Line #281 Main/WomanlinessAsPathos


1	->'''Kirk:''' Feminine. No doubt about it, Spock.\
2	'''Spock:''' Yes. The matter of gender could change the entire situation.
3	-->-- ''Series/StarTrekTheOriginalSeries'', "[[Recap/StarTrekS2E9Metamorphosis Metamorphosis]]"
4
5	Womanliness as Pathos is a narrative idea that the mere ''presence'' of something [[MenAreGenericWomenAreSpecial female or feminine]] will cause emotions like angst, drama, suffering, or pity. Under this theory, even "positive" emotions like [[ProtectiveTropes sympathy, protectiveness]], [[LoveTropes love]] or {{lust}} are merely desires to overcome or prevent negative emotions (like sadness, worry, loneliness or heartbreak).
6
7	In fiction, you can tell this trope is at play when scenes involving a woman create [[HeadTurningBeauty intrigue]], [[AlwaysSaveTheGirl concern]], [[LoveTriangle competition]], [[BelligerentSexualTension tension]], [[DamselInDistress danger]] or [[TheLoad stress]] for the characters, or when some major conflict or disaster is caused by a woman doing ([[LadyMacBeth or convincing a man to do]]) something manipulative, selfish or foolish.
8
9	It takes the form of [[HoneyTrap male characters being harmed]] or [[WetBlanketWife held back]] by them, women themselves being [[NoWomansLand endangered or oppressed]], tougher characters vigilantly [[LadyAndKnight protecting them]], female characters [[DesignatedGirlFight fighting and scheming against each other]], femininity being portrayed as ''inherently'' [[MenAreBetterThanWomen shallow, vapid or unstable]], feminine male/transmasculine characters [[DepravedHomosexual causing some]] [[UnsettlingGenderReveal sort of trouble]], or women [[TheUnfairSex not being held]] [[DoubleStandard to the same scrutiny as men]]. Put bluntly, this conclusion is one of the most common forms of misogyny, but it also has elements of TruthInTelevision due to the inherent problems and disadvantages that many women face socially and physically.
10
11	For example...without a DaddyDNATest, a man will [[MamasBabyPapasMaybe always have uncertainty]] about his paternity, and thus fear being a {{Cuckold}}. A PregnantHostage will ''always'' be considered [[WomenAreDelicate more delicate]] and more sympathetic due to the impossibility for cis men to bear life. As long as [[AllMenArePerverts "boys only want one thing"]], a BoyfriendBlockingDad will ''always'' fight to defend his daughters from that. And if a male character [[ARealManIsAKiller constantly uses]] [[MachoMasochism destructive means]] to achieve success, then yes, [[MenUseViolenceWomenUseCommunication women who don't like those things]] will ''always'' [[WetBlanketWife oppose]] them.
12
13	However, like any {{Stereotype}}, this is ''easily'' taken too far, especially when people/characters [[HeManWomanHater despise]] femininity, or [[StayInTheKitchen want women kept out of the way]] just to avoid these issues, or when [[GoodVictimsBadVictims women/feminine characters]] are themselves blamed for something bad happening to them.
14
15	As you can imagine, this is one of TheOldestOnesInTheBook. Just see the number of myths and ancient legends that follow this pattern in the examples below to demonstrate how this trope was at one point even more in fashion.
16
17	Due to its very controversial and delicate subject matter, we must ask that there be Administrivia/NoRealLifeExamplesPlease. Also, examples listed on ''this'' page should be extremely egregious, repetitious, or well-known; otherwise, it is probably a better fit in one of the relevant {{Sub Trope}}s in the subpage for tropes. [[noreallife]]
18
19	SubTrope of WomenAreDelicate. SuperTrope of MenAreGenericWomenAreSpecial, as this trope is the ''reason'' they're considered "special".
20
21	Compare and contrast with FemalesAreMoreInnocent, {{Moe}} and WomenAreWiser; while on the surface, they seem to counter this trope by eliciting positive emotions, the wiser or "innocent" women are often seen as valuable enough to protect. This trope is common in FilmNoir and HardboiledDetective stories, often to make the protagonist uncomfortable or to make him "care" about solving the case. Also ''the'' calling card of NothingNiceAboutSugarAndSpice.
22	----
23	!!Tropes:
24	[[index]]
25	[[foldercontrol]]
26
27	[[folder:A-F]]
28	* AbhorrentAdmirer: Ugly women are inherently comical when they try to woo a man, mostly because their belief that they could elicit love and desire from any man is completely delusional.
29	* AllGirlsWantBadBoys: Women being drawn to dangerous or evil men.
30	* AllWomenAreLustful: Women who want sex constantly, even at bad times or when men don't.
31	* AllWomenArePrudes: Women who ''never'' want sex, while men usually do.
32	* AlphaBitch: The snobbish, mean "queen" of a school who bullies everyone else.
33	* AlwaysSaveTheGirl: If a SadisticChoice forces them to save someone they love or a wider population, a hero "should" choose the loved one.
34	* ApocalypseMaiden: A (usually female) character who must be protected or kept content, lest they end the world.
35	* AwfulWeddedLife: Being married is just the ''worst''. Especially for men.
36	* TheBabyTrap: A woman deliberately got herself pregnant to trap a man into marriage.
37	* BackstabbingTheAlphaBitch: The GirlPosse acting as treacherous, duplicitous hens.
38	* BarrierMaiden: A (usually female) character who must be protected or kept content, lest something bad they contained get out.
39	* BatheHerAndBringHerToMe: An overlord captures a woman and orders her prettied up so that he can seduce and/or rape her.
40	* BeautifulSlaveGirl: A woman who has been captured and forced into slavery, and thus makes the hero (or audience) want to save her.
41	* BestHerToBedHer: This woman cannot be romanced or consummated with unless the man who wants her proves he is her better.
42	* BetaBitch: The {{Alpha Bitch}}'s second-in-command, who often betrays her.
43	* BitchAlert: A bitchy woman makes her presence instantly known.
44	* BlackJezebelStereotype: A black woman objectified with inherent animalistic lust or moral indecency, often with a body type with exaggerated sexual characteristics.
45	* BlackWidow: An attractive woman uses her superior looks to marry then murder her husbands to get her hands on their money and possessions.
46	* BrattyTeenageDaughter: A daughter who is an absolute selfish, shallow brat.
47	* {{Bridezilla}}: A bride-to-be who is a terror to work with, and wants everything done ''her way'' up to the wedding.
48	* BrokenBird: A female character who has been so badly hurt that she now bears permanent emotional scars.
49	* BoyfriendBlockingDad: A father who is determined to protect or control his daughter, whether or not she wants or needs him to.
50	* BunkerWoman: A woman kept captive in some madman's bunker.
51	* CareerVersusMan: A woman is forced to choose between her profession or finding love.
52	* CartwrightCurse: A character (usually male) suffers the death of every person they fall in love with.
53	* CastingCouch: A producer/director forces a pretty actor to sleep with them to get the role.
54	* CatFight: A fight that is interesting not for how tough, skilled, or powerful the characters are, but how ''hot'' they are or how silly their fighting is.
55	* ChastityDagger: A woman that keeps a dagger under her clothes to protect her precious virginity.
56	* CheatingWithTheMilkman: Husbands who are away from home must always worry about deliverymen and what they get up to with their wives.
