Line #66 JustForFun/AnneFrankVampire


1	It's 1942 in Amsterdam, and [[Literature/TheDiaryOfAYoungGirl Anne Frank]] has a lot of questions in her life: Can she tolerate being cooped up with several other people in a few small rooms? Are they all going to survive until the Nazis are kicked out of the Netherlands (if ever)? And who is the creepy old man who has just moved into the Annex, and why does everyone else seem to think they've known him for years, when Anne's never seen him before in her life?
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3	''Anne Frank: Vampire'' is a [[note]](nonexistent)[[/note]] "Jewsploitation" action-horror film that caused an almighty backlash when it was released in 2015, to the point of the scriptwriter, Daniel Cane, being '''assassinated''', either by Jewish people who objected to the portrayal of literal "bloodsucking Jews", or neo-Nazis who objected to said vampires being creepy-cool heroes who save most of the residents of the Annex and bloodily slaughter the entire leadership of the Third Reich occupation of the Netherlands. Despite this, or maybe because of it, it made a huge amount of money in cinemas and on home video.
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5	For more info on the real-world shenanigans surrounding the film, see Creator/ChinaMieville's "The Junket". Compare ''JustForFun/DisneysAnneFrank'', a 1989 film in the Franchise/DisneyAnimatedCanon also telling a fictionalized, supernatural version of Anne's story.
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7	!!''Anne Frank: Vampire'' provides examples of:
8	* AssholeVictim: All the people who Anne kills are Nazis actively taking part in the Holocaust, so yeah.
9	* BackstoryInvader: The Watcher uses vampiric mind-control to make the other people in the Annex think he's an old friend of theirs, with only Anne being immune.
10	* BeCarefulWhatYouWishFor: Anne persuaded the Watcher to turn her so that she could fight the Nazis raiding the warehouse and protect her family, but was much too optimistic about what being a vampire would mean for her body and mind.
11	* BetterToDieThanBeKilled: Fritz Schmidt throws himself to his death from a train rather than find out just what Anne intends to do to him.
12	* BloodSpatteredInnocents: The well-known shot during the raid sequence of Edith Frank spattered with the blood of the Nazis and watching her daughter slaughtering them in frozen horror.
13	* BondOneLiner: Anne makes an incredibly tasteless one after killing a particularly youthful and boyish-looking SS member, which alludes to the Blood Libel. One rumor has it that it was this line in particular that Cane's real-life murderers were so pissed-off about.
14	* TheCastShowOff: Originally, Anne was intended to be a generic "hot goth action girl" type of vampire until Abi Hempel's audition, when she showed off her contortionist and gymnastic skills and how creepily she could use them. This led to the much scarier J-Horror-influenced depiction of Anne in the film.
15	* DeathByAdaptation: All of the named Nazis (except Fritz Schmidt) die a lot earlier than they did in real life. Also, "Henk van Santen", who in the film is killed when the Watcher blows up the warehouse (although he was probably already dying after Silberbauer shot him as soon as the raid started to seriously go south), when the real Jan Gies lived to a ripe old age.
16	* DevelopmentGag: Anne's "cool vampire" daydream is basically what the role was intended to be like before Abi persuaded Cane and Johnny D to go with her idea of what vampire Anne should be like.
17	* EmergencyTransformation: Anne browbeats the Watcher into turning her when Nazis turn up at the door of the building and she's desperate for some kind of power to protect her family.
18	* EnforcedMethodActing:
19	** Abi Hempel actually did spend quite a lot of time lurking underwater with a scuba tank during the canal scenes. Contrary to some rumors, she's said that she was fully onboard with the idea and enjoyed herself.
20	** Daniel Bruehl in Silberbauer's death scene. While he knew Anne was going to jump out of the canal and drag him in, it was the first time he'd seen the full makeup and his [[GirlyScream reaction]] is not acting.
21	* TheFogOfAges: According to the Watcher, he can't remember anything about his human life in the Middle Ages - not even his original name.
22	* FollowTheLeader: WordOfGod confirms that it was conceived as a Jewish equivalent of ''Film/DjangoUnchained'', in terms of ultraviolent and consciously-tasteless rewriting of history to show the oppressed striking back.
23	* FriendlyNeighborhoodVampire: Averted. The Watcher only starts feeling any genuine liking for the people in the Annex shortly before his death, and Anne is a bloodthirsty monster who is only "good" because she has lots of {{Asshole Victim}}s to feed on.
24	* GermansLoveDavidHasselhoff: Surprisingly enough, the film has an enthusiastic fanbase in the Netherlands, probably due to the heroic depiction of Jewish and Gentile resistants and its surprisingly-accurate depiction of the geography and culture of Amsterdam.
25	* HistoricalVillainUpgrade: Otto Frank said that the real Silberbauer was a PunchClockVillain who treated him and his family with politeness while arresting them, as opposed to the dog-kicking sadistic psychopath that he is in this film.
26	* HorrorHunger: Anne's bloodlust doesn't even abate when her own close relatives are involved. After only a brief time, she hands them over to the Resistance and begs them never to try to find her again.
