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'''Rumi:''' What are you talking about, Mima? I was just here yesterday.

to:

'''Rumi:''' What are you talking about, Mima? I was just here yesterday.yesterday.
* The corridor Mima walks down where she accidentally bumps into Eri, who sees her off with some rather ominous words. As Mima is about to continue walking, she spots a familiar person slowly approaching her from down the corridor...who appears to be [[OhCrap Me-Mania]]. Mima then quickly looks for Eri from the other end of the corridor, only to see that she has vanished. She then turns around...[[JumpScare and immediately comes face to face with her stalker who quickly grabs her head, which is then accompanied with the sound of a boot from a car slamming loudly]].

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* The fax Mima receives. '''''TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR'''''

to:

* The fax Mima receives. '''''TRAITOR receives.
-->'''''TRAITOR
TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR'''''
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Oh Holy Mother of GOD. Where to begin?!

[[AC:BEWARE! unmarked spoilers below]]

to:

Oh Holy Mother of GOD. Where to begin?!

[[AC:BEWARE! unmarked spoilers below]]
begin?

'''(''BEWARE:'' UNMARKED SPOILERS BELOW)'''

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* The grotesque appearance of Mima's stalker, Me-Mania, and just Me-Mania in general. Hell, [[spoiler: Rumi's]] appearance is even flinch worthy.

to:

* The grotesque appearance of Mima's stalker, Me-Mania, and just Me-Mania in general. Hell, [[spoiler: Rumi's]] Rumi's appearance is even flinch worthy.



* The fax Mima receives. '''''[[spoiler:TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR]]'''''

to:

* The fax Mima receives. '''''[[spoiler:TRAITOR '''''TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR]]'''''TRAITOR'''''



*** All but two or three of the fish were dead. [[spoiler:The full tank of fish in Rumi's replica of Mima's apartment is what helped Mima realize she wasn't actually in her own room.]]

to:

*** All but two or three of the fish were dead. [[spoiler:The The full tank of fish in Rumi's replica of Mima's apartment is what helped Mima realize she wasn't actually in her own room.]]



*** The scene where she supposedly [[spoiler: stabs Murano in the eye and then his crotch before chasing the man throughout his house and then repeatedly stabbing him to death with an vicious look on her face as he screams in terrible agony.]]

to:

*** The scene where she supposedly [[spoiler: stabs Murano in the eye and then his crotch before chasing the man throughout his house and then repeatedly stabbing him to death with an vicious look on her face as he screams in terrible agony.]]



* The ''precise moment'' when Mima realizes that [[spoiler: Rumi's made [[LoonyFan an exact replica of her room]]]]. *shudder* Can we say reverse-[[Film/AllAboutEve Eve Harrington]]?
* In a major twist, the true villain in the movie [[spoiler:turns out to be Mima's middle-aged female manager Rumi, who was a former pop idol who didn't last and now thinks she's the real Mima. The climax of the film where Rumi chases Mima in the illusory form of Mima's giggling, pop-idol alter-ego while trying to kill her is genuinely disturbing.]]
** [[spoiler:Of course, that's if you think that Rumi ''isn't'' in fact the real Mima. By that point in the movie, it's no longer possible to be sure.]]
** [[spoiler:Just to review, Rumi at one point chases Mima down a street in front of a series of storefront windows. In the foreground chasing Mima is Rumi in the idealized form of Mima's pop-star alter ego, laughing and skipping down the street without a care in the world. In the background, every time Rumi passes in front of a window, you see her real form reflected: an older woman clutching an ice-pick/umbrella, gasping and snarling while in a dead sprint.]]
*** [[spoiler:The worst part is that this appears to be a shared hallucination; Rumi thinks she's Super-Innocent-Magical-Avenging-Angel Mima, and Mima ''also'' thinks Rumi is Super-Innocent-Magical-Avenging-Angel Mima. For once, the ''viewer'' is shown the truth, while the characters can't see it -- and ''you'' of course can't do a God damn thing about it.]]
** [[spoiler:Mima getting stabbed ''with an umbrella.'']]
*** Rumi [[spoiler:getting [[ImpaledWithExtremePrejudice impaled]] on a piece of broken glass]] was just as [[NauseaFuel nauseating]].
* The guy in the parking lot who heard fragments of one of Mima's songs, then discovered a radio on the elevator's floor, when the doors opened. [[spoiler: And a few minutes later the doors opened again to reveal him dead, covered in his own blood, and his eyes gouged out]]. He was the man who wrote Mima into a rape scene; "justified" would be absolutely the wrong word to use here, but there's a fairly obvious ''reason'' why [[spoiler: Rumi (or was it Me-Mania?)]] killed him.