57	* {{Chickification}}: A female character who was once tougher is made softer and weaker in a stereotypically female way.
58	* TheChiefsDaughter: The princess of a tribal society who is curious about the outside world and/or falls in love with the first outsider she meets.
59	* ChocolateBaby: A woman gives birth to a child with ethnic features that serve as proof of her infidelity.
60	* ClingyJealousGirl: A woman who constantly clings to a man she loves or wants, often turning hostile to anyone she deems as a threat.
61	* ConceiveAndKill: A woman has sex to conceive a child, and then immediately kills the father.
62	* CrazyCatLady: A woman who lives alone with no husband or children, with only her cats to keep her company, and thus goes mad.
63	* CreepyHousekeeper: A female housekeeper who clearly has something "wrong" with her.
64	* {{Cuckold}}: A man whose female love interest sleeps with another man.
65	* DaddysGirl: A girl who really loves her father and develops a deep emotional bond with him, often relying on him.
66	* DamselInDistress: A woman is in danger and needs to be rescued.
67	* DarkMagicalGirl: A pretty girl with magical powers but is overcome with loneliness and other terrible emotions.
68	* DatingWhatDaddyHates: A father must cope with the fact that his daughter dates someone whom he despises.
69	* DeathByChildbirth: A woman dies during a difficult childbirth.
70	* DecoyDamsel: A woman is placed in danger, but turns out to be part of a trap for would-be rescuers.
71	* DefiledForever: A woman has had sex (even if against her will) and is now considered unclean or unsuitable for other men.
72	* DeliberatelyDistressedDamsel: A woman allows herself to be put in danger because the captors assume she's helpless. They're wrong.
73	* DelicateAndSickly: A young person who is ill or injured, making her even ''more'' vulnerable.
74	* DisposableWoman: A female character who is introduced into a story only to die so that the male characters can do stuff.
75	* DoesNotLikeMen: A woman becomes immediately hostile whenever sharing any space with a man.
76	* DomesticAbuse: Most commonly, this involves a male partner being abusive towards a female partner.
77	* DragonLady: An East Asian woman who is a mixture of fiery danger and exotic beauty.
78	* DragonsPreferPrincesses: When dragons pick a target to eat or take captive, it's always some beautiful princess or fair maiden.
79	* DramaQueen: If there's no drama yet, she'll just start the drama ''herself!''
80	* DropDeadGorgeous: A sexy, dead woman signifies drama or intrigue.
81	* TheDulcineaEffect: A man is compelled to save a woman, even if he has never met her before in his life.
82	* EducationMama: A mother constantly forces her child to study and go to school, out of the expectation that it's what a "good mother" should do.
83	* EekAMouse: A woman is terrified of vermin and creepy-crawlies.
84	* EvenBadMenLoveTheirMamas: A villain or [[GoodIsNotNice not-so-nice]] man still loves and protects his mother.
85	* EveryoneLovesBlondes: Blonde women instantly get the attention and adoration of everyone around.
86	* EvilMatriarch: A female character who is in charge of a family or clan and thus bosses everyone around like her children.
87	* FakePregnancy: A woman fakes being pregnant for attention or other purposes.
88	* FamilyVersusCareer: A woman has to choose between continuing her work or starting a family.
89	* FalseRapeAccusation: A woman accuses a man of sexual assault, causing him to be vilified and shamed even though he is innocent.
90	* FarmersDaughter: The daughter of a rural family that is beautiful and tempting to any male outsiders who come around. Often ''fiercely'' defended by her father or brothers.
91	* FavorsForTheSexy: A beautiful character (usually female) compels those around them to pamper them or give them things.
92	* FemaleMisogynist: She hates other women--many times because of the stereotypes on this list.
93	* FemalesAreMoreInnocent: Because WomenAreDelicate, it's usually thought as downright impossible that a woman could actually be rotten to the core ''without'' some man being responsible for it.
94	* FemmeFatale: A beautiful woman who is dangerous and untrustworthy.
95	* FemmeFataleSpy: A dangerous and untrustworthy woman who is also spying for an opposing group.
96	* FilleFatale: A young girl who knows how to manipulate men and boys of any age to do what she wants because of her looks or charm.
97	* FinalGirl: The last survivor of a horror movie is a woman because the audience could not accept a man being as terrified in the same position.
98	[[/folder]]
99
100	[[folder:G-L]]
101	* TheGeneralsDaughter: A MilitaryMaverick is courting a superior officer's daughter, to the father's chagrin.
102	* GirlNextDoor: A sweet, approachable girl who lives close to a male suitor.
103	* GirlPosse: A team of mean, snobbish girls who roam in packs in a school.
104	* GirlsHaveCooties: Young boys don't want to play with girls because they fear "catching" whatever the girls have.
105	* GirlWithPsychoWeapon: A small or pretty girl is carrying a dangerous weapon.
106	* GodSaveUsFromTheQueen: A queen or woman in power is completely out of her mind and a danger to her entire country.
107	* GoldDigger: A very attractive but money-grubbing and lazy woman aiming to be [[MealTicket some rich guy]]'s TrophyWife, in exchange of being allowed to do absolutely nothing all day.
108	* GoodGirlGoneBad: A once sweet, innocent (and possibly chaste) woman has become a bitchy, dangerous (and possibly promiscuous) one.
109	* GoodPrincessEvilQueen: The young woman with less power is good and stable, while the older woman with more power is evil and unstable.
110	* GossipyHens: Women who can't stop sticking their nose in other peoples' business.
111	* HauntedHeroine: A vulnerable woman in a horror movie who is being driven out of her mind.
112	* HeadTurningBeauty: A beautiful woman causes every man ([[EvenTheGirlsWantHer and some women]]) to instantly stop what they're doing and pay attention to her.
113	* HeirClubForMen: An inheritance cannot pass to daughters, which means that the parents must desperately try for a son, or the daughter has to fight like hell to prove that she's worthy of it.
114	* HenpeckedHusband: A husband is constantly bossed around by his wife.
115	* HighHeelFaceTurn: The female on a villainous squad is more likely to turn good--especially if she falls in love with the hero.
116	* HoneyTrap: A beautiful or vulnerable woman is used to control or trick a man.
117	* HonorableMarriageProposal: A woman's sexual reputation has been destroyed, so a man offers to do the "honorable" thing and marry her to restore it.
118	* HookerWithAHeartOfGold: A "working girl" who is in a very sordid profession but cares about her clients and the people she knows in general.
119	* HystericalWoman: A woman who loses her cool and begins acting irrationally when faced with danger or strife.
120	* IBangedYourMom: Taunting a (usually male) character by claiming to have bedded his beloved mother.
121	* IBrokeANail: A female character cares more about a blemish to her appearance than whatever struggle is going on.
122	* IceQueen: A woman with a cold, aloof personality which is treated as a bother or obstacle to others.
123	* IHaveYouNowMyPretty: A villain has captured a beautiful woman and now plans to do dirty things to her.
124	* IHaveYourWife: A villain has captured the hero's wife and forces him to do terrible things to get her back.
125	* ILetGwenStacyDie: The hero's love interest whose death haunts him.
126	* ImperiledInPregnancy: A woman who is with-child is in danger that threatens the life of her and/or her baby.
