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Changed line(s) 397,401 (click to see context) from:
* Joe's blasé attitude towards potentially chopping off Hurd Sparewell's hand, and Chet's insistence that that is not happening.
-->'''Chet:''' Joe, I am so serious. This is the hill that I die on. We're not chopping off his hand.
-->'''Joe:''' We don't even need his whole hand.
-->'''Chet:''' Okay. No, no.
-->'''Joe:''' Just a finger.
-->'''Chet:''' Joe, I am so serious. This is the hill that I die on. We're not chopping off his hand.
-->'''Joe:''' We don't even need his whole hand.
-->'''Chet:''' Okay. No, no.
-->'''Joe:''' Just a finger.
to:
* Joe is quite excited that their plan to steal the Core involves heading to the roof and escaping in a helicopter, saying it's gonna be the greatest heist ever. But then Chet and Belinda provide additional intel indicating that the Core is actually in a basement lab instead of the 13th floor, so Drew adjusts the plan to have them escape out the parking garage instead. Joe is less than enthused:
-->'''Joe''': Whatever. This heist sucks now.
** Later, once it's established that the boys will have to hide in the trunk of a car to get into the parking lot, he's ''even more'' annoyed:
--->'''Joe''': I hate this heist.
** He ''is'', however, pretty happy about the ear comms. "Now we're talking."
* Drew then states that there's one last problem. The others, who've been around the block with heists at this point, beg to differ:
-->'''Chet''': Security guards.\\
'''Belinda''': Surveillance cameras.\\
'''Joe''': We don't have eyes on Olivia.\\
'''Frank''': We don't know Hurd's timeline.\\
'''Callie''': We don't know what to do with the Core once we get it.\\
'''Drew''': Okay. Wow. ''(exhales)'' Clearly we have some other things that we need to work out. Are you guys always this intense?
* Joe's blasé attitude towards potentially chopping off Hurd Sparewell'shand, hand to get his fingerprint for the elevators, and Chet's insistence that that is not happening.
-->'''Chet:'''happening. Joe largely seems to be continuing to consider it just to mess with him.
-->'''Chet''': I don't care what anyone says. We're not chopping off his hand.\\
'''Joe''': Relax, okay? We're ''probably'' not gonna do that--\\
'''Chet''': Joe, I am so serious. This is the hill that I die on. We're not chopping off his hand. \n-->'''Joe:''' \\
'''Joe''': We don't even need his wholehand.
-->'''Chet:'''hand.\\
'''Chet''': Okay. No, no. \n-->'''Joe:''' \\
'''Joe:''': [[ComedicSociopathy Just a finger.]]
-->'''Joe''': Whatever. This heist sucks now.
** Later, once it's established that the boys will have to hide in the trunk of a car to get into the parking lot, he's ''even more'' annoyed:
--->'''Joe''': I hate this heist.
** He ''is'', however, pretty happy about the ear comms. "Now we're talking."
* Drew then states that there's one last problem. The others, who've been around the block with heists at this point, beg to differ:
-->'''Chet''': Security guards.\\
'''Belinda''': Surveillance cameras.\\
'''Joe''': We don't have eyes on Olivia.\\
'''Frank''': We don't know Hurd's timeline.\\
'''Callie''': We don't know what to do with the Core once we get it.\\
'''Drew''': Okay. Wow. ''(exhales)'' Clearly we have some other things that we need to work out. Are you guys always this intense?
* Joe's blasé attitude towards potentially chopping off Hurd Sparewell's
-->'''Chet:'''
-->'''Chet''': I don't care what anyone says. We're not chopping off his hand.\\
'''Joe''': Relax, okay? We're ''probably'' not gonna do that--\\
'''Chet''': Joe, I am so serious. This is the hill that I die on. We're not chopping off his hand.
'''Joe''': We don't even need his whole
-->'''Chet:'''
'''Chet''': Okay. No, no.
'''Joe:''': [[ComedicSociopathy Just a finger.]]
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* The Hardys and Drew get stuck in the elevator. They have different ideas for how to get it moving again, starting with Joe repeatedly jumping up and down because "sometimes that gets it moving again."
-->'''Frank''': Can't you just hack the elevator?\\
'''Drew''': With what, Frank? My hands? I don't have a laptop.\\
'''Joe''': Okay. Uh, hot-wire it, then.\\
'''Drew''': It is an ''elevator'', Joe.