to:

* The ''precise moment'' when Mima realizes that [[spoiler: Rumi's made [[LoonyFan an exact replica of her room]]]].room]]. *shudder* Can we say reverse-[[Film/AllAboutEve Eve Harrington]]?
* In a major twist, the true villain in the movie [[spoiler:turns turns out to be Mima's middle-aged female manager Rumi, who was a former pop idol who didn't last and now thinks she's the real Mima. The climax of the film where Rumi chases Mima in the illusory form of Mima's giggling, pop-idol alter-ego while trying to kill her is genuinely disturbing.]]
disturbing.
** [[spoiler:Of Of course, that's if you think that Rumi ''isn't'' in fact the real Mima. By that point in the movie, it's no longer possible to be sure.]]
sure.
** [[spoiler:Just Just to review, Rumi at one point chases Mima down a street in front of a series of storefront windows. In the foreground chasing Mima is Rumi in the idealized form of Mima's pop-star alter ego, laughing and skipping down the street without a care in the world. In the background, every time Rumi passes in front of a window, you see her real form reflected: an older a middle-aged woman clutching an ice-pick/umbrella, gasping and snarling while in a dead sprint.]]
sprint.
*** [[spoiler:The The worst part is that this appears to be a ''folie à deux'' or shared hallucination; Rumi thinks she's Super-Innocent-Magical-Avenging-Angel Mima, and Mima ''also'' thinks Rumi is Super-Innocent-Magical-Avenging-Angel Mima. For once, the ''viewer'' is shown the truth, while the characters can't see it -- and ''you'' of course can't do a God damn thing about it.]]
it.
** [[spoiler:Mima Mima getting stabbed ''with an umbrella.'']]
''
*** Rumi [[spoiler:getting getting [[ImpaledWithExtremePrejudice impaled]] on a piece of broken glass]] glass was just as [[NauseaFuel nauseating]].
* The guy in the parking lot who heard fragments of one of Mima's songs, then discovered a radio on the elevator's floor, when the doors opened. [[spoiler: And a few minutes later the doors opened again to reveal him dead, covered in his own blood, and his eyes gouged out]]. out. He was the man who wrote Mima into a rape scene; "justified" would be absolutely the wrong word to use here, but there's a fairly obvious ''reason'' why [[spoiler: Rumi (or was it Me-Mania?)]] Me-Mania?) killed him.


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*** Or that Mima is still delusional -- now she thinks she herself is Rumi believing she's Mima. And since she ''is'' Mima, she can fake being "the real thing" ''perfectly'', with no one the wiser.
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* The ''precise moment'' when Mima realizes that [[spoiler: Rumi's made [[LoonyFan an exact replica of her room]]]]. *shudder* Can we say reverse-[[AllAboutEve Eve Harrington]]?

to:

* The ''precise moment'' when Mima realizes that [[spoiler: Rumi's made [[LoonyFan an exact replica of her room]]]]. *shudder* Can we say reverse-[[AllAboutEve reverse-[[Film/AllAboutEve Eve Harrington]]?
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Added DiffLines:

** In the Japanese version, it's implied the Mima we see in the rear-view mirror at the end is actually Rumi, still delusional and now free to possibly kill again.
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'''Rumi:''' What are you talking about, Mima? I was just here yesterday.
----

to:

'''Rumi:''' What are you talking about, Mima? I was just here yesterday.
----
yesterday.
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*** It's ind of minor, but the sheer lack of concern her former bandmates show about Mima meeting the leery photographer. It makes the invasive nature of the media seem 'normal', and that's a message that still resonates.

to:

*** It's ind kind of minor, but the sheer lack of concern her former bandmates show about Mima meeting the leery photographer. It makes the invasive nature of the media seem 'normal', and that's a message that still resonates.



