| 1 | [[foldercontrol]] |
| 2 | |
| 3 | [[folder:Anime & Manga]] |
| 4 | * ''Manga/{{Akira}}'' takes place after a nuclear bomb starts off WorldWarIII, and while society does rebuild, clothes, hairstyles, and technology show progress didn't really get past the '80s. |
| 5 | * ''Anime/BubblegumCrisis'' is a show set in the distant future that still screams the '80s. The fashions are enough for it to make this trope, but when you combine it with Priss' musical acts... ugh! You'd think you were watching a Music/CyndiLauper concert! |
| 6 | * ''Manga/CityHunter'' is definitely set in the eighties. Clothes, hairstyles and technological level all scream The80s. In some stories, [[TheHero Ryo]] imitates Japanese politicians, actors and musicians who were popular when the manga was running. In another story, Ryo compares one of the {{Mook}}s with ''Film/{{Commando}}'' since "''Franchise/{{Terminator}}'' is too old now". And in another arc, [[{{Tsundere}} Kaori]] asks a child whether she wants to play with a Platform/NintendoEntertainmentSystem. |
| 7 | * ''Manga/{{Cipher}}'' is very much a product of the '80s with its fashion and hairstyles, and the OVA features several American songs that were popular at the time. The Twin Towers are also frequently shown in both the manga and the OVA, which dates the series even further. |
| 8 | * ''Literature/DirtyPair'' has become this with Kei's poofy hair, some of the fashions, and music, and the plots are similar to '80s sci-fi/action-adventure. Some say it's the reason there hasn't been a reboot attempted in a long time. The franchise is so quintessentially '80s! |
| 9 | * ''Manga/DragonBall'' may be set on a fictional, futuristic version of Earth, but the tech and building designs for the cities are distinctly '80s, as is the fashion. This combines with the WWII-style military tech and the Ancient China locales for a rather unique aesthetic for the world. And, [[Anime/DragonBallSuper as the show evolves]], the tech does too, which itself will fall into this trope as TechnologyMarchesOn. |
| 10 | * ''Manga/FistOfTheNorthStar'' took place in a post-apocalyptic late 20th century ([[TwentyMinutesIntoTheFuture more technically, 199X]]), but with fashions, character designs, and the overall setting inspired by 1980s culture. |
| 11 | * ''Manga/HikariNoDensetsu'' is set during the Olympics. The competing athletes are from countries such as the Soviet Union (Tatiana Elkenya), Yugoslavia (Nelly Szewinska) and East Germany (Sophie Wenzel). These countries are all dissolved today. |
| 12 | * ''Manga/JoJosBizarreAdventure'' enters this starting with ''[[Manga/JoJosBizarreAdventureStardustCrusaders Stardust Crusaders]]''. After [[Manga/JojosBizarreAdventurePhantomBlood two]] [[Manga/JojosBizarreAdventureBattleTendency Parts]] set decades before the present, ''Stardust Crusaders'' was set during the time the manga was being released. The following Part, ''[[Manga/JoJosBizarreAdventureDiamondIsUnbreakable Diamond is Unbreakable]]'', follows the same course, emulating early-'90s fashion and trends even when the series was technically set in the then near-future of the late '90s (specifically, 1999). |
| 13 | * ''Manga/KimagureOrangeRoad'': ''Everything'' in this show -the fashions, the hairstyles, the music, even the video games the characters play in the arcade- shows it was made in The80s. |
| 14 | * ''Manga/NewMazinger'': The story begins several centuries after the outbreak of WorldWarThree between America and Soviet Union, making obvious that the story was written before the fall of the Communism. |
| 15 | * ''Anime/SuperDimensionFortressMacross''. It took place in [[TwentyMinutesIntoTheFuture the then-far off world of 2009]]; but 1980s influences are ''everywhere''. |
| 16 | * ''Anime/MaisonIkkoku'' is an interesting example, as the manga and show more so depict what everyday life in the '80s was ''actually'' like, which is quite underwhelming compared to the ThemeParkVersion of the decade reinforced by the other works on this page. |
| 17 | * ''Anime/MegaZone23'' just screams the '80s, especially Yui's aerobic dance numbers complete with leotards, headbands and legwarmers. Many of the characters display flashy, colorful makeup and hair reminiscent of ''WesternAnimation/JemAndTheHolograms'', with tight jeans and letterman jackets. Most of these exaggerated designs apply to the first OVA; the second is more gritty and realistic, but still features '80s fashions and characters hanging out at the arcade. And the music! One scene from the original is particularly HarsherInHindsight after Japan's Lost Decade of the '90s: [[spoiler:when Shogo asks the Artificial Intelligence Eve why the eponymous GenerationShip was built to emulate Japan, she responds that after analyzing history, it was found to be "the best time to be alive."]] |
| 18 | * ''Anime/MobileSuitGundamZZ'' has some unmistakably '80s fashion and hairstyles, despite being set in the future. Special shout-outs to Chara Soon and Elle Vianno, neither of whom would look out of place in an episode of ''WesternAnimation/JemAndTheHolograms''. |
| 19 | * ''Manga/StopHibarikun'' is noticeably set pre-New Millennium by the technology and atmosphere. Hibari's attire can be extraordinarily 1980s and she's sported big hair. |
| 20 | [[/folder]] |
| 21 | |
| 22 | [[folder:Comic Books]] |
| 23 | * ''ComicBook/BatmanTheDarkKnightReturns'', which was written in 1986, strongly features an exaggerated satire of the then-contemporary political and social climate. Back then, it was a deliberate contrast to the typical world of young Franchise/{{Batman}}. Now it reads like a deliberate period piece. The sequel, written 15 years later, was written based on the political and social climate of [[UsefulNotes/TheWarOnTerror the early 2000s]] and is already showing shades of this as well, and will undoubtedly read like a period piece in ten years. |
| 24 | * ''ComicBook/ADeathInTheFamily'' touches on a lot of social and political issues of the time it was published (1988), such as the Lebanese Civil War and the Ethiopian famine. ComicBook/TheJoker making an alliance with Ayatollah Khomeini is a major plot point. |
| 25 | * ''ComicBook/JusticeLeagueInternational'': Fire dresses like a dancer from a Music/MotleyCrue video, while Comicbook/BlackCanary and Ice look like they're on their way to a jazzercise class. Much emphasis is placed on the tension between the U.S. and the Soviet Union, and one of the new members of the League is a proud Russian communist. There are also ''a lot'' of then-contemporary political and pop culture jokes that probably fly over the heads of many modern readers. Like several other examples on this page, most of the attempts at reviving the series since then have proven less successful, partly because of the way it's so tied to the '80s. |
| 26 | * ''ComicBook/TheManOfSteel'': Women jog and jazzercise in legwarmers and spandex, the villain is a CorruptCorporateExecutive, computers are important but huge, boomboxes appear... |
| 27 | * ''The Adventures of Olivia'' was absolutely doomed to this, given that it debuted in ''1989'' and style-wise would've fit more in '84-85 with the [[EightiesHair big hair]] that would've made ''Jem'' proud and [[PrettyInMink fur coats]] belonging on an episode of ''The Lifestyles of the Rich and Famous'' before getting into the cultural jokes of ''WesternAnimation/TheSimpsons'' as a cutting-edge ratings juggernaut, neon spandex gym culture and ''especially'' [[ValleyGirl Sandy Shores]]. |
| 28 | * In ''ComicBook/SuperMarioAdventures'', Peach uses the phrase "What's your damage?" in the English translation. |
| 29 | * ''ComicBook/IronMan'' circa 1987 gave us [[https://pbs.twimg.com/media/CL2Qg7eWEAAkM-n.jpg Tony Stark's perm]]. And having moved to Southern California at the time, many of the women in his life sported '80s hair. |
| 30 | * During the '80s run of ''ComicBook/SuicideSquad'' there were quite a few times where then contemporary politics were referenced. An early story arc involved the Squad being sent into Soviet Russia. Ronald Reagan and George Bush Sr. were also explicitly depicted as the presidents throughout the series. |
| 31 | * The DC profile book series ''Who's Who'' dates its publication very clearly, since in between its beginning and ending, the ContinuityReboot ''ComicBook/CrisisOnInfiniteEarths'' happened. This is evident in certain profiles: Batman had two profiles for his Earth-1 and Earth-2 incarnations, but Superman's profile (which came in a later issue due to coming later in alphabetical order) exclusively describes his Earth-2 and Post-Crisis incarnations, with no mention of the version that had been in comics for 40 years by that point due to ''Crisis'' having written that version out of continuity. |
| 32 | [[/folder]] |
| 33 | |
| 34 | [[folder:Film -- Animated]] |
| 35 | * ''WesternAnimation/OliverAndCompany'' is one of the few Disney Animated Canon films set in "present day". It's ''so'' very '80s, to the point where it feels like a period piece rather than a film written about a contemporary era. Even the ''dogs'' have EightiesHair. |
| 36 | * ''WesternAnimation/TheTransformersTheMovie''. Vince Di Cola's synthesizer and heavy metal soundtrack, as well as Daniel Witwicky's monogrammed tracksuit place it heavily in the 1980s. That's to say nothing of Soundwave and Blaster still being depicted as [[TechnologyMarchesOn cassette players in 2005]]. |
| 37 | * ''Daffy Duck's Fantastic Island'', for being a pastiche of the then-current [[Series/FantasyIsland TV series]], which was cancelled less than a year after the film's 1983 release. |
| 38 | [[/folder]] |
| 39 | |
| 40 | [[folder:Film -- Live-Action]] |
| 41 | * Many of Creator/JohnHughes' teen movies are practically welded into this decade. One little detail that can make it easy to identify ''Film/TheBreakfastClub'' as a product of the '80s is when the rich AlphaBitch Claire is eating sushi for lunch and Bender, who comes from a lower class background, has no idea what it is. By the time the 2000s rolled around, most Americans, regardless of economic class, at least knew what sushi was even if they've never eaten it. |
| 42 | %%* ''Film/ValleyGirl''. |
| 43 | %%* ''Film/FastTimesAtRidgemontHigh'' (which also contains some '70s references, thus bridging the two eras). |
| 44 | * From the title alone, the 1985 Filipino comedy film ''Goat Buster and the Temple of Dune'' sounds like a fusion of the previous year's Hollywood hits, namely ''{{Film/Ghostbusters|1984}}'', ''Film/IndianaJonesAndTheTempleOfDoom'', and ''{{Film/Dune|1984}}'', respectively. It helps that the film stars legendary comedian Creator/{{Dolphy}}, whose films are often subject to this. |
| 45 | * ''Film/TheWizard'' will forever be a symbol of the time when the Platform/NintendoEntertainmentSystem was the dominant force in video games, featuring many of the games that were popular at the time, a scene where the kids call the ''Magazine/NintendoPower'' hotline for game tips (''Nintendo Power'' ceased publication in late 2012), and the final challenge of the movie being [[VideoGame/SuperMarioBros3 SUPER! MARIO BROS.! 3!]] |
| 46 | * ''Film/TheKarateKid1984'' features scenes in an arcade, which have been almost completely replaced by home video game systems. This was excused in the [[Film/TheKarateKid2010 2010 remake]], which takes place in China, where arcades are still popular. The presentation of karate as the ultimate self-defense martial art in an otherwise realistic setting is obviously made in an era before UsefulNotes/MixedMartialArts, which demystified traditional martial arts. |
| 47 | * ''Film/{{Tron}}''. Kevin Flynn being an arcade owner and arcade game pioneer is a surefire product of the 1980s. The sequel, ''Film/TronLegacy'', released 28 years later, makes a point of Sam Flynn returning to the arcade for the first time since he was a kid; and panning over all the still working arcade games wrapped in plastic and covered in dust, with Music/{{Journey|Band}}'s "Separate Ways" playing on the jukebox. (The soundtrack even doubles as MythologyGag given Journey contributed tracks to ''TRON''.) |
| 48 | * ''Film/WarGames'' is also very much of its time -- June 1983 -- what with Cold War nuclear paranoia, the theme of the emergence of home computers and video games (there is also the obligatory arcade scene), and computing technology like acoustic-coupler modems combining. This was actually already outdated when the film was made, and put in purely because it looked cooler than the newly introduced modems. |
| 49 | ** This also applies to ''[=WarGames=]'' director John Badham's ''Film/BlueThunder'', which was released the month before, when it comes to its technology (a PlotCoupon is a VHS tape, for instance) -- but its story reflects both lingering distrust of the U.S. military and government post-Vietnam and the tough-on-crime policies that were being introduced in this decade, particularly in minority neighborhoods. The cover story for the GovernmentConspiracy involves security for the then-nigh 1984 Summer Olympics. It's also easy to peg all this to the ''early'' '80s in that the protagonist is not a nigh-invincible Creator/SylvesterStallone type ''or'' a jovial everyman like Creator/BruceWillis, the two dominant action hero types of the back half of the decade, but a grizzled Vietnam veteran played by Creator/RoyScheider. An early scene outside a movie theater has ''Film/MommieDearest'' up on the marquee, a giveaway to the film being shot over late 1981-early '82. |
