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** Thankfully this is later averted in Halo 5 and subsequent media, where ONI is rightly demonized by forcing all of the blame onto Halsey, especially considering that she began the Spartan-II program ''on their orders.''
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* The ONI characters of ''Franchise/{{Halo}}''[='s=] ''[[Literature/HaloGlasslands Kilo]]-[[Literature/HaloTheThursdayWar Five]]'' [[Literature/HaloMortalDictata trilogy]]. They're supposed to be painted as morally superior, especially compared to Dr. Halsey, who's portrayed as [[MadDoctor Mrs. Mengele]] for what she did in creating the Spartan-[=IIs=]. But their plan is to instigate a civil war among the Elites as a means to tip the scales in the UNSC's favor, essentially going behind humanity's only ally and weakening them. And in the long run all of their actions only cause more harm, as the rebel Elites will eventually become willing supporters of the Didact's mission to eliminating humanity.

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* The ONI characters of ''Franchise/{{Halo}}''[='s=] ''[[Literature/HaloGlasslands Kilo]]-[[Literature/HaloTheThursdayWar Five]]'' [[Literature/HaloMortalDictata trilogy]]. They're supposed to be painted as morally superior, especially compared to Dr. Halsey, who's portrayed as [[MadDoctor Mrs. Mengele]] for what she did in creating the Spartan-[=IIs=]. But their plan is to instigate a civil war among the Elites as a means to tip the scales in the UNSC's favor, essentially going behind humanity's only ally and weakening them. And in the long run all of their actions only cause more harm, as the rebel Elites will eventually become willing supporters of the Didact's mission to eliminating eliminate humanity.
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* The ONI characters of ''Franchise/{{Halo}}'' ''Kilo-Five'' trilogy. They're supposed to be painted as morally superior and paint Dr Halsey as [[MadDoctor Mrs Mengel]] for what she did in creating the SPARTAN II's. But their plan is to instigate a civil war among the Elites as a means to tip the scales in the UNSC's favor, essentially going behind humanity's only ally and weakening them. And in the long run all of their actions only cause more harm, as the rebel Sangheili soon become willing supporters to the Didacts mission in eliminating humanity.

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* The ONI characters of ''Franchise/{{Halo}}'' ''Kilo-Five'' trilogy. ''Franchise/{{Halo}}''[='s=] ''[[Literature/HaloGlasslands Kilo]]-[[Literature/HaloTheThursdayWar Five]]'' [[Literature/HaloMortalDictata trilogy]]. They're supposed to be painted as morally superior and paint Dr Halsey superior, especially compared to Dr. Halsey, who's portrayed as [[MadDoctor Mrs Mengel]] Mrs. Mengele]] for what she did in creating the SPARTAN II's.Spartan-[=IIs=]. But their plan is to instigate a civil war among the Elites as a means to tip the scales in the UNSC's favor, essentially going behind humanity's only ally and weakening them. And in the long run all of their actions only cause more harm, as the rebel Sangheili soon Elites will eventually become willing supporters to of the Didacts Didact's mission in to eliminating humanity.
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* Arthur Dimmesdale in ''Literature/TheScarletLetter'' seduced and impregnated Hester (she was a married woman, but his husband was disappeared), left her to assume all the blame and humiliation, participated among the people who shamed her and left her with the responsability of her child. However, he has the sympathy of Hester, the people of Boston and Creator/NathanielHawthorne. He does redeem himself, but in the end.

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* Arthur Dimmesdale in ''Literature/TheScarletLetter'' seduced and impregnated Hester (she was a married woman, but his her husband was disappeared), left her to assume all the blame and humiliation, participated among the people who shamed her and left her with the responsability of her child. However, he has the sympathy of Hester, the people of Boston and Creator/NathanielHawthorne. He does redeem himself, but in the end.
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** In ''Soon'', by Jerry Jenkins, we get Paul Stepola. He starts out as a VillainProtagonist, working for the atheist NewWorldOrder's StateSec, he's responsible for the deaths of several unarmed civilians and treating his wife like crap. Once EasyEvangelism takes hold, he becomes a DefectorFromDecadence... and continues to treat his wife like crap while being responsible for the deaths of several ''thousand'' unarmed civilians.