----> Mima: It's been a while, Rumi.
----> Rumi: What are you talking about, Mima? I was just here yesterday.

to:

----> Mima: ---> '''Mima:''' It's been a while, Rumi.
----> Rumi:
Rumi.\\
'''Rumi:'''
What are you talking about, Mima? I was just here yesterday.
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This belongs in WMG


* ALTRNATE IDEA: Perhaps most of the movie actually describes Rumi's delusions. Rumi is the one with alternate personalities. I suggest perhaps that Rumi may have not just the Pure-Mima personality, but also her own version of mima, Rumi-Mima. Perhaps the scenes where Mima hallucinates it is truly Rumi that has a battle between her multiple personalities. Then many of the scenes depicting Mima may be Rumi's own real-Mima personality. Its an open question if the stalker is also one of Rumis personalities. Remember that towards the end, actual Mima isnt really fooled by Rumi's outfit (just chocked). And how to conclude this; In the end, in Rumis copy apartment, I see the fish in the fish tank being (still) dead. This must mean that the scene where Mima cry after the rape-shoot is in fact Rumi crying. But we just see it from Rumis twisted perspective.
Is there an issue? Send a MessageReason:
Now twist



to:

* ALTRNATE IDEA: Perhaps most of the movie actually describes Rumi's delusions. Rumi is the one with alternate personalities. I suggest perhaps that Rumi may have not just the Pure-Mima personality, but also her own version of mima, Rumi-Mima. Perhaps the scenes where Mima hallucinates it is truly Rumi that has a battle between her multiple personalities. Then many of the scenes depicting Mima may be Rumi's own real-Mima personality. Its an open question if the stalker is also one of Rumis personalities. Remember that towards the end, actual Mima isnt really fooled by Rumi's outfit (just chocked). And how to conclude this; In the end, in Rumis copy apartment, I see the fish in the fish tank being (still) dead. This must mean that the scene where Mima cry after the rape-shoot is in fact Rumi crying. But we just see it from Rumis twisted perspective.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

*** It's ind of minor, but the sheer lack of concern her former bandmates show about Mima meeting the leery photographer. It makes the invasive nature of the media seem 'normal', and that's a message that still resonates.
Is there an issue? Send a MessageReason:
None


* The scenes where she is being photographed naked by the borderline-rapist pornographer Murano.
* The scene where she supposedly stabs Murano in the eye and then his crotch before chasing the man throughout his house and then repeatedly stabbing him to death with an vicious look on her face as he screams in terrible agony.

to:

* ** The scenes where she is being photographed naked by the borderline-rapist pornographer Murano.
* *** The scene where she supposedly [[spoiler: stabs Murano in the eye and then his crotch before chasing the man throughout his house and then repeatedly stabbing him to death with an vicious look on her face as he screams in terrible agony.]]



* The ''precise moment'' when Mima realizes that Rumi's made [[LoonyFan an exact replica of her room]]. *shudder* Can we say reverse-[[AllAboutEve Eve Harrington]]?

to:

* The ''precise moment'' when Mima realizes that [[spoiler: Rumi's made [[LoonyFan an exact replica of her room]].room]]]]. *shudder* Can we say reverse-[[AllAboutEve Eve Harrington]]?



* The guy in the parking lot who heard fragments of one of Mima's songs, then discovered a radio on the elevator's floor, when the doors opened. [[spoiler: And a few minutes later the doors opened again to reveal him dead, covered in his own blood, and his eyes gouged out]]. He was the man who wrote Mima into a rape scene; "justified" would be absolutely the wrong word to use here, but there's a fairly obvious ''reason'' why Rumi (or was it Me-Mania?) killed him.

to:

* The guy in the parking lot who heard fragments of one of Mima's songs, then discovered a radio on the elevator's floor, when the doors opened. [[spoiler: And a few minutes later the doors opened again to reveal him dead, covered in his own blood, and his eyes gouged out]]. He was the man who wrote Mima into a rape scene; "justified" would be absolutely the wrong word to use here, but there's a fairly obvious ''reason'' why [[spoiler: Rumi (or was it Me-Mania?) Me-Mania?)]] killed him.
Is there an issue? Send a MessageReason:
None


* The grotesque appearance of Mima's stalker, Me-Mania, and just Me-Mania in general. Hell, Rumi's appearance is even flinch worthy.

to:

* The grotesque appearance of Mima's stalker, Me-Mania, and just Me-Mania in general. Hell, Rumi's [[spoiler: Rumi's]] appearance is even flinch worthy.
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None

Added DiffLines:

** Her body language right before the cameras start rolling changing to putting her acting mask on is a bit unsettling.
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Added DiffLines:

