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** ''Art/{{Cupid and Psyche|Bouguereau}}'': Or Love God, as is the case with Cupid.

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** ''Art/{{Cupid ''Art/{{Psyche and Psyche|Bouguereau}}'': Cupid|Bouguereau}}'': Or Love God, as is the case with Cupid.
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This character is regarded as a deity of love (which, more often than not, includes sexual lust as well). Most likely a member of the setting's ruling pantheon, but could be any character (including a mortal) who is regarded by other characters as a goddess of love. Male love gods are included in this trope. It is called "Love Goddess" rather than "Love Deity" because the females are much more common, owing to [[LoveBeALady love being associated more with the feminine]].

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This character is regarded as a deity of love (which, more often than not, includes sexual lust as well). Most likely a member of the setting's ruling pantheon, but could be any character (including a mortal) who is regarded by other characters as a goddess of love. Male love gods are included in this trope. It is called "Love Goddess" rather than "Love Deity" because the females are much more common, owing to [[LoveBeALady love being associated more with the feminine]].
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This character is regarded as a deity of love (which, more often than not, includes sexual lust as well). Most likely a member of the setting's ruling pantheon, but could be any character (including a mortal) who is regarded by other characters as a goddess of love. Male love gods are included in this trope. It is called "Love Goddess" rather than "Love Deity" because the females are much more common.

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This character is regarded as a deity of love (which, more often than not, includes sexual lust as well). Most likely a member of the setting's ruling pantheon, but could be any character (including a mortal) who is regarded by other characters as a goddess of love. Male love gods are included in this trope. It is called "Love Goddess" rather than "Love Deity" because the females are much more common.
common, owing to [[LoveBeALady love being associated more with the feminine]].

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* ''Art/TheBirthOfVenusBouguereau'': The painting's central figure is the Roman goddess of love. The piece makes this evident by showing the nymphs and centaurs around her in sheer shock and adoration at the sight of such a beautiful woman. As if they've fallen in love with her. Or with each other because of her presence.

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* ''Art/TheBirthOfVenusBouguereau'': Creator/WilliamAdolpheBouguereau:
** ''Art/{{The Birth of Venus|Bouguereau}}'':
The painting's central figure is the Roman goddess of love. The piece makes this evident by showing the nymphs and centaurs around her in sheer shock and adoration at the sight of such a beautiful woman. As if they've fallen in love with her. Or with each other because of her presence.presence.
** ''Art/{{Cupid and Psyche|Bouguereau}}'': Or Love God, as is the case with Cupid.
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* ''VideoGame/CastlevaniaCircleOfTheMoon'': As a reference to Myth/ClassicalMythology, the Venus action card depicts the "goddess of love and beauty".
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Anything That Moves is a disambiguation


* Deconstructed in ''Fanfic/{{Chemistry}}''. The WingedUnicorn Cadance is the Goddess of Love and, subsequently, Lust as well. Without medication, she goes into a [[MatingSeasonMayhem heat-like state]] where she has an attraction to AnythingThatMoves and suffers from love magic PowerIncontinence.

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* Deconstructed in ''Fanfic/{{Chemistry}}''. The WingedUnicorn Cadance is the Goddess of Love and, subsequently, Lust as well. Without medication, she goes into a [[MatingSeasonMayhem heat-like state]] where she has an attraction to AnythingThatMoves everyone and suffers from love magic PowerIncontinence.
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* ''Literature/{{Psyche}}'' features both Aphrodite and her son, Eros, who falls in love with the PrincessProtagonist, when he is pricked by his own arrow.

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Updating Links, Alphabatizing


* Mistress Love is one of the cosmic forces in the Franchise/MarvelUniverse.
* Aphrodite appeared in ''ComicBook/TheIncredibleHercules'', but resigned because she no longer felt she could serve in that role. She was succeeded by the siren [[ComicBook/AgentsOfAtlas Venus]].

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* Mistress Love is one ''ComicBook/FinePrint'': The Cupids, who spread love by firing golden arrows into humans which cause love (they can also be used on Cubi, but it causes pleasure instead).
* ''ComicBook/GoldenEyesAndHerHeroBill'': There's a [[http://cartoons.osu.edu/digital_albums/nellbrinkley/5.php#anchor towheaded cupid]] following the protagonist who's alternately referred to as Love, "[[AllCaps LOVE]]," and "The God of Love."
* ''ComicBook/GreenLantern'': The Predator Entity
of the cosmic forces in Emotional Spectrum seems to be one, as it is the Franchise/MarvelUniverse.
embodiment of the violet light of love.
* ''ComicBook/TheIncredibleHercules'': Aphrodite appeared in ''ComicBook/TheIncredibleHercules'', but resigned from the role because she no longer felt she could serve in that role. She was succeeded by the siren [[ComicBook/AgentsOfAtlas Venus]].