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** In ''Soon'', ''[[Literature/UndergroundZealot Soon]]'', by Jerry Jenkins, we get Paul Stepola. He starts out as a VillainProtagonist, working for the atheist NewWorldOrder's StateSec, he's responsible for the deaths of several unarmed civilians and treating his wife like crap. Once EasyEvangelism takes hold, he becomes a DefectorFromDecadence... and continues to treat his wife like crap while being responsible for the deaths of several ''thousand'' unarmed civilians.
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** In ''Edge of Apocalypse'', co-written by Tim LaHaye, we get Josh Jordan. A rich businessman who developed an anti-missile system for the U.S. government which doesn't destroy nuclear cruise missiles, but just redirects them and has them detonate there... and refuses to give control of it to the government because he ([[AuthorTract correctly]]) guesses that the Democratic politicians will give it to enemies of America. So he demands to have a weapon that can redirect America's own nukes if he decides to, and no one is supposed to notice that makes him look like a [[Film/JamesBond Bond]] villain.

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** In ''Edge of Apocalypse'', co-written by Tim LaHaye, [=LaHaye=], we get Josh Jordan. A rich businessman who developed an anti-missile system for the U.S. government which doesn't destroy nuclear cruise missiles, but just redirects them and has them detonate there... and refuses to give control of it to the government because he ([[AuthorTract correctly]]) guesses that the Democratic politicians will give it to enemies of America. So he demands to have a weapon that can redirect America's own nukes if he decides to, and no one is supposed to notice that makes him look like a [[Film/JamesBond Bond]] villain.
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Rayford, on the other hand, delays the plane so his wife can leave the city before he takes off. Then he takes off so the Antichrist can proceed. This is not after some long internal conflict, or for the sake of staying undercover, or because he thinks stopping the nukes will fail. It's just because flying the airplane is his ''job''. Our hero, everyone: An accessory to murdering millions of people.
** Both Buck and Rayford, by working very closely with the Antichrist, helping him constantly, refusing to inform anyone of who he really is, and not doing a thing to stop him, are well past 'Designated Hero' and into 'Designated Not-TheDragon', which they would be in almost any story.

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Rayford, on the other hand, delays the plane so his wife can leave the city before he takes off. Then he takes off so the Antichrist can proceed. This is not after some long internal conflict, or for the sake of staying undercover, or because he thinks stopping the nukes will fail. It's just because flying the airplane is his ''job''. Our hero, everyone: ladies and gentlemen: An accessory to murdering millions of people.
** Both Buck and Rayford, by working very closely with the Antichrist, helping him constantly, refusing to inform anyone of who he really is, and not doing a thing to stop him, are well past 'Designated Hero' "Designated Hero" and into 'Designated Not-TheDragon', "Designated Not-TheDragon," which they would be in almost any story.



* The two authors of LeftBehind didn't learn from their mistake

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* The two authors of LeftBehind ''Literature/LeftBehind'' didn't learn from their mistakemistake when they wrote other novels, as these examples show:



** In ''Edge of Apocalypse'', co-written by Tim LaHaye, we get Josh Jordan. A rich businessman who developed an anti-missile system for the U.S. government which doesn't destroy nuclear cruise missiles, but just redirects them and has them detonate there... and refuses to give control of it to the government because he ([[AuthorTract correctly]]) guesses that the Democratic politicians will give it to enemies of America. So he demands to have a weapon that can redirect America's own nukes if he decides to, and no one is supposed to notice that makes him look like a Bond villain.