** Somehow the fact that it is for a drama and supposed to be fake makes it worse. They get a ways into the scene and Mima is pinned down and screaming in character. Then they yell cut and she just stops and opens her eyes, breaking character. Then she has to lie there while they move the cameras. The repeated breaks make it seem like it just goes on forever. And with how the line between drama and reality gets blurred later on, this scene becomes even more distressing in retrospect, especially when it almost happens for real.
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None


* In the anime's denouement, Rumi is permanently delusional and institutionalized. It's quite unsettling.

to:

* In the anime's denouement, Rumi is permanently delusional and institutionalized. It's quite unsettling. And her hair now looks just like Mima's.
Is there an issue? Send a MessageReason:
None


* In a major twist, the true villain in the movie turns out to be Mima's middle-aged female manager Rumi, who was a former pop idol who didn't last and now thinks she's the real Mima. The climax of the film where Rumi chases Mima in the illusory form of Mima's giggling, pop-idol alter-ego while trying to kill her is genuinely disturbing.
** Of course, that's if you think that Rumi ''isn't'' in fact the real Mima. By that point in the movie, it's no longer possible to be sure.
** Just to review, Rumi at one point chases Mima down a street in front of a series of storefront windows. In the foreground chasing Mima is Rumi in the idealized form of Mima's pop-star alter ego, laughing and skipping down the street without a care in the world. In the background, every time Rumi passes in front of a window, you see her real form reflected: an older woman clutching an ice-pick/umbrella, gasping and snarling while in a dead sprint.
*** The worst part is that this appears to be a shared hallucination; Rumi thinks she's Super-Innocent-Magical-Avenging-Angel Mima, and Mima ''also'' thinks Rumi is Super-Innocent-Magical-Avenging-Angel Mima. For once, the ''viewer'' is shown the truth, while the characters can't see it -- and ''you'' of course can't do a God damn thing about it.

to:

* In a major twist, the true villain in the movie turns [[spoiler:turns out to be Mima's middle-aged female manager Rumi, who was a former pop idol who didn't last and now thinks she's the real Mima. The climax of the film where Rumi chases Mima in the illusory form of Mima's giggling, pop-idol alter-ego while trying to kill her is genuinely disturbing.
disturbing.]]
** Of [[spoiler:Of course, that's if you think that Rumi ''isn't'' in fact the real Mima. By that point in the movie, it's no longer possible to be sure.
sure.]]
** Just [[spoiler:Just to review, Rumi at one point chases Mima down a street in front of a series of storefront windows. In the foreground chasing Mima is Rumi in the idealized form of Mima's pop-star alter ego, laughing and skipping down the street without a care in the world. In the background, every time Rumi passes in front of a window, you see her real form reflected: an older woman clutching an ice-pick/umbrella, gasping and snarling while in a dead sprint.
sprint.]]
*** The [[spoiler:The worst part is that this appears to be a shared hallucination; Rumi thinks she's Super-Innocent-Magical-Avenging-Angel Mima, and Mima ''also'' thinks Rumi is Super-Innocent-Magical-Avenging-Angel Mima. For once, the ''viewer'' is shown the truth, while the characters can't see it -- and ''you'' of course can't do a God damn thing about it.]]

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to:

*** Mima's slow descent into madness is done so well that the audience has great difficulty in figuring out what's going on. Towards the end of the film, the amount of jumpcuts go up and Mima starts losing time - an unfortunate real life symptom of DID - and the repeats of her waking up in her apartment makes it feel like either days or weeks could have passed.
----> Mima: It's been a while, Rumi.
----> Rumi: What are you talking about, Mima? I was just here yesterday.
Is there an issue? Send a MessageReason:
Do these two segments REALLY need to be copy and pasted word for word in 3 different areas?


** One of the worst parts of the rape scene was seeing Rumi crying while watching it being filmed. The FridgeHorror comes in when you're given time, near the climax of the movie, to remember that scene: you realize that Rumi may already have been unstable and delusional, but ''this'' and the racy photo shoot were the things that pushed her permanently over the edge.
*** Or even ''worse'', if Rumi was already delusional, she thought she was seeing ''herself'' getting raped.
Willbyr MOD

Changed: 134

Removed: 52

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http://static.tvtropes.org/pmwiki/pub/images/Bloody_Mima.jpg
[[caption-width:300: I'm the '''''REAL''''' Mima.]]