** Then, a moment later:
--->'''Chet''': Can you pry that elevator door open?\\
'''Joe''': With what? Our hands?\\
'''Drew''': Now do you see how ridiculous that sounds? ''(Joe rolls his eyes)''
** Frank tries to keep things on track, but Joe's still not a fan of getting into the elevator shaft.
--->'''Callie''': Peak your head out and see if the vent is above or below you.\\
'''Joe''': That sounds like a really great way to lose our heads.\\
'''Frank''': ''(To Callie)''' Then what?\\
'''Joe''': Then we're dead, Frank! We don't have heads!
* A couple as the boys crawl through the ventilation shaft:
** They look down through the vent into the room, and Frank realizes how high up they actually are:
--->'''Joe''': What, are you afraid of heights all of a sudden?\\
'''Frank''': No!...[[DeadpanSnarker I'm afraid of falling to my death all of a sudden.]]
** Joe then advises on how they can shimmy out of the vent and "dangle and drop, just like gym class."
--->'''Frank''': You got a D in gym class.\\
'''Joe''': Not 'cause I couldn't do it. Just didn't like it.
** Then some BlackComedy when Frank and Joe prepare to pull the vent cover off to do so on the count of three, only for the entire vent shaft to break and fall to the ground after "one".
-->'''Frank''': Can't you just hack the elevator?\\
'''Drew''': With what, Frank? My hands? I don't have a laptop.\\
'''Joe''': Okay. Uh, hot-wire it, then.\\
'''Drew''': It is an ''elevator'', Joe.
** Then, a moment later:
--->'''Chet''': Can you pry that elevator door open?\\
'''Joe''': With what? Our hands?\\
'''Drew''': Now do you see how ridiculous that sounds? ''(Joe rolls his eyes)''
** Frank tries to keep things on track, but Joe's still not a fan of getting into the elevator shaft.
--->'''Callie''': Peak your head out and see if the vent is above or below you.\\
'''Joe''': That sounds like a really great way to lose our heads.\\
'''Frank''': ''(To Callie)''' Then what?\\
'''Joe''': Then we're dead, Frank! We don't have heads!
* A couple as the boys crawl through the ventilation shaft:
** They look down through the vent into the room, and Frank realizes how high up they actually are:
--->'''Joe''': What, are you afraid of heights all of a sudden?\\
'''Frank''': No!...[[DeadpanSnarker I'm afraid of falling to my death all of a sudden.]]
** Joe then advises on how they can shimmy out of the vent and "dangle and drop, just like gym class."
--->'''Frank''': You got a D in gym class.\\
'''Joe''': Not 'cause I couldn't do it. Just didn't like it.
** Then some BlackComedy when Frank and Joe prepare to pull the vent cover off to do so on the count of three, only for the entire vent shaft to break and fall to the ground after "one".
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Changed line(s) 391 (click to see context) from:
* Driscoll, who has so far comes across as a ByTheBookCop who's something of an obstacle, offers to let Belinda and Chet look through the files he's compiled so far on Olivia. Chet is surprised by this, prompting Driscoll to complain that ''everyone else'' is already playing it "fast and loose" with this investigation, so why can't he?
to:
* Driscoll, who has so far comes across as a ByTheBookCop who's something of a big an obstacle, offers to let Belinda and Chet look through the files he's compiled so far on Olivia. Chet is surprised by this, prompting Driscoll to complain that ''everyone else'' is already playing it "fast and loose" with this investigation, so why can't he?he? Then Chet and Belinda actually see just how many files are on his desk, and are far less enthused.
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Added DiffLines:
* Phil and Biff spy on Hurd Sparewell, the likely BigBad, from a distance as he arrives at his company. They have this exchange:
-->'''Biff''': What now?\\
'''Phil''': Well, I don't want to put the cart before the horse, but I think we need to kidnap him, question him, figure out what he's gonna do with the energy core. [[ComedicSociopathy Maybe, maybe torture him a little bit.]] I won't rule it out, anyway.
-->'''Biff''': What now?\\
'''Phil''': Well, I don't want to put the cart before the horse, but I think we need to kidnap him, question him, figure out what he's gonna do with the energy core. [[ComedicSociopathy Maybe, maybe torture him a little bit.]] I won't rule it out, anyway.
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Changed line(s) 391 (click to see context) from:
* Driscoll, who has so far comes across as a ByTheBookCop who's something of an obstacle, offer to let Belinda and Chet look through the files he's compiled so far on Olivia. Chet is surprised by this, prompting Driscoll to complain that everyone ''else'' is already playing it "fast and loose" with this investigation, so why can't he?
to:
* Driscoll, who has so far comes across as a ByTheBookCop who's something of an obstacle, offer offers to let Belinda and Chet look through the files he's compiled so far on Olivia. Chet is surprised by this, prompting Driscoll to complain that everyone ''else'' ''everyone else'' is already playing it "fast and loose" with this investigation, so why can't he?