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** In ''Edge of Apocalypse'', co-written by Tim LaHaye, we get Josh Jordan. A rich businessman who developed an anti-missile system for the U.S. government which doesn't destroy nuclear cruise missiles, but just redirects them and has them detonate there... and refuses to give control of it to the government because he ([[AuthorTract correctly]]) guesses that the Democratic politicians will give it to enemies of America. So he demands to have a weapon that can redirect America's own nukes if he decides to, and no one is supposed to notice that makes him look like a Bond [[Film/JamesBond Bond]] villain.
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* Arthur Dimmesdale in ''Literature/TheScarletLetter'' seduced and impregnated Hester (she was a married woman, but his husband was disappeared), left her to assume all the blame and humiliation, participated among the people who shamed her and left her with the responsability of her child. However, he has the sympathy of Hester, the people of Boston and Creator/NathanielHawthorne. He does redeem himself, but in the end.
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* Apparently Patch of ''Literature/HushHush'' is supposed to be a good guy, or at least an anti-hero we can cheer on. This is the same fellow who apparently uses the Abuser's Handbook as a guide for dating Nora and [[spoiler:at one point pins her to the bed and ''threatens to murder her''.]]

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* Apparently Patch of from ''Literature/HushHush'' is supposed to be a good guy, or at least an anti-hero we can cheer on. This is the same fellow who apparently uses the Abuser's Handbook as a guide for dating Nora and [[spoiler:at one point pins her to the bed and ''threatens to murder her''.]]her'']].
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* In ''Literature/FateOfTheJedi'', the New Jedi Order's complete and utter failure to use clearly available legal options to deal with Chief of State Natasi Daala is presented as a good thing. Instead of using the mounting public pressure on the legislature to remove her from power legally, something that had already worked to break the siege of the Jedi Temple and get the [[KangarooCourt Court of Jedi Affairs]] dissolved, [[spoiler:they mount a violent coup d'etat]]. [[StrawmanHasAPoint This is the exact sort of thing Daala was trying to prevent, albeit misguidedly,]] with her increasingly draconian anti-Jedi policies, although it could be argued that the Jedi felt they needed to [[spoiler:remove her from power]] before she did even more damage, as public pressure wasn't having much of an effect on Daala at this point.

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* In ''Literature/FateOfTheJedi'', the New Jedi Order's complete and utter failure to use clearly available legal options to deal with Chief of State Natasi Daala is presented as a good thing. Instead of using the mounting public pressure on the legislature to remove her from power legally, something that had already worked to break the siege of the Jedi Temple and get the [[KangarooCourt Court of Jedi Affairs]] dissolved, [[spoiler:they mount a violent coup d'etat]]. [[StrawmanHasAPoint This is the exact sort of thing Daala was trying to prevent, albeit misguidedly,]] with her increasingly draconian anti-Jedi policies, although it could be argued that the Jedi felt they needed to [[spoiler:remove her from power]] as quickly as possible before she did even more damage, as public pressure wasn't having much of an effect on Daala at this point.
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* In ''Literature/FateOfTheJedi'', the New Jedi Order's complete and utter failure to use clearly available legal options to deal with Chief of State Natasi Daala is presented as a good thing. Instead of using the mounting public pressure on the legislature to remove her from power legally, something that had already worked to break the siege of the Jedi Temple and get the [[KangarooCourt Court of Jedi Affairs]] dissolved, [[spoiler:they mount a violent coup d'etat]]. [[StrawmanHasAPoint This is the exact sort of thing Daala was trying to prevent, albeit misguidedly,]] with her increasingly draconian anti-Jedi policies.