Describe ''PerfectBlue'''s NightmareFuel page here.

to:

http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/Bloody_Mima.jpg
[[caption-width:300:
jpg]]
[[caption-width-right:300:
I'm the '''''REAL''''' Mima.]]


]]

Describe ''PerfectBlue'''s ''Anime/PerfectBlue'''s NightmareFuel page here.



-----

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---------



----
<<|DescribeTopicHere|>>
<<|HighOctaneNightmareFuel|>>

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----
<<|DescribeTopicHere|>>
<<|HighOctaneNightmareFuel|>>
----
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* Mima holds a tea cup in her hands in one scene and squeezes so hard that she breaks it. She's out of touch with reality at this point and while Rumi reacts with horror Mima simply looks at the blood with a blank look and says "This blood...Rumi is it real?"

to:

* Mima holds a tea cup in her hands in one scene and squeezes so hard that she breaks it. She's out of touch with reality at this point and while Rumi reacts with horror Mima simply looks at the blood with a blank look and says "This blood... Rumi is it real?"
Is there an issue? Send a MessageReason:
None

Added DiffLines:

*** All but two or three of the fish were dead. [[spoiler:The full tank of fish in Rumi's replica of Mima's apartment is what helped Mima realize she wasn't actually in her own room.]]
Is there an issue? Send a MessageReason:
None


* In a major twist, the true villain in the movie turns out to be Mima's overweight, middle-aged female manager Rumi, who was a former pop idol who didn't last and now thinks she's the real Mima. The climax of the film where Rumi chases Mima in the illusory form of Mima's giggling, pop-idol alter-ego while trying to kill her is genuinely disturbing.

to:

* In a major twist, the true villain in the movie turns out to be Mima's overweight, middle-aged female manager Rumi, who was a former pop idol who didn't last and now thinks she's the real Mima. The climax of the film where Rumi chases Mima in the illusory form of Mima's giggling, pop-idol alter-ego while trying to kill her is genuinely disturbing.



** Just to review, Rumi at one point chases Mima down a street in front of a series of storefront windows. In the foreground chasing Mima is Rumi in the idealized form of Mima's pop-star alter ego, laughing and skipping down the street without a care in the world. In the background, every time Rumi passes in front of a window, you see her real form reflected: an older female with far too much flesh trying to fit in far too little an outfit, clutching a knife, gasping and snarling while in a dead sprint.

to:

** Just to review, Rumi at one point chases Mima down a street in front of a series of storefront windows. In the foreground chasing Mima is Rumi in the idealized form of Mima's pop-star alter ego, laughing and skipping down the street without a care in the world. In the background, every time Rumi passes in front of a window, you see her real form reflected: an older female with far too much flesh trying to fit in far too little an outfit, woman clutching a knife, an ice-pick/umbrella, gasping and snarling while in a dead sprint.
Is there an issue? Send a MessageReason:
None


* If the movie itself had to be edited to '''receive''' the '''R'''-Rating you '''know''' this trope is in play. [[http://movie-censorship.com/report.php?ID=4873 Here is the link of the comparisons.]] ([[NightmareFuel Warning!]] [[NotSafeForWork NSFW]]!)

to:

* If the movie itself had to be edited '''edited''' to '''receive''' receive the '''R'''-Rating R-Rating you '''know''' this trope is in play. [[http://movie-censorship.com/report.php?ID=4873 Here is the link of the comparisons.]] ([[NightmareFuel Warning!]] [[NotSafeForWork NSFW]]!)
Is there an issue? Send a MessageReason:
None


'''''(BEWARE!: This page assumes you've seen the film. Unmarked spoilers below.)'''''

to:

'''''(BEWARE!: This page assumes you've seen the film. Unmarked [[AC:BEWARE! unmarked spoilers below.)'''''below]]



* [[http://www.youtube.com/watch?v=EBxsRiG5eYU&feature=related Virtua Mima]]. If this song does not make you want to crawl under your bed and stay there for a while, nothing will.

to:

* [[http://www.youtube.com/watch?v=EBxsRiG5eYU&feature=related Virtua Mima]]."Virtua Mima"]]. If this song does not make you want to crawl under your bed and stay there for a while, nothing will.
Is there an issue? Send a MessageReason:
None


Describe PerfectBlue's NightmareFuel page here.

to:

Describe PerfectBlue's ''PerfectBlue'''s NightmareFuel page here.