27	* IHaveNoSon: Otto is viscerally horrified by vampire Anne and sees her as a monster in place of his daughter. She, disgusted by her own urges, entirely agrees. They have a final moment of closeness when he recites the Kaddish for her, which is then horribly disrupted when he hugs her and she for a split-second uncontrollably moves to bite him.
28	* ILoveYouVampireSon: The Watcher gives his life to allow Anne and the living Jews to escape from the warehouse.
29	* InASingleBound: Anne jumps from the roof of the Rijksmuseum to rip Friedrich Wimmer's throat out, and then jumps right back up again seconds later.
30	* IneffectualSympatheticVillain: The early, more humorous, scenes in the film depict the Watcher as this. Then the Nazis raid the building, and [[NotSoHarmlessVillain in quick succession]] we have Anne's consensual but brutally violent and painful turning, followed by the Watcher tearing his way through the first Nazi squad like tissue paper.
31	* InfernalRetaliation: The Watcher, after being set on fire with a flamethrower when bullets didn't stop him, kills a dozen Nazis while burning to death and then finally throws himself onto Henk's explosives cache to destroy the warehouse.
32	* KickTheDog: Silberbauer is introduced arresting a Jewish family and sadistically drowning their dog in a canal in front of them, [[spoiler:making his own similar death LaserGuidedKarma]].
33	* KillItWithFire: The Nazis try this on the Watcher. It works... eventually.
34	* LimaSyndrome: The Watcher initially sees the people in the Annex as simply protection and an emergency food supply, but comes to genuinely care about them.
35	* LooksLikeOrlok: The Watcher permanently due to his extreme age, and Anne when she has her GameFace on.
36	* MookHorrorShow: Repeatedly, and in particular with the deaths of Silberbauer and Rauter.
37	* MoralityChain: Subverted. Peter seriously intends to be this to Anne after she becomes a vampire, giving her hope, but on actually witnessing the [[VampireBitesSuck horrific violence]] that she's capable of he runs away in terror and is never seen again (although we are told that he went back underground and survived).
38	* MoralityKitchenSink: The Nazis are all unspeakable bastards with not one redeeming feature between them. The Dutch resistants and the living Jews, albeit flawed, are all basically good people. Anne is a ReluctantPsycho who barely manages to restrict her predation to Nazis, several times only just restraining herself from killing at random when hungry, [[spoiler:and kills herself when she runs out of legitimate targets]]. The Watcher is a vampire who's been casually killing people for centuries, but finds the company of the other people in the Annex reawakening his capacity for human connections and altruism.
39	* NeverTrustATrailer: The European trailer didn't show Anne's real vampiric appearance at all. The trailer sequences where she was a leather-clad SheFu MsFanservice with CuteLittleFangs were actually pretty much the whole of Anne's short daydream about what she thought she'd be like as a vampire. The US trailer was more honest.
40	* NightmareFetishist: Anne has hints of this as her relationship with the Watcher becomes less fearful and more sympathetic.
41	* OffendingTheCreatorsOwn: To the point of Cane being murdered in real life, if you believe that it was done by infuriated Jewish people rather than infuriated neo-Nazis. Despite the director, writer, and actors in major Jewish roles all being Jewish, some Jewish people and organisations were absolutely outraged by the film, although many Jewish people loved it.
42	* PopCultureUrbanLegends: Literal interpretation of a metaphorical remark in one particular negative review led to the belief among people who hadn't seen the film that it contained a "comedy gas chamber scene". In fact, the film does not depict death or concentration camps at all. (There is one short scene with Rauter which some have alleged is set in a concentration camp administration office, but it's not explicitly stated and there's nothing to suggest that it isn't a police station or some other SS office.) People who watched the film and didn't see the alleged gas chamber scene then speculated that it had been written or shot but deleted on taste grounds, but this is also untrue.
43	* ProfaneLastWords: Henk's lengthy and imaginative rant in [[BilingualBonus untranslated Yiddish]] when he's bleeding to death after being shot, which turns into an astonished and joyous Yiddish ClusterFBomb when the Watcher comes back and starts slaughtering the Nazis.
44	* ReluctantPsycho: Anne once she starts experiencing true vampiric hunger and predatory urges.
45	* RoaringRampageOfRevenge: Anne on the Nazis for everyone killed in the Holocaust.
46	* RoofHopping: Anne does this in her daydream, and then a bit in reality, until she realises that staying below the waterline is more efficient.
47	* SequelHook: The secretly Jewish resistant Kees stumbles upon a circle of literal Nazi Werewolves but thinks he escaped from them. In TheStinger, he notices that one of them bit him...
48	* ShoutOut:
49	** The idea of a vampiric GameFace which gradually becomes permanent is clearly taken from ''Series/BuffyTheVampireSlayer''. Angel's immediate post-soul loss scene in ''Buffy'' is also directly parodied when a recently-vampirised Anne kills a cigarette-smoking man with a Nazi armband, and promptly goes into a coughing fit as a non-smoker inhaling the contents of his throat. And an ancient vampire being called "the Watcher" has to be some kind of joke about ''Buffy''.