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Changed line(s) 385 (click to see context) from:
'''Joe''': ''(Once they're out of earshot)'' [[SarcasmMode Masterful]].\\
to:
'''Joe''': ''(Once ''(When they're barely out of earshot)'' [[SarcasmMode Masterful]].\\
Added DiffLines:
[[AC: Revelation]]
* Some of JB's other jobs that the Hardy Boys hear while going through his tapes are rather amusing {{Noodle Incident}}s that leave them chuckling: him refusing one that would require him to steal ''thirteen'' paintings from one museum, insisting he'll only rob TheCasino if he gets a gig as a blackjack dealer, and agreeing to steal a championship trophy from the Hall of Fame if it includes "season tickets, just for fun." Also, in the original call with Stefan, he specifies the wigs he's asking for must be made of human hair, because "I'm allergic to horses."
* Driscoll, who has so far comes across as a ByTheBookCop who's something of an obstacle, offer to let Belinda and Chet look through the files he's compiled so far on Olivia. Chet is surprised by this, prompting Driscoll to complain that everyone ''else'' is already playing it "fast and loose" with this investigation, so why can't he?
\\
* Some of JB's other jobs that the Hardy Boys hear while going through his tapes are rather amusing {{Noodle Incident}}s that leave them chuckling: him refusing one that would require him to steal ''thirteen'' paintings from one museum, insisting he'll only rob TheCasino if he gets a gig as a blackjack dealer, and agreeing to steal a championship trophy from the Hall of Fame if it includes "season tickets, just for fun." Also, in the original call with Stefan, he specifies the wigs he's asking for must be made of human hair, because "I'm allergic to horses."
* Driscoll, who has so far comes across as a ByTheBookCop who's something of an obstacle, offer to let Belinda and Chet look through the files he's compiled so far on Olivia. Chet is surprised by this, prompting Driscoll to complain that everyone ''else'' is already playing it "fast and loose" with this investigation, so why can't he?
\\
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* Phil has a theory involving lining up the caps of the codexes with their matching symbols on the map. He's actually correct, but since the gang isn't in the right ''place'' for it to work (they need to be in the Chamber of the Eye), it leads to a rather funny AntiClimax when they all hold their breaths for a moment before realizing nothing's happening or about to happen.
-->'''Phil''': I really thought I had something there.
-->'''Phil''': I really thought I had something there.
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Changed line(s) 367 (click to see context) from:
'''Joe''': Could've ''kept dating her''.\\
to:
'''Joe''': Could've ''kept ''Could've kept dating her''.\\
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Changed line(s) 359 (click to see context) from:
'''Frank''': It took you a whole week to realize I wasn't me?\\
to:
'''Frank''': [[YouHaveGotToBeKiddingMe It took you a whole week to realize I wasn't me?\\me?]]\\
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Changed line(s) 350 (click to see context) from:
** Frank, after seeing that Callie found the Crystal, expects her to come save him. Instead, Joe shows up, and Frank's reaction is...not what he hoped for.
to:
** Frank, after seeing that Callie found the Crystal, expects her to come save him. find a way to bring him back from the outside. Instead, Joe shows up, up ''inside'' of it, and Frank's reaction (which comes from pure horror that his brother is seemingly stuck there too) is...not what he hoped for.
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Changed line(s) 344 (click to see context) from:
-->'''Biff''': Oh no, maybe we should just give up now.\\
to:
-->'''Biff''': [[SarcasmMode Oh no, maybe we should just give up now.\\]]\\
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* There's some pretty hilarious MoodWhiplash, combined with BlackComedy, in the Sleep Room as the scene flip-flops between the seriousness of Munder being there after having broken out of prison and going over the plan with the kids...and then showing what ''George'' hears as he's BoundAndGagged to the chair forced to listen to [[BrokenRecord the same, very loud rock song over and over]] to ensure he can't hear them.
** Even under the life-and-death circumstances in the Sleep Room, Munder slides right back into "teacher" mode while going over the plan, addressing all the kids as "Mr./Miss <Last Name>", having them fill in the rest of his sentences like he's quizzing them, and scolding Phil and Joe when they don't listen well enough or answer his questions correctly.
