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* The scene where Mirabel mistakes a disguised Camilo for Dolores initially looks like a minor gag, as well as an EstablishingCharacterMoment that shows Camilo is a bit of a rascal. But on a second viewing, it's also this trope: if Camilo is well known for sneaking extra food, then it's more plausible that ''Bruno's'' covert raids on Julieta's kitchen have gone unnoticed for all these years.
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* The color green is, of course, strongly associated with Bruno and his ability to see events to come. It's also the color which Casita's nursery walls are painted. What's a nursery for? Small children, i.e. the family's ''future''.
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* Although mostly a Moment of Funny, Bruno's response to the stubborn capybara that won't get out of the way of his sand-circle line in Antonio's tree house is entirely appropriate. ''Of course'' he simply makes space in the sand-line for the animal: he's been making allowances for his rat friends' sharing his crawlspaces for years, so it's natural for him to uncomplainingly accommodate another sort of rodent.
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* The song title "All of You" is doubly appropriate-- it not only means "every ''part'' of you," but also "every ''one'' of you". Not only is Alma realizing everything besides a gift inside a person is what makes them important, but everyone -- family and townsfolk included -- coming together to help one another is what makes the magic work.
* At one point during the story, Alma worriedly declares that the Madrigals must "protect [their] home". On the surface, it seems straight-forward enough. However, at the same time, it reflects Alma's mindset: she has the wrong idea about how to go about protecting their "home". As they say, [[AccidentalAesop home is not a place, but a people]]. If that's so, then Alma was half-right: they have to protect their home-- not their house, but their bond as a family.
* At one point during the story, Alma worriedly declares that the Madrigals must "protect [their] home". On the surface, it seems straight-forward enough. However, at the same time, it reflects Alma's mindset: she has the wrong idea about how to go about protecting their "home". As they say, [[AccidentalAesop home is not a place, but a people]]. If that's so, then Alma was half-right: they have to protect their home-- not their house, but their bond as a family.
to:
* The song title "All of You" is doubly appropriate-- appropriate -- it not only means "every ''part'' of you," but also "every ''one'' of you". Not only is Alma realizing everything besides a gift inside a person is what makes them important, but everyone -- family and townsfolk included -- coming together to help one another is what makes the magic work.
* At one point during the story, Alma worriedly declares that the Madrigals must "protect [their] home". On the surface, it seems straight-forward enough. However, at the same time, it reflects Alma's mindset: she has the wrong idea about how to go about protecting their "home". As they say, [[AccidentalAesop home is not a place, but a people]]. If that's so, then Alma was half-right: they have to protect theirhome-- home -- not their house, but their bond as a family.
* At one point during the story, Alma worriedly declares that the Madrigals must "protect [their] home". On the surface, it seems straight-forward enough. However, at the same time, it reflects Alma's mindset: she has the wrong idea about how to go about protecting their "home". As they say, [[AccidentalAesop home is not a place, but a people]]. If that's so, then Alma was half-right: they have to protect their
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** And Dolores falls for a genuinely nice guy in part because she's following in the footsteps of her mother, grandmother and aunt, all of whom [[SingleWomanSeeksGoodMan married nice guys.]]
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** And Dolores falls for a genuinely nice guy in part because she's following in the footsteps of her mother, grandmother and aunt, all of whom [[SingleWomanSeeksGoodMan married nice guys.]]guys]].
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** ''Encanto'' about a regular individual from a family of (literally) gifted people, while ''Coco'' is about a (figuratively) gifted individual from a family of regular people.
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** ''Encanto'' is about a regular individual from a family of (literally) gifted people, while ''Coco'' is about a (figuratively) gifted individual from a family of regular people.
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* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to struggle with not fitting the confirmities set by their families' respective matriarchs, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even contrast with each other:
to:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to struggle with not fitting the confirmities set by their families' respective matriarchs, matriarchs and eventually meets the disgraced relative of their family, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even contrast with each other:
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** ''Encanto'' is about the importance of moving forward (as shown by Alma having to let go of the trauma caused by Pedro's death, which represented the root of the family's problems), while ''Coco'' is about the importance of remembering the past (as shown by Coco remembering Hector, which ultimately saved him from Final Death).