* Freya is one of the main characters in ''ComicBook/{{Valhalla}}'', and is presented as an EthicalSlut and one of the saner members of the cast. One album ("Freya's Necklace") focuses on Heimdall, Odin and Freya and how she as Goddess of Love embodies both the physical and emotional acts of love ([[DirtyOldMan Odin is only interested in her sexually]], while [[KnightInShiningArmor Heimdall]] [[CourtlyLove is only interested her platonically]]).
* The Predator Entity of the Emotional Spectrum in the Franchise/DCUniverse seems to be one, as it is the embodiment of the violet light of love.
* [[ComicBook/TheEnchantress Amora the Enchantress]] in ''ComicBook/TheMightyThor'' technically counts as she used to be Freyja in a previous Asgardian incarnation, and [[LivingAphrodisiac her power]] emphasizes [[TheVamp seduction]] and [[MsFanservice sex appeal]].
* There's a [[http://cartoons.osu.edu/digital_albums/nellbrinkley/5.php#anchor towheaded cupid]] following the protagonist of ''ComicBook/GoldenEyesAndHerHeroBill'' who's alternately referred to as Love, "[[AllCaps LOVE]]," and "The God of Love."
* Aphrodite is one of the main patron goddesses of the Amazons in ''Franchise/WonderWoman''.
* ''ComicBook/FinePrint'': The Cupids, who spread love by firing golden arrows into humans which cause love (they can also be used on Cubi, but it causes pleasure instead).

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* ''Franchise/MarvelUniverse'': Mistress Love is one of the cosmic forces.
* ''ComicBook/TheMightyThor'': [[Characters/MarvelComicsTheEnchantress Amora the Enchantress]] technically counts as she used to be Freyja in a previous Asgardian incarnation, and [[LivingAphrodisiac her power]] emphasizes [[TheVamp seduction]] and [[MsFanservice sex appeal]].
* ''ComicBook/{{Valhalla}}'':
Freya is one of the main characters in ''ComicBook/{{Valhalla}}'', and is presented as an EthicalSlut and one of the saner members of the cast. One album ("Freya's Necklace") focuses on Heimdall, Odin and Freya and how she as Goddess of Love embodies both the physical and emotional acts of love ([[DirtyOldMan Odin is only interested in her sexually]], while [[KnightInShiningArmor Heimdall]] [[CourtlyLove is only interested her platonically]]).
* The Predator Entity of the Emotional Spectrum in the Franchise/DCUniverse seems to be one, as it is the embodiment of the violet light of love.
* [[ComicBook/TheEnchantress Amora the Enchantress]] in ''ComicBook/TheMightyThor'' technically counts as she used to be Freyja in a previous Asgardian incarnation, and [[LivingAphrodisiac her power]] emphasizes [[TheVamp seduction]] and [[MsFanservice sex appeal]].
* There's a [[http://cartoons.osu.edu/digital_albums/nellbrinkley/5.php#anchor towheaded cupid]] following the protagonist of ''ComicBook/GoldenEyesAndHerHeroBill'' who's alternately referred to as Love, "[[AllCaps LOVE]]," and "The God of Love."
*
''ComicBook/WonderWoman'': Aphrodite is one of the main patron goddesses of the Amazons in ''Franchise/WonderWoman''.
* ''ComicBook/FinePrint'': The Cupids, who spread love by firing golden arrows into humans which cause love (they can also be used on Cubi, but it causes pleasure instead).
Amazons.
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* ''VideoGame/{{Destiny}}''/''VideoGame/Destiny2'': The Hive's BlueAndOrangeMorality means their WarGod, Xivu Arath, is their god of (platonic) love. Not as in being a god of both love and war, but as in love and war being one and the same concept to them. The love shared between the gods of the Hive meant they [[ResurrectiveImmortality fought and killed each other as often as possible]] so they would [[HadToBeSharp learn to survive]] and live forever, but Xivu Arath was always the most emotional and affectionate of the three, and held her brother Oryx in [[BigBrotherWorship particularly high regard]]. Discovering his true death drove her to extremes of rage and grief, in contrast to her sister, the TricksterGod Savathûn, who had a much more measured and introspective response.