| 50 | %%* ''Film/ToLiveAndDieInLA''. |
| 51 | * ''Film/{{Manhunter}}'' was directed by Michael Mann, creator of ''Series/MiamiVice''. It shares that show's fashions and emphasis on synth-rock and eighties-era AOR. |
| 52 | * The Creator/AlPacino version of ''Film/{{Scarface|1983}}''. The fashion, the politics and the cocaine explosion all point to an early '80s setting. |
| 53 | * ''Film/WallStreet'' actually became a period piece before it was released; developments related to the prosecution of Ivan Boesky for insider trading caused the film's setting to be explicitly turned back to 1985. |
| 54 | * ''Film/BillAndTedsExcellentAdventure'', in which the far future is based on hair metal that would actually go out of style only a few years after the film's release. |
| 55 | * ''Film/NationalLampoonsEuropeanVacation'' where the family travels to Europe on Pan Am Airlines and visits West Germany (which reunited with East Germany in 1990). |
| 56 | %%* ''Film/Roadhouse1989''. Website/TheAgonyBooth's recap called it "a tone poem of late '80s cheese". |
| 57 | * ''Film/RealGenius'' could only have existed when the Strategic Defense Initiative ("Star Wars") was a pressing concern. |
| 58 | * ''Film/SpiesLikeUs'': Cold War espionage and SDI. |
| 59 | * ''Film/ToLiveAndDieInLA'' contains neon-colored titles, pumping Wang Chung soundtrack, and overt reference to then-President Reagan, all of which place it firmly in the eighties. |
| 60 | * ''Film/DoTheRightThing'' features a character who seems to do nothing but walk around carrying a boombox blaring Music/PublicEnemy's "Fight the Power", and makes reference to several contemporary well-publicized hate crimes, making it a perfect period piece of its late '80s release date (it was released in 1989). |
| 61 | * ''Film/RedDawn1984'' could only have been filmed during the period of staunch anti-Communist rhetoric in the early [[UsefulNotes/RonaldReagan Reagan]] administration, between the détente of [[The70s the 1970s]] and the final thaw of Soviet-American relations in the late Reagan and [[UsefulNotes/GeorgeHWBush Bush Sr.]]'s administrations. |
| 62 | * In his commentary for ''Film/StarTrekIITheWrathOfKhan'', director Nicholas Meyer says that all works are inevitably the product of their time period when it's pointed out how Khan and his followers look like the entourage of a hair metal band. |
| 63 | * Much of ''Film/StarTrekIVTheVoyageHome'' takes place in then-current 1986 (the year of the film's release); punk rock and exact-change buses abound, placing it in that time forever. The clear irony of Chekov asking a police officer where the "nuclear wessels" are based before getting caught on a U.S. Navy ship while the Cold War was obviously still going on, a newspaper discussing nuclear arms talks (again referencing the Cold War, and perhaps very specifically [[https://en.wikipedia.org/wiki/Strategic_Arms_Limitation_Talks SALT II]]) Kirk's communicator getting mistaken for a pocket pager (not a mobile phone) and Scotty's attempts to get to grips with a Macintosh Plus ("just use the keyboard"!) also date the film. It's at least partially justified by the fact that the characters have explicitly time-travelled to 1986. |
| 64 | * ''Film/{{Rad}}''. And a noteworthy case where [[TotallyRadical the title itself]] is dated. |
| 65 | * ''Film/RevengeOfTheNerds'' is a big one, now that the terms geek and nerd have been appropriated willy-nilly by the mainstream as something trendy to label yourself. The nerds' supposedly cutting-edge understanding of technology has also become dated, such as the [[TechnologyMarchesOn "spy-cam"]] they use to spy on the girls' dorm. |
| 66 | * ''Film/{{Labyrinth}}'' is perhaps the most 1980s of 1980s fantasy films: There's the extensive use of special effects techniques (matte paintings, puppets and animatronic costumes, bluescreen, early CGI) that were largely abandoned by Hollywood once CGI became high-quality and commonplace in the next decade, a synthesizer-heavy underscore, and a ''serious'' case of EightiesHair on the villain. Music/DavidBowie, whose international popularity peaked in this decade, plays the villain and wrote the musical numbers. |
| 67 | * ''Film/CrocodileDundee'', which, among other things, has the World Trade Center in almost every establishing shot of New York. Many of the city-dwellers can also be seen dressing in characteristically '80s fashions. One character is caught snorting cocaine, a drug that peaked in the 1980s. |
| 68 | * ''Film/BasketCase'', and its depiction of the era's ultra-seedy Times Square. |
| 69 | * The NASA documenary ''The Dream Is Alive'', released in 1985, was intended to educate the public on how the Space Shuttle would make space travel routine. Just a few months later, the ''Challenger'' disaster happened, and the documentary's optimism turned out to be wildly off the mark. |
| 70 | * ''Film/TroopBeverlyHills'' is a major show of late '80s fashions, as well as exercise trends. It even shows car phones to be something only rich people had. |
| 71 | * ''Film/{{Flashdance}},'' from the music constantly playing to the absolutely '80s outfits most of the characters wear to the dancing that would seem weird today to the frizzy hair on every woman's head. "What a Feeling" and "Maniac" got popularized thanks to this movie and are widely seen as representative of the decade. And the main character is a woman working at a steel mill, which was a surprise back then and, while uncommon today, is no twist. (Nowadays, the twist would be the idea of ''anyone'' working at a steel mill.) |
| 72 | * ''Film/{{Airplane}}'' falls into this with separate sections for smokers and nonsmokers on flights and preachers in airports. It ''is'' intentionally a send-up of [=1950s=] disaster movies, but also of 1970s [[DisasterMovie disaster movies]], and [[DeconstructiveParody it lampooned the genre so well that it actually killed it]], to the point [[ParodyDisplacement modern-day viewers may not recognize what it's parodying]]. |
| 73 | * ''Film/TheGoonies'' has the fashion (especially Mouth wearing a ''Film/PurpleRain'' shirt and a child's equivalent of a Members Only jacket, and Brand's workout clothes with the headband and sleeveless shirt), Data's gadgets made with 1980s technology, a Music/CyndiLauper song recorded especially for the film, and JerkJock Troy driving his fancy new 1983 Ford Mustang GT. |
| 74 | * ''Film/TheStuff''. It's got kids playing the Atari 2600, ''Film/ReturnOfTheJedi'' shower curtains, mocking the Wendy's slogan "Where's the Beef?", etc. |
| 75 | * ''Film/DieHard''. So, so much. |
| 76 | ** The references to [[JapanTakesOverTheWorld Japanese VCRs]], and the fact that John [=McClane=] seems really uncomfortable using the touch screen computer monitor at the front desk of Nakatomi Plaza. |
| 77 | ** Neither John nor anyone else in the building can call out after the bad guys cut the building's phone lines, because no one has a cell phone. |
| 78 | ** When Sgt. Powell responds to dispatch about John's call from the Nakatomi Plaza, you can see a gas station price sign in the background: Unleaded 77 cents, Regular 74 cents. Even the existence of Regular leaded gasoline is itself an example after the banning of leaded automotive gasoline in the 1990s. |
| 79 | ** One from early in the film is when John's neighbor on the airplane sees that John has a service pistol with him on the flight. This was legal until 1994, and subsequent world events have only tightened just what someone can bring onto a commercial airplane. |
| 80 | * ''Film/TheThing1982'', featuring very '80s hair (most notably on Kurt Russell), loads of Cold War paranoia, a remote research station that ''isn't'' automated out the wazoo, and a plot that mirrors the AIDS crisis. Also, dogs were banned from Antarctica in 1994 to prevent the possible spread of zoonotic diseases to the endemic fauna. |
| 81 | * ''Film/StElmosFire'' features a character who is almost constantly doing cocaine, a couple who when they break up argue over who gets to keep the Bruce Springsteen, the Police, and the Pretenders albums, and a passing reference to the Cold War as an unbridgeable stalemate. Oddly, the portrayal of gay people is fairly '70s, with Jules believing that Kevin is gay because he was never interested in her [[spoiler: he was actually interested in her roommate, who was dating her best friend]], and trying to set him up with her decorator next door neighbor. Despite coming out in 1985, there are no references to the AIDS crisis -- possibly because AIDS was widely considered a "gay disease", not something mainstream America had to worry about. |
| 82 | * The ''Film/LethalWeapon'' movies aimed to be topical, and are now firmly in this trope. First film establishes that Murtagh and Riggs are both [[UsefulNotes/TheVietnamWar Vietnam War]] veterans, [[spoiler: as are the villains]], and ''Film/LethalWeapon2'' centers around South Africa still being an apartheid state. |
| 83 | * ''Film/{{Stripes}}'': |
| 84 | ** Besides the UsefulNotes/ColdWar setting, during the scene at the Army recruiting center, John and Russell are specifically asked whether either one is homosexual, which points itself to pre-1994, before "Don't Ask, Don't Tell" first allowed LGBT people into the military. |
| 85 | ** The film's irreverent look at the military is a product of being set during the Cold War, when conventional warfare was considered a bit beside the point when nuclear weapons are the most likely result of a major war. Once UsefulNotes/TheWarOnTerror began, audiences would never believe that two losers would join the military expecting to slack off. |
| 86 | * ''Film/RoboCop1987'' is very '80s in both its look (especially some of the fashions and the [[OurGraphicsWillSuckInTheFuture crappy computer graphics]]) and themes (consumerism, the War on Drugs, [[ThereAreNoGoodExecutives free-market capitalism run amok]]) which make it a biting satire of the Reagan era. |
| 87 | * The documentary ''All American High'' was filmed over the course of a full school year at Torrance High School, near UsefulNotes/LosAngeles, during 1984. In a [[http://www.austinchronicle.com/daily/sxsw/2014-03-16/sxsw-film-review-all-american-high-revisited/ review for the Austin Chronicle]] of the 30th anniversary reissue, the writer cites the "pleats, the argyle, the faux Ray-Bans, the keyboard neckties, and those criminally short shorts worn at the time by young men cannot be scrubbed from the eyes once seen." The reissue added a whole host of WhereAreTheyNowEpilogue interviews, which very much puts the 1980s fashions in perspective. |
| 88 | * ''Film/RedHeat'' (1988), with its plot [[GoodCopBadCop about a Soviet cop]] [[OddCouple teaming up with]] an American cop to catch a Georgian drug lord that has fled to America, could only have been filmed in the period where Soviet-American relations improved in the late '80s but before the collapse of the USSR. There is a scene that stands out even more than the rest, when we are shown that the Georgians "[[MisterSandmanSequence made it to America]]": they wear American clothes, sit on an American car and American music sounds in the background. Nowadays, this scene feels like "the Georgians made it to ''the '80s''": they wear '80s clothes, sit on an '80s car and '80s music sounds in the background. Even the scenes set in ''the Soviet Union'' look less dated. |
| 89 | * The ''Franchise/{{Rambo}}'' franchise: |
| 90 | ** ''Film/RamboFirstBloodPartII'' (1985) showcases the resurgence of militarism and anticommunism in the early Reagan years. The Vietnam War is no longer something to be ashamed of (this was a year before Creator/OliverStone's ''Film/{{Platoon}}'') and the American soldiers are heroes and victims, not nutbags and baby killers as in The70s. Rambo's rescue of the enslaved servicemen left behind - actually an UrbanLegend that the film [[TropeMaker popularized]] - serves as a proxy way for America to win the war retroactively. It's been said that ''Rambo II'' was the movie America needed to watch to finally get over Vietnam. |
| 91 | ** ''Film/RamboIII'' (1988) was criticized as an Unintentional Period Piece right as [[ExaggeratedTrope it hit theatres]]. The film has a strong anticommunism stance in a time when the UsefulNotes/ColdWar was actually melting down, and worst of all, the Soviet Union acknowledged defeat and began to withdraw from Afghanistan only ten days ''before'' the movie's release. [[https://www.youtube.com/watch?v=M6kd9c8hq-c Post-9/11 audiences]] find [[HilariousInHindsight additional hilarity]] in the treatment of Afghan mujahideen as sympathetic ProudWarriorRace guys allied to the United States. |
| 92 | * ''Film/TeenWitch'' features recurring rap and hip-hop songs (sung by [[PrettyFlyForAWhiteGuy white people]], no less) from when the genre was still in its infancy. Louise also gets some fantastic EightiesHair and fashions after she casts a popularity spell on herself. |
| 93 | * ''Film/RunningScared1986'' features two thugs who drive a pristine muscle car but can only scrounge up a .22-caliber revolver and a zip gun to do their muggings. The heroes even mock their lousy guns. Since The90s, the streets have been flooded with cheap, quality firearms. There's also a scene in a bar prior to the climax where Gregory Hines laments that the state of UsefulNotes/{{Florida}} doesn't have any baseball except during spring training. Creator/BillyCrystal soon retorts that Florida also doesn't have pro basketball either. Eventually, Florida would gain two [[UsefulNotes/MajorLeagueBaseball professional baseball franchises]] (the UsefulNotes/{{Miami}} Marlins and Tampa Bay Rays) as well as two [[UsefulNotes/NationalBasketballAssociation basketball teams]] (the Miami Heat and UsefulNotes/{{Orlando}} Magic). |