127	* IndianMaiden: A young and beautiful member of a tribal society and thus stands out from others in her tribe in some way.
128	* IntimacyViaHorror: A girl is really scared by a horror-based source of entertainment, and her date ''brought her'' there just to get that reaction as an opportunity to be intimate.
129	* IWasBeatenByAGirl: A strong male character was defeated by a female character and is mocked or ashamed of it.
130	* TheIngenue: A sweet, but naive young girl who gets herself into trouble ''because'' she's a sweet and naïve female.
131	* LadyMacBeth: A conniving, manipulative woman who convinces her lover/husband to do foolish or evil things.
132	* LawOfInverseFertility: If a woman sleeps around, she will get pregnant by the man she ''least'' wants to have a child with.
133	* LegCling: Visual art style of a helpless (and often scantily-clad) woman clinging to the leg of a powerful man.
134	* LiteralManeater: A female character who entraps and literally eats men.
135	* LittleMissConArtist: A young girl who uses her innocence or charm to trick and cheat unsuspecting marks.
136	* LonelyDollGirl: A young girl that plays with dolls because she is lonely and has no one else to play with.
137	* LooksWorthKillingFor: A woman so desperate to stay beautiful that she's willing to kill.
138	* TheLostLenore: A male character mourning a female lover.
139	[[/folder]]
140
141	[[folder:M-S]]
142	* MadonnaWhoreComplex: Society treats virginal and chaste women with reverence, while a woman who is even ''suspected'' of having any sexual activity is shunned and scorned.
143	* MadScientistsBeautifulDaughter: The villain has a beautiful daughter whom he usually cares about and tries to keep away from the hero.
144	* MakeWayForThePrincess: The GirlPosse is coming through and demands that everyone clear the path for the all-important AlphaBitch.
145	* MamaBear: A female character is violently protective of her children.
146	* MamasBabyPapasMaybe: A father can never be sure if his child is really his, because who knows what his lover was up to?
147	* {{Mangst}}: A variety of male suffering and angst caused by the various tropes on this list.
148	* ManicPixieDreamGirl: A wild, carefree girl comes into a man's life and begins causing trouble, but he eventually concludes that it's the kind of trouble he wants or needs.
149	* MaternityCrisis: A pregnant woman will ''always'' go into labor at the wrong possible time to cause maximum drama.
150	* MatronChaperone: An older woman who accompanies a young woman to keep any suitors away.
151	* MenAreGenericWomenAreSpecial: The inevitable conclusion of this trope; if women always cause drama and strong emotions, then they will always be "special" in comparison to men.
152	* MenAreTheExpendableGender: Works which treat female characters as more valuable and sympathetic than men, for similar reasons that children are.
153	* MenstrualMenace: A woman that is on her period is a walking disaster that needs to be avoided at all costs.
154	* MissingMom: The source of a character's angst or drama comes from the fact that they have no mother.
155	* MissingWhiteWomanSyndrome: If a victim is white and/or female, then their rescue or safety takes precedents, often at the expense of any non-white and/or male victims.
156	* MonsterFangirl: A woman who is enraptured by a dangerous or evil person/monstrosity.
157	* MonsterMisogyny: Monsters that deliberately target beautiful, vulnerable women.
158	* MrsRobinson: An older woman who enjoys seducing young men, often to "make men out of them" or because she enjoys the power over them.
159	* MsRedInk: A wife who overspends her husband or family's money on frivolous things, forcing them to go broke.
160	* MyBelovedSmother: A mother who is overly controlling with her children, especially if said "child" is now an adult.
161	* MyGirlIsNotASlut: A man defends accusations that his lover has slept with others.
162	* MySisterIsOffLimits: A brother defends his sister from being hit on by his friends.
163	* NaiveEverygirl: To make this female character more relatable or appealing, she is characterized as naive or easily misled.
164	* NetorareGenre: A genre of stories that are about men being {{cuckold}}ed and betrayed by women they love.
165	* NothingNiceAboutSugarAndSpice: When women or girls that are truly {{girly\|Girl}} are also truly dangerous and / or vicious.
166	* NoWomansLand: The world outside of the safe place the woman lives is deeply misogynistic and dangerous.
167	* ObnoxiousEntitledHousewife: An entitled privileged woman is the source of most conflict in the neighborhood.
168	* OldMaid: An older, unmarried woman who is now considered undesirable or useless.
169	* OneBadMother: An evil character with "Mother" in her name, and likely has very twisted "motherly" attributes.
170	* TheOphelia: A beautiful young woman who is absolutely insane and horrifically broken.
171	* PanickyExpectantFather: A couple are about to have a baby, and the father is completely useless and frantic.
172	* PhoneaholicTeenager: A teen (usually female) who chats on the whole all day, often driving up phone bills.
173	* PregnantHostage: A pregnant woman is taken captive because it's two hostages in one.
174	* PregnancyMakesYouCrazy: A pregnant woman goes completely off her rocker, either because she is panicky or needy, or because her hormones are completely out of control.
175	* PrettyFreeloader: A (usually female) character who eats up all the food and lives rent-free, but is way too attractive to ask to leave.
176	* PromBaby: A girl who is pregnant at her prom will give birth there for maximum drama or embarrassment.
177	* PsychoExGirlfriend: An ex is accosted by a woman they broke up with, who desperately [[WomanScorned wants revenge]] or to be taken back.
178	* RealWomenHaveCurves: Relatable female characters have WeightWoe.
179	* RebelliousPrincess: A princess disobeys her parent's orders and wants to live her own life--especially if she's met a dashing suitor.
180	* RichBitch: A rich woman who is utterly insufferable to deal with and thinks she [[ScrewTheRulesIHaveMoney can do anything she wants]] because of her affluence.
181	* ScarpiaUltimatum: A villain states that he will only help or spare the heroes if they can sleep with one of their spouses (usually a woman for maximum sympathy).
182	* TheSchlubPubSeductionDeduction: If a beautiful woman is chatting up or hitting on an average-looking man at a pub, then she must have some kind of angle.
183	* ScreamingWoman: When faced with danger, a woman lets out an ear-piercing scream. Sometimes as a call for help, but often just because it's "what women do".
184	* SeeminglyWholesome50sGirl: A girl who looks pure and wholesome on the outside, but has some dangerous or unchaste practices when no one's watching.
185	* ShotgunWedding: A man has defiled or impregnated a father's daughter, and now he must marry her to preserve her dignity.
186	* ShowingUpChauvinists: A group of men who mocked a woman are now completely outdone by her to embarrass or humiliate them.
187	* ShrinkingViolet: A shy, vulnerable girl who stays away from people.
188	* SingleMomStripper: A young, beautiful mother who takes a job as a stripper (or other forms of "sex work") to support her child, even if it's not something she wants to do.
189	* SinisterSororitySisters: A group of young women are universally horrible and cruel.
190	* SlashersPreferBlondes: Slasher victims are usually beautiful, naive blonde women to maximize audience reactions.
191	* SmittenTeenageGirl: A teen girl who has fallen deeply and uncontrollably in love, and thus become vulnerable.
192	* SoapBoxSadie: A woman who is known for constantly having some sort of social agenda to fight for, much to the annoyance of everyone around her.
193	* SportsWidow: A woman who doesn't have much of a marriage because her husband is constantly leaving her to go and play sports or games.