** Belinda's and Chet's reactions to coming back and finding Munder there.
--->'''Belinda''': [[FlatWhat Um...what?]] ''(Gesturing at Munder)''\\
'''Chet''': [[FromBadToWorse It always gets worse!]]\\
'''Joe''': Guys, it's okay. He's...helping.\\
'''Munder''': [[DeadpanSnarker If by "helping" you mean "saving you from certain death", then yes, Mr. Hardy, I'm helping.]]
** Even under the life-and-death circumstances in the Sleep Room, Munder slides right back into "teacher" mode while going over the plan, addressing all the kids as "Mr./Miss <Last Name>", having them fill in the rest of his sentences like he's quizzing them, and scolding Phil and Joe when they don't listen well enough or answer his questions correctly.
** Belinda's and Chet's reactions to coming back and finding Munder there.
--->'''Belinda''': [[FlatWhat Um...what?]] ''(Gesturing at Munder)''\\
'''Chet''': [[FromBadToWorse It always gets worse!]]\\
'''Joe''': Guys, it's okay. He's...helping.\\
'''Munder''': [[DeadpanSnarker If by "helping" you mean "saving you from certain death", then yes, Mr. Hardy, I'm helping.]]
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Changed line(s) 332 (click to see context) from:
-->'''Joe''': I'm going to take notes [about what you tell me].
to:
-->'''Joe''': I'm going to take notes [about what you tell me].\\
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* Munder actually manages to get in a good zinger at Joe's expense:
-->'''Joe''': I'm going to take notes [about what you tell me].
'''Munder''': Ah, well, [[DeadpanSnarker let's hope they've improved since computer class.]]
* As Belinda and Chet show up at the DSA to see Brian and get the computer chip from him, Chet asks Driscoll, who's a bit exasperated that they're there, if the snacks are free, and the latter snarks that they're "paid for with tax dollars." On their way out, Chet helps himself a couple of bags of chips and thanks Brian for them, who just shakes his head.
-->'''Joe''': I'm going to take notes [about what you tell me].
'''Munder''': Ah, well, [[DeadpanSnarker let's hope they've improved since computer class.]]
* As Belinda and Chet show up at the DSA to see Brian and get the computer chip from him, Chet asks Driscoll, who's a bit exasperated that they're there, if the snacks are free, and the latter snarks that they're "paid for with tax dollars." On their way out, Chet helps himself a couple of bags of chips and thanks Brian for them, who just shakes his head.
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Changed line(s) 325,328 (click to see context) from:
** Also gets a BrickJoke later from Belinda, when she refers to him as Georgenfrank:
--->'''George''': Who?!\\
'''Belinda''': You, idiot!
* Phil freaks out when George--still securely tied to a chair and gagged--tries to wiggle out of Callie's closet, promptly shoving him back in and shouting "Get back in there, you evil genius!" And then gives a slight, celebratory "Yeah!" after.
--->'''George''': Who?!\\
'''Belinda''': You, idiot!
* Phil freaks out when George--still securely tied to a chair and gagged--tries to wiggle out of Callie's closet, promptly shoving him back in and shouting "Get back in there, you evil genius!" And then gives a slight, celebratory "Yeah!" after.
to:
** Also gets a BrickJoke later from Belinda, when she refers to him as Georgenfrank:
Frankengeorge:
--->'''George''':Who?!\\
Who?\\
'''Belinda''': You,idiot!
idiot! ''(He looks at her like "wait, what?")''
*Phil freaks out when George--still securely tied to a chair Callie and gagged--tries Drew return to wiggle out of Callie's closet, promptly shoving him back in and shouting "Get back in their room to find the whole Hardy Gang there, you evil genius!" And then gives with "Frank" BoundAndGagged. Callie immediately gets the gist of what's going on, but as a slight, celebratory "Yeah!" after.FunnyBackgroundEvent, Drew's "WTF" face at walking in on this scene in their room is priceless.
--->'''George''':
'''Belinda''': You,
*
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* Phil freaks out when George--still securely tied to a chair and gagged--tries to wiggle out of Callie's closet, promptly shoving him back in and shouting "Get back in there, you evil genius!" And then gives a slight, celebratory "Yeah!" after.
