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** Given the changes from the original novel and the shift in timeline that starts episode three, a fairly strong argument can be made that Gatiss and Moffat were adapting the Hammer Horror films of the 50s, 60s and 70s rather than the Stoker novel. Harker’s fate, the awesomeness of Van Helsing, the emphasis on seduction as a vampiric technique rather than the violent assault Dracula uses in the novel, these all come from the films, not the novel.
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** Given the changes from the original novel and the shift in timeline that starts episode three, a fairly strong argument can be made that Gatiss and Moffat were adapting the Hammer Horror Film/HammerHorror films of the 50s, 60s and 70s rather than the Stoker novel. Harker’s fate, the awesomeness of Van Helsing, the emphasis on seduction as a vampiric technique rather than the violent assault Dracula uses in the novel, these all come from the films, not the novel.
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* StarMakingRole: The role of Count Dracula brought Creator/ClaesBang to the attention of international audiences, although he was already somewhat well known in his native Denmark.
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** Given the changes from the original novel and the shift in timeline that starts episode three, a fairly strong argument can be made that Gatiss and Moffat were adapting the Hammer Horror films of the 50s, 60s and 70s rather than the Stoker novel. Harker’s fate, the awesomeness of Van Helsing, the emphasis on seduction as a vampiric technique rather than the violent assault Dracula uses in the novel, these all come from the films, not the novel.
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Has been made into a disambiguation.
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* EvilIsSexy: Dracula is arguably one of the prototypical examples of this trope, so it makes sense that Creator/ClaesBang is [[TallDarkAndHandsome very easy on the eyes]].
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