194	* StacysMom: A young boy is attracted to his love interest's much older mother, often even moreso than the daughter.
195	* StockShoujoBullyingTactics: The methods by which girls in {{Japanese Media\|Tropes}} bully one-another.
196	[[/folder]]
197
198	[[folder:T-Z]]
199	* TheTease: A character (usually female) constantly torments someone else by acting flirtatious or dressing in a manner that drives them crazy.
200	* TeenPregnancy: A young girl is pregnant and now has to struggle to deal with it at her tender age.
201	* TenderTomboyishnessFoulFemininity
202	* TerritorialSmurfette: A woman is used to being special because she's the only girl, and thus turns hostile to any other woman who comes along.
203	* TraumaticCSection: A woman needs a caesarian section to save the life of her and/or her baby, and it's shown as a horrific, gory, and dangerous procedure.
204	* TrophyWife: A comely woman whose role is to emphasize a very ugly and/or old rich man's status.
205	* UnableToSupportAWife: A man angsts because he's not able to be the provider for his family. Especially if his wife doesn't work or if [[MsRedInk she spends all of his money]].
206	* UncannyValleyGirl: A pretty or small girl is offset by some kind of creepiness to her appearance.
207	* TheUnfairSex: Female characters get away with shenanigans that male characters could not or wouldn't even ''dare'' to try.
208	* UnrequitedTragicMaiden: A young girl pines for a man she can never have and is considered beautiful or sympathetic for her plight.
209	* UnstablePoweredWoman: Plot difficulty instigated by a woman who can't control her new power.
210	* VaginaDentata: A woman's vagina has teeth or other sharp edges to elicit thoughts of castration in men.
211	* TheVamp: A completely evil woman who uses her beauty and sex appeal to fool others.
212	* VainSorceress: A woman who uses evil magic with the primary goal of being eternally young and beautiful so as to attract man and elicit jealousy from other women.
213	* VanityIsFeminine: Women and feminine characters always place value on their looks and being envied by other women.
214	* VillainessesWantHeroes: A hero is hounded by a villainous woman who wants him for her own.
215	* ViolentlyProtectiveGirlfriend: A woman who will protect her boy- (or girl-) friend with violent retribution.
216	* VirginSacrifice: When said sacrifice is a young, beautiful woman, it's always played for drama and she needs to be rescued.
217	* WackyCravings: A pregnant woman demands more and more outrageous or disgusting things to eat.
218	* WantedASonInstead: A parent mistreats their daughter because they wanted a son.
219	* WetBlanketWife: A wife constantly nags her husband to stop doing whatever dangerous or manly activity that drives the story.
220	* WickedStepmother: The new wife of a child's father mistreats the children that aren't "hers" and makes sure that her own are the ones on top.
221	* WickedWitch: If a woman knows magic or sorcery, then it's because she's a witch and has consorted with evil.
222	* WidowWitch: No one knows what a widow does in her own time, so they assume she must be up to unholy sorcery. Sometimes, it will turn out to be true.
223	* WifeBasherBasher: A person who violently defends an abused wife.
224	* WomenDrivers: A female character behind the wheel is a danger to herself and everyone on the road.
225	* WomanScorned: A man broke a woman's heart, and now hell hath no fury like what's coming his way.
226	* WomenAreDelicate: The basis of this trope. Because women are such fragile and defenseless creatures, they must be handled with extra care or else.
227	* WombHorror: Pregnancy, in general, is treated a horrifying experience where any number of things can go wrong.
228	* WouldntHitAGirl: A character who refuses to hurt women, no matter how despicable.
229	* WoundedGazelleGambit: A woman uses her vulnerability to pretend to have been wronged, knowing people will likely believe her.
230	* WoundedGazelleWarcry: A woman uses her vulnerability to rally others to fight on her behalf.
231	* WrongGuyFirst: A woman dates or marries the obviously-wrong suitor first, learns her lesson, and then goes back to the "right" one.
232	* YokoOhNo: A woman begins to date one of the members of a BadassCrew, and her involvement destroys them.
233	[[/folder]]
234
235	[[folder:Gender-Nonconforming Tropes]]
236	* AllGaysArePedophiles: A gay (usually male and effeminate) character is treated as a danger to children.
237	* AllGaysArePromiscuous: Because marriage is supposed to be between men and women, gays are assumed to "slut it up".
238	* CreepyCrossdresser: This trope usually involves a male character dressing as a woman and thus looking or acting disturbing and creepy.
239	* EffeminateMisogynisticGuy: An effeminate man hates women, often because he sees them as competition.
240	* {{Elfeminate}}: Elves are exceptionally and supernaturally beautiful and thus usually have traits considered "feminine".
241	* EverybodyWantsTheHermaphrodite: A character with both male and female traits is considered attractive to ''everyone''.
242	* GayBravado: A man is so confident in his heterosexuality that he will intentionally display effeminate traits just to mess with other people.
243	* GenderNormativeParentPlot: A boy's femininity causes a conflict.
244	* HaveIMentionedIAmHeterosexualToday: A character who displays non-conforming or homoerotic behavior feels compelled to remind everyone that they're straight.
245	* NotLikeOtherGirls: A girl who wants to be special because she ''doesn't'' display the stereotypical behavior of other girls.
246	* MasculineGirlFeminineBoy: A pair that are considered weird or exceptional because they display traits opposite of their genders.
247	* PinkIsForSissies: A male character wears "effeminate" clothes or colors and is mocked for it.
248	* PsychoLesbian: A woman who is attracted to other women, but displays predatory behavior.
249	* RealWomenDontWearDresses: Masculine women are portrayed as better than feminine ones.
250	* SissyVillain: A male villain who behaves effeminately. Often, his feminine nature is explicitly what makes him a villain, but other times, it merely adds to his creepiness.
251	* StayInTheKitchen: When the narrative or a character insists that women should be barred from action and stay on the sidelines.
252	* StupidSexyFlanders: If a character is straight and male, he reminds himself that he's not gay or bi, no matter how gorgeous his friend is.
253	* TextileWorkIsFeminine: If a man does textile work as a hobby or profession, people will mock him as effeminate or call him gay.
254	* TransTribulations
255	* UnsettlingGenderReveal: Usually involves a male character learning that a beautiful female they desired is transgender or really a man in disguise/drag.
256	[[/folder]]
257
258	[[/index]]
259	----
260	!!Examples:
261	[[foldercontrol]]
262
263	[[folder:Comic Books]]
264	* ''ComicBook/SinCity'': Women (whether good or bad) are quite often the cause of anguish, danger, or the eventual downfall of several characters, especially the protagonists.