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* As you might expect, a number of these appear in ''Franchise/ShinMegamiTensei''. In ''VideoGame/ShinMegamiTenseiStrangeJourney'', you actually look one up to get a friend of yours some romantic advice.

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* ''VideoGame/RuneScape'': Love is part of Seren's ambit as goddess of [[GodOfLight light]], harmony, and peace, and the mutual love between [[PatronGod her and her elves]] is a defining element of their relationship. However, her presence ''compels'' people to love her, and she admits that that can be every bit as intrusive and painful as the forced loyalty her brother Zaros inflicts.
%%*
As you might expect, a number of these appear in ''Franchise/ShinMegamiTensei''. In ''VideoGame/ShinMegamiTenseiStrangeJourney'', you actually look one up to get a friend of yours some romantic advice. -- Zero-context example
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* UsefulNotes/{{Buddhism}} has an interesting version: the demon king is named Mara, which means "death," but can also be called Kama or Mara-Kama, with ''kama'' meaning "love." He basically symbolizes everything that can keep someone from enlightenment, and tried to tempt the Buddha from meditation with his three daughters, Taṇhā (Craving), Arati (Boredom), and Raga (Passion). However, the Buddha only saw them as decrepit old hags, and his resilience was enough to earn their praise. Although Mahayana/Vajrayana forms of Buddhism also have a more straight example on Tara, a female Buddha with many atributes, granting love among them.

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* UsefulNotes/{{Buddhism}} has an interesting version: the demon king is named Mara, which means "death," but can also be called Kama or Mara-Kama, with ''kama'' meaning "love." He basically symbolizes everything that can keep someone from enlightenment, and tried to tempt the Buddha from meditation with his three daughters, Taṇhā (Craving), Arati (Boredom), and Raga (Passion). However, the Buddha only saw them as decrepit old hags, and his resilience was enough to earn their praise. Although Mahayana/Vajrayana forms of Buddhism also have a more straight example on in Tara, a female Buddha with many atributes, attributes, granting love among them.

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* We get a strange example from the ''Manga/SailorMoon'' manga and its prequel ''Manga/CodenameSailorV'': Minako may be of human birth, but is openly described by Artemis and others as the goddess of beauty, love and war, unable to ever find her true love (in fact the one person she had ever truly loved [[spoiler: died by her hand at the end of ''Sailor V'' because he was a Dark Kingdom underling]], and it's made clear she would always choose duty over love) but capable of bringing lovers together with her mere presence. Note that she is the ''only'' character in the series ever called a goddess or anything divine (with the exception of Sailor Pluto, who has been described as a goddess of time).

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* We get a strange example from the ''Manga/SailorMoon'' manga and its prequel ''Manga/CodenameSailorV'': Minako may be of human birth, but is openly described by Artemis and others as the goddess of beauty, love and war, unable to ever find her true love (in fact the one person she had ever truly loved [[spoiler: died [[spoiler:died by her hand at the end of ''Sailor V'' because he was a Dark Kingdom underling]], and it's made clear she would always choose duty over love) but capable of bringing lovers together with her mere presence. Note that she is the ''only'' character in the series ever called a goddess or anything divine (with the exception of Sailor Pluto, who has been described as a goddess of time).



** Venus -- Roman Goddess of Love and Sexuality -- is one of the goddesses trying to rescue Proserpina.

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** Venus -- Venus, Roman Goddess goddess of Love love and Sexuality -- sexuality, is one of the goddesses trying to rescue Proserpina.



[[folder:Film -- Live Action]]

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[[folder:Film -- Live Action]]Live-Action]]



--> '''Cupid''': (While hugging Castiel) Love is more than word to me you know. I love love. I love it and if that's wrong I don't wanna be right.

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--> '''Cupid''': (While hugging Castiel) '''Cupid:''' ''(hugging Castiel)'' Love is more than word to me you know. I love love. I love it and if that's wrong I don't wanna be right.



** The series also shows Cupids a few time, who are basically spirits who spread love. [[spoiler: Phoebe ends up marrying one.]]

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** The series also shows Cupids a few time, who are basically spirits who spread love. [[spoiler: Phoebe [[spoiler:Phoebe ends up marrying one.]]