| 94 | * ''Film/{{Scrooged}}'': |
| 95 | ** A couple refers to Leroy Nieman painting a mural on the UsefulNotes/BerlinWall as well as a mention that the ''Christmas Carol'' live broadcast is also being shown in ''West'' Berlin, and Grace has an anti-Apartheid poster in her apartment. The Berlin Wall would fall within a year and [[UsefulNotes/TheApartheidEra Apartheid]] would crumble not long after. |
| 96 | ** The idea of a VCR as a premium gift strikes audiences today as a little amusing! |
| 97 | ** Special guest stars for the ShowWithinAShow include Mary Lou Retton (a star gymnast of the 1984 Summer Olympics) and the Solid Gold Dancers. |
| 98 | * ''Film/RockyIV'' is just seething with Cold War-era patriotism and anti-Communist sentiment of the mid-1980s. The U.S. and Soviet Union would begin to improve relations with each other within a few years. |
| 99 | * ''Film/DCCab'' has several references to Creator/JohnnyCarson, as well as the fact that it's a plot point that one of the characters is a big fan of Irene Cara (whose biggest hits come from two other UPP movies, ''Film/{{Fame}}'' and ''Film/{{Flashdance}}''). |
| 100 | * ''Film/CloakAndDagger1984'' is entirely based on Cold War espionage and Atari console video game cartridges. |
| 101 | * ''Film/SupermanIII'', aside from the vintage computers in the office scenes, has a number of other very, very Eighties elements. Jimmy's hair manages to look both geeky at the time of release ''and'' Eighties today, the amount of money Gus steals via PennyShaving would look like a routine clerical error in the 2010s, and a bunch of women at Gus's workplace are seen swapping their high heels for canvas running shoes in preparation for the walk home. It can even be pegged to the ''early'' end of the decade, because every older car is a 1970s model, while Gus's new Porsche screams '80s. |
| 102 | * The "Smooth Criminal" segment of ''Film/{{Moonwalker}}'', which involves a gangster's EvilPlan is to get every kid in the world hooked on drugs, could only have been made at the height of the "Just Say No" movement. |
| 103 | * In ''The Beach Girls'', Uncle Carl's shown talking on a Motorola [=DynaTAC=] 8000X which was the first handheld cellular phone. |
| 104 | * ''Film/EscapeFromNewYork'', an extrapolation of TheBigRottenApple into a dystopian [[TwentyMinutesIntoTheFuture 1997]] where Manhattan Island has been evacuated of its law-abiding residents and turned into a maximum-security prison. |
| 105 | * The documentary short ''Heavy Metal Parking Lot'' is a perfect time capsule of May 1986. People going to see Music/JudasPriest at a time when HairMetal was still seen as dangerous and scary, metalheads with no piercings (and maybe ''one'' tattoo) wearing zebra-print, 18-year-olds legally drinking (the [[https://en.wikipedia.org/wiki/National_Minimum_Drinking_Age_Act National Minimum Drinking Age Act]] raising the age to 21 had only been passed two years prior, and enforcement was slow to come into effect), the particular drugs talked about (PCP is well out of fashion, and cocaine isn't popular with the same people who do weed and acid any more), Graham (of Pot) ranting about marijuana legalisation and the evils of the War on Drugs, and the 'Central Casting' metalhead behavior that most people will only recognise as its caricatured version in ''Film/ThisIsSpinalTap'', ''Film/WaynesWorld'', and ''WesternAnimation/BeavisAndButthead'' -- most of which were made ''after'' the time when people sincerely acted this way. |
| 106 | * ''Film/FrightNight1985''. Beyond just the obvious fashions, there's also its meta-comedic portrayal of the horror genre, especially vampire films, with its reference point being the Film/HammerHorror films of The60s rather than Creator/AnneRice, ''Series/BuffyTheVampireSlayer'', or ''Literature/TheTwilightSaga''. Peter Vincent is a former BMovie star (his name a portmanteau of Creator/PeterCushing and Creator/VincentPrice) turned late-night HorrorHost, and he is portrayed as a relic of an earlier age in the genre, his show struggling to stay relevant in the face of the new wave of violent {{Slasher Movie}}s. For modern audiences, shows like Peter's haven't been popular since The90s (with Joe Bob Briggs probably the last big-name horror host), while the films he starred in and featured on his show have gone from "retro" in The80s to "classic" (or simply "old") today, hence why the film's [[Film/FrightNight2011 2011 remake]] updated the character to a StageMagician based on Criss Angel. Likewise, the villainous Jerry Dandridge is an old-fashioned ClassicalMovieVampire (albeit one dressed in contemporary '80s clothes) rather than a more modern take on the idea, hence why Charley turns to Peter for help in fighting him. |
| 107 | * ''Film/BlowOut'', released in 1981, stars a BMovie sound technician who realizes he may have accidentally recorded a political assassination while recording ambient sound and tries to uncover the truth. This partly involves syncing the audio he recorded with photos published of the apparent car accident in a magazine, which are stills from a film that he can replicate (albeit crudely). As he only has early-'80s technology, he does this by cutting out the stills and making a film reel using them in his producer's animation studio, and then specially marking sections of his audio tape in his studio so he can match the exact instant the car hits the water with the sound thereof using lots of RewindReplayRepeat [[spoiler:and find where the gunshot came from]]. If the film took place decades later, when the process of film recording and editing became fully digital, all of this would have been much faster and easier to do [[spoiler:and would have made disposing of the evidence impossible]]. |
| 108 | * The opening sequence of ''Film/FastTimesAtRidgemontHigh'' so fixes on film what was cool and happening at the average Southern California mall ca. 1980 that it's the purest unintentional MisterSandmanSequence from today's perspective. |
| 109 | * ''Film/LicenceToKill'' is an interesting example: it's a classic example of a very '80s genre, the "[[CowboyCop lone cop out for revenge who doesn't play by the rules]]" movie. It's just that here, the lone cop is Film/JamesBond. It could have been worse, though; Bond fights a South American drug empire specifically because the filmmakers weren't sure that the Soviet Union would stay around for very long, and therefore decided to play it safe. |
| 110 | * ''Film/{{Heathers}}'', a {{deconstructive|Parody}} BlackComedy take on the '80s teen films of Creator/JohnHughes ''et al.'' Not only are the fashions on display and the tropes it's satirizing immediate indicators of the time in which it was made, but so are many key story details, to the point where many have described it as a film that would be flat-out ''[[ValuesDissonance impossible]]'' to make at any point after the UsefulNotes/{{Columbine}} massacre -- and a reminder of how flippantly teen violence was treated before then. Today, JD's EstablishingCharacterMoment, in which he pulls a gun on two JerkJock bullies in the cafeteria and fires blank rounds at them in order to scare them, would've ended with him getting expelled and sent to reform school, if not juvenile hall or prison. |
| 111 | * ''Film/TradingPlaces'': A lot of what goes down at the commodities market in this movie is not possible now thanks to computers, and the loopholes exploited have been closed up by new laws, one of which is informally known as "The Eddie Murphy Rule" thanks to this film. The film also shows the sad state of a few blocks of Philly that would eventually be revitalized, most notably the block of South Street Ophelia lives on. |
| 112 | * ''Film/PurpleRain'', and not just because it starred Music/{{Prince}}. The film's opening scenes are a solid depiction of Minneapolis at the time of release in 1984, and the people in the opening concert scene are rife with many examples of the period's fashion; complete with varying degrees of EightiesHair. There's also the throwaway gag of Apollonia ditching her taxi because of the expensive fare -- one relatively standard in today's money. |
| 113 | * ''Film/{{Footloose}}'': |
| 114 | ** The film features [[NothingButHits so many hits]] from the '80s that it seems like it would have to have been made after the fact, looking back on the decade. In reality, it was made in 1984, and most of those songs were written specifically for the film. |
| 115 | ** Besides being [[RippedFromTheHeadlines partially based on real stories of no-dance towns]], the town's strong adherence to Christian ideals is reflective of the rise of religious influences in politics, with the pastor being so influential that his word literally becomes law, and who eventually discovers that his cult following is more cult-like than he realizes. By the time the remake was released in 2011, there had been considerable pushback against the "Christian right", with left-wing UsefulNotes/BarackObama having become President; here, the pastor was changed to a mayor, who passed the no-dance law as a petty parting shot at his dead son. |
| 116 | * ''Film/WingsOfDesire'' was filmed in the '80s and it shows due to the fashions and hairstyles of the people that appear in the movie. There are other things that date it like the appearance of record players and old cars, but the most notable is that the Berlin Wall prominently appears - the Wall would be demolished in the early 1990s. |
| 117 | * In addition to all of the [[TechnologyMarchesOn now-obsolete technology]] featured in ''Film/RealGenius'', there's the fact that the plot focuses around the use of a laser platform as an assassination tool and why it's a "moral imperative" (the film's words) to prevent such a use of technology as a possible escalation of the Cold War, as a proxy for the Strategic Defense Initiative and a NoCelebritiesWereHarmed version of [[https://en.wikipedia.org/wiki/Edward_Teller Edward Teller]] as the villain. |
| 118 | * Downplayed with ''Film/TheFly1986''. While there's a lot aesthetically marking it as a 1980s film -- video cameras (Beta ones at that), audio and video cassettes, Creator/GeenaDavis's UnlimitedWardrobe, the EightiesHair on her ''and'' Creator/JeffGoldblum, two of the three principals being smokers, etc. -- the plot wouldn't have to be changed all that much to incorporate modern technology, or even changes in journalism (i.e. the rise of online media over print). Part of this stems from the film's MinimalistCast and limited number of settings. Steven Benedict's podcast suggests that the '''reviews''' from 1986-87 have become straight examples of this trope because so many critics interpreted this film as a metaphor for the AIDS crisis or illicit drug addiction, rather than the general metaphor for aging and death that Creator/DavidCronenberg intended. |
| 119 | * In the 1984 Talking Heads ConcertFilm ''Film/StopMakingSense'', the band jogs in place during their performance of "Life During Wartime". In the 1999 DVD commentary, lead singer Music/DavidByrne remarks that this represents the popularity of jogging during the 1980s. |
| 120 | * [[RichBitch Rachel Phelps']] [[SpringtimeForHitler scheme]] to move the UsefulNotes/{{Cleveland}} Indians to UsefulNotes/{{Miami}} in ''Film/MajorLeague'' became a moot point as soon as Miami received their own expansion UsefulNotes/MajorLeagueBaseball franchise in the form of the Marlins in 1993. The Indians ultimately have to face off against their Eastern Division rivals, the UsefulNotes/NewYork Yankees in a [[BigGame one-game playoff]]. Since 1994, the Indians have been in the Central Division, after Major League Baseball went to a three-division alignment. |
| 121 | * ''Film/TheNakedGun'' starts with Frank Drebin attacking a group made up of leaders of governments hostile to the United States, including Gorbachev, Gaddhafi, Khomeini, Castro, Arafat and Idi Amin. All of these men have since died. Gorbachev also claims that he's tricking the West into thinking he's a nice guy; well, the "trick" must have paid off, since he later earned the Nobel Peace Prize because his reforms led to the peaceful collapse of Communism in Europe. |
| 122 | * ''Film/EarthGirlsAreEasy'' is so cheerfully, intentionally steeped in the bright colors, vapid pop music, and unhinged perms of mid-1980s Los Angeles that it plays like a PopularHistory PeriodPiece despite being shot in 1987 (plus some reshoots in early '88). |
| 123 | * ''Film/DeathSpa'' is so steeped in late '80s gym culture that it could not have been made at any other time. The gym clothes, the aerobics routines, gyms as the hip hangout and pickup place, the health bar serving veggie shakes and carob coffee, the computer technology, the hairstyles, you name it. And capping it off, a character, who is implied to be gay, tells a woman who is hitting on him that they are {{incompatible|Orientation}} by saying "you're VHS and I'm Beta". |