265	** "That Yellow Bastard" opens with protagonist John Hartigan pursuing pedophile child-killer Roark Junior to save the eleven-year-old Nancy Callahan. John saves Nancy and wounds Junior's genitals but is betrayed by his fellow cops and framed for the crimes himself. While in prison, Hartigan's wife refuses to wait for him, divorces him, and has children with another man. Hartigan's only solace during this time are the periodic letters he receives from Nancy, who (under an alias) tells him about her life and how much she loves him for saving her. One day, Hartigan receives one of Nancy's letters with a finger inside, and he confesses to all the false charges so that he'll be released early and able to save Nancy. Upon finding her working as a stripper, Hartigan realizes that he was tricked and has led Roark Junior directly to Nancy. Nancy spots Hartigan in the crowd and immediately leaps into his arms, kissing him, thus accidentally revealing who she is. Hartigan protects her from Junior, and while hiding out, Nancy tries to convince Hartigan to sleep with her, but he refuses [[MayDecemberRomance due to their age difference]]. While Hartigan struggles to keep his urges under control, Junior finds them and attempts to kill Hartigan while promising to rape and kill Nancy. Hartigan escapes, saves Nancy, and kills Junior. He and Nancy declare their love for each other, and she goes off to wait for him to find her again. Hartigan, however, realizes that with Junior dead, his father will now scour the ends of the Earth for Hartigan and Nancy, and so he does the only thing he can to protect her--[[HeroicSacrifice killing himself]].
266	** "The Big Fat Kill" involves a gang of {{Dirty Cop}}s trying to shakedown and sexually assault one of the prostitutes who are in charge of Old Town. The cops and the hookers have a non-aggression truce whereas they'll leave each other alone, but this is broken when [[AllAsiansKnowKungFu Miho]] kills the dirty cops and gives the police an excuse to throw TheLopsidedArmOfTheLaw at Old Town and take it over. This starts a war in which the protagonist Dwight has to protect the freedom of the working girls against an army of cops, gangsters, and mercenaries. It's later revealed that Becky, the girl who caused all of this, intentionally provoked the cops and started the war--and she is later implied to be killed because of it.
267	** In "The Hard Goodbye", Marv is a hideous, lonely man who pines for Nancy but feels that no woman would ever love him because of his looks. He is shocked when a woman named Goldie takes him to bed and gives him a great night of sex, only to find her dead when he awakens. Feeling indebted to Goldie for giving him the one night of passion he thought he'd never enjoy, he tracks down everyone involved with her death--leading up to Cardinal Roark, brother of the corrupt Senator. Along the way, Marv finds his parole officer, Lucille, tortured and with her hand eaten off, and she is later killed by a squad of {{Dirty Cop}}s. He is then attacked by (and later teams up with) Goldie's twin sister Wendy. After killing the people responsible for torturing Lucille and killing Goldie, Marv is captured and sent to prison. He endures every torture they inflict and refuses to sign a confession that would allow them to legally execute him, but reluctantly signs the confession when they threaten [[EvenBadMenLoveTheirMamas to kill his mother]]. The story then ends with him being thanked by Wendy, but executed [[NoGoodDeedGoesUnpunished for his good deeds]].
268	* ''ComicBook/SpiderMan'': Gwen Stacy is a constant source of angst and turmoil for Peter, resulting in the circumstances her death being retreaded several times throughout publication, as well as many stories that resulted directly from her death or the events immediately leading up to them. For example, The Clone Saga started when StalkerWithACrush Miles Warren cloned both her and Peter Parker as revenge for Peter letting the object of his affection die. The story ''Sins Past'' revealed more details about her past, including that [[spoiler:she cheated on him with his archenemy ComicBook/NormanOsborn and bore two children… however this was mercifully retconned away in ''ComicBook/TheAmazinSpiderManNick2018'' with the blessing of J. Michael Straczynski who always regetted the storyline himself and what it did to Gwen’s legacy.]]
269	[[/folder]]
270
271	[[folder:Film -- Live-Action]]
272	* ''Film/{{Casablanca}}'':
273	** Despite ostensibly being a film about cynical nightclub owner Rick Blaine getting over his bitterness to help [[LaResistance resistance]] leader Victor Laszlo escape from Nazis during UsefulNotes/WorldWarII, the majority of the film's angst is about a woman: Ilsa, who fell in love with Rick a year ago after believing Laszlo (her husband) to be dead but left him out of obligation once she learned he was alive. From the moment Ilsa walks in, all of Rick's angst and turmoil come bubbling right to the surface, with Rick's loyal musician Sam even telling his boss that dealing with the woman is nothing but trouble, as [[CynicismCatalyst she was the]] ''[[CynicismCatalyst cause]]'' [[CynicismCatalyst of Rick's bitterness]]. When Ilsa and Rick meet again, it becomes clear that the two still harbor strong feelings for each other, and as the person with the only two passes out of Axis-controlled Casablanca, everything rides on Rick. For reference, when Rick and Laszlo discuss who should use the passes, Ilsa is the only one they both agree on for the purposes of keeping her safe and happy. Laszlo wants Rick to go with her because it's clear he's the one she loves, while Rick wants her to go with Laszlo because he's her lawful husband and a very important man. Rick finally cements himself as a hero when he gives the passes to Ilsa and Laszlo and then persuades her to leave with her husband at the [[LoveMartyr expense of his own happiness]].
274	** In addition to the main plot between Rick and Ilsa, the movie demonstrates the corrupt and apathetic nature of DirtyCop Captain Renault by introducing a young, beautiful, and sympathetic Bulgarian refugee named Annina whom Renault has agreed to help escape to America with her husband [[SexualExtortion if she performs sexual favors for him]]. Before she makes her choice, the desperate Annina comes to Rick to ask if she can trust that Renault will keep his word and if (as a man) Rick could forgive a wife who [[{{cuckold}} slept with someone else]] even if it was for his own happiness. The young, innocent woman's plight persuades the usually-cynical Rick to rig the roulette tables in her husband's favor and allow them to leave the country without giving in to Renault's demands.
275	* ''Film/OutCold'' drew ''heavy'' inspiration from ''Casablanca'' in regards to its LoveTriangle, as Rick and Anna had hit it off in Cancun, but she's engaged to Barry, who's a professional snowboarder-turned-doctor and pilot after an accident left him a HandicappedBadass. Rick, unaware of this, had spent ''months'' [[TheLostLenore mooning over her departure]] at the start of the movie - which [[DeconstructedTrope his friends call him out on]], as he'd known her for all of a few ''weeks''.
276	* ''Film/GIJane'': This trope is {{exploited\|trope}} by several characters to try and justify their beliefs that a woman is unfit to join and inherently disruptive to a Navy Seal unit. The main character, O'Neil, is put through miserable hazing and bullying, is accused of being a predatory lesbian, and [[DrillSergeantNasty Master Chief Urgayle]] begins to sexually assault her during a training exercise to show what is "likely" to happen to a woman captured by the enemy -- an action that all of the male trainees fiercely object to but do not try to stop. O'Neil fights off Urgayle before things go too far, leaving it ambiguous whether or not he would have ''truly'' gone that far.
277	* ''Franchise/IndianaJones'': Dr. Jones's experiences with women are fraught with emotional baggage. He is constantly tempted and solicited by his female students and endures heavy BelligerentSexualTension with the women he works with like Marion, Willie, and Elsa. In particular, [[ScreamingWoman Willie]] is portrayed as a constant obstacle -- she is consistently a DamselInDistress and has such a shallow reaction to [[EekAMouse bugs and creepy-crawlies]] that she hesitates to save him and Short Round from a death trap (and then accidentally reactivates said trap while frantically trying to get them off her). Elsa, meanwhile, is a HoneyTrap that seduces and betrays Indy, and he later learns she did the same thing to his father. She winds up tricking her boss into killing himself with a false Grail and then dies trying to take the real Grail out of the temple [[VillainessesWantHeroes so that she can be with Indy]]. Indy winds up almost getting himself killed trying to save her, and still mourns her (unlike any other villain in the series).