[[folder:Mythology]]

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[[folder:Mythology]][[folder:Mythology & Religion]]



* Several Indo-European dawn goddesses, such as the Hindu Ushas and baltic Aushrine, a function that was probably inherited by the common Proto-Indo-European goddess from which they descend, [[https://en.wikipedia.org/wiki/Hausos Hausos]]. Hausos was the embodiment of Venus, the Morning Star, which means that most of her derivatives, especially Eos from Myth/ClassicalMythology may have also been love goddesses.

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* Several Indo-European dawn goddesses, such as the Hindu Ushas and baltic Baltic Aushrine, a function that was probably inherited by the common Proto-Indo-European goddess from which they descend, [[https://en.wikipedia.org/wiki/Hausos Hausos]]. Hausos was the embodiment of Venus, the Morning Star, which means that most of her derivatives, especially Eos from Myth/ClassicalMythology may have also been love goddesses.



** Hathor is effectively Aphrodite's Egyptian counterpart (in fact, they were sometimes believed to be the same deity) and is the LauncherOfAThousandShips in Egyptian mythology - it's probably easier to find a god she ''hasn't'' been paired up with in some myth or other. She's a goddess of love, sex, food, music, drunkenness, joy, beauty, motherhood, the stars, and the sky; she also has a connection to fate and is one of a few goddesses that helps the dead in the afterlife. She's also very, ''very'' sexual, even by the standards of Egyptian mythology; in one myth, Ra was sulking on the floor, so she "exposed her vagina before his very eyes", which led him to laugh and get up.

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** Hathor is effectively Aphrodite's Egyptian counterpart (in fact, they were sometimes believed to be the same deity) and is the LauncherOfAThousandShips in Egyptian mythology - -- it's probably easier to find a god she ''hasn't'' been paired up with in some myth or other. She's a goddess of love, sex, food, music, drunkenness, joy, beauty, motherhood, the stars, and the sky; she also has a connection to fate and is one of a few goddesses that helps the dead in the afterlife. She's also very, ''very'' sexual, even by the standards of Egyptian mythology; in one myth, Ra was sulking on the floor, so she "exposed her vagina before his very eyes", which led him to laugh and get up.



** It should be noted that both Hathor and Bast had much darker aspects, though - either or both were believed to have a much darker aspect known as Sekhmet (or Sakhmet or a number of other spellings) that came out when they were particularly angered. Interestingly, Sekhmet was primarily a goddess of war, plagues, and poisons (although sometimes also of healing), showing that the line between LoveGoddess and WarGod isn't always that thick. In one myth, the gods unleashed Sekhmet to punish humanity, but she quickly went far beyond their intentions, and she got so literally (not figuratively) bloodthirsty that she threatened to wipe out humanity entirely. Ra's solution was to fill a lake with beer and dye it red to make her believe it was blood. After she drank the ''entire lake'', she got so drunk she forgot about her rampage and returned to being Hathor. Egyptologists hold that the dichotomy between Sekhmet and Hathor (or Bast) illustrates ancient Egyptians' conception that femininity, in Carolyn Graves-Brown's words, "encompassed both extreme passions of fury and love."

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** It should be noted that both Hathor and Bast had much darker aspects, though - -- either or both were believed to have a much darker aspect known as Sekhmet (or Sakhmet or a number of other spellings) that came out when they were particularly angered. Interestingly, Sekhmet was primarily a goddess of war, plagues, and poisons (although sometimes also of healing), showing that the line between LoveGoddess and WarGod isn't always that thick. In one myth, the gods unleashed Sekhmet to punish humanity, but she quickly went far beyond their intentions, and she got so literally (not figuratively) bloodthirsty that she threatened to wipe out humanity entirely. Ra's solution was to fill a lake with beer and dye it red to make her believe it was blood. After she drank the ''entire lake'', she got so drunk she forgot about her rampage and returned to being Hathor. Egyptologists hold that the dichotomy between Sekhmet and Hathor (or Bast) illustrates ancient Egyptians' conception that femininity, in Carolyn Graves-Brown's words, "encompassed both extreme passions of fury and love."