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** One of the [[AnAesop lessons]] from ''Encanto'' is about the importance of moving forward (as shown by Alma having to let go of the trauma caused by Pedro's death, which represented the root of the family's problems), while one of the [[AnAesop lessons]] from ''Coco'' is about the importance of remembering the past (as shown by Coco remembering Hector, which ultimately saved him from Final Death).
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* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to struggle with not fitting the confirmities set by their families' respective matriarchs, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even contrast each other:
to:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to struggle with not fitting the confirmities set by their families' respective matriarchs, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even contrast with each other:
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* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to struggle with not fitting the confirmities set by their families' respective matriarchs, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even mirror each other:
to:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to struggle with not fitting the confirmities set by their families' respective matriarchs, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even mirror contrast each other:
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** ''Encanto'' is about Mirabel wanting to fit ''in'' with her family's conformities, while ''Coco'' is about Miguel wanting to get ''out'' of his family's conformities.
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** ''Encanto'' is about Mirabel wanting to fit ''in'' ''fit in'' with her family's conformities, while ''Coco'' is about Miguel wanting to get ''out'' ''get out'' of his family's conformities.
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Changed line(s) 46 (click to see context) from:
** ''Encanto'' is about the importance of moving forward (as shown by Alma having to let go of the trauma caused by Pedro's death, which represented the root of the family's problems), while ''Coco'' is about the importance of remembering the past (as shown by Coco remembering Hector, which ultimately saved from Final Death).
to:
** ''Encanto'' is about the importance of moving forward (as shown by Alma having to let go of the trauma caused by Pedro's death, which represented the root of the family's problems), while ''Coco'' is about the importance of remembering the past (as shown by Coco remembering Hector, which ultimately saved him from Final Death).
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** ''Encanto'' is about Mirabel wanting to fit ''in'' with her family's conformities, while ''Coco'' is about Miguel wanting to get ''out'' of his family's conformities.
** ''Encanto'' is about the importance of moving forward (as shown by Alma having to let go of the trauma caused by Pedro's death, which represented the root of the family's problems), while ''Coco'' is about the importance of remembering the past (as shown by Coco remembering Hector, which ultimately saved from Final Death).
** ''Encanto'' is about the importance of moving forward (as shown by Alma having to let go of the trauma caused by Pedro's death, which represented the root of the family's problems), while ''Coco'' is about the importance of remembering the past (as shown by Coco remembering Hector, which ultimately saved from Final Death).
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** ''Encanto'' is set in Colombia, while ''Coco'' is set in Mexico.
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** ''Encanto'' is set in Colombia, Colombia (South America), while ''Coco'' is set in Mexico.Mexico (North America).
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* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to deal with not fitting the confirmities set by their families' respective matriarchs, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even mirror each other:
to:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to deal struggle with not fitting the confirmities set by their families' respective matriarchs, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even mirror each other:
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* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even mirror each other:
to:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, said protagonist having to deal with not fitting the confirmities set by their families' respective matriarchs, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart, and even mirror each other:
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** ''Encanto'' is a [[TheMusical traditional musical]], while ''Coco'' is a [[MusicStories story centered around music]].
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** ''Encanto'' is a [[TheMusical [[AnimatedMusical traditional musical]], while ''Coco'' is a [[MusicStories story centered around music]].
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** ''Encanto'' is about Mirabel having to redeem her family, while ''Coco'' is about Miguel having to redeem Hector.
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** ''Encanto'' is about Mirabel having to redeem her family, while ''Coco'' is about Miguel having to redeem a single person, Hector.
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** ''Encanto'' is a small-scale dramedy [[NoAntagonist without any antagonist]], while ''Coco'' is a big-scale adventure featuring Ernesto de la Cruz as the antagonist.
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** ''Encanto'' is a small-scale dramedy that [[NoAntagonist without doesn't feature any antagonist]], while ''Coco'' is a big-scale adventure featuring Ernesto de la Cruz as the antagonist.