278	* ''Film/TheRockyHorrorPictureShow'': In addition to the villain being a rather feminine transvestite whose love for constant, responsibility-free sex leads him to manipulate, murder, cheat, rape, and abuse those around him, his actions also cause the heroine, Janet, to start some drama of her own. In discovering her sexuality, she cheats on Brad with both Frank and, more importantly, Rocky- the one person who Frank doesn't want anyone else to sleep with. Frank jealously attacks Janet afterward, and in trying to protect her, Brad and Dr. Scott both get turned to stone. In the end, while Janet is feeling freed, Brad is a broken mess, and it's left ambiguous whether or not her newfound sexual freedom is a good thing- it certainly wasn't one for the other characters, who suffered directly and indirectly because of both her and Frank.
279	* ''Film/TheSilenceOfTheLambs'': The character of Buffalo Bill was not meant to be seen as truly homosexual or transgender. Instead, the writers, cast, and actors state (as repeated by Hannibal Lector in-universe) that Bill was a deeply disturbed man who wanted to create a "new him" with the "respect and power" he felt that women were afforded in society. For this reason, he kidnapped, tortured, killed, and then skinned overweight women to create his "woman suit", which made him feel confident and sexy the way he thought "women" would.
280	* ''Franchise/{{Terminator}}'': Sarah Connor in ''Film/TheTerminator'' was scripted to be a vulnerable, accessible GirlNextDoor compared to the unstoppable, terrifying monster coming to kill her. Her design was crafted to be as far as possible from what you'd expect from a woman destined to save the world. In ''Film/Terminator2JudgmentDay'', she was redesigned so that the girl we knew was gone. Now, we have a [[ActionGirl tougher, more proactive Sarah]], but she is described as being like a "cornered animal" whose voice and behavior are simultaneously defiant and chilling. She attempts to become a Terminator herself when stalking Miles Dyson but finds she's not a machine after all.
281	[[/folder]]
282
283	[[folder:Literature]]
284	* ''Franchise/ConanTheBarbarian'': A commonality in Conan stories is that there are two types of women: helpless (often very shallow and naive) women who cling to Conan and require his constant protection and attention at all times...and scheming, evil temptresses. In some stories, one may also become the other. For this reason, Conan is often in no mood to deal with the women he comes across, although he will reluctantly save one in trouble because it's in his personal code to do so and because he often [[StandardHeroReward demands she reward him for the hassle with her body]]. Whenever they're together, Conan even remarks that ComicBook/RedSonja is a [[NotLikeOtherGirls rare exception of this]], as she is [[ActionGirl just as capable as he is]]. But even then, she's a [[TheTease constant source of sexual frustration]] for Conan, as she's the one woman [[BestHerToBedHer who won't simply fall into his bed]].
285	* The Trojan War is parodied in the ''Franchise/{{Discworld}}'' novel ''Literature/{{Eric}}'', where the noncombatants are shown to be rather uninterested in the whole war and wish Elenor would just choose which king she wanted to stay with.
286	-->[...] and that bloody woman would have to make up her mind whose side she was on, the hussy.
287	* ''Literature/EveAndAdam'': Terra Striker is the cold, rather bitchy mother of the first protagonist, Evening, who basically adopts the second protagonist and Evening's love interest, Solo. Early into the story, her attitude and controlling nature have everyone assuming that she's the mastermind behind the entire story [[spoiler:but it turns out that she's not. While she is definitely not blameless, most of her actions were done out of genuine concern for her daughter. And it's also revealed that ''she'' tried to ''stop'' the events that led up to the story.]] Terra is basically the axis that drives the entire plot forward and brings the characters together.
288	* ''Literature/TheHagakure'' goes at length about the unreliability of women in general. For example, it is emphasized that a samurai has to avoid allowing a son to grow too close to his mother (such as by being too strict... as a woman will "naturally" side with her son) or by allowing too much contact between the two after a certain age. The book goes on to say that the concepts of "reason" and "women" are mutually exclusive, that women should not have contact with any man closer than a distance of six feet, and that it is good to be strict with daughters and let them endure suffering under the assumption that MiseryBuildsCharacter and their strife will end once properly married.
289	[[/folder]]
290
291	[[folder:Live-Action TV]]
292	* ''Series/LawAndOrderSpecialVictimsUnit'': Women are usually the primary focus of the series, as they are most often portrayed as the victims of rape or sexual abuse. Many stories deal with the negative assumptions of this trope, such as UsefulNotes/VictimBlaming a woman who should have "known better" under the assumption that rape was an inevitable consequence of a woman being in a particular place, time, or situation. Other negative consequences, such as [[DoubleStandardRapeFemaleOnMale men being raped by women]] (or [[DoubleStandardRapeMaleOnMale other men]]) and not being believed or receiving the same sympathy are also brought up. This trope even extends to the personal struggles of the main characters. Olivia Benson is a ChildByRape who empathizes with female victims and, later, endures a sexual assault herself. Her original partner, Elliot Stabler, is overly-protective and feels it's his "duty" to not only protect his partner but to apprehend the perpetrators of these crimes because he fears something like it happening to his wife and daughters.
293	[[/folder]]
294
295	[[folder:Mythology & Religion]]
296	* Myth/ArthurianLegend: Although the myths are populated largely by knights and lords both noble and ignoble, women are responsible for much of the moving and shaking. It is the sorceress Nimue [[MerlinAndNimue who traps the wise wizard Merlin]], the queen Guinevere's affair with Lancelot that ultimately dooms Camelot, and the machinations of the sorceress Morgan le Fay (in later interpretations[[note]]earlier myths had her as a benevolent mage, but she undertook more antagonistic traits later on, often by making her a CompositeCharacter with her sister Morgause[[/note]]) and Arthur's estranged half-sister Morgause that contribute to this.
297	* Myth/BetiPahuinMythology: Even aside from the fights over the love of women like Nkudang, Eyenga, and Oyane you have characters insulted by being compared to women or influenced by women. The big one is the fact that Evus and by extension witchcraft entered the world of humans from a woman bringing it into the villages inside her vagina. So they continued to be blamed for the overall phenomena in people’s lives.
298	* Literature/TheBible:
299	** According to the Abrahamic tradition, Adam and Eve are cast out of Eden when Eve eats the fruit of Knowledge and then convinces Adam to eat it too.
300	** Samson's downfall is caused by falling in love with the Philistine woman Delilah, to whom he confesses that his hair is the source of his strength. After she cuts off his hair in his sleep, Samson is then blinded and captured by the Philistines.
301	* Myth/ClassicalMythology:
302	** The Greek myth of Pandora states that Zeus wanted to punish Prometheus for stealing fire to give to mankind (which, at this point, is literally made of only men). So after chaining him to a rock and having his liver ripped out every night by an eagle, Zeus gives his dumb brother Epimetheus a "gift" in the form of Pandora, the first woman. Pandora is absolutely beautiful, and also absolutely good at everything (her name literally means all-gifted), so Epimetheus takes her in right away. However, Pandora also carries a jar with all of the evils of the world in side. From here, the myth branches into various tellings; the original versions of the myth explicitly stated that the "all-gifted" Pandora's cunning and deceit were equal to her bewitching beauty, so the moment that men accepted her, she ''intentionally'' opened the jar and released the evils that would forever make men miserable -- thus cementing the belief that Pandora (and by extension, womankind in general) existed specifically to seduce and torment men. In other tellings, Pandora is instead innocent and unaware of what's in the jar, but her curiosity gets the better of her. When she opens it, all manner of suffering flies out.