| 124 | * ''Film/TheTerminator'' is steeped heavily in the darker, grittier side of '80s pop culture, from the [[TheQuincyPunk Quincy punks]] who the Terminator steals his clothes from to the Tech Noir nightclub where he stalks Sarah Connor to its portrayal of urban poverty and the decade's fear of advancing computer technology, and that's without getting into Sarah's EightiesHair. Having helped [[TropeCodifier codify]] a lot of the look of the '80s counterculture, especially how it would be remembered by later generations (most notably UsefulNotes/{{synthwave}} artists who drew from its score), it serves as one of the most iconic examples of such in popular culture.WebVideo/TheNostalgiaCritic [[https://www.youtube.com/watch?v=XoCN7KR5xFE compared it]] to "a [[UsefulNotes/RonaldReagan Reaganomics]] episode of ''[[WesternAnimation/HeManAndTheMastersOfTheUniverse He-Man]]''" in terms of how much it embodied the decade, and used the term "dirty shadows" to describe how its aesthetic felt lifted straight from an '80s comic book. |
| 125 | * ''Film/TopGun'' is a product of its time, thematically and technologically, with [[AnonymousRinger an unspecified Warsaw Pact nation as the enemy]] (the Cold War would end in 5 years' time) and Maverick's LooseCannon attitude that in today's more-professional Navy would keep him out of the cockpit (that, and there is less need for pilots with the usage of UAVs -- something that the sequel, ''Film/TopGunMaverick'', would address). |
| 126 | * ''Film/BullDurham'': |
| 127 | ** Crash’s famous “The difference between hitting .250 and .300” monologue implies his batting average kept him out of the majors. Today batting average is far less valued than it was at the time (at least partly due to the rise of [[Film/{{Moneyball}} sabermetrics]], and more focus on things like how often a player just plain gets on base) and his ability as a home run/power hitter would’ve been much higher valued. |
| 128 | ** One of the teams featured in the movie was the Kinston Indians. After the 2011 season, that team relocated from Kinston, in the eastern North Carolina coastal plain, to the Raleigh–Durham suburb of Zebulon, becoming the Carolina Mudcats. Kinston would eventually get another minor-league team in 2017, but it's known as the Down East Wood Ducks. |
| 129 | ** The Durham Bulls themselves, while still a minor-league team, have advanced from the Class-A at the time of the movie--mentioned by Crash early on when he's complaining about his transfer--to Triple-A, meaning they now play nationally rather than in the Carolina League. Ironically, their brand recognition due to ''Film/BullDurham'' was one of the reasons for their promotion. |
| 130 | * ''Film/BladeRunner'': Although the film represents a futuristic dystopian view of 2019, it's quite evident the era in which the movie itself was made. Its synth-heavy soundtrack, ProductPlacement from companies that have since become obscure or defunct (like Pan Am, Cuisinart, and Creator/{{Atari}}), there still being advertising blimps everywhere (as of 2021, only about a dozen still exist), the idea that JapanTakesOverTheWorld, the computers still being clunky and analog, and [[EverybodySmokes lots of indoor smoking]], all very clearly point to the movie's '80s-era origin (also, [[CaptainObvious of course]], the year 2019 came and went and Los Angeles still doesn't have mile-high ziggurats dominating the skyline). |
| 131 | [[/folder]] |
| 132 | |
| 133 | [[folder:Literature]] |
| 134 | * Creator/KimNewman has acknowledged that his Sally Rhodes stories have become unintentional period pieces; the character is just as tied to The80s (or ''very'' early nineties) as Edwin Winthrop (an ''intentional'' period piece) is to TheRoaring20s. "Organ Donors" features references to the poll tax, seven satellite TV channels, the Creator/{{ITV}} bidding war, and a "portable phone" as being a big deal. |
| 135 | * ''Literature/AnnieOnMyMind'' has a few elements that date it. It's mentioned that Eliza can't legally drink until she's 18. The book is from 1982 and was written earlier. The year it came out NY's drinking age was upped to 19. In 1985 it was raised again to its current 21. Annie comes from the WrongSideOfTheTracks and, while these sort of situations still exist in modern day NYC, it was more prevalent in the '70s and '80s before the city started cleaning its image up. Eliza uses a payphone a few times and she tries to learn about being lesbian through magazines and encyclopedias, not the internet like a modern teen would (the part about her reading books, however, is still common). To a degree, the amount of ostracism the girls feel due to their relationship also counts. While things like that still happen, overall views towards gay couples are a lot better than they were in the early '80s. The writer has even noted that if the book took place in the 2000s or 2010s, Annie wouldn't have so much distress over being gay and probably would have even headed a GSA at her school. The subplot over [[spoiler:being expelled for being lesbian]] also wouldn't have occurred. |
| 136 | * ''Literature/TheBabysittersClub'' began in the mid 1980s. Not only does the fashion and technology show its age, but the very premise itself dates it. American parents are much less likely to allow a bunch of middle-schoolers to babysit their kids--including infants--than in the '80s. Updates--the [[ComicBook/TheBabySittersClub graphic novels]] and [[Series/TheBabySittersClub2020 2020s series]]--still show no problem with early teens and tweens baby sitting children. |
| 137 | %%* ''Literature/BrightLightsBigCity'' by Jay [=McInerney=]. |
| 138 | * The first ''Literature/DirkGently'' book (published 1987) by Creator/DouglasAdams has some specific technology references that place it firmly in the 1980s. Part of the plot revolves around an answering machine cassette tape, and one character trying to reach a telephone. The protagonist in the first book is a wealthy 'early adopter' computer programmer and electronic-music whiz, so his flat is filled with then-high tech Apple computer hardware, and 1980s synthesizers and electronic instruments. In the [[Literature/TheLongDarkTeatimeOfTheSoul second book]] (from 1988) an important setting is the long-abandoned Midland Grand Hotel at London's St. Pancras railway terminal. One of the themes of the book is how humanity abandons things from the past it no longer requires and the rotting hulk of a Victorian railway station would have been an apt metaphor for this in 1988. Since then a huge amount of gentrification has gone on in the UK and in 2011 the Midland hotel was renovated and reopened. There is also a bit of a RunningGag about the impossibility of getting pizza delivered in London. UK pizzerias started delivering in the nineties. |
| 139 | * ''Literature/TheHitchhikersGuideToTheGalaxy'' (published 1979): |
| 140 | ** The book is centered around an electronic book. This book was a standalone one-purpose device that acted as a database for everything that was known about the galaxy. It would be supplanted by newer editions periodically making the version that Arthur and Ford traveled with obsolete very early in the series (Ford's version did not contain the update on Earth's entry). This indicated that the book was more like an old-style electronic dictionary. Today, such a device would be supplanted by a multipurpose device such as a smartphone or tablet with access to a galactic version of the internet. And the guide itself would either be an application software or better yet, a [[Website/{{H2G2}} website]]. By ''Literature/SoLongAndThanksForAllTheFish'' (1984), the Guide periodically updates itself over the [[SubspaceAnsible SubEtha]]. The idea that such a device would ''constantly'' update itself (ie, download the latest version of any entry once you wanted it) was still too futuristic for even Adams to realise, though. |
| 141 | ** The book's very first line says that Earth was populated by ape-descendants "who still thought digital watches were a pretty neat idea". When the book was first published, they were pretty neat, but as of the new millennium, it sounds ridiculously dated. (The radio adaptation of the later books [2003-4] replace them with "novelty ringtones" ... which is ''also'' a bit dated now. During discussions of the comic book adaptation (1993), Adams defended the original line on the grounds he felt digital watches were just fundamentally pointless, and the line worked as well as a description of an unnecessary technology we all take for granted as an exciting novelty.) |
| 142 | ** The part where the Vogons speak to the people of Earth makes a LongList of audiovisual devices broadcasting the message... only there is no mention of any digital devices such as CD players, [=MP3=] players, Internet streaming, or smartphones. |
| 143 | ** In ''So Long, And Thanks For All The Fish'', Arthur and Fenchurch have lunch in a Taunton pub. The menu is described thus: "It is by eating sandwiches in pubs on Saturday lunchtimes that the British seek to atone for whatever their national sins have been... The sausages are for the ones who know what their sins are and wish to atone for something specific." In the 1980s and 1990s, gourmet chefs started moving into rustic pubs and restyling them into travel destinations for sophisticated city-dwellers, bringing about a commensurate improvement of quality in pub fare as the word "gastropub" entered the lexicon. This trend has not diminished through the 2000s and '10s, only gotten stronger, and the days of ghastly pub meals are, for the most part, gone, never to return. |
| 144 | ** The same book includes Arthur's friend's dog, named Know-Nothing Bozo "because the way its hair stood up on its head reminded people of the President of the United States of America". The President in question is clearly UsefulNotes/RonaldReagan. |
| 145 | * ''Literature/{{Neuromancer}}'': |
| 146 | ** In regards to politics and general culture, it's a 1980s-masquerading-as-future novel. |
| 147 | ** When Gibson describes actual technology in detail, it's more 1980s than 2030s. He does, however, manage to be vague enough to make many aspects of technology use sort of timeless, and as the last paragraph of the introduction on the work page notes, the language he uses to a large degree ''became'' the language of the future as writers and scientists adopted it. |
| 148 | ** There's a scene in an airport where an entire bank of payphones starts ringing. Gibson even apologizes for it in his 25th anniversary edition forward. |
| 149 | ** The book's famous first line, "The sky was the color of a television set tuned to a dead channel." This referred to analog [=TVs=] displaying grey static, evoking a dreary, overcast sky. Ironically, a TV turned to a dead channel these days displays a pure sky blue. |
| 150 | * ''Literature/EndersGame'' (1985) dates itself through its depiction of world politics and technology. The first print of the book had a subplot of Russia and the Warsaw Pact making aggressive motions toward war, to which a post-Cold War printing [[AuthorsSavingThrow retconned to]] the "Second Warsaw Pact". As for computers, Valentine and Peter manage to warn the world of war by posing as adults and making their voices heard as demagogues on the Internet. Nowadays we would call this "anonymous blogging" [[https://www.xkcd.com/635/ and the two would be unheard through the massive deluge of new Internet content]]. Lastly, it's treated as a big deal by his teachers when Ender plays a video game and [[CuttingTheKnot kills an in-game giant rather than play his mini-game]]. Today that would be called "[[VideoGameCrueltyPotential attacking an NPC]]," which virtually every bored video game player has done. |
| 151 | * ''Literature/{{Northwestward}}'' is accidentally dated because a key piece of information is from Pop Culture; Northwest Airlines, as well as the fact that its central conceit is that the Batman comics were based on the exploits of a real person, who is the one to ask the heroes for help. (And similarly, that one of characters remembers when Superman debuted on newsstands.) If Bruce Wayne had been real, and fought crime starting in 1939, he’d be a centenarian now. |
| 152 | * ''Literature/TeaWithTheBlackDragon'', published in 1983, has a plot driven by what was then cutting-edge computer crime. The computer technology is all very much of the time (especially the scene that revolves around starting up a word processor on an 8080 microcomputer with a tape drive). The architecture, interior designs, clothing fashions, and cultural references are also very dated; some of them are exactly the kind of thing a modern writer would add to make sure the reader knew it was set in The80s. |
| 153 | * Ellen Conford's ''If This Is Love, I'll Take Spaghetti'' contains a story about a girl named Elizabeth who spends too much time on the only phone in her family's house. With social media and the Internet being a frequent way to keep in touch with friends who live far away and most people having their own cellphones, such a premise would not make much sense to a modern audience. |
| 154 | * ''Literature/TheNewDinosaursAnAlternativeEvolution'', by Creator/DougalDixon, despite being about an alternative world where dinosaurs never became extinct, is more or less a time capsule of how dinosaurs were seen in the late 1980s. For example, dromaeosaurs/"raptors" have only two species shown, whereas they would almost certainly have had a much bigger role in the post-''Jurassic Park'' 1990s. Special mention, however, goes to the Gourmand, which is a tyrannosaur that is a specialized scavenger. This firmly dates the book's publication to the late 1980s or early 1990s, when the "Was ''T. rex'' a predator or a scavenger?" debate was a big deal in pop culture, and was inevitably brought up in discussions of the animal. Additionally, the connection between dinosaurs and birds (even at the time, it was increasingly clear that birds had evolved from them, and by the 2000s, it was widely accepted that birds functionally ''are'' dinosaurs) is barely acknowledged, best shown by the fact that the book features dinosaurs evolving ''hair'' rather than feathers. |