*** Some theorists (notably Creator/{{Plato}}) divided Aphrodite into two aspects or personas, Aphrodite Urania, the "heavenly Aphrodite" of sublime love, and what in the Roman version was called Venus Vulgivaga, the "Venus of the people" who was in charge of purely sexual love. In some versions Aphrodite had a dark aspect, for instance in Sparta she was portrayed wearing armour and one of her epithets was ''Androphonos'' "the man-killer".
*** It should be noted that the ancient Greeks (or at least some of their philosophers) didn't view "love" between a man and woman as a good thing. Partially because it was considered an animal's instinct and a distraction from more important things such as war and philosophy depending on the area, and partially because they believed women to be objects, and therefore loving them was inferior to their "people"-centered loves of agape and philia. This led the ancient Greeks (or, again, at least certain mythographers and poets) to see Aphrodite as a villainous figure.
%%*** Venus (in the Roman version)
** Eros (or Pothos) in Greek Mythology. Aphrodite's son, sent (sometimes reluctantly) to put his mother's nefarious plots in action. Portrayed much more sympathetically than his mother. Depends on who tells the story. In Hesiod's ''Theogony'', Eros is one of the primal gods (brother to Gaia and Tartaros) and thus older than Aphrodite. Also in most myths Eros engages in all kinds of mischief without needing Aphrodite's orders to do so. The story of Eros and Psyche, where he is portrayed as her reluctant servant, is so late that it can be considered literature more than actual mythology.
%%*** Amor (or Cupid(o)) (in the Roman version)

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*** Some theorists (notably Creator/{{Plato}}) divided Aphrodite into two aspects or personas, Aphrodite Urania, the "heavenly Aphrodite" of sublime love, and what Aphrodite Pandemos (known in the Roman version was called as Venus Vulgivaga, the "Venus of the people" people"), who was in charge of purely sexual love. In some versions Aphrodite had a dark aspect, aspect; for instance in Sparta she was portrayed wearing armour and one of her epithets was ''Androphonos'' ''Androphonos'', "the man-killer".
*** It should be noted that the ancient Greeks (or at least some of their philosophers) didn't view "love" between a man and woman as a good thing. Partially because it was considered an animal's animal instinct and a distraction from more important things such as war and philosophy depending on the area, and partially because they believed women to be objects, and therefore loving them was inferior to their "people"-centered loves of agape and philia. This led the ancient Greeks (or, again, at least certain mythographers and poets) to see Aphrodite as a villainous figure.
%%*** *** The Romans identified Aphrodite with their native goddess Venus. It's not entirely clear what Venus (in was originally like, but after the Roman version)
Greeks colonized Italy in the early Iron Age, Venus took on Aphrodite's description as a goddess of various forms of physical and emotional love and was portrayed similarly in art.
** Eros (or Pothos) in Greek Mythology. mythology, Aphrodite's son, sent (sometimes reluctantly) to put his mother's nefarious plots in action. Portrayed Depending on who told the story, he could be portrayed much more sympathetically than his mother. Depends on who tells the story.mother. In Hesiod's ''Theogony'', Eros is one of the primal gods (brother to Gaia and Tartaros) and thus older than Aphrodite. Also in most myths Eros engages in all kinds of mischief without needing Aphrodite's orders to do so. The story of Eros and Psyche, where he is portrayed as her reluctant servant, is so late that it can be considered literature more than actual mythology.
%%***
mythology. The Romans identified Eros with their own Amor (or Cupid(o)) (in the Roman version)or Cupid(o) in a similar manner to Aphrodite and Venus.
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* ''Literature/IsItWrongToTryToPickUpGirlsInADungeon'' has multiple goddesses of beauty like Freya and Ishtar who are breathtakingly beautiful and possess [[ThePornomancer the ability to make anyone fall in love and give them orgasms]].

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* ''Literature/IsItWrongToTryToPickUpGirlsInADungeon'' has ''Literature/InAnotherWorldWithMySmartphone'' features a Goddess of Love, who first advices Touya about dropping his beliefs from his original world and not worry about [[MarryThemAll marrying multiple goddesses of beauty like Freya girls]]. She later descends to the mortal realm and Ishtar who are breathtakingly beautiful passes herself off as Touya's older sister, often giving him and possess [[ThePornomancer the ability his fiancées advices to make anyone fall in push their love and give them orgasms]].lives further.

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* Syph from ''Literature/DivineMisfortune'' started out as the Goddess of Love (her pantheon is never specified). Then after she fell in love with Lucky only for him to dump her, it changes her so fundamentally that she turns into a Goddess associated with Heartbreak and Tragedy. She spends literally a millenia wandering around as a depressed vagrant before eventually being inspired to use her godly powers to avenge scorned lovers.