303	** Almost all of the misery in Heracles' life was caused by women--first, his father's wife Hera, who couldn't punish her husband for infidelity and so took out her rage on Heracles...in one myth causing him to go mad and kill his wife and children. Later, his wife Deianeira is almost raped by the centaur Nessus and after Heracles defeats him, the dying Nessus somehow convinces Deianeira that a magic shirt will keep Heracles faithful to her. When she becomes afraid that Heracles is falling for another woman, she puts the shirt on him which causes Heracles' horrible agony that he can only relieve by burning himself to death.
304	** Aphrodite, in general, was a constant source of this; to the Greeks, her status as a LoveGoddess made her one of the most dangerous gods in the entire Olympian pantheon. A human could reasonably avoid pissing off gods like Helios, Poseidon, or Hades simply by not being involved with anything concerning them. But love is an entirely different story, and Aphrodite's myths are full of men and women who angered, offended, or slighted her in some way and earned her wrath. Typically, causing her to retaliate by having them ([[AesopCollateralDamage or a loved one]]) fall in love with something troublesome. This, for example, is how the infamous Minotaur was born. Aphrodite herself also constantly fell in love with mortals (which usually ended badly), feuded with other gods for various reasons (usually over a lover), and {{cuckold}}ed her own husband Hephaestus with Ares. She was even involved with the creation of Pandora.
305	** A common motif in Greco-Roman mythology is that of the "[[MonsterProgenitor Mother of Monsters]]", a single figure who is responsible for giving birth (literally) to most evils, both physical and metaphysical. For example, Gaea gave birth to the Titans (including Typhon, the most dangerous one of all) and Echidna gave birth to most monsters that the later heroes have to slay in their stories. This may have been absorbed from older religions such as Sumerian and Hebrew folklore, who had similar figures like Tiamat and Myth/{{Lilith}}.
306	** Literature/TheTrojanCycle:
307	*** The Trojan War. The whole thing was started by Eris, the goddess of discord, tossing a [[AppleOfDiscord golden apple into Olympus "for the fairest"]]. As a result, the goddesses fight over it, resulting in Hera, Aphrodite, and Athena choosing Paris as the 'judge'. Aphrodite bribing Paris with Helen of Sparta, the WorldsMostBeautifulWoman and the famous 'face that launched a thousand ships', is what gets the war going. This causes the men around Helen, including her husband King Menelaus, to start and sustain a conflict that lasts over a decade while Helen herself remains relatively passive in Troy.
308	*** ''Literature/TheIliad'': The driving conflict of [[AchillesInHisTent Achilles being in his tent]] for the first half is Agamemnon refusing to hand over the conquest he wanted, the priest's daughter Briseis.
309	** One particular founding myth of Athens related by Creator/AugustineOfHippo in ''Literature/TheCityOfGod'' tells that after King Cecrops and his people have begun to build a new city, both Poseidon and Athena offer themselves as patron gods of the city. The people vote on which deity should be their patron god and after whom accordingly the city will be named. It turns out that all men vote for Poseidon and all women for Athena; as the women outnumber the men by one, Athena wins and the city is called Athens. Poseidon is furious at this and causes the sea to flood the land; the Athenians consult the Oracle of Delphi which instructs them that to appease Poseidon's wrath, the women of Athens must be punished by losing the right to cast votes, by the Athenians not using matronymic names, and by Athenian women not being called Athenians. The Athenians follow this advice, implicitly blaming the women for causing Poseidon's wrath and framing their reduction to second-class citizens as their own fault.
310	* ''Literature/TheEpicOfGilgamesh'' has a wide variety of examples of the trope, beginning with Gilgamesh himself being a despotic tyrant who raped any woman he wanted, whether or not they were married or a relative to his allies. As part of the gods' plan to stop him, a wild man named Enkidu encounters a prostitute and has sex with her, which (to the animal spirits) now made Enkidu "domesticated" and no longer wild. This civility causes Enkidu to become outraged when he learns of Gilgamesh's action, and so he goes to challenge him. The two fight and become {{Best Friend}}s. During their adventures, the LoveGoddess Ishtar becomes enraptured with Gilgamesh, but he spurns her. The gods see this as a great insult and punish the two by [[AesopCollateralDamage having Enkidu fall fatally ill]]. Enkidu's death causes Gilgamesh to become an ImmortalitySeeker, and this becomes his primary motive throughout the rest of the tale.
311	* Myth/JapaneseMythology: The traditional Japanese creation myth states that when the first woman, Izanami, dies from giving birth to fire (literally), her husband Izanagi tries to go down to the underworld to retrieve her. Unfortunately, he gets freaked out when he sees her as a half-rotted corpse, and so Izanami lays a curse that will cause 1,000 humans to die every year. Luckily, Izanagi counters by promising that 1,500 humans will be 'born' every year.
312	* Myth/MandeMythology: Women were widely considered dangerous, unpredictable, and almost entirely untrustworthy. One of the most recurring themes is the treachery of women. The legend of Bala Somono has song verses explicitly warning male listeners about how capricious women are.
313	** Muso Koroni is the archetypical woman. It was she who polluted and corrupted the world with the dark force called "Wanzo". Wanzo is characterized by chaos and the savagery of the bush. Muso Koroni was the embodiment of such untamed wildness. Circumcision was believed to free boys from this feminine principle, while freeing girls from their male principle in turn. Marriage was thought to compensate the loss of femininity in men in a constructive manner.
314	** Mamamdi Sefe Dekote doomed a city-state by rescuing the VirginSacrifice Sia Jatta Bari. She becomes aloof with him after the rescue and demands money while rebuffing affection. She makes him mutilate himself for her and then says she doesn't like mutilated men.
315	** Annalja Tu Bari spread violence throughout the Sahel by saying she would only marry the man who could reconquer her father's old fiefs. When Samba Ganna accomplished this she demanded he slay a dragon for her. When he accomplished that she demanded he tame it and make it her pet. He died in disbelief at her gall and she incited more men to follow his example of conquest then died herself.
316	** Paama Koono is seduced by his lover into revealing his AchillesHeel.
317	** Fanta Maa achieves victory over Bama Ngala Nyama after the latter's sister reveals his weakness.
318	** Sogolon Kolokon is instrumental in defeating Sumanguru Kante by seducing him, his mother even throws a lampshade on it.
319	** Fakoli works for his villainous uncle until his wife is kidnapped.
320	** Myriad Donso legends are about foolish hunters letting girls manipulate them, only to realize too late that she is a spirit or bush animal. This is why a proper Dozo hunter was often expected to be ritually celibate.
321	* Myth/NorseMythology:
322	** Women often are frith-keepers or keepers of peace/security. However, their priority was to their kin, and they would ensure that vengeance was enacted whenever their kin had been harmed. Women, then, are often the source of drama and suffering, galvanizing their husbands into enacting vengeance. In these instances, their husbands are typically portrayed as more peaceable, lazy, or even feckless. A specific example would be Gudrun from ''Literature/TheSagaOfTheVolsungs'', who cannot revenge her murdered husband because her brothers are the murderers, but she can justifiably kill her next husband for her brothers' murders.