Changed: 1154

Removed: 107

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* The guy in the parking lot who heard fragments of one of Mima's songs, then discovered a radio on the elevator's floor, when the doors opened. [[spoiler: And a few minutes later the doors opened again to reveal him dead, covered in his own blood, and his eyes gouged out.]]
** That's not just "a guy," that's the guy who wrote Mima into a rape scene. "Justified" would be absolutely the wrong word to use here, but there's a fairly obvious ''reason'' why Rumi (or was it Me-Mania?) killed him.
*** One of the worst parts of the rape scene was seeing Rumi crying while watching it being filmed. The FridgeHorror comes in when you're given time, near the climax of the movie, to remember that scene: you realize that Rumi may already have been unstable and delusional, but ''this'' and the racy photo shoot were the things that pushed her permanently over the edge.
**** Or even ''worse'', if Rumi was already delusional, she thought she was seeing ''herself'' getting raped.
*** In the anime's denouement, Rumi is permanently delusional and institutionalized. It's quite unsettling.

to:

* The guy in the parking lot who heard fragments of one of Mima's songs, then discovered a radio on the elevator's floor, when the doors opened. [[spoiler: And a few minutes later the doors opened again to reveal him dead, covered in his own blood, and his eyes gouged out.]]
** That's not just "a guy," that's
out]]. He was the guy man who wrote Mima into a rape scene. "Justified" scene; "justified" would be absolutely the wrong word to use here, but there's a fairly obvious ''reason'' why Rumi (or was it Me-Mania?) killed him.
*** ** One of the worst parts of the rape scene was seeing Rumi crying while watching it being filmed. The FridgeHorror comes in when you're given time, near the climax of the movie, to remember that scene: you realize that Rumi may already have been unstable and delusional, but ''this'' and the racy photo shoot were the things that pushed her permanently over the edge.
**** *** Or even ''worse'', if Rumi was already delusional, she thought she was seeing ''herself'' getting raped.
*** * In the anime's denouement, Rumi is permanently delusional and institutionalized. It's quite unsettling.



** The depiction of Mima loosing touch with reality.


to:

** The depiction of Mima loosing losing touch with reality.

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* If the movie itself had to be edited to '''receive''' the '''R'''-Rating you '''know''' this trope is in play. [[http://movie-censorship.com/report.php?ID=4873 Here is the link of the comparisons.]] ([[NightmareFuel Warning!]] [[NotSafeForWork NSFW]] is an {{Understatement}} !!)

to:

* If the movie itself had to be edited to '''receive''' the '''R'''-Rating you '''know''' this trope is in play. [[http://movie-censorship.com/report.php?ID=4873 Here is the link of the comparisons.]] ([[NightmareFuel Warning!]] [[NotSafeForWork NSFW]] is an {{Understatement}} !!)NSFW]]!)
Is there an issue? Send a MessageReason:
None

Added DiffLines:

*** And then a JumpCut reveals that [[ThroughTheEyesOfMadness the fish weren't even dead in the first place.]]
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Added DiffLines:

http://static.tvtropes.org/pmwiki/pub/images/Bloody_Mima.jpg
[[caption-width:300: I'm the '''''REAL''''' Mima.]]


Describe PerfectBlue's NightmareFuel page here.

Oh Holy Mother of GOD. Where to begin?!

'''''(BEWARE!: This page assumes you've seen the film. Unmarked spoilers below.)'''''

