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* ''Series/ThePriceIsRight'', especially during the Bob Barker era, stubbornly refused to update its props: even into the early 2000's, the show still used components such as mechnical trilons, and legacy seven-segment (including mechanical "vane" displays, and ones using incandescent lamps such as the Contestants' Row displays) and eggcrate number displays that most of their contemporaries had abandoned (for example, ''Series/WheelOfFortune'' abandoned its trilon-based puzzle board for touch monitors in 1997, and replaced its eggcrate score displays with LCD screens after going HD), in combination with an overall look relatively unchanged since the late-1970's. Starting in TheNewTens under Drew Carey, they slowly began to add more "modern" touches such as flat-panel screens and LED lighting to the set and newer props, which are still mixed in with props for pricing games that have not been updated or replaced.
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* ''Series/ThePriceIsRight'', especially during the later years of the Bob Barker era, stubbornly refused to update its props: even into the early 2000's, the show still used components such as mechnical trilons, had a lot of pricing games and props using legacy seven-segment (including electronics and older types of number displays using incandescent lamps or mechanical "vane" displays, and ones using incandescent lamps such as the Contestants' Row displays) and eggcrate number displays that displays--which most of their contemporaries had already abandoned (for example, ''Series/WheelOfFortune'' abandoned its trilon-based puzzle board for touch monitors in 1997, and replaced its eggcrate score displays with LCD screens after going HD), in combination with an overall look relatively unchanged since the late-1970's. Starting in TheNewTens under Drew Carey, they slowly began to add more "modern" touches such as flat-panel screens and LED lighting to the set and newer props, which are still mixed in with props for pricing games that have not been updated or replaced.