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Changed line(s) 311 (click to see context) from:
* Joe and Phil bickering over what to call George-in-Frank's-body, since Joe dislikes the use of "Evil Frank". Joe comes up with Frankengeorge, then Phil corrects him that it should be Georgenfrank, and they argue over how neither of those are real names.
to:
* Once JB realizes the people who paid his bail at the jailhouse are probably his clients who've threatened to murder him, he's understandably not keen to leave soon:
-->'''JB''': You know, I bet that that release paperwork must take hours.\\
'''Jessie''': I'll have you on your way shortly.\\
'''JB''': No rush. Take your time. I'm happy to just lie here, think about what I did, [[BlatantLies or in this case, didn't do]].\\
''(Jessie rolls her eyes as she walks away)''
* Trudy comes to the Estabrook home looking for the boys, and they hastily have to hide "Frank" in the SecretRoom before she finds him BoundAndGagged. The whole scene descends into hilariously awkward BlatantLies about Frank being at the library "researching symbols and stuff" to open the codexes, which--as usual--somehow still works. Complete with all the other kids faux-cheerfully waving goodbye as Joe ushers Trudy out.
* George escapes through the trap door in his office, which leads to the mines, but is almost immediately found by Jessie, who asks what he's doing there at a crime scene. He once again proves to be an incredibly BadLiar with a shallow impression of the Hardy Boys' detective skills:
-->'''"Frank"''': I'm just, um, [[BlatantLies I'm looking for some clues]].\\
'''Jessie''': ''({{Beat}} as she stares at him like, "Really?")'' You're coming with me. Now.
* Joe and Phil bickering over what to call George-in-Frank's-body, since Joe dislikes the use of "Evil Frank". Joe comes up withFrankengeorge, then Phil corrects him that it should be Georgenfrank, and they argue over how neither of those are real names.Frankengeorge:
-->'''Phil''': But Frank isn't in George. George is in Frank.\\
'''Joe''': Georgenfrank isn't a name.\\
'''Phil''': Neither is Frankengeorge.\\
'''Joe''': Whatever!
-->'''JB''': You know, I bet that that release paperwork must take hours.\\
'''Jessie''': I'll have you on your way shortly.\\
'''JB''': No rush. Take your time. I'm happy to just lie here, think about what I did, [[BlatantLies or in this case, didn't do]].\\
''(Jessie rolls her eyes as she walks away)''
* Trudy comes to the Estabrook home looking for the boys, and they hastily have to hide "Frank" in the SecretRoom before she finds him BoundAndGagged. The whole scene descends into hilariously awkward BlatantLies about Frank being at the library "researching symbols and stuff" to open the codexes, which--as usual--somehow still works. Complete with all the other kids faux-cheerfully waving goodbye as Joe ushers Trudy out.
* George escapes through the trap door in his office, which leads to the mines, but is almost immediately found by Jessie, who asks what he's doing there at a crime scene. He once again proves to be an incredibly BadLiar with a shallow impression of the Hardy Boys' detective skills:
-->'''"Frank"''': I'm just, um, [[BlatantLies I'm looking for some clues]].\\
'''Jessie''': ''({{Beat}} as she stares at him like, "Really?")'' You're coming with me. Now.
* Joe and Phil bickering over what to call George-in-Frank's-body, since Joe dislikes the use of "Evil Frank". Joe comes up with
-->'''Phil''': But Frank isn't in George. George is in Frank.\\
'''Joe''': Georgenfrank isn't a name.\\
'''Phil''': Neither is Frankengeorge.\\
'''Joe''': Whatever!
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* Chet doing a bit of LampshadeHanging about the weirdness of the situation with "Frank", and how Joe deduced that he's really George.
-->'''Joe''': He faked his death so he could hide in the Crystal for years and come back as Frank. It's the only thing that makes sense.\\
'''Chet''': Oh, ''that's'' the only thing that makes sense?
-->'''Joe''': He faked his death so he could hide in the Crystal for years and come back as Frank. It's the only thing that makes sense.\\
'''Chet''': Oh, ''that's'' the only thing that makes sense?
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* George does get in one very-Frank-esque good line of snark at JB's expense about the scroll map, which they currently only have three out of four pieces of.
-->'''"Frank"''': Doesn't matter. The map's no good without a starting point. It's incomplete.\\
'''JB''': Now how do you know that?\\
'''"Frank"''': [[DeadpanSnarker Well, the gaping hole in the top corner was my first clue.]]\\
'''JB''': Allow me to rephrase. How do you know that the gaping hole in the top corner is the starting point?
-->'''"Frank"''': Doesn't matter. The map's no good without a starting point. It's incomplete.\\
'''JB''': Now how do you know that?\\
'''"Frank"''': [[DeadpanSnarker Well, the gaping hole in the top corner was my first clue.]]\\
'''JB''': Allow me to rephrase. How do you know that the gaping hole in the top corner is the starting point?
