Line #9 Theatre/TheChildrensHour


1	[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/these_three_oberon_hopkins.jpg]]
2	[[caption-width-right:300:Karen (Creator/MerleOberon) and Martha (Creator/MiriamHopkins) in ''These Three'' (1936)]]
3	[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/childrens_hour_hepburn_maclaine.jpg]]
4	[[caption-width-right:300:Karen (Creator/AudreyHepburn) and Martha (Creator/ShirleyMacLaine) in ''The Children's Hour'' (1961)]]
5
6	->'''Mrs. Lily Mortar''': God will punish you.\
7	'''Martha Dobie''': He's doing all right.
8
9	A classic--[[ValuesDissonance and, at the time, highly controversial]]--1934 play that was the debut work of Creator/LillianHellman.
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11	The story concerns Karen Wright and Martha Dobie, best friends who are also headmistresses of a private girls' school in [[HollywoodNewEngland New England]]. Martha's ex-actress and narcissist aunt Mrs. Lily Mortar acts as an elocution and vocal teacher at the school, though she spends most of her time lecturing, showing off, and telling stories about the golden days. They couldn't be happier, especially with Karen about to marry her longtime boyfriend, Dr. Joe Cardin.
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13	One day, however, the school's resident bad seed, Mary Tilford, decides to exact revenge on Karen by spreading gossip that Karen and Martha are carrying on a love affair. Her grandmother, the town matriarch, leads the charge against the two, resulting in nearly all students getting pulled from school. Karen and Martha sue the Tilfords for libel; yet, even if they win, they really won't be "victorious."
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15	''The Children's Hour'' was adapted for the screen twice by director Creator/WilliamWyler. The first screen version was a bowdlerized adaptation called ''These Three'', starring Creator/MerleOberon, Creator/MiriamHopkins, and Creator/JoelMcCrea and released in 1936. The second version, which starred Creator/AudreyHepburn, Creator/ShirleyMacLaine, and Creator/JamesGarner, was subject to less censorship by the time it came out in 1961.
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17	The original stage production, starring Katherine Emery and Anne Revere, ran from 1934–36; during that time the play was prevented from being staged in both [[BannedInChina Boston]] and Chicago due to its content. A {{revival}}, directed by Lillian Hellman herself and starring Creator/KimHunter and Creator/PatriciaNeal, was staged from December 1952 to May 1953 at New York's Coronet Theatre. Two other revivals have existed since: a 2008 one in Manchester and a 2011 one in London. In 1971 Creator/TheBBC produced a radio adaptation of the play for its ''Saturday Night Theatre'' series.[[note]]Speaking of The BBC, this is not to be confused with their long-running ''Children's Hour'' programme, which ran from 1922 to 1964.[[/note]]
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19	----
20	!!''The Children's Hour'' provides examples of:
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22	[[foldercontrol]]
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24	[[folder:The original play]]
25	* TheBeard: Subverted. After allegations by a disgruntled student, the entire town thinks Karen and Martha are a lesbian couple using Karen's fiance as a beard. Karen having repeatedly turned down his wedding plans spurs the rumors. This, however, is completely false. Karen ''does'' love Joe. However, [[spoiler:even he has his doubts and ends up walking out on her]]. This is the last straw that spurs [[spoiler:Martha into her AnguishedDeclarationOfLove to Karen and her subsequent [[DrivenToSuicide suicide]].]]
26	* {{Blackmail}}: Mary uses this to turn fellow student Rosalie into her collaborator.
27	* CallingTheOldManOut: Martha does this to her aunt who raised her. She was too busy pursuing her acting career to testify in her and her friend's court trial, which caused them to lose it and essentially ruined their lives, but despite this she came crawling back to them pretending she will be there for them now.
28	* ChildrenAreInnocent: Despite being a troublemaker, Mary still plays true to this trope. The twist of the play is that Mary didn't ruin [[spoiler:Martha]]'s life by telling a lie, but in her childish innocence she saw the truth behind [[spoiler:Martha]] living a lie.
29	* ClosetKey: Possibly in denial, or confused, about her feelings for several years, it takes a child's MaliciousSlander to make [[spoiler:Martha]] realize that she's gay. It doesn't help her stress and only makes her feel more guilty and terrible.
30	* ConsummateLiar: Mary lies frequently has no qualms about it.
31	* DownerEnding: Martha's and Karen's reputations are forever ruined by a rumor a child started, neither can be teachers again, and they're a well-known court case throughout America. Karen's fiance dumps her, [[spoiler:Martha]] has unrequited feelings toward [[spoiler:Karen]], and to top it all off she kills herself at the end; in the play though she kills herself before Mary's grandmother comes over.
