Line #1 MediaNotes/KoreanWave


1	The Korean Wave, also known as Hallyu (Korean 한류), is a phenomenon that describes the international popularity of [[UsefulNotes/SouthKorea South Korean]] popular culture. The phenomenon began in the 1990s and shows no signs of stopping in the [[TheNew20s 2020s]]. Korean media such as KPop and {{Korean Drama}}s have had international impact, both throughout Asia and in the Anglosphere.
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3	The early 1990s was a time of political upheaval in South Korea. The transition to democracy at the time was accompanied by an increase in artistic freedom and access to foreign media, things that had been limited under the dictatorship of the 70s-80s. This sparked a renaissance in music and film in particular that were eventually exported to the world.
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5	KPop began with the debut of Seo Taeji and Boys in 1992, a BoyBand that fused HipHop with some HeavyMetal elements. Imitators quickly sprouted, creating the first crop of IdolSinger and BoyBand musical groups. The 1997 Asian Financial Crisis prompted the [[MegaCorp Chaebol]] that owned the entertainment companies to expand their market beyond Korea, promoting these groups in China.
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7	In the early 2000s, a second wave of KPop bands came onto the scene, such as Music/DongBangShinKi (2003), which was widely popular in Asia. Other acts, such as Music/GirlsGeneration, Music/BigBang, and Music/BoAKorea soon followed, all of whom made it big internationally, with some inroads in the US. The multicultural HipHop based pop sound of KPop and use of GratuitousEnglish made Kpop attractive to an international audience. International appeal was often by design; many groups created regional-specific translations of songs, and many KPop artists are trained to speak three or four languages. The big entertainment companies also recruited internationally; several famous KPop stars, such as Tiffany from Music/GirlsGeneration or [[Music/TwoPM Jay Park]], are Korean-American.
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9	Another Korean-origin genre that received international popularity was the KoreanDrama. Due to their melodrama and relatively conservative nature, these are wildly popular in much of Asia like the Philippines, where many shows receive dubs, and Japan, where dramas such as ''Series/WinterSonata'' have had mainstream success and received adaptations. Korean dramas have their fandom in the US, often among young women for whom the prevalence of {{Bishonen}} is appealing [[note]]in contrast to in Korea where the target demographic is often middle-aged women[[/note]], but not the same level of mainstream success. One of the reasons is due to the prevalence of tropes that can be considered as [[ValuesDissonance sexist in the western world]].
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11	The Korean genre with the most success in the United States is Korean New Wave Cinema, a genre of stylish, highly violent cinema inspired by American styles such as FilmNoir. Creator/ParkChanWook's ''Film/{{Oldboy\|2003}}'' was highly successful in the Anglosphere, receiving [[Film/Oldboy2013 a remake]] by Creator/SpikeLee. Creator/BongJoonHo's films ''Film/{{The Host\|2006}}'' and ''Film/{{Parasite\|2019}}'' received equally raving American releases; the former allowed the international production of ''Film/{{Snowpiercer}}'' and the latter won the first foreign MediaNotes/AcademyAwardForBestPicture. The extreme sex and violence and stylistic heritage in American cinema all endeared these {{thriller}} and {{horror}} films to US audiences. Endorsement from Creator/QuentinTarantino, whose works these films somewhat resemble, didn't hurt either.
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13	In TheNew10s, the Korean Wave became mainstream worldwide beyond specific genres. The viral success of Music/{{Psy}}'s "Music/GangnamStyle" in 2012, which at one time was the most-viewed video on Website/YouTube, is considered a high-water mark for the phenomenon, and while it didn't cause immediate success for KPop in the US[[note]]The style, humorous tone, and cultural criticism of "Gangnam Style" are not at all typical of KPop[[/note]], it planted the seeds for Music/{{BTS}} (and other groups after them, to a lesser extent) to sweep the world later in the decade [[note]]and even then, BTS' social commentary and focus on lyrics and complex album concepts also make them quite atypical for a Korean idol group, albeit to an arguably lesser degree than PSY[[/note]]. Korean Food, Korean makeup, and Korean culture in general have drummed up increasing international interest. This also actually led to an increase of visitors, with 15 million people visiting the nation in 2018. 11 million of those tourists visited UsefulNotes/{{Seoul}}, the epicenter of the phenomenon.
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15	The internet has been key to the propagation of the Korean Wave. {{Music video}}s on Website/YouTube are an important pipeline to KPop for international fans. [[DigitalPiracyIsEvil Illegal streams]] and {{Fan Sub}}s dominated the early days of KoreanDrama fandom, later giving way to legal streaming sites. Korea's early adoption of streaming and online distribution models (as opposed to Japan, which remains very invested in disc media) allowed it a leg up in this way as well. Additionally, Korean gamers have made it big in the arena of UsefulNotes/ProfessionalGaming, to the point that ''VideoGame/StarCraft'' is commonly referred to as the country's ''de facto'' national sport. KPop fans are noted for their avid use of social media sites like Website/{{Twitter}}, and have proven adept at creating trending hashtags to promote their preferred stars. In 2020, KPop fans began mobilizing these skills to affect American politics by disrupting political hashtags with "fancam" dance clips, and claimed credit for low attendance at one of Donald Trump's campaign rallies.
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17	The South Korean government has also financially supported the Korean Wave, which it sees as a source of soft power. The Korean Wave coincides with unprecedented economic growth in South Korea. Along with pop culture, other Korean industries have [[WeDontSuckAnymore shed their reputation for poor quality]]. LG and Samsung have become major players in the consumer electronics market. Hyundai has had an equally dramatic rise in the auto industry. By the late 2000s, it had shed its reputation as a maker of TheAllegedCar to beat out struggling American car companies in the low-end car market. Around that time, Hyundai effectively took over Kia, and led that brand to its own dramatic rise in the low-end market. In the 2020s, Hyundai has been making major waves in the luxury market with its Genesis brand. Add to the fact that Hyundai has made waves in the UsefulNotes/WorldRallyChampionship, with its current rally team having a mostly-successful run since they returned to the scene in 2012 with the i20 World Rally Car, piloted by the likes of Belgian driver Thierry Neuville amongst others.
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19	Compare MediaNotes/TheJapaneseInvasion.
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21	There is a ghostly echo of this phenomenon with regard to those works and cultural artefacts that make it out of UsefulNotes/NorthKorea. These can be so bizarre and so other-worldly that they make it to a sort of underground cult status on outlets like [=YouTube=] - animations like ''Pencil Cannonball'', a propaganda epic aimed at children, is an example of a more dystopian Korean take on the QuirkyWork. North Korean media is also prized by fringe groups in the West who really do believe North Korea is a workers' paradise and that the country is blessed in having a Great Leader. Generally, this is a wavelet compared to a tsunami.
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23	!!Genres associated with the Korean Wave:
24	* KPop
25	** BoyBand
26	** GirlGroup
27	** IdolSinger
28	* KoreanDrama: Many internationally popular dramas fall into one of these genres:
29	** CostumeDrama
30	** {{Melodrama}}
31	** RomanticComedy
32	* KoreanMovies

Context MediaNotes / KoreanWave