-----
* [[http://www.youtube.com/watch?v=EBxsRiG5eYU&feature=related Virtua Mima]]. If this song does not make you want to crawl under your bed and stay there for a while, nothing will.
* If the movie itself had to be edited to '''receive''' the '''R'''-Rating you '''know''' this trope is in play. [[http://movie-censorship.com/report.php?ID=4873 Here is the link of the comparisons.]] ([[NightmareFuel Warning!]] [[NotSafeForWork NSFW]] is an {{Understatement}} !!)
* The grotesque appearance of Mima's stalker, Me-Mania, and just Me-Mania in general. Hell, Rumi's appearance is even flinch worthy.
* The creepy SlasherSmile that quite a few characters sport in the movie.
* The fax Mima receives. '''''[[spoiler:TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR TRAITOR]]'''''
* The letter bomb that Tadokoro has the misfortune of opening.
** The threatening letter sent along with the bomb.
* The website that details everything that Mima does during each day.
* Somewhere after all this ParanoiaFuel above, she looks out her window and the camera zooms out and you get a ConspicuousCGI of the city and the train going by, as she senses that she isn't alone, and then the screen fades to black. It's an awesome combination of TheyLookJustLikeEveryoneElse and NothingIsScarier.
* Mima's rape scene.
** Mima, coming home at the end of a particular traumatic day after filming the rape scene, finds her beloved pet fish dead, and [[FreakOut loses control for a moment, trashing her apartment.]]
* The scenes where Mima chases a vision of herself in the pink girly ballerina outfit.
* The scenes where she is being photographed naked by the borderline-rapist pornographer Murano.
* The scene where she supposedly stabs Murano in the eye and then his crotch before chasing the man throughout his house and then repeatedly stabbing him to death with an vicious look on her face as he screams in terrible agony.
* How Mima starts to hallucinate and sees Me-Mania's horribly ugly face everywhere.
** Or was he 'really' stalking her?
*** Also with the fact that we'll never really know if it was stalking or her hallucinating.
** If they were hallucinations this opens up more on whether or not it was really Mima at the end and whether or not she'll go through a similar thing later.
* The scene where Me-Mania accosts Mima and attempts to rape her with a crazed grin on his face.
* "I guess I went to Harajuku today..." ''Ho-ly loss of identity, Batman!''
* The ''precise moment'' when Mima realizes that Rumi's made [[LoonyFan an exact replica of her room]]. *shudder* Can we say reverse-[[AllAboutEve Eve Harrington]]?
* In a major twist, the true villain in the movie turns out to be Mima's overweight, middle-aged female manager Rumi, who was a former pop idol who didn't last and now thinks she's the real Mima. The climax of the film where Rumi chases Mima in the illusory form of Mima's giggling, pop-idol alter-ego while trying to kill her is genuinely disturbing.
** Of course, that's if you think that Rumi ''isn't'' in fact the real Mima. By that point in the movie, it's no longer possible to be sure.
** Just to review, Rumi at one point chases Mima down a street in front of a series of storefront windows. In the foreground chasing Mima is Rumi in the idealized form of Mima's pop-star alter ego, laughing and skipping down the street without a care in the world. In the background, every time Rumi passes in front of a window, you see her real form reflected: an older female with far too much flesh trying to fit in far too little an outfit, clutching a knife, gasping and snarling while in a dead sprint.
*** The worst part is that this appears to be a shared hallucination; Rumi thinks she's Super-Innocent-Magical-Avenging-Angel Mima, and Mima ''also'' thinks Rumi is Super-Innocent-Magical-Avenging-Angel Mima. For once, the ''viewer'' is shown the truth, while the characters can't see it -- and ''you'' of course can't do a God damn thing about it.
** [[spoiler:Mima getting stabbed ''with an umbrella.'']]
*** Rumi [[spoiler:getting [[ImpaledWithExtremePrejudice impaled]] on a piece of broken glass]] was just as [[NauseaFuel nauseating]].
* The guy in the parking lot who heard fragments of one of Mima's songs, then discovered a radio on the elevator's floor, when the doors opened. [[spoiler: And a few minutes later the doors opened again to reveal him dead, covered in his own blood, and his eyes gouged out.]]
** That's not just "a guy," that's the guy who wrote Mima into a rape scene. "Justified" would be absolutely the wrong word to use here, but there's a fairly obvious ''reason'' why Rumi (or was it Me-Mania?) killed him.
*** One of the worst parts of the rape scene was seeing Rumi crying while watching it being filmed. The FridgeHorror comes in when you're given time, near the climax of the movie, to remember that scene: you realize that Rumi may already have been unstable and delusional, but ''this'' and the racy photo shoot were the things that pushed her permanently over the edge.
**** Or even ''worse'', if Rumi was already delusional, she thought she was seeing ''herself'' getting raped.
*** In the anime's denouement, Rumi is permanently delusional and institutionalized. It's quite unsettling.
* Mima holds a tea cup in her hands in one scene and squeezes so hard that she breaks it. She's out of touch with reality at this point and while Rumi reacts with horror Mima simply looks at the blood with a blank look and says "This blood...Rumi is it real?"
** The depiction of Mima loosing touch with reality.


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