* * ''Literature/IsItWrongToTryToPickUpGirlsInADungeon'':

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* * ''Literature/IsItWrongToTryToPickUpGirlsInADungeon'':
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* ''Art/AphroditeOfMenophantos'': It is a portrayal of Venus, the Roman Goddess of Love. In particular, a version of her that is self-aware of her HeadTurningBeauty and therefore tries to cover herself up. This element is present because here, she's young and still a virgin, just learning the ropes of being a goddess.
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* ''Art/TheBirthOfVenusBouguereau'': The painting's central figure is the Roman goddess of love. The piece makes this evident by showing the nymphs and centaurs around her in sheer shock and adoration at the sight of such a beautiful woman. As if they've fallen in love with her. Or with each other because of her presence.
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* ''Art/VenusAndCupidGentileschi'': Venus and her son Cupid, the subjects of the painting, are both love gods from classical mythology.
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* ''Art/TheRapeOfProserpinaRubens'':
** Venus -- Roman Goddess of Love and Sexuality -- is one of the goddesses trying to rescue Proserpina.
** The [[{{Putto}} putti]] are meant to represent Cupid, the Roman God of Erotic Love.
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* ''Art/ThePlanetVenus'' depicts Venus, the Roman Goddess of Love. This portrayal, in particular, highlights the sexuality aspect of her domain by focusing on Venus' AngelicBeauty.
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* ''Art/VenusCupidFollyAndTime'': Both Venus and Cupid are depicted in the forefront giving a flirtatious kiss in witness to the other characters. Considering the personification of folly is about to shower the two in rose petals, this is likely a bad move, especially considering both Venus and Cupid are infamous for their tendency to cause problems.
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* Art/VenusDeMilo: Her assigned name suggests that it's a sculpture of Aphrodite, the Greek goddess of erotic love.
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* ''LightNovel/IsItWrongToTryToPickUpGirlsInADungeon'' has multiple goddesses of beauty like Freya and Ishtar who are breathtakingly beautiful and possess [[ThePornomancer the ability to make anyone fall in love and give them orgasms]].
* ''LightNovel/TheDeathMageWhoDoesntWantAFourthTime'' has Vida, goddess of Life and Love and one of the eleven High Gods of Lambda, who was sealed by Alda the GodOfOrder thousands of years ago for creating several races that disgusted Alda. She is considered the biggest patron of Vandalieu the protagonist.

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* ''LightNovel/IsItWrongToTryToPickUpGirlsInADungeon'' ''Literature/IsItWrongToTryToPickUpGirlsInADungeon'' has multiple goddesses of beauty like Freya and Ishtar who are breathtakingly beautiful and possess [[ThePornomancer the ability to make anyone fall in love and give them orgasms]].
* ''LightNovel/TheDeathMageWhoDoesntWantAFourthTime'' ''Literature/TheDeathMageWhoDoesntWantAFourthTime'' has Vida, goddess of Life and Love and one of the eleven High Gods of Lambda, who was sealed by Alda the GodOfOrder thousands of years ago for creating several races that disgusted Alda. She is considered the biggest patron of Vandalieu the protagonist.

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Moving to correct folder


* ''VideoGame/FinalFantasyXIV'': According to Eorzean mythology, Menphina the Lover is the goddess of love and the divine lover of Oschon the Wanderer. Rather than solely representing carnal or romantic love, Menphina presides over love in all its forms. She's said to reward those who give as much love as they receive and her followers beseech her for solace, shelter, and hope. [[spoiler:When she appears in the Euphyrosyne raid, she's overflowing with compassion for everyone, telling the heroes that the Twelve listen to each and every prayer even though they do not have the power to answer them all.]]


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* ''VideoGame/FinalFantasyXIV'': According to Eorzean mythology, Menphina the Lover is the goddess of love and the divine lover of Oschon the Wanderer. Rather than solely representing carnal or romantic love, Menphina presides over love in all its forms. She's said to reward those who give as much love as they receive and her followers beseech her for solace, shelter, and hope. [[spoiler:When she appears in the Euphyrosyne raid, she's overflowing with compassion for everyone, telling the heroes that the Twelve listen to each and every prayer even though they do not have the power to answer them all.]]
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* The film ''Film/OneTouchOfVenus'' and its remake have a statue of Venus de Milo coming to life and understandably causing wacky hijinx in the protagonist's life.

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* The film ''Film/OneTouchOfVenus'' and its remake have a statue of Venus de Milo Art/VenusDeMilo coming to life and understandably causing wacky hijinx in the protagonist's life.

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