| 155 | * Presumably, back in 1981 (and again in 1983, 1984, & 1985), the A Day in The Life of Australia/Hawaii/Canada/Japan photojournalism book series simply brought exposure of these countries/regions to overseas readers. Unfortunately, due to their essential purpose being the documentation of everyday people doing everyday things (even if they seemed unusual to the foreign photographers), they are inherently dated. |
| 156 | [[/folder]] |
| 157 | |
| 158 | [[folder:Live-Action TV]] |
| 159 | * ''Series/MiamiVice'' exemplified some of the most prevalent trends of the era (and created several of them), including a heavy focus on synth-rock and popular songs of the time, the usage of pastel colors in their clothing and many instances of TechnologyMarchesOn. One could likely fill a page detailing all the dated examples found throughout the series. The second season opener, "The Prodigal Son", is of particular note. Among other things, it has music from Billy Ocean and Music/HueyLewisAndTheNews, a woman wearing a dress with massive shoulder pads and a climax that takes place at the World Trade Center. |
| 160 | %%* ''Series/TheFactsOfLife'' (started in 1979, but is very much associated with the 1980s). |
| 161 | %%* ''Series/DegrassiJuniorHigh'' and ''Series/DegrassiHigh''. |
| 162 | * ''Series/TheGoldenGirls'' did this, both with the ladies' fashion choices and with a lot of their pop culture references (which they wisely kept to easily ignored asides, as much of today's PeripheryDemographic is far too young to appreciate the endless stream of jokes about Donna Rice or Jim and Tammy Faye Bakker). |
| 163 | * ''Series/FamilyTies'' revolved around [[JustTheIntroductionToTheOpposites an inversion]] of TheGenerationGap, with the liberal, [[FormerTeenRebel ex-hippie]] Baby Boomers Steven and Elyse Keaton interacting with their [[UsefulNotes/RonaldReagan Reagan]] Republican son Alex and materialistic ValleyGirl daughter Mallory, reflecting how youth culture in the '80s broke from '60s-era stereotypes of student radicalism and was more enamored of the conservative politics of the Reagan administration. The show is also a reflection on how different the Democratic and Republican parties were in the 1980s. Creator Gary David Goldberg has [[https://web.archive.org/web/20180329094617/http://garydavidgoldberg.com/blog/2008/02/wwakd_what_would_alex_keaton_d_1.html stated]] that Alex, who was a small-government, pro-capitalist libertarian at heart, would not fit in with the alt-right and Christian fundamentalist politics of today's conservatives, and would likely be disaffected with both major political parties. |
| 164 | %%* ''Series/SmallWonder''. |
| 165 | * ''Series/{{Cheers}}'' is soaked in '80s style and culture. |
| 166 | ** In the pilot, Diane predicts that her (ex-)fiance Sumner Sloan will be on the cover of ''Saturday Review'' someday - unlikely, considering that it ceased publication that very year (1982). |
| 167 | ** The first season is set against the backdrop of the [[https://en.wikipedia.org/wiki/Early_1980s_recession early 1980s recession]] - Norm, an accountant, spends most of the season unemployed, while Cliff, a postal worker, enjoys the kind of job security that could only come in the days before the union-busting of The80s and The90s, followed by the rise of the internet as an existential threat to the very ''idea'' of postal service. |
| 168 | ** Many of the politician and pro athlete guest stars quite firmly date the episode in which they make their appearance: |
| 169 | *** Tip O'Neill, Speaker of the U.S. House of Representatives, made a cameo in a first-season episode (a writer later joked that he was the biggest star the low-rated show could attract at the time), firmly setting it before he retired in 1987. (Fun fact: Cheers - or rather, the Bull and Finch - was actually physically located within his constituency, making him one of the more plausible celebrity guests.) |
| 170 | *** Gary Hart's cameo in the fourth season finale (which aired on May 8th, 1986) really stands out here. When starstruck Diane meets him, she exclaims that he "could have been President" (a reference to his second-place finish in the 1984 Democratic primaries). Then she remarks that he "could ''still'' be President", and indeed he was considered a front-runner for the 1988 nomination... until the Donna Rice scandal broke out just over a year after the episode aired. (Massachusetts Governor Michael Dukakis, who ''also'' appeared on ''Cheers'', won the nomination instead.) |
| 171 | ** One episode begins with Frasier proudly showing the bar his briefcase phone, the cutting edge of technology! |
| 172 | ** A running theme in the Rebecca years (though established right in the first season) is that Sam is completely computer illiterate, and therefore needs to rehire Rebecca, neurotic and incompetent though she may be, because she ''can'' work a computer. |
| 173 | * ''Series/TheBeiderbeckeAffair'' is like a time capsule of Leeds in the early '80s, and in particular of the British education system before the National Curriculum. |
| 174 | * British sitcoms and sketch shows of the '80s were near-inevitably focused on mocking [[UsefulNotes/MargaretThatcher Thatcher's Britain]]; even period-piece comedies like ''Series/{{Blackadder}}'' weren't immune. |
| 175 | ** ''Series/TheYoungOnes'' features several bands performing who have since split up or lost members, like Music/DexysMidnightRunners or Music/{{The Damned|Band}}. And then there is an episode, "Nasty", where the characters rent a {{Video Nast|ies}}y. Most viewers nowadays have probably no clue what a "video nasty" is supposed to be. They also have jokes parodying the over-the-top PIF about reckless driving, made by a now-defunct government board and the T.V. Times' old advertising slogan, a hamster named after the Special Patrol Group, which was disbanded in 1987, and outdated tech, from their analogue TV to the VCR to the BBC going off air after 10 o'clock, to Rik's record player and Vyvyan's Ford Anglia. (Although if anyone [[HistoryRepeats in the modern day]] would be enough of a self-satisfied hipster to own a vinyl record player, it would be Rik.) |
| 176 | ** ''Series/NotTheNineOClockNews'' also made a lot of jokes about Thatcher and Reagan. As well as Prince (now King) Charles' then-recent marriage. |
| 177 | ** ''Series/ABitOfFryAndLaurie'' featured a lot of sketches about yuppies, most notably [[CorruptCorporateExecutive John and Peter]]. |
| 178 | *** And then there's the final sketch of the series, [[https://www.youtube.com/watch?v=XOOWJoriC1Y the Modern Britain]], which may or may not be timeless. |
| 179 | * ''Series/RedDwarf'' |
| 180 | ** The first two series are instantly recognisable as '80s British sitcoms because of their low production values, their focus on a limited range of sets, the comedy mostly being based around two characters arguing, and the fact that there are barely any influences from American comedy. Subverted in that Season 3, made in 1989, clearly reverses all of these, and led to the series becoming far more popular. |
| 181 | ** Series I, II and III all have a lot of references to 1980s pop culture, which nowadays seem somewhat out of place in the futuristic setting. Starting with Series IV, they toned this down a lot. |
| 182 | ** In the Series II episode [[Recap/RedDwarfSeasonIIParallelUniverse Parallel Universe]], the characters briefly talk about "masculinists", which gender-swap stereotypes associated with second-wave feminism, rather than third-wave feminism common today. |
| 183 | ** "Krytie TV" is a pretty specific parody of the prank TV shows that were around in the mid-late 1990s. |
| 184 | * ''Series/{{Rockschool}}'', a miniseries on Creator/TheBBC and later broadcast by Creator/{{PBS}}, was a show (in fact, two separate miniseries), the first (concerning a guitar-bass-drums PowerTrio) of which lasted in 1984, and the second one (which added a keyboardist to the trio) in 1987, attempting to teach kids the basics of playing and singing in a rock band. Not only were the computer graphics used in the show, along with the hair and fashion styles of the four teenage presenters/musicians dated to the '80s, but naturally the special guests the show interviewed in segments, as well as the music technology the show demonstrated. Along with [[ValuesResonance the still very useful information the show presents]], the use of [[TechnologyMarchesOn what would now be considered very crude and outdated]] ([[PopularityPolynomial currently vintage]]) synthesizer, sampler, guitar-synthesizer, sequencer, MIDI and drum machine technology in particular ''scream'' 1987 in the second series. (E-mu Emulator II! Moog Memorymoog!! Fairlight CMI!! Yamaha DX-7!!). |
| 185 | * ''Series/StarTrekTheNextGeneration'' tried hard to avoid being an UnintentionalPeriodPiece (the music avoided any style that had been popular since the end of TheJazzAge, for example), but the hairstyles, the spandex costumes ("spacesuits" as the cast called them), the set design (especially the oft-criticized "hotel lobby" look of TheBridge and the infamously bland beige and rust carpeting and wall paneling), the "Dustbuster" phasers and the presence of a psychotherapist as a command-level officer firmly fix the early seasons of the series in the '80s. Later seasons went to a wool gabardine two-piece spacesuit, a more angular and weapon-like phaser and modified Counselor Troi's duties in an effort to try to bring the show out of the '80s, but some of the more aggressively period-fixing design choices were stuck through the entire show. |
| 186 | * ''Series/YouCantDoThatOnTelevision'', certainly during the early 1980s, has references to ''Series/GeneralHospital'' and dated video arcade games (and the occasional period sociopolitical issues) in various episodes. The clothes and hairstyles of the teen cast members often betray their '80s origins almost as much as their accents and certain phrases they use betray their Canadian origins. |
| 187 | * ''Series/WhizKids'' had a heavy focus on computers at a time before the existence of the Apple Macintosh or the Windows operating system. Home computers existed but were not common, and laptops were even rarer (as well as being large and clunky). |
| 188 | * ''Series/{{Thirtysomething}}'' featured adults (obviously in their 30s) that had veered away from their days at the anti-war demonstrations. |
| 189 | %%* ''Series/TwentyOneJumpStreet'' |
| 190 | * ''Series/MorkAndMindy'', among other things, when Mork ran out onto Denver's (original) Mile High Stadium as a member of "The Pony Express". The Denver Broncos Cheerleaders only used that name from 1977 to 1980. |
| 191 | * ''Series/CosmosAPersonalVoyage'', a PBS miniseries featuring the late Creator/CarlSagan, definitely dates to 1980, thanks to its UsefulNotes/ColdWar anxieties, production values, spacy, analog-synth-driven music by Vangelis, Sagan's hairstyles and clothing, and the datedness of Sagan's "Starship Of The Imagination". The science, on the other hand, holds up surprisingly well. When PBS did a Cosmos Update edition with a scientific postscript in the early Aughts, they found that very few changes were needed to cover the discoveries in the interim. |
| 192 | * ''Series/PunkyBrewster'': If the fashion doesn't clue you first, you'll nail the year when the {{Very Special Episode}}s about the ''Challenger'' disaster and [[DrugsAreBad saying no to drugs]] roll in. There's also the time when RandB[=/=]NewWaveMusic group Music/DeBarge made a guest appearance on the show. Which is funny when you consider that the group had been falling from relevancy by that time. |
| 193 | * ''Series/CharliesAngels'' exemplified the start of the [[FemaleGaze craze for men's butts]] among [[AllWomenAreLustful Western women]] which began with the publication of photographer Christy Jenkins' photo book ''A Woman Looks at Men's Buns'' in 1980 during the fourth and fifth seasons (1979-1981). During the fourth season, Kris and Tiffany [[AccidentalPun visually assessed]] men's buns in both the [[{{Crossover}} "Love Boat Angels"]] and "Toni's Boys" episodes; during the fifth season, Julie [[EatingTheEyeCandy stared at a guy's butt]] in the "Mr. Galaxy" episode, while Kris is seen checking out guys' butts in both the "He Married an Angel" and "Angel on a Roll" episodes. |
| 194 | * ''Series/SesameStreet'': |
| 195 | ** The show originally had a Muppet band, How Now Brown and the Moo Wave, whom performed two songs in 1984: "[[https://www.youtube.com/watch?v=0xfciIXD-sg Wet Paint]]" and "[[https://www.youtube.com/watch?v=hVcZ7cDggeE Danger's No Stranger]]". The '80s new wave MTV music video stylings really show, and the segments were naturally dated within several years, but continued to be rerun until after the late '90s. |
| 196 | ** Apart from this, some of the show's other sketches from this period have 1980s fashion and/or art styles that are now dated, like in "It's Hip to Be a Square" (a parody of Huey Lewis and the News' "Hip to Be Square"). |
