[MotorMouth extremely rapid speech]]).
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5But these criticisms tend to overlook the film's use of RashomonStyle. Of all the main players involved in Facebook (Mark, Eduardo, Sean, the Winklevosses and Divya Narendra), Sean is the only one not heard from directly. Hence, the audience's impression of Sean is entirely dependent on the [[UnreliableNarrator highly questionable]] testimony from Mark and Eduardo. Thus, testimony from Mark paints Sean as an extremely charismatic, stylish, competent and visionary individual; testimony from Eduardo paints him as devious, conspiring and obnoxious. That the film's Sean Parker is more attractive and well-dressed than the real Sean could be explained away as simply a method to visually represent his charisma and sense of style.
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7And this deliberate misrepresentation of Sean is not merely done for its own sake, but for the purpose of affirming one of the film's core themes: the sense of disconnect and dislocation engendered by the Internet and social networking. When Mark and Eduardo are about to meet Sean in the restaurant, both are already familiar with his history: Eduardo points out that he was something of a wild card, having crashed out of both Napster and Plaxo. Mark points out that he was partially responsible for founding the companies. Thus, both Mark and Eduardo both have preconceptions of what Sean is like, because of the Internet. Perhaps the most telling piece of dialogue in this regard is when Eduardo has just arrived in California and is welcomed into the house by Sean:
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9--> '''Sean:''' You think you know me, right?
10--> '''Eduardo:''' I've read enough.
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12Eduardo's preconceptions of Sean have been formed based on what he's read on the Internet and thus his testimony pointedly only recalls things that confirm his preconceptions. Thus, just as the audience has no idea what Sean is really like, neither do Mark and Eduardo, because of the way that what they have read on the Internet has shaped how they view the world.
13** In fact, it's been pointed out that, when Mark narrates his creation of FaceMash, all of his explanations about what he was doing were completely technically accurate and plausible (closely based, in fact, on records of the actual event). On the other hand, when he's running students through a hacking contest for the internship positions, his technical explanations don't make any sense. Why? Because that scene is ''Eduardo's'' recollection of events, and Eduardo isn't a programmer. Each scene was intentionally designed to reflect the biases and specific ideas of the person who was telling about it.
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15[[WMG: Mark Zuckerberg is Lex Luthor.]]
16Jesse Eisenberg plays both characters. In the sequel to ''Man of Steel,'' Lex Luthor will use Facebook or some other social network to take over the world.
17** Jossed, there is no indication in ''Film/BatmanVSupermanDawnOfJustice'' that Lex Luthor is Mark Zuckerberg or that he used a social network to rise to power, although there is a slight amount of Facebook imagery to the character's portrayal.
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19[[WMG:Eduardo appears sympathetic because he helped write the book the movie is based on]]

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