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Changed line(s) 293 (click to see context) from:
* Olivia's UndercoverCopReveal to Fenton:
to:
[[AC: A Strange Inheritance]]
* Olivia's (later revealed to be fake) UndercoverCopReveal to Fenton:
* Olivia's (later revealed to be fake) UndercoverCopReveal to Fenton:
\\
[[AC: A Vanishing Act]]
[[AC: A Vanishing Act]]
Changed line(s) 305 (click to see context) from:
* It's both kind of funny and ''very'' [[CatharsisFactor satisfying]] to see the friends sarcastically mocking George right before they subject him to Project Midnight to get Frank back while he tries to talk them out of it.
to:
\\
[[AC: A Promise of Trouble]]
* It's both kind of funny and ''very'' [[CatharsisFactor satisfying]] to see the friends [[SarcasmMode sarcastically mockingGeorge George]] right before they subject him to Project Midnight to get Frank back while he tries to talk them out of it.
[[AC: A Promise of Trouble]]
* It's both kind of funny and ''very'' [[CatharsisFactor satisfying]] to see the friends [[SarcasmMode sarcastically mocking
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\\
[[AC: The Crash]]
[[AC: The Crash]]
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\\
[[AC: The Spider's Net]]
[[AC: The Spider's Net]]
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Changed line(s) 288 (click to see context) from:
* Chet [[BrickJoke at last]] brings Belinda one of those famous milkshakes from Wilt's, and she's doubtful they'll live up to her at-this-point-very-high expectations. Then she tries it, you can see her start grinning, and she's forced to concede they're delicious:
to:
* Chet [[BrickJoke at last]] brings Belinda one of those famous milkshakes from Wilt's, and she's doubtful they'll live up to her at-this-point-very-high expectations. Then she tries it, you can see her start grinning, grinning in defeat, and she's forced to concede they're delicious:concede:
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* Phil's and Dennis's banter in the denouement, which is nonetheless far more friendly than their previous interactions.
-->'''Phil''': Whatever, Dennis! I'm glad you feel better, you heinous spaz!\\
'''Dennis''': Why do you love that poem [about the Bridgeport Demon] so much?
* Chet [[BrickJoke at last]] brings Belinda one of those famous milkshakes from Wilt's, and she's doubtful they'll live up to her at-this-point-very-high expectations. Then she tries it, you can see her start grinning, and she's forced to concede they're delicious:
-->'''Belinda''': ''(After a long {{Beat}})'' You got lucky. Yeah.
-->'''Phil''': Whatever, Dennis! I'm glad you feel better, you heinous spaz!\\
'''Dennis''': Why do you love that poem [about the Bridgeport Demon] so much?
* Chet [[BrickJoke at last]] brings Belinda one of those famous milkshakes from Wilt's, and she's doubtful they'll live up to her at-this-point-very-high expectations. Then she tries it, you can see her start grinning, and she's forced to concede they're delicious:
-->'''Belinda''': ''(After a long {{Beat}})'' You got lucky. Yeah.
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Changed line(s) 270 (click to see context) from:
** Once JB ditches them, Frank and Joe try to work out a rough plan for how they can use their element of surprise to still escape the ship with the relic. There's some BlackComedy involved as Frank finally agrees "Let's TryNotToDie"...only for them to emerge from the shipping crate and find Angela and her men just standing right there waiting for them, with JB already caught, while she tosses him a casual greeting.
to:
** Once JB ditches them, Frank and Joe try to work out a rough plan for how they can use their element of surprise to still escape the ship with the relic. There's some BlackComedy involved as Frank finally agrees "Let's TryNotToDie"...only for them to emerge from the shipping crate and find Angela and her men just standing right there waiting for them, with JB already caught, while she tosses him them a casual greeting.
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Changed line(s) 265 (click to see context) from:
* Frank has a vision showing him that Angela set a trap for Joe and JB that will get all three of them captured. He and Joe try to work out a rough plan for how they can use their element of surprise to still escape the ship with the relic. There's some BlackComedy involved as Frank finally agrees "Let's try not to die,"...only for them to emerge from the shipping crate and find Angela and her men just standing right there waiting for them, while she tosses him a casual greeting.
to:
* Frank has a vision showing him that Angela set a trap for Joe and JB that will get all three of them captured. He captured, and stops JB from continuing the plan by warning him it's a trap:
** There's a bit of a darkly funny moment in the subsequent argument:
--->'''JB''': Wait. Which one is it? Is it a trap because I'm working with Angela, or is a trap because I'm an idiot who's walking us into one?\\
'''Frank''': [[DeadpanSnarker Well, to be fair, I've always thought you're an idiot.]]\\
'''JB''': ''(to Joe)'' Are you gonna let him talk to me like that?!