| 197 | * ''Series/TheTwilightZone1985'': |
| 198 | ** As it was made in 1985, the ending of "[[Recap/TheTwilightZone1985S1E1 A Little Peace and Quiet]]" is dated to the time of the pre-glasnost, pre-fall of the Berlin Wall cultural fear of a nuclear WorldWarIII between NATO and the Warsaw Pact.[[note]]While this year marked the beginning of Gorbachev’s presidency of the Soviet Union, which focused on de-escalation, it would take until a few years where de-escalation really came to fruition.[[/note]] The same is true of the [[spoiler:apparent]] outbreak of World War III in "[[Recap/TheTwilightZone1985S2E9 Shelter Skelter]]". |
| 199 | ** In "[[Recap/TheTwilightZone1985S2E2 Aqua Vita]]", which was made in 1986, the television anchor Christie Copperfield reports on anti-apartheid demonstrations in Cape Town, the US government considering imposing further economic sanctions on UsefulNotes/SouthAfrica and fighting between Sandinistas and Contras outside UsefulNotes/{{Nicaragua}}'s capital Managua. |
| 200 | ** In "[[Recap/TheTwilightZone1985S2E9 Private Channel]]", which was made in 1987, Mr. Williams is able to smuggle a bomb aboard the plane under his shirt. The airport clerk also asks Keith Barnes, who gains his telepathic powers from a Walkman, if he has a smoking or a non-smoking seat. |
| 201 | * ''Series/TheFallGuy'' could be seen as this through the theme song alone. It name checks a number of celebrities who were popular around the show's debut (1981), specifically Creator/FarrahFawcett, Creator/SallyField, Creator/BoDerek, and Creator/RobertRedford in the first verse, Creator/CherylTiegs, Creator/RaquelWelch, and Creator/ClintEastwood in the second verse, and Creator/BurtReynolds in the shortened version. Many of these have since fallen out of public consciousness or no longer do the kind of roles requiring a stunt double. As of 2020, two of these (Fawcett and Reynolds) have passed on. |
| 202 | [[/folder]] |
| 203 | |
| 204 | [[folder:Music]] |
| 205 | * Music/{{Alphaville}}'s "Forever Young" is about the "live for the moment" mindset that occurred in the 1980s due to fear of nuclear annihilation. Needless to say, the UsefulNotes/ColdWar ending meant that it hasn't aged all that well. |
| 206 | * Obviously, Music/BillyJoel's "We Didn't Start the Fire" only covers historical events up to 1989. In fact, it was released at a point in that year when the Tiananmen Square massacre had happened ("China's under martial law"), but the fall of the UsefulNotes/BerlinWall had not (and it would surely be significant enough to be mentioned). Therefore, the song is dated to between June and November of 1989. |
| 207 | * Music/LouReed's 1989 album ''Music/{{New York|1989}}'' name checks several controversial personalities and events of the decade, including Kurt Waldheim[[note]]UsefulNotes/UnitedNations Secretary General and President of Austria who served on the German side in UsefulNotes/WorldWarII[[/note]], [[UsefulNotes/ThePope Pope John Paul II]][[note]]specifically his then-recent meetings with PLO leader Yasser Arafat[[/note]], [[Creator/MikeTyson "Iron Mike" Tyson]][[note]]before he got NEARLY as weird as we know him to be[[/note]], Jesse Jackson[[note]]specifically his relationship with Louis Farrakhan, long accused of anti-Semitism[[/note]], [[VigilanteMan Bernard Goetz]], Jimmy Swaggart, the Howard Beach riots, ''Film/TheLastTemptationOfChrist'', and ozone depletion. |
| 208 | * The premise of Sammy Hagar's hit "I Can't Drive 55" is a protest against the National Maximum Speed Law, a federal law that mandated speed limits no greater than 55mph. The law was repealed in 1995. |
| 209 | * The music video for Music/BobbyBrown's "On Our Own", from the ''Film/GhostbustersII'' soundtrack, firmly plants it in late-1980s culture. Aside from the gratuitous cameos like Creator/ChristopherReeve (pre-riding accident) and Malcolm Forbes (the former publisher of ''Forbes'' magazine, who died a year after the video's release), it has contributing vocals from the 1980s incarnation of The Raelettes (Music/RayCharles' backup singers) and a cameo from his fellow Music/NewEdition members. And that's not including the shots of the World Trade Center. It's so '80s it hurts. |
| 210 | * Kurtis Blow's "[[https://www.youtube.com/watch?v=_shxzlTRK44 Basketball]]". The song cashes in on the rising popularity of the [[UsefulNotes/NationalBasketballAssociation NBA]] in the 1980s and mentions some of the biggest draws of the time, such as Magic Johnson, Larry Bird, and Creator/KareemAbdulJabbar. The music video even throws in some martial arts for good measure, which was also rising in popularity at the time. |
| 211 | * Nolan Thomas's song "Yo' Little Brother". The synthesized notes and thickly [[{{Narm}} cheesy]] TotallyRadical lyrics with an [[{{Anvilicious}} anti-drugs message]] subtle as a peacock could not come from anywhere else. But what takes the cake is the [[https://www.youtube.com/watch?v=8L0H_w9kBx8 video]], which was intentionally made so silly it distracted from the song's morals, complete with child impersonators of the popular celebrities of its day. It feels like nostalgic parody of the [=1980s=], only it was made in 1984! |
| 212 | * Music/{{Metallica}}'s ''Music/AndJusticeForAll'' album frequently references The Cold War, which would end roughly one year after the album was released. |
| 213 | * Music/FrankZappa: Much of Zappa's music has outdated references, but apart from ''Music/WereOnlyInItForTheMoney'' never so blatant as with his music released during the eighties, with countless direct attacks at the UsefulNotes/RonaldReagan administration, the Irangate scandal, UsefulNotes/GeorgeHWBush, Music/MichaelJackson, Creator/{{MTV}} (back when it still aired music videos) and the dominance of the Moral Majority in politics. |
| 214 | * Many punk bands of this era directly attacked UsefulNotes/MargaretThatcher and UsefulNotes/RonaldReagan - or more specifically, their policies and economic measures. Compare "Let's Start a War (Said Maggie One Day)" from the Scottish band Music/TheExploited to the New York based Music/{{Ramones}}' "Bonzo Goes to Bitburg". |
| 215 | * [[Music/JethroTull Jethro Tull's]] 1984 album ''Under Wraps'' may count, not only in its ''very'' 1980s production style and sound (most of the album was programmed on a then-state-of-the-art Fairlight CMI sampling workstation, and all of the drum tracks are programmed on a Linndrum drum machine), but due to the songs' then-very relevant UsefulNotes/ColdWar[=/=]espionage themes (Ian Anderson was inspired by the novels of Creator/JohnLeCarre). |
| 216 | * Moe Bandy and Joe Stampley's 1984 hit "Where's the Dress" is about two men who, amused by Music/CultureClub lead singer Boy George's [[DudeLooksLikeALady androgynous image]], decide to adopt it for themselves. Anyone who didn't grow up in that era may not get the joke. |
| 217 | * The Music/FaithNoMore song "We Care a Lot" is a jab at '80s charity songs such as "We Are The World" that attempted to bring awareness to global problems such as starvation. The song shows its age by mentioning then-current events such as the ''Challenger'' disaster, as well as toys such as Garbage Pail Kids and Franchise/{{Transformers}} (though the latter would come back in later decades). The chorus, on the other hand, lives on as the theme for ''Series/DirtyJobs''. |
| 218 | * ''[[https://www.youtube.com/watch?v=wQ2zeulYjnI Ora Tokyo Sa Iguda]]'' is a Japanese song about how this hillbilly guy wants to get out of his backward village to move to Tokyo. At one point of the song, the singer asks "Who is Laser Disc?" In the '80s, it would've shown just how his village was away from civilization. In the 2010s? It sounds more like WhatAreRecords being played straight. |
| 219 | * Petra's Witch Hunt may be the most '80s Christian rock song ever. The subject matter is about fundamentalists "looking for evil" (still somewhat happening, but not to the extent as in the '80s), the song itself is full of '80s style effects, and there's even a Creator/MrT reference at the end. |
| 220 | * The Judas Priest video "[[https://www.youtube.com/watch?v=M_s-49rNCdw Freewheel Burning]]" takes place at a video arcade (alternating with shots of the band onstage), where several 1980s video games can be seen (most prominently ''Pole Position''). |
| 221 | * Music/{{Loverboy|Band}}'s "Hot Girls in Love" includes the line "she likes her tapes on 10", a reference that became dated when compact discs took over, and even more so when [=MP3s=] became the dominant format. |
| 222 | * The song ''Computer Obaachan'', by Ryuichi Sakamoto, which has been performed by Music/YellowMagicOrchestra, covered by Music/{{Polysics}}, and remixed for ''VideoGame/PopNMusic'', includes a verse about how the singer's Grandma was born in [[UsefulNotes/MeijiRestoration The Meiji era]]. As the years go by, the odds of anyone's living grandma, yet alone that of a young child like the song originally depicted, being born in that era become slimmer and slimmer. They would already have to be a centenarian to have even been born in the year Emperor Meiji died. As of 2020, there are fewer than thirty Japanese people (of both sexes) who were born before 1912 still alive. |
| 223 | * At least three known examples are related to the [[UsefulNotes/MajorLeagueBaseball Chicago Cubs]]: |
| 224 | ** "Go, Cubs, Go", written in 1981 by diehard Cubs fan Music/SteveGoodman, is now the team's official victory song. It contains the line "You can catch it all on WGN." At the time, WGN carried all Cubs games on the radio and most Cubs games on TV. It's not true any longer; WGN's local TV station (not to be confused with WGN America, now known as NewsNation) and WGN-AM no longer carry Cubs games at all. |
| 225 | ** In that same year, "Don't Wait on Me" by Music/TheStatlerBrothers included the lyrics "When the lights go on at Wrigley Field" as an example of an implausible situation. At the time, Wrigley was the only MLB park without lights. The song became a period piece when lights were installed in 1988. The Statlers responded by changing that line to "When they put a dome on Wrigley Field", with their 1989 album ''Live–Sold Out'' featuring the revised song. |
| 226 | ** In 1984, Goodman wrote "A Dying Cub Fan's Last Request", which included the line "But the last time the Cubs won a National League pennant/Was the year we [[UsefulNotes/AtomicBombingsOfHiroshimaAndNagasaki dropped the bomb on Japan]]." As of October 22, 2016, this is obsolete. |
| 227 | * Bob Rivers' "The 12 Pains of Christmas" references popular things about Christmas from years past that aren't as common anymore, like the ''Franchise/{{Transformers}}'' craze. Though Transformers would make a comeback as a franchise, they have never regained the status as ''the'' hot toy for Christmas that they had in the '80s, particularly since the [[Film/TransformersFilmSeries live-action film series]]' toy lines peak in the summertime, when the films get released. |
| 228 | * The video for "Music/LandOfConfusion" by Music/{{Genesis|Band}} is a jaw-dropping hodgepodge of '80s pop culture, and can easily be confused for something deliberately made to be nostalgic. |
| 229 | * Tank's "It Fell from the Sky" is dedicated to the ''Challenger'' disaster, including at the end a fragment of UsefulNotes/RonaldReagan's speech after the accident. After the retirement of the space shuttle fleet it's not the same. |
| 230 | * "Master Blaster (Jammin')" by Music/StevieWonder joyfully declares "Peace has come to UsefulNotes/{{Zimbabwe}}," betraying that it was written before Robert Mugabe was revealed to '''not''' be the unifying hero many had hoped he would be. |
| 231 | * Music/NeilYoung's "Rockin' in the Free World" could only have come out between 1988-89, with lines like "A thousand points of light - For the homeless man," referring to one of UsefulNotes/GeorgeHWBush's speeches in the 1988 presidential campaign, and references to the ozone layer and a kinder, gentler machine gun hand (again a reference to Bush Sr.'s campaign). |
| 232 | * In the music video for "[[https://www.youtube.com/watch?v=sHGyipqYFr8 Stop to Love]]" by Music/LutherVandross, the hairstyles alone would be enough to place it firmly in the '80s, but then we see a gas station in the background priced at ''65 cents a gallon''.[[note]]About $1.50 today, which would ''still'' be a steal by today's standards, and yet this was considered expensive at the time.[[/note]] |
| 233 | * Music/BlackFlag's ''Music/{{Damaged|Album}}'' was released in 1981. The song "TV Party" includes a long list of television programs that were on at the time. Only ''Series/SaturdayNightLive'' and ''Series/MondayNightFootball'' are still on the air, and only ''SNL'' is still on US network TV (''MNF'' moved to Creator/{{ESPN}} in 2006). |
| 234 | * The anti-Apartheid protest song "Sun City" by Artists United Against Apartheid, organized by Steven Van Zandt. While the song's mixture of hip-hop, R&B and hard rock pre-dated the popularity of RapRock, the song itself can be dated to when South Africa's Apartheid regime was still in power and a serious world issue. The line "I, I, I, I, I, I, ain't gonna play Sun City!" became ironic once the Apartheid policies was repealed and Sun City began being used as a concert venue more, and the line bashing then-President Ronald Reagan's policy of "constructive engagement" dates it further. |
