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* DoingItForTheArt: Creator/NicholasBriggs thought the play was terrible when he first saw it, and Terrance Dicks strongly disliked the way sappy love songs had been shoe-horned into his script. Both cooperated to record the story as a Creator/BigFinish audio play regardless just to preserve a classic piece of ''Who'', including every little bit of {{camp}} and {{narm}}... and having so much fun in the process that they eventually made a sequel.
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* DoingItForTheArt: Creator/NicholasBriggs thought the play was terrible when he first saw it, and Terrance Dicks strongly disliked the way too sappy love songs that had been shoe-horned into his script. Both cooperated to record the story as a Creator/BigFinish audio play regardless just to preserve a classic piece of ''Who'', including every little bit of {{camp}} and {{narm}}... and having so much fun in the process that they eventually made a sequel.
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Changed line(s) 1 (click to see context) from:
RecycledScript: Dicks lifted the sequence in which a companion pretends to be a Dalek and is seemingly exterminated before revealing they had already abandoned the Dalek casing from his earlier, less successful Seven Keys to Doomsday, which was also adapted by Big Finish.
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* DoingItForTheArt: Creator/NicholasBriggs thought the play was terrible when he first saw it, and Terrance Dicks strongly disliked the way sappy love songs had been shoe-horned into his script. Both cooperated to record the story as a Creator/BigFinish audio play regardless just to preserve a classic piece of ''Who'', including every little bit of {{camp}} and {{narm}}... and having so much fun in the process that they eventually made a sequel.
* ExecutiveMeddling: The producers ''insisted'' on having balloon aliens (since they knew a way to make it look cool), a guillotine scene (since they knew a way to make it look cool) and three musical numbers. Terrance Dicks scrambled to come up with a plot that featured all those things, but eventually just gave up on trying to find a way to make the big romantic musical duet look believable. He later expressed relief at the fact that none of the producers happened to know a particularly well-trained group of circus seals that he'd have had to include.
* RecycledScript: Dicks lifted the sequence in which a companion pretends to be a Dalek and is seemingly exterminated before revealing they had already abandoned the Dalek casing from his earlier, less successfulSeven ''Seven Keys to Doomsday, Doomsday'', which was also adapted by Big Finish.
* ExecutiveMeddling: The producers ''insisted'' on having balloon aliens (since they knew a way to make it look cool), a guillotine scene (since they knew a way to make it look cool) and three musical numbers. Terrance Dicks scrambled to come up with a plot that featured all those things, but eventually just gave up on trying to find a way to make the big romantic musical duet look believable. He later expressed relief at the fact that none of the producers happened to know a particularly well-trained group of circus seals that he'd have had to include.
* RecycledScript: Dicks lifted the sequence in which a companion pretends to be a Dalek and is seemingly exterminated before revealing they had already abandoned the Dalek casing from his earlier, less successful
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Added DiffLines:
RecycledScript: Dicks lifted the sequence in which a companion pretends to be a Dalek and is seemingly exterminated before revealing they had already abandoned the Dalek casing from his earlier, less successful Seven Keys to Doomsday, which was also adapted by Big Finish.