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** ''Encanto'' is a small-scale dramedy with [[NoAntagonist any antagonist]], while ''Coco'' is a big-scale adventure featuring Ernesto de la Cruz as the antagonist.
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** ''Encanto'' is a small-scale dramedy with [[NoAntagonist without any antagonist]], while ''Coco'' is a big-scale adventure featuring Ernesto de la Cruz as the antagonist.
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** ''Encanto'' is a smaller-scale dramedy with NoAntagonist, while ''Coco'' is a big-scale adventure featuring Ernesto de la Cruz as the antagonist.
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** ''Encanto'' is a smaller-scale small-scale dramedy with NoAntagonist, [[NoAntagonist any antagonist]], while ''Coco'' is a big-scale adventure featuring Ernesto de la Cruz as the antagonist.
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** On a meta-level, ''Encanto'' was produced by Walt Disney Animation Studios, while ''Coco'' was produced by Creator/{{Pixar}},
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** On a meta-level, ''Encanto'' was produced by Walt Disney Animation Studios, while ''Coco'' was produced by Creator/{{Pixar}}, Creator/{{Pixar}}.
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Changed line(s) 40,41 (click to see context) from:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart:
** ''Encanto'' is a [[TheMusical traditional musical]], while ''Coco'' is a [[MusicStories story centered around music]] .
** ''Encanto'' is a [[TheMusical traditional musical]], while ''Coco'' is a [[MusicStories story centered around music]] .
to:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart:
apart, and even mirror each other:
** ''Encanto'' is a [[TheMusical traditional musical]], while ''Coco'' is a [[MusicStories story centered aroundmusic]] .music]].
** ''Encanto'' is a [[TheMusical traditional musical]], while ''Coco'' is a [[MusicStories story centered around
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** ''Encanto'' has as protagonist a female teenager wearing glasses, while ''Coco'' has as protagonist a male preteen with healthy eyes.
** ''Encanto'' about a regular individual from a family of (literally) gifted people, while ''Coco'' is about a (figuratively) gifted individual from a family of regular people.
** ''Encanto'' about a regular individual from a family of (literally) gifted people, while ''Coco'' is about a (figuratively) gifted individual from a family of regular people.
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Changed line(s) 40,41 (click to see context) from:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic Multi-GenerationalHousehold, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart:
** ''Encanto'' is a traditional musical, while ''Coco'' is a MusicStory.
** ''Encanto'' is a traditional musical, while ''Coco'' is a MusicStory.
to:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic Multi-GenerationalHousehold, MultiGenerationalHousehold, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart:
** ''Encanto'' is a [[TheMusical traditionalmusical, musical]], while ''Coco'' is a MusicStory.[[MusicStories story centered around music]] .
** ''Encanto'' is a [[TheMusical traditional
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** On a meta-level, ''Encanto'' was produced by Walt Disney Animation Studios, while ''Coco'' was produced by Creator/Pixar,
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** On a meta-level, ''Encanto'' was produced by Walt Disney Animation Studios, while ''Coco'' was produced by Creator/Pixar, Creator/{{Pixar}},
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* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart:
** "Encanto'' is a traditional musical, while ''Coco'' is a MusicStory.
** "Encanto'' is a traditional musical, while ''Coco'' is a MusicStory.
to:
* Similarly, despite being made different studios, ''Encanto'' could be seen as a SpiritualSuccessor to ''WesternAnimation/{{Coco}}'', both being fantastical films centering on a minor protagonist from a large Hispanic MultiGenerationalHousehold, Multi-GenerationalHousehold, both using music as a major component of the story, as well as featuring GenerationalTrauma as a major theme, but with many differences that set both films apart:
** "Encanto'' ** ''Encanto'' is a traditional musical, while ''Coco'' is a MusicStory.
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** On a meta-level, ''Encanto'' was produced by Walt Disney Animation Studios, while ''Coco'' was produced by ''Pixar''
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** On a meta-level, ''Encanto'' was produced by Walt Disney Animation Studios, while ''Coco'' was produced by ''Pixar''Creator/Pixar,