323	** Thor is notably protective of his wife, Sif, who is exceptionally beautiful. In one myth, Loki cuts off Sif's beautiful golden hair as a prank, leaving her distraught. This would have ended with Loki dead by Thor's hand had he not promised to get her new hair forged by dwarfs. This particular event leads to the origins of other mythical artifacts like Odin's spear Gungnir and Thor's hammer Mjolnir.
324	[[/folder]]
325
326	[[folder:Theatre]]
327	* ''Theatre/{{Antigone}}'': PlayedWith. The protagonist, [[ProtagonistTitle Antigone]], actually acts far more like a Greek ''male'' hero would, rather than a heroine; these traits create a lot of friction with the other characters, who ''expect'' her to act as a woman should. Creon is especially fed up with her antics, feels the need to assert his dominance over her as a man, and tries to get his lovesick son Haimon to abandon her. He believes that she makes Haimon act weak and foolish -- in other words, like how a ''woman'' would be expected to act. Creon's misogyny is one of the main reasons he opposes Antigone in her quest, and the drama is ironically created because she ''doesn't'' act stereotypically. The only time she acts "womanly" is when she's DrivenToSuicide, and that leads to a very BittersweetEnding.
328	[[/folder]]
329
330	[[folder:Video Games]]
331	* ''VideoGame/AVeryLongRopeToTheTopOfTheSky'': Subverted. The Lydian religion, which is based around a MotherGoddess, is the source of all the conflict pre-TimeSkip, such as the imprisonment of the initial protagonists' mother and their need to live in a barren land... And then that goddess is revealed to actually be a [[spoiler:male nearly-immortal android pretending to be a god, who is so insane that [[AGodAmI he actually believes it]]]].
332	* The ''VideoGame/GrandTheftAuto'' franchise makes extensive use of this trope, with women often being the causes of game's events or important motivators for the male protagonists.
333	** In ''VideoGame/GrandTheftAutoIII'', the story proper begins when the protagonist Claude is betrayed by his girlfriend, Catalina, during a bank robbery and gets arrested for it. Catalina thus becomes the story's main antagonist and is demonstrated to be a complete psychopath. Further, Claude is later betrayed by one of his mafioso bosses because the mafioso falsely thinks Claude is sleeping with one of his mistresses, Maria, who becomes both the DamselInDistress as well as the closest thing Claude has to a LoveInterest.
334	** ''VideoGame/GrandTheftAutoSanAndreas''
335	*** This game is a prequel reintroduces Catalina as one of Carl "CJ" Johnson's "girlfriends" (although it's clear that CJ is only putting up with her to try and get money to bail his older brother out of jail). Once again, Catalina is a complete psychopath and further demonstrates herself to be [[StupidEvil an extremely impulsive and inept]] criminal due to her HairTriggerTemper. She continuously nags, screams, and derides CJ, using him as an example of why she "hates men" while ignoring any of the problems she herself causes. Further, when confronted by CJ on her actions (and her refusal to pay him the money she promised), she changes the subject by accusing him of eyeing other women and being a bad boyfriend, and blames her chaotic actions on "the female heart".
336	*** The protagonist's sister, Kendl, is portrayed as the "brains" of the Johnson family and is constantly frustrated by her brothers' attempts at gangbanging and criminal activities (although she has no qualms about using the ill-gotten gains). Further, her brothers [[MySisterIsOffLimits show constant concern about her virtue]], at first staunchly disapproving that she is dating the Latino gangster, Caesar. The main antagonist, Officer Tenpenny, even constantly tries to intimidate and anger Carl by threatening Kendl with harm and rape, stating at one point that Carl should be glad that she currently "only sucking one greaseball's dick".
337	*** A very obscure mechanic in ''San Andreas'' can have Carl's date with one of his girlfriends interrupted by [[ClingyJealousGirl another one of his girlfriends]].
338	** ''VideoGame/GrandTheftAutoIV'': Early in the game, Niko finds out that his cousin Roman is being {{cuckold}}ed by a small-time criminal with powerful connections. Roman is devastated to learn of it but begs Niko to do nothing that would draw the wrath of the more powerful criminals. Niko is ''appalled'' by his cousin's resignation and kills the criminal anyway to retaliate. Later in the game, it's also revealed that Niko's girlfriend Michelle [[spoiler:is actually a government agent named Karen Daniels]], and depending on the ending, Niko's other canonical girlfriend, Kate, can also be accidentally killed during a drive-by, prompting Niko to go on a RoaringRampageOfRevenge.
339	** ''VideoGame/GrandTheftAutoV'': The IncitingIncident for the events of the game is the moment when Michael chooses to wreck what he thinks is the house of the man (or ''[[ReallyGetsAround one]]'' of the men) his wife [[{{cuckold}} has been having an affair with]]. The fact that he himself cheats on her with random strippers and prostitutes is barely addressed at all; it's her infidelity that the game mostly focuses on. We also see many other examples of important or secondary male characters whose love interests or girlfriends are seeing other people. Franklin is motivated to get rich primarily to try and win back his ex-girlfriend from her rich fiancé, and Trevor points out that his unwilling accomplice, Floyd, is being cheated on by his fiancée Debra--something given credence when Debra mentions a "Robert" later. Trevor himself is also introduced in the game cuckolding Johnny from ''Lost and Damned'' (soon after killing him), and one of the few characters that elicits Trevor's sympathy (and, in fact, outright love) is the beleaguered but loyal wife of the mob boss whose house Michael ruined.
340	[[/folder]]
341
342	[[folder:Western Animation]]
343	* ''WesternAnimation/StevenUniverse'':
344	** The extraterrestrial race of gems are almost all [[OneGenderRace female-identifying]], and while this is normally a non-issue on the show, the "feminine" qualities of the cast sometimes contribute to the story. For example, the fact that Rose Quartz (Steven's mother) was female and had to give birth to Steven by [[DeathByChildbirth giving him her own gem]] is a major plot point. In addition to making her a MissingMom, it causes Steven himself to be misgendered as "she" several times as people refuse to see the [[HalfHumanHybrid half-human]] boy and only the "female" gem wedged in his body.
345	** In particular, three out of four of the Diamond Authority demonstrate extremely toxic elements of stereotypical femininity:
346	*** Pink Diamond was a [[BrattyTeenageDaughter bratty]], impatient RebelliousPrincess whose obsession with getting her own colony, desire to stop being pampered and patronized by her "sisters", [[spoiler:and later falling in love with the organic life on said planet]] were what caused the events of the series.
347	*** Blue Diamond is ProneToTears and [[EmotionBomb uses her emotions as a weapon]] to turn other people into crying, [[HystericalWoman hysterical wrecks]] as well. In particular, she was the one who abused Pink Diamond the most and treated her desires and concerns as irrelevant.
348	*** White Diamond is the "mother" of the entire gem race and [[EvilMatriarch believes she knows what's "best" for everyone]] while ignoring her own flaws. If her children [[MyBelovedSmother don't behave the way she likes]], she simply [[PeoplePuppets "fixes" them]] by removing their free will and [[StageMom turns them into extensions of her own ego]].
349	[[/folder]]

Context Main / WomanlinessAsPathos