** Once JB ditches them, Frank and Joe try to work out a rough plan for how they can use their element of surprise to still escape the ship with the relic. There's some BlackComedy involved as Frank finally agrees "Let'stry not to die,"...TryNotToDie"...only for them to emerge from the shipping crate and find Angela and her men just standing right there waiting for them, with JB already caught, while she tosses him a casual greeting.
** There's a bit of a darkly funny moment in the subsequent argument:
--->'''JB''': Wait. Which one is it? Is it a trap because I'm working with Angela, or is a trap because I'm an idiot who's walking us into one?\\
'''Frank''': [[DeadpanSnarker Well, to be fair, I've always thought you're an idiot.]]\\
'''JB''': ''(to Joe)'' Are you gonna let him talk to me like that?!
** Once JB ditches them, Frank and Joe try to work out a rough plan for how they can use their element of surprise to still escape the ship with the relic. There's some BlackComedy involved as Frank finally agrees "Let's
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Changed line(s) 258 (click to see context) from:
* Joe, knowing Frank is suspicious of what he's up to, works out a cover story with Biff and Phil in case Frank asks about it that they'll be at the dance that night, but is then a bit exasperated when Phil actually goes ahead and buys tickets for it. Until Lucy comes up and is a bit bummed to hear he's not actually going because she ''is'' planning to, and he quickly changes his mind and decides to go after all, to Phil's confusion.
to:
* Joe, knowing Frank is suspicious of what he's up to, works out a cover story with Biff and Phil in case Frank asks about it that they'll be at the dance that night, but is then a bit exasperated when Phil actually goes ahead and buys tickets for it. Until Lucy comes up and is a bit bummed to hear he's Joe's not actually going because she ''is'' planning to, and he quickly changes his mind and decides to go after all, to Phil's confusion.
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Changed line(s) 258 (click to see context) from:
* Joe, knowing Frank is suspicious of what he's up to, works out a cover story with Biff and Phil in case Frank asks about it that they'll be at the dance that night, but is then a bit exasperated when Phil actually goes ahead and buys tickets for it. Until Lucy comes up and is a bit disappointed to hear he's not actually going because she ''is'' planning to be there, and quickly changes his mind and decides to go after all, to Phil's confusion.
to:
* Joe, knowing Frank is suspicious of what he's up to, works out a cover story with Biff and Phil in case Frank asks about it that they'll be at the dance that night, but is then a bit exasperated when Phil actually goes ahead and buys tickets for it. Until Lucy comes up and is a bit disappointed bummed to hear he's not actually going because she ''is'' planning to be there, to, and he quickly changes his mind and decides to go after all, to Phil's confusion.
Changed line(s) 261,263 (click to see context) from:
** Joe then takes one of the tickets from Phil for himself, gives another one to Lucy, and rushes off a bit flustered. Lucy looks almost shy...and then Phil, still standing there, points out that he actually needs to be reimbursed for it. "That ticket isn't free, you know."
** And before that, there's also Joe establishing the cover story with Lucy too:
--->'''Joe''': [Frank] won't actually ask you. Just, like, if he does, could you say that I asked you to the dance and you said yes?\\
** And before that, there's also Joe establishing the cover story with Lucy too:
--->'''Joe''': [Frank] won't actually ask you. Just, like, if he does, could you say that I asked you to the dance and you said yes?\\
to:
** Joe then takes one of the tickets from Phil for himself, gives another one to Lucy, and rushes off a bit flustered.flustered to go meet JB. Lucy looks almost shy...and then Phil, still standing there, points out that he actually needs to be reimbursed for it. "That ticket isn't free, you know."
** And before that, there'salso Joe establishing the cover story with Lucy too:
--->'''Joe''': [Frank] won't actually askyou.you [where I am]. Just, like, if he does, could you say that I asked you to the dance and you said yes?\\
** And before that, there's
--->'''Joe''': [Frank] won't actually ask
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* Joe, knowing Frank is suspicious of what he's up to, works out a cover story with Biff and Phil in case Frank asks about it that they'll be at the dance that night, but is then a bit exasperated when Phil actually goes ahead and buys tickets for it. Until Lucy comes up and is a bit disappointed to hear he's not actually going because she ''is'' planning to be there, and quickly changes his mind and decides to go after all, to Phil's confusion.
-->'''Joe''': Hold on! Of course I'm going to be there. What are we even talking about? I-I have my ticket. Right, Phil?\\
'''Phil''': I'm lost.