32	* DramaQueen: Mary. She's constantly overreacting and cries over everything.
33	* DrivenToSuicide:
34	** [[spoiler:Martha]], after realizing she was indeed in love with [[spoiler:Karen.]]
35	** In the play, Mary mentions that her father killed himself but her grandmother, his mother, won't admit it.
36	* EnfanteTerrible: Mary Tilford is bratty, spoiled, and frequently lies. She kept on trying to lie even after ruining her teacher's reputations and leaving them jobless.
37	* {{Gayngst}}: [[spoiler: Martha]] has her fair share, near the end.
38	-->'''[[spoiler:Martha]]''': Don't you see? I can't stand to have you touch me! I can't stand to have you look at me! Oh, it's all my fault. I have ruined your life and I have ruined my own. I swear I didn't know it! I didn't mean it! Oh, I feel so damn sick and dirty I can't stand it anymore!
39	* GayngstInducedSuicide: [[spoiler:Martha]], upon realization of her deviating sexual orientation, hangs herself as she [[DrivenToSuicide couldn't live with the truth of it]].
40	* HaveAGayOldTime: Martha's aunt refers to her single-night theatrical performances as "one-night stands".
41	* GetOut: Mrs. Tilford yells this at Karen and Martha when the two come to confront her.
42	* InspiredBy: The play was inspired by an actual Scottish court case from Edinburgh, Scotland in 1810.[[note]]A pupil named Jane Cumming accused her schoolmistresses, Jane Pirie and Marianne Woods, of having an affair. Dame Cumming Gordon, the accuser's influential grandmother, advised her friends to remove their daughters from the boarding school. Within days the school was deserted and the two women had lost their livelihood. Pirie and Woods sued and eventually won, both in court and on appeal, but given the damage done to their lives, their victory was considered hollow.[[/note]]
43	* IronicName: Mary is a bratty little girl who irreversibly ruined two women's lives.
44	* LGBTAwakening: The awakening is played tragically in ''The Children's Hour''. It takes a girl's MaliciousSlander of an affair between her and her best friend for [[spoiler:Martha]] to realize she's gay and in love with her friend. She had either been in denial for years or she genuinely didn't realize it.
45	* LiteraryAllusionTitle: The work gets its name from a poem by Henry Wadsworth Longfellow.
46	* LoveTriangle: Joe and Karen are in a relationship, with Martha attracted to Karen in a platonic way. [[spoiler:...as it later turns out, not so platonic after all.]]
47	* MaliciousSlander: Mary spreads rumors that her teachers are having an affair.
48	* MistakenForCheating: The plot deals with rumors that Karen is having an affair with Martha. Karen is engaged to Joe.
49	* MistakenForGay: Karen and Martha are accused of being romantically involved but insist it isn't true. [[spoiler:In Martha's case she actually ''was'' in love with Karen but confused about her feelings. Karen is [[AmbiguouslyBi more ambiguous]].]]
50	* MyGodWhatHaveIDone: [[spoiler:Mrs. Tilford]], once she realizes [[spoiler:her granddaughter's scheming.]] [[spoiler:Karen]] however, tells her she's too late to apologize.
51	* OneGenderSchool: Karen and Martha own a small all-girls school.
52	* NewEnglandPuritan: Set in a New England boarding school, the play deals with how such a community would react to two members being accused of being gay.
53	* PeriodPiece: The play and its two film adaptations are contemporary, however revivals are strictly period pieces because the plot doesn't work in modern settings.
54	* PullTheThread: Mary's scheme is only uncovered when [[spoiler:Rosalie's mother finds a cache of stolen items in Mary's possession.]]
55	* TheShowMustGoOn: Lily mentions how she once saved one of her acting buddies who had a heart attack on stage. She also mentions her friend ''didn't miss a line'' even during the heart attack.
56	* TwoTeacherSchool: Quite literally, Karen and Martha are the only teachers at their school.
57	[[/folder]]
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59	[[folder:The 1936 film]]
60	* AdaptationExpansion: There's padding in the beginning about how the school came to be and how the women met Joe.