| 235 | * The film clip of Music/MidnightOil's "The Dead Heart" prominently shows Uluru, with a number of people walking on it in a couple of shots. Climbing the rock has been banned since 2019. |
| 236 | ** The film clip for "The Power and the Passion" shows a lot of ads and TV promos from the time, including some logos that haven't been in use for decades. |
| 237 | * "Funky Cold Medina" by Tone Lōc features the line "This is the Eighties, and I'm down with the ladies.", which comes at the end of a story Tone relates that comes across as transphobic (-gender or -vestism; the lyrics can be interpreted either way) to modern listeners. |
| 238 | * ''WesternAnimation/AlfredJKwak'' creator Creator/HermanVanVeen once made a song from 1983 called ''[[https://www.youtube.com/watch?v=CTClBuPesxo De bom valt nooit]]'' ("The Bomb Never Drops") [[ExactlyWhatItSaysOnTheTin which is about a bomb that never drops.]] The song was made during the height of the cold war and uses footage of the Soviet Union. The music video ends with news footage about an Atomic Bomb that was being developed at the time. |
| 239 | * The Music/{{Scorpions|Band}} song "The Zoo" is about the red-light district in and around Times Square in Manhattan, [[TheBigRottenApple infamous for its prostitution, pornographic theaters and video stores, and drugs]]... which was completely "cleaned up" by the mid-late 1990s. Today Times Square is best known for harboring large numbers of Broadway plays and tourists, and the New Year's Eve ball drop. |
| 240 | * "I Lost on Jeopardy" by Music/WeirdAlYankovic ''really'' shows its age by naming Art Fleming as the host of ''Series/{{Jeopardy}}''. Anyone born during the Creator/AlexTrebek era (1984-2020) will likely ask "Art ''who''?" |
| 241 | * Songs about the Vietnam War and veterans of it, most notably "19" by UK artist Paul Hardcastle and "I Was Only 19 (A Walk in The Light Green)" by Australian band Redgum, reached an audience of people for whom the war (whether as a soldier, protestor or news-watcher) was still within living memory. As of the 2020s, the youngest (surviving, despite the high suicide rate and exposure to toxic chemicals used in warfare) 'Nam veterans are now in their seventies and growing fewer all the time. |
| 242 | * Music/{{Abba}}'s 1982 song "The Day Before You Came" has Agnetha describing watching ''Series/{{Dallas}}'' and smoking in the office. |
| 243 | * The political references in ''Music/{{War|U2Album}}'' by Music/{{U2}} date itself to the '80s. The opening track, "Sunday Bloody Sunday", is about UsefulNotes/TheTroubles (which are generally accepted to have ended with the Good Friday Agreement in 1998), while the second track, "Seconds", mentions both the [[UsefulNotes/SovietRussiaUkraineAndSoOn USSR]] and the [[UsefulNotes/EastGermany German Democratic Republic]], both of which no longer exist. |
| 244 | * "I've Never Met a Nice South African" was already dated by virtue of it being an anti-Apartheid song, but a lyric implying that only ''one'' miner in Yorkshire was working makes it very clear it was produced during the lengthy [[https://en.wikipedia.org/wiki/UK_miners%27_strike_(1984%E2%80%9385) 1980s UK miners' strike.]] |
| 245 | * Music/DireStraits: |
| 246 | ** "Twisting By the Pool" unintentionally dates itself with a line about never being out of reach because of a nearby call box. Call boxes, especially non-emergency call boxes, largely disappeared in the '00s due to the rising ubiquity of cell phones. |
| 247 | ** "Money for Nothing" dates itself very much to the time when MTV was still about music videos and the "I Want My MTV" slogan was still current. Not to mention, in the full album version, the casual homophobia being displayed in the narration. And even the fact the guys are talking about "colour" [=TVs=] as if not all [=TVs=] were color by default (still just about true in the '80s). |
| 248 | * While the theme of Music/SuicidalTendencies' "Institutionalized" of society failing to understand people with psychological disorders [[ValuesResonance still holds up in present day]], the lyrical content firmly dates it back to The80s. Institutionalization for people who're mentally unwell has become decreasingly prevalent past the '80s in favor of pure psychiatric therapy, and the narrator's parents believing him to be on drugs because he's a [[{{Hikikomori}} shut-in]] is an attitude that's typically attributed to '80s America and the War on Drugs, and has generally become a discredited parental line of thinking. |
| 249 | [[/folder]] |
| 250 | |
| 251 | [[folder:Newspaper Comics]] |
| 252 | * ''ComicStrip/BloomCounty'', for all its surrealism, got hit with this hard due to its very prominent political element and a cornucopia of pop-culture gags (such as a story arc spoofing [[http://en.wikipedia.org/wiki/US_Festival the 1983 US Festival]]). It was for this reason that a complete series collection was put off for years. Berke Breathed was ''positive'' no one would get most of the jokes. The ''Complete Library'' was eventually released with historical commentary next to relevant strips and two-page spreads featuring then-recent newspaper headlines. |
| 253 | [[/folder]] |
| 254 | |
| 255 | [[folder:Pinball]] |
| 256 | * Though it was released in 1990, ''Pinball/{{Rollergames}}'' is heavily influenced by its [[The80s eighties aesthetics]], particularly the women's use of EightiesHair, animal-skin uniforms for the men, neon and pastel colors everywhere, and, of course, the roller derby fad resurgence. |
| 257 | * This was an unavoidable side effect for ''Pinball/HollywoodHeat'', given its unabashed aping of the ''Series/MiamiVice'' style. |
| 258 | * Also released in 1990 was ''[[Pinball/DrDude Dr. Dude and His Excellent Ray]]''. Even its name screams out "Franchise/BillAndTed." It's about a formerly uncool nerd who was into computers, who built a device that could make him cooler, one of the components being ThePowerOfRock. This game has a fascination with strange technology that can impart weird effects onto people. Dr. Dude himself has angular sunglasses, huge EightiesHair, and a leopard-print jacket, and talks like a [[Franchise/TeenageMutantNinjaTurtles Ninja Turtle]]. The table is covered in '80s slang and the decade's characteristic bright geometric shapes. |
| 259 | * The skateboarding-themed ''Radical!'' also was released in 1990. The name itself says enough. |
| 260 | * Creator/{{Bally}}'s 1987 ''Heavy Metal Meltdown'' looks and sounds exactly like one would expect a game from that year with that name to look and sound. Features a guitarist with long EightiesHair on the backglass, and a HairMetal sound package. |
| 261 | [[/folder]] |
| 262 | |
| 263 | [[folder:Tabletop Games]] |
| 264 | * ''[[https://boardgamegeek.com/boardgame/1932/anti-monopoly-ii Anti-Monopoly II]]'' was one of the earliest board games to use the shared European currency for in-game money... except it uses [[https://en.wikipedia.org/wiki/European_Currency_Unit ECUs]], rather than Euros. |
| 265 | * ''TabletopGame/BattleTech'': While the technology side tends to fall firmly under {{zeerust}}, there's still plenty of other things that remind players that this game is the "future of the '80s." |
| 266 | ** For one, artwork from the original sourcebooks depicted outfits and [[EightiesHair hairstyles]] that were firmly rooted in that decade. Artwork for characters in later game eras changed their looks, but new material covering the late Succession Wars (the time period when the game started out) establishes that in the early 31st Century, '80s fashion was definitely in. |
| 267 | ** Another example is the Cold War and Soviet Union lasting until the early 2010s. While initially there was an attempt to partly retcon this, the game writers eventually decided to just roll with it and confirm that [=BattleTech=] takes place in an alternate timeline. |
| 268 | * ''TabletopGame/DinosaursAttack'': The series cements itself as an obvious product of the '80s (aside from simply being part of the card-collecting craze of the era), both by the insane levels of {{Gorn}} and its depiction of dinosaurs; the complete absence of [[RaptorAttack raptors]] (and other then-obscure dinosaur species which have since become well established in dinosaur media, like ''Dilophosaurus'' and ''Spinosaurus''), the appearance of the long obsolete ''Trachodon'' (reassigned to ''Edmontosaurus'' in the '90s), and illustrations of dinosaurs as [[ArtisticLicensePaleontology grotesque, upright lizard-beasts]] makes it clear it was made before ''Franchise/JurassicPark'' revolutionized the popular image of dinosaurs (indeed, the release of ''Film/JurassicPark1993'' killed a film adaptation of ''Dinosaurs Attack!''). |
| 269 | [[/folder]] |
| 270 | |
| 271 | [[folder:Theatre]] |
| 272 | %%* ''Theatre/{{Edmond}}''. |
| 273 | * Despite the numerous (and, by most accounts, unsuccessful) attempts to modernize ''Theatre/StarlightExpress'', the show remains firmly grounded within the 1980s. The disco-tinted score, neon-colored costumes, and references to DOS programming as if it were futuristic have been toned down or removed since the musical's inception, but the musical's premise and choreography require that the performers wear old-fashioned roller skates, so it can't avoid representing its decade. Some fans argue that if the show had declared itself an intentional period piece at the beginning of the 1990s, it would be more popular today. |
| 274 | * ''Theatre/AngelsInAmerica'' is grounded firmly in the 1980s by its focus on the height of the AIDS crisis and surrounding politics. |
| 275 | * Seeing as ''Theatre/{{Chess}}'' has a plot so focused on the UsefulNotes/ColdWar and was first staged in 1986 - with the original concept album done in 1984 - this trope was practically nipping at its heels with each new production. By 1991, it didn't have much choice but to accept its new status as a period piece, and it's been played that way ever since. |
| 276 | * It's debatable how much the original male ''[[Theatre/TheOddCouple Odd Couple]]'' belies that it premiered in 1965, but the female version written in the early-mid 1980s is very much an unintended showcase of the 1980s, from the titular duo and their friends playing Trivial Pursuit instead of poker to the arguable oversaturation of contemporary references. If you're reading most Samuel French copies of the play, this trope is turned up to eleven as it usually includes a guide for the costuming and set decoration from the time. |
| 277 | * ''Theatre/TellMeOnASunday'' premiered in 1980 and now shows its age, mainly due to [[NoNameGiven the girl]] [[VoiceoverLetter sending letters in the mail]] to communicate with her mother back home. Some of the more recent productions will truly make it into a period piece, pointing out that the story is set in the 1980s to explain the lack of modern technology. Ironically, the [[SettingUpdate updated 2003 version]] is falling into this as well; the protagonist's use of a laptop to send emails would now be considered outdated with texting on smartphones now being the norm. |
| 278 | [[/folder]] |
| 279 | |
| 280 | [[folder:Video Games]] |
| 281 | Video games from this era are obvious examples, due to 8-bit technology (and later in the decade, early 16-bit technology) - or at least used to be, as with the modern wave of "retro" indie games that intentionally try to emulate an 8-bit and 16-bit look, (e.g. ''VideoGame/{{Shovel Knight}}'' or ''VideoGame/{{Retro City Rampage}}'') it can become almost impossible to tell a thirty years old game from one released this decade; sometimes, like with ''VideoGame/BattleKidFortressOfPeril'', they are even made to run on the original hardware, blurring the lines even further. |
| 282 | |
| 283 | Games from this era are also Unintentional Period Pieces for other non-technology reasons: |
| 284 | * Any game with a then-current UsefulNotes/ColdWar setting: |
| 285 | ** ''Raid Over Moscow''. |
| 286 | ** ''Communist Mutants from Space'' |
| 287 | ** The ''When Superpowers Collide'' strategy game series: ''Germany 1985'', ''RDF 1985'', ''Baltic 1985: Corridor to Berlin'' and ''Norway 1985''. |
| 288 | ** ''War Room''. |
| 289 | ** Not one but two games named ''SDI'', involving you protecting the USA from Soviet missiles using the [[https://en.wikipedia.org/wiki/Strategic_Defense_Initiative Strategic Defense Initiative]] satellites. |
| 290 | * ''VideoGame/{{Wasteland}}'' takes place in a post-apocalyptic future following a nuclear war between the USA and USSR... in 1998. A 1998 that [[Main/{{Zeerust}} possesses advanced robotics, artificial intelligence, and directed energy weaponry, but still uses floppy disks]]. Its sequels (released in 2014 and 2020 respectively) opted to continue the timeline established by the first game as an AlternateHistory. A remastered version of ''Wasteland'' was released in 2020 with updated graphics, but otherwise keeping the story and gameplay exactly the same as it was in 1988. |
| 291 | * The setting of ''VideoGame/{{Paperboy}}'' is general enough to remain timeless, but the titular job the game is built around somewhat dates the game. Paperboys are a rather uncommon sight in modern times, when newspapers are usually delivered by people in cars and vans - or read virtually on [[UsefulNotes/GoingMobile tablets and smartphones]]. It doesn't hurt the experience of the gameplay at all, but its premise can come off as rather dated to kids nowadays. |