** Joe then takes one of the tickets from Phil for himself, gives another one to Lucy, and rushes off a bit flustered. Lucy looks almost shy...and then Phil, still standing there, points out that he actually needs to be reimbursed for it. "That ticket isn't free, you know."
** And before that, there's also Joe establishing the cover story with Lucy too:
--->'''Joe''': [Frank] won't actually ask you. Just, like, if he does, could you say that I asked you to the dance and you said yes?\\
'''Lucy''': [[DeadpanSnarker Sounds like you really swept me off my feet.]]
-->'''Joe''': Hold on! Of course I'm going to be there. What are we even talking about? I-I have my ticket. Right, Phil?\\
'''Phil''': I'm lost.
** Joe then takes one of the tickets from Phil for himself, gives another one to Lucy, and rushes off a bit flustered. Lucy looks almost shy...and then Phil, still standing there, points out that he actually needs to be reimbursed for it. "That ticket isn't free, you know."
** And before that, there's also Joe establishing the cover story with Lucy too:
--->'''Joe''': [Frank] won't actually ask you. Just, like, if he does, could you say that I asked you to the dance and you said yes?\\
'''Lucy''': [[DeadpanSnarker Sounds like you really swept me off my feet.]]
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* Joe finally cracks JB's code in his letter to get the phone number to contact him, which turns out to be "IOU-1" backwards + JennysNumber. The voicemail is, appropriately, the voice of a woman named "Jenny", and Joe sounds almost smug about having figured it out when he says he's calling in his favor (all while Lucy watches in confusion). But he still remembers his manners enough to tack this on at the end:
-->'''Joe''': Also, if this ''is'' a woman named Jenny, please disregard. Bye.
-->'''Joe''': Also, if this ''is'' a woman named Jenny, please disregard. Bye.
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''(Later)''
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Changed line(s) 253 (click to see context) from:
'''Joe''': ''(scoffs)'' That's not exactly a selling point.
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'''Joe''': ''(scoffs)'' [[NotHelpingYourCase That's not exactly a selling point.]]
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'''Joe''': You'll fit right in.
to:
'''Joe''': You'll fit right in.\\
''(Later, at Rosegrave)''\\
'''JB''': Very cute blazers, guys. You're doing great.
* On that note, JB following Frank and Callie to the archive room, which happens to have what he's there to steal, too. Callie, who's never met him yet, asks him in confusion who he is, and he just says, "I'm JB Cox," in a voice that's almost put out that she didn't already know this. And Callie's jaw drops as she looks at Frank like "Oh shit, really?!", while he just nods back slightly as if to say "Unfortunately, yep, that's him."
* It's some BlackComedy, but Joe is even more full of snark than usual after finding Mack handcuffed in Angela's bathtub.
-->'''Joe''': ''(Shushing Mack)'' Hey, hey, hey. Do you hear that sound? It's the sound of the tables turning.\\
''(Later)''
'''Mack''': I work for your grandmother. I'm loyal to Gloria!\\
'''Joe''': ''(scoffs)'' That's not exactly a selling point.
''(Later, at Rosegrave)''\\
'''JB''': Very cute blazers, guys. You're doing great.
* On that note, JB following Frank and Callie to the archive room, which happens to have what he's there to steal, too. Callie, who's never met him yet, asks him in confusion who he is, and he just says, "I'm JB Cox," in a voice that's almost put out that she didn't already know this. And Callie's jaw drops as she looks at Frank like "Oh shit, really?!", while he just nods back slightly as if to say "Unfortunately, yep, that's him."
* It's some BlackComedy, but Joe is even more full of snark than usual after finding Mack handcuffed in Angela's bathtub.
-->'''Joe''': ''(Shushing Mack)'' Hey, hey, hey. Do you hear that sound? It's the sound of the tables turning.\\
''(Later)''
'''Mack''': I work for your grandmother. I'm loyal to Gloria!\\
'''Joe''': ''(scoffs)'' That's not exactly a selling point.
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* At the end of the night, Chet does his best to lighten the mood about the whole Erica situation:
-->'''Chet''': Listen, I don't want to make any assumptions, but I'm starting to think that your ex-girlfriend didn't fall to her death after all.\\
'''Belinda''': ''(Laughs)'' What was your first clue?
-->'''Chet''': Listen, I don't want to make any assumptions, but I'm starting to think that your ex-girlfriend didn't fall to her death after all.\\
'''Belinda''': ''(Laughs)'' What was your first clue?
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* Biff asks if she can join Belinda and Chet for the movie at the drive-in. Belinda is more than happy to have her. [[ThirdWheel Chet is less enthused.]] Especially when Biff casually helps herself to some of their snacks.