50	** Many people were reminded of ''Film/{{Amsterdamned}}'' by the canal sequences, but Cane said it was actually supposed to be an {{Homage}} to the amphibious vampires in ''ComicBook/SwampThing''.
51	** The sequence where Anne climbs out of the dumbwaiter before killing Hanns Rauter is a shot-for-shot remake of the famous “Sadako crawls out of the TV” sequence at the climax of ''Film/TheRing''.
52	* ShownTheirWork:
53	** The Nazi characters are all real people with exactly the same roles that they actually had in the occupied Netherlands. And Fritz Schmidt actually did die after mysteriously exiting a moving train.
54	** Anne leaving Rauter's corpse with the teat of a sow stuffed into its mouth is a dark joke on a genuine, now almost-forgotten, central European anti-Semitic trope.
55	** The depiction of Dutch culture and the geography of Amsterdam is surprisingly accurate.
56	* SortingAlgorithmOfEvil: Lampshaded and justified. Anne makes it clear that she's working her way up the Nazi hierarchy in order to grind and level up, and also to make the most culpable people suffer most from fear and dread.
57	* SparedByTheAdaptation: Everybody in the Annex except for Anne and Henk, who die, and Otto, who also survived in real life.
58	* SpellMyNameWithAThe: The elderly vampire known only as the Watcher.
59	* SpiritualAntithesis: Not just in tone but in plot to ''JustForFun/DisneysAnneFrank'', in which Anne is an ordinary human with IncorruptiblePurePureness while the Nazis are actually tools of a supernatural EldritchAbomination. In this film, in exact reverse, the Nazis are totally mundane and realistic while Anne becomes a supernatural HumanoidAbomination DarkActionGirl.
60	* StockholmSyndrome: Anne initially only keeps quiet about the Watcher because he threatens to kill her family, but gradually comes to feel more positively towards him. Less creepy because he develops his LimaSyndrome at much the same rate.
61	* StringyHairedGhostGirl: Anne after her vampirization, especially after she starts living in the canals.
62	* SuicideBySunlight: [[spoiler:Anne, unable to see any hope that she will be able to live as a vampire without eventually killing innocents, deliberately incinerates herself in the sun while embracing Arthur Seyss-Inquart and burning him to death in the process]].
63	* SuperNotDrowningSkills: Anne realizes that not having to breathe means that, if you unlive in a city full of filthy canals, you have a very easy and practical way of hiding from the sunlight and moving around without being noticed.
64	* SuppressedMammaries: Abi Hempel bound her breasts to more convincingly play an innocent pubescent girl. Hilariously subverted in Anne's "cool vampire" daydream sequence, where her breasts are unsuppressed and [[NavelDeepNeckline shown off]] in a barely-zipped-up SpyCatsuit.
65	* TakeThat: A quiet one to the underlying anti-Semitic subtexts of ''Film/{{Nosferatu}}'', which are often minimised by fans.
66	* TeethClenchedTeamwork: The Dutch Resistance are quite rationally scared to death of Anne, and make it clear that their limited co-operation will end immediately if any of them get their blood sucked.
67	* TerrorHero: Anne, completely. Controversially including consciously playing up to everything that Nazis would expect in a superpowered Jew out to get them.
68	* ThenLetMeBeEvil:
69	** Much of the Jewish protest against the film, as well as the outrageous basic concept, was down to the Watcher and vampire Anne making many wry jokes about how as Jewish vampires they end up looking and behaving very like the caricatures of Jews in Nazi propaganda.
70	** Also symbolized in the way that Anne never drops her GameFace after Peter runs away from her, until she disguises herself as a BDM girl to [[spoiler:kill Seyss-Inquart while also [[DyingAsYourself destroying herself]]]].
71	* ToneShift: The part of the film up to the raid and the Watcher turning Anne, despite the background threat of the Nazis, is mostly domestic comedy with a vampire thrown in but [[MonsterRoommate played for laughs]]. The rest of the film is an extremely violent and horrific revenge thriller.
72	* TrappedByMountainLions: The weird bit with Kees stumbling on the Nazi werewolves, which he doesn't manage to tell Anne about before she dies and doesn't seem to be resolved at all... until TheStinger.
73	* UndeadChild: Anne is a very creepy one.
74	* VampireBitesSuck: All the feeding scenes are utterly animalistic and horrific. Even though the Watcher intends to turn rather than kill Anne, and she is happy for him to do so, he still can't completely control his bloodlust and absolutely ''mauls'' her throat.
75	* VampiresAreSexGods: Averted. The Watcher is an emaciated man who truly looks 800 years old, and Anne after vampirization is a terrifying demonic entity with an Orlokian GameFace and a habit of moving in ways that humans '''really shouldn't'''.
76	* VillainExitStageLeft: Silberbauer flees when setting the Watcher on fire doesn't immediately kill him but makes him even more annoyed, [[DirtyCoward leaving all his men]] to get massacred.

Context JustForFun / AnneFrankVampire