61	* AdaptationalContextChange: The plot of ''These Three'' is censored due to UsefulNotes/TheHaysCode. In the original play the accusation is Martha and Karen [[MistakenForGay are a couple]], and Karen is cheating on her fiancee. In the 1936 version it's assumed Martha and ''Joe'' are cheating. Thus many of Joe's lines are given to Karen, and his anxiety over the concept of his girlfriend cheating on him is transferred to her. The climax and ending are completely different. Instead of [[spoiler:Joe leaving Karen]] it is [[spoiler:Karen who didn't believe Joe]]. The dialogue afterwards between Karen and Martha is considerably less dramatic [[spoiler:as Martha is calmly confessing her unrequited feelings for Joe instead of giving a {{gayngst}} filled AnguishedDeclarationOfLove to Karen]]. The ending is a BittersweetEnding [[spoiler:where Karen and Joe reunite but the reputation of their school remains ruined]] instead of the DownerEnding of the play [[spoiler:where Martha [[DrivenToSuicide killed herself]] and Karen and Joe stay separated.]]
62	* AdaptationalExplanation: Mrs. Tilford helps the Wright-Dobie school get started because she knew Karen's late grandmother well and, having just taken Mary out of her old school, decides to have Mary go to the Wright-Dobie school.
63	* AdaptationalKarma: Unlike the play or second adaptation, this version shows Mary getting exposed as a liar to her grandmother.
64	* AdaptationalSexuality: [[spoiler:Martha]] is straight instead of gay due to censoring of the plot.
65	* BittersweetEnding: The movie ends on a lighter note compared to the play as [[spoiler: Martha lives and Karen and Joe reunite]], but the reputation of their school remains ruined.
66	* {{Bowdlerise}}: The film completely changes what happens in the play (replacing the rumors of a lesbian love affair with one about the two women dating the same man).
67	* LighterAndSofter: The movie has more comedic elements, particularly in the material not adapted from the play, in which Karen and Martha meet Joe, and Joe and Karen's relationship develops. And [[spoiler: no one dies.]]
68	* PromotedToLoveInterest: Joe to Martha. [[spoiler:It is unrequited.]]
69	* SecondActBreakup: [[spoiler:Joe and Karen]] break up because [[spoiler:Karen]] doubts their love. In the end they're reunited.
70	* SparedByTheAdaptation: [[spoiler:Martha]] just disappears from the story without resolution.
71	* UnrelatedInTheAdaptation: Joe Cardin is not related to the Tilfords at all in this movie, while in the play he's Amelia Tilford's nephew.
72	* WouldHurtAChild: Martha is accused of this. Mary accuses Martha of hurting Rosalie's arm when she caught Rosalie eavesdropping on her and Mrs. Mortar. In reality, Martha had accidentally shut the door on Rosalie's arm, while Mary later twisted Rosalie's sore arm to make her go along with her lies.
73	[[/folder]]
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75	[[folder:The 1961 film]]
76	* AdaptationDistillation: This adaption still isn't completely true to the play but it is still mostly so.
77	* AdaptationalContextChange: The film changed [[spoiler:Mary's grandmother apologizing to Karen]] to happen ''before'' [[spoiler:Martha's death]].
78	* AmbiguousEnding: The film ends with [[spoiler:Karen walking away after Martha's funeral, while the others watch her from a distance.]] ''What'' exactly does the scene imply is up to interpretation.
79	* {{Bowdlerise}}:
80	** Though there's still clear {{foreshadowing}} that [[spoiler:Martha]] is a lesbian, several scenes were cut due to fear that the movie wouldn't get through the UsefulNotes/TheHaysCode. Lines were also removed, such as Mary saying she saw Martha and Karen kissing and that her DisappearedDad killed himself.
81	** [[spoiler:Martha]]'s [[DrivenToSuicide suicide]] by gun was changed to a slightly less graphic suicide by hanging. This also allowed them to use a shadow of her body to portray the death.
82	* MarketBasedTitle: The film is called ''The Loudest Whisper'' in the UK.
83	* RemakeCameo: Creator/MiriamHopkins played Lily Mortar, after having played her niece Martha in the 1936 version.
84	* SettingUpdate: The second adaptation came out in TheSixties but the play is from TheThirties and is based on real-life events from the 19th century.
85	* SecondActBreakup: Surprisingly subverted. After the TimeSkip of the second act, Karen sends Joe away but they don't reunite in the third act.
86	* TimeSkip: Instead of showing us the CourtroomDrama where the critical suit for slander was tried, the movie skips a few weeks ahead where we learn that the case was lost because of Martha's aunt not appearing in court. The court scene was apparently shot (as screencaps exist) however it was removed from the final film for whatever reason.
87	[[/folder]]

Context Theatre / TheChildrensHour