| 292 | * Sports games with named world champions started appearing in the 1980s: |
| 293 | ** The NES version of ''VideoGame/PunchOut'' is definitely set in the 1980s, due to Mac's pink jogging suit, Mike Tyson being champ, and references to Bombay (the Indian city now called "Mumbai") and the USSR. |
| 294 | ** ''[[https://en.wikipedia.org/wiki/Daley_Thompson%27s_Decathlon Daley Thompson's Decathlon]]'' was inspired by the namesake athlete's then-recent string of gold medals at the 1980 and 1984 UsefulNotes/OlympicGames. |
| 295 | ** ''[[https://en.wikipedia.org/wiki/One_on_One:_Dr._J_vs._Larry_Bird One on One: Dr. J vs. Larry Bird]]'' was based around 1980s NBA legends Julius Erving and Larry Bird. Later in the decade, the concept was repeated for 16-bit platforms in ''[[https://en.wikipedia.org/wiki/Jordan_vs._Bird:_One_on_One Jordan vs. Bird: One on One]]'', this time with UsefulNotes/MichaelJordan replacing Julius Erving. |
| 296 | * "[[https://en.wikipedia.org/wiki/Winners_Don%27t_Use_Drugs Winners don't use drugs]]". Simple, yet an inevitable association. |
| 297 | * ''VideoGame/{{NARC}}''. While the War on Drugs is still going on as strong as ever, anti-drug messages are nowhere near as ubiquitous or {{anvilicious}} as they were in the '80s, and the entire effort has faced a significant backlash since then -- just look at how the DARE program, the "Just Say No" campaign, and others like it have become laughingstocks. Notably, when the game was [[VideoGameRemake remade]] in 2005, it became a ''VideoGame/GrandTheftAuto''-esque experience that turned the drugs into ''power-ups''. |
| 298 | * Many beat-'em-ups from the decade (and throughout the early [='90s=]) such as ''VideoGame/DoubleDragon'', ''VideoGame/{{Vigilante}}'', ''VideoGame/CrimeFighters'' and ''VideoGame/FinalFight'' feature a now dated [[TheQuincyPunk "studded leather & mohawk" style punk archetype]] that were everybody's favorite boogeymen back then, but are now just seen as kind of goofy. |
| 299 | * In a near-identical vein, ''VideoGame/RiverCityRansom'', which captures the high school life of the 1980s in a BeatEmUp setting. |
| 300 | * ''VideoGame/NetHack'' - the Roguelike genre is still maintained, and the game didn't age that much technically - but there are cultural references that are quite dated, especially when compared to other RL games, to early ''Literature/{{Discworld}}'' books (which has, since then, drifted away from fantasy parody), Grayswandir from ''Literature/ChroniclesOfAmber'', and the hallucination status involves Tribbles. |
| 301 | * The entire genre of stock market simulation games (which only came to the US in the form of ''Wall Street Kid'') is based on the Japanese fantasy that you could become a billionaire by intelligently buying and selling Japanese stocks. The idea will probably not catch on with the newer generation of Japanese that faced the economic downturns throughout 1990 all the way up to the late 2000s. |
| 302 | * Despite its rather minimalist setting, the original ''VideoGame/{{Frogger}}'' manages to be one. The game takes place in Australia, as evidenced by its protagonist being an Australian Green Tree Frog. The reason there are so many bulldozers constantly rumbling by across the screen, and all in the same direction, is because they're part of the massive fleet of construction vehicles used to build the parliament building in Canberra, which was completed in 1981, the same year the game was released. |
| 303 | * The arcade version of ''VideoGame/SuperDodgeBall'' has this combined with ValuesDissonance with Team Africa. The [[https://en.wikipedia.org/wiki/Flag_of_South_Africa_(1928–1994) flag]] used for the team is that of ''South'' Africa at the time of the game's release in 1987--when apartheid was still in place. Accordingly, every member of the "African" team is white. The NES port, released in 1989, replaced its players with black competitors and changed it to Team Kenya (for the North American release). Then, in 1994, the South African flag changed to mark the end of apartheid, dating the arcade version forever. |
| 304 | ** The NES port itself is dated by its addition of Team USSR, referred to as such in-game. In addition, the North American version, with the same CulturalTranslation that makes Team USA the player's team, makes Team USSR the final opponents in an obvious invocation of the UsefulNotes/ColdWar. |
| 305 | * Early skateboarding game ''720°'' has one right in the title - at the time, the 720 (jumping off a ramp and doing two full circles in the air) was seen as the ultimate skateboarding trick. In 1999, however, (13 years after the game was released), Tony Hawk pulled off the first successful 900, making that the new "ultimate". And the 900 is now ''so'' last millennium; Tom Schaar pulled off the first successful 1080 on a mega ramp in 2012, with Gui Khury becoming the first to land the stunt on a standard vert ramp in 2020. |
| 306 | [[/folder]] |
| 307 | |
| 308 | [[folder:WesternAnimation]] |
| 309 | * As a general example, virtually any MerchandiseDriven animated show produced in the United States from this era will be easy to identify as being a product of the eighties. Regulations on how toys can be advertised to children were lifted during this time, and several toy companies were quick to jump on the bandwagon. The shows from this time were pretty blatant about being narrative toy commercials. The merchandising of animation in later decades became a bit more subtle as more overt consumerism fell out of style. |
| 310 | * ''WesternAnimation/BeverlyHillsTeens''. Five-inch floppies, over-the-top '80s hair, huge (and very seldom used) cell phones... |
| 311 | * ''WesternAnimation/HereComesGarfield'' has Jon's {{Jerkass}} neighbor very easily set up his pets to be captured by animal control, and emphasises the legitimate danger that Odie (and to a lesser extent, Garfield) would be put down if he's not claimed or adopted soon. While Odie and Garfield not having any kind of subdermal identification is a case of TechnologyMarchesOn, it was common practice to put down animals from the streets at the time the special was made in 1983. Soon after the special first aired though, attitudes began to change, and not only was it coming into law that this constituted animal cruelty, but many places that did this were beginning to get lawsuits from pet owners who were furious that the place had barely tried to reunite them with their pets before putting said animals down. Today (barring extreme circumstances), it would be a ''long'' time before Odie was at risk of being put down in the manner shown, and the whole scenario can seem strange to modern viewers. |
| 312 | * ''WesternAnimation/GarfieldInParadise'' features Jon staying at a motel where "the bathroom's down the hall". Nowadays, even the dumpiest motel would have an ensuite bathroom (and indeed may be ''required'' to by law, depending on jurisdiction). Granted it only helps the joke as the whole point is that the motel is a slum. |
| 313 | * ''WesternAnimation/GarfieldsHalloweenAdventure'' opens on an announcement that the broadcasting day will begin with an episode of ''The Binky the Clown Show''. Today, even local TV stations generally broadcast 24 hours a day. |
| 314 | ** Also when Garfield shuts off the TV, it's not on the same channel when he turns it back on. [[AluminumChristmasTrees Televisions used to reset to channel 3 when turned off]], [[TechnologyMarchesOn back then.]] |
| 315 | * ''Franchise/TeenageMutantNinjaTurtles''. Both [[WesternAnimation/TeenageMutantNinjaTurtles1987 the original cartoon]] and, to a lesser extent, [[Film/TeenageMutantNinjaTurtles1990 the films]], which showed how '80s pop culture persisted into the early '90s. |
| 316 | * ''WesternAnimation/RudeDogAndTheDweebs'', with it's art style and pop culture references, can be dated to the '80s. The show itself is based off a popular character used by Sun Sportswear at the time, and Rude Dog's TotallyRadical way of speaking was akin to slang used at the time. |
| 317 | * ''WesternAnimation/{{Jem}}''. Good lord. You can't get any more stereotypically '80s than this. The [[EightiesHair big colorful hair]] and makeup is just the beginning before we go into the music, the cars, the casual fashions, anything and everything about this show is the 1980s! Getting into the music, the whole show is very much a creature of the music video era. Each episode spent considerable time showing music videos for both the Holograms and the Misfits. |
| 318 | * ''WesternAnimation/TheTransformers'' suffered from this before the TimeSkip. The Autobots' alt-modes were mostly based on cars from the decade (except for Wheeljack who transformed into a '70s Lancia Stratos). The Decepticons weren't exempt from this either, as the Seekers transformed into F-15 Eagles (a plane that, while still in service today, is no longer considered as cutting-edge as it was in the '80s), Soundwave transformed into a ''cassette player'', and a few others transformed into cassettes. Then there's Megatron, who transformed into a handgun. His toy was rather realistic looking, something that wouldn't fly today. |
| 319 | * ''WesternAnimation/HeathcliffAndTheCatillacCats'', what with Cleo wearing leg warmers, and the 1980s pop music cues. |
| 320 | %%* ''WesternAnimation/DenverTheLastDinosaur''. |
| 321 | * ''WesternAnimation/KiddVideo''. As with ''Heathcliff'' (also a show from Creator/DiCEntertainment), the show has Glitter the fairy, a female character wearing leg warmers, not to mention that it plays clips from music videos of the era (though it was mostly the band's videos). |
| 322 | * ''WesternAnimation/CaptainNTheGameMaster'' could only have been made at the height of the Platform/NintendoEntertainmentSystem's popularity and the tail-end of the 8-bit era, with such characters as [[Franchise/{{Castlevania}} Simon Belmont]], Franchise/MegaMan, and VideoGame/KidIcarus, who's [[IAmNotShazam usually called]] Pit in those games, as part of the core cast, and other period gaming references, such as a sentient Platform/GameBoy in the second season. |
| 323 | * ''The New Archies'' was an animated adaptation of ''ComicBook/ArchieComics'' featuring the kids as [[SpinoffBabies middle schoolers]]. The fashion alone dates it terribly, and the intro features the characters skating around on skateboards. |
| 324 | * In ''WesternAnimation/MyLittlePonyAndFriends'', Danny uses a cassette recorder, which was popular in the '80s. |
| 325 | * ''WesternAnimation/{{MASK}}'' ran into this with the vehicles alone. Most were based on cars from the decade (the exceptions being the Hurricane, a '57 Chevy, and the Stinger, a Pontiac [=GTO=]). For example, the Thunder Hawk is a third-generation Camaro and the Manta is a Nissan 300ZX (Z31). The Gator could get a pass, being a Jeep. Furthermore, the paint jobs on the cars are done in the style of the time compared with later decades. |
| 326 | * ''WesternAnimation/TheRaccoons'' has a few of this: |
| 327 | ** Cyril is sometimes seen with his cigar in places that have since banned smoking, such as prison or the hospital. |
| 328 | ** In "Making the Grade!", Bentley sets up a computer for Miss Primrose, as she was unfamiliar with computers herself and could never get it working on her own. While it wasn't too unusual for an older person to be unfamiliar with using a computer back in the 1980s, the idea of a teacher who knows nothing about computers would be practically unheard of nowadays. |
| 329 | * Some of the pop culture references in ''WesternAnimation/MightyMouseTheNewAdventures'' instantly date it to the late-'80s. For example, "Mighty's Benefit Plan" features {{Captain Ersatz}}es of ''Franchise/AlvinAndTheChipmunks'' at a time when [[WesternAnimation/TheChipmunks their most famous animated series]] was on the air. |
| 330 | * ''WesternAnimation/TheAdventuresOfTeddyRuxpin'' has a few references to '80s culture in it: |
| 331 | ** One episode title, "Win One For The Twipper", references Ronald Reagan's catchphrase "Win One For The Gipper". |
| 332 | ** The music in "The Surf Grunges" mirrors the music that was popular in the '80s. |
| 333 | [[/folder]] |
| 334 | |
| 335 | [[folder:Miscellaneous]] |
| 336 | * The appearance of Halley's Comet is such a rare and spectacular event that it is only natural for it to have been referenced in popular culture during the year it appeared--which, considering the fact that it only occurs once every 76 years--means that all of the movies, videogames, and TV shows which featured it as a plot point absolutely had to have been made in 1985 or 1986.[[note]]The comet reached perihelion in 1986, but became visible in the last weeks of 1985.[[/note]] The only other years in which mankind knew the Comet would appear and therefore use it as something other than a [[CometOfDoom portent of doom]] in fiction would have been in 1835 or 1910 (and therefore before movies and television existed, although ample photographic evidence exists of the 1910 apparition) or in 2061 or a later date (which haven't happened yet). |
| 337 | * The candy Sour Patch Kids were originally shaped like aliens and called Mars Men when first introduced in the 1970s, but the name and shape were changed to the current name in 1985 to capitalize on the hot toy ''Toys/CabbagePatchKids''. The name stuck, and to this very day they're still called Sour Patch Kids long after Cabbage Patch Kids have faded into irrelevance. |
| 338 | [[/folder]] |
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