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* In ''Literature/FateOfTheJedi'', the New Jedi Order's complete and utter failure to use clearly available legal options to deal with Chief of State Natasi Daala is presented as a good thing. Instead of using the mounting public pressure on the legislature to remove her from power legally, something that had already worked to break the siege of the Jedi Temple and get the [[KangarooCourt Court of Jedi Affairs]] dissolved, [[spoiler:they mount a violent coup d'etat]]. [[StrawmanHasAPoint This is the exact sort of thing Daala was trying to prevent, albeit misguidedly,]] with her increasingly draconian anti-Jedi policies.policies, although it could be argued that the Jedi felt they needed to [[spoiler:remove her from power]] before she did even more damage, as public pressure wasn't having much of an effect on Daala at this point.
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* In ''Literature/TheGame'', Neil Strauss attempts to portray himself as the OnlySaneMan who gets caught up in the world of pickup artistry and submits to it completely, before he eventually realizes that his pursuits are hollow and he ends up settling down with the right woman. However, his explanations come off as {{Jerkass}}-ish as best and completely reprehensible at worst. He steals women from their boyfriends in the middle of clubs, openly carries on relationships with multiple women at once, uses his job (as a journalist) to seduce celebrities who put their trust in him and generally acts passively when people call him out on his self-destructive behavior (to the point that Katja, the so-called SpannerInTheWorks, is more heroic and justified in her actions than he is). Even the ending of the book (Neil finally settling down with Lisa) is rendered hollow, as real-life accounts published after the fact indicated that he cheated on her and caused a breakup.
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* Christian Grey of ''Literature/FiftyShadesOfGrey'' is someone that we're supposed to sympathize with, despite him effectively raping the heroine on more than one occasion. Being an AlternateUniverseFic of {{Twilight}} he has all the stalker tendencies of Edward. After he meets Ana for the first time, he immediately orders a background check on her and receives her address, employment history, banking details, and social security number. He then proceeds to stalk her by showing up at her work, and later admits to tracking her cell phone. In chapter 21 of ''Fifty Shades Darker'', Ana asks Christian about photos are of Christian's previous subs, and he admits that he has them for the purpose of blackmailing his ex-subs into silence in case they should want to tell anyone that he likes BDSM. ("Exposure", in Grey's mind, always, always involves the news media and publicity.)

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* Christian Grey of ''Literature/FiftyShadesOfGrey'' is someone that we're supposed to sympathize with, despite him effectively raping the heroine on more than one occasion. Being an AlternateUniverseFic of {{Twilight}} he has all the stalker tendencies of Edward. After he meets Ana for the first time, he immediately orders a background check on her and receives her address, employment history, banking details, and social security number. He then proceeds to stalk her by showing up at her work, and later admits to tracking her cell phone. In chapter 21 of ''Fifty Shades Darker'', Ana asks Christian about photos are of Christian's previous subs, and he admits that he has them for the purpose of blackmailing his ex-subs into silence in case they should want to tell anyone that he likes BDSM. ("Exposure", in Grey's mind, always, always involves the news media and publicity.)

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* Christian Grey of ''Literature/FiftyShadesOfGrey'' is someone that we're supposed to sympathize with, despite him effectively raping the heroine on more than one occasion. In chapter 21 of ''Fifty Shades Darker'', Ana asks Christian about photos are of Christian's previous subs, and he admits that he has them for the purpose of blackmailing his ex-subs into silence in case they should want to tell anyone that he likes BDSM. ("Exposure", in Grey's mind, always, always involves the news media and publicity.)

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* Christian Grey of ''Literature/FiftyShadesOfGrey'' is someone that we're supposed to sympathize with, despite him effectively raping the heroine on more than one occasion. Being an AlternateUniverseFic of {{Twilight}} he has all the stalker tendencies of Edward. After he meets Ana for the first time, he immediately orders a background check on her and receives her address, employment history, banking details, and social security number. He then proceeds to stalk her by showing up at her work, and later admits to tracking her cell phone. In chapter 21 of ''Fifty Shades Darker'', Ana asks Christian about photos are of Christian's previous subs, and he admits that he has them for the purpose of blackmailing his ex-subs into silence in case they should want to tell anyone that he likes BDSM. ("Exposure", in Grey's mind, always, always involves the news media and publicity.)



** Not to mention the fact that after he meets Ana for the first time, he immediately orders a background check on her and receives her address, employment history, ''banking details, and social security number''. He then proceeds to stalk her by showing up at her work, and later admits to tracking her cell phone.
** Which all makes sense since Fifty Shades is an AlternateUniverseFic of {{Twilight}}. Edward minus vampires plus wealth and BDSM = Christian. See the section on Edward's own creepy stalker tendencies under Twilight above.
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* The heroes of the WorldsOfTheCrystalMoon series, well, aren't. The male lead, for instance, is clearly intended to be a GeniusBruiser ScienceHero, but he acts more like an arrogant, selfish, sexist thug who bullies and belittles everyone he comes across, regardless of whether the situation actually calls for it, and doesn't think to share his advanced medical knowledge centuries ahead of the [[TrappedInAnotherWorld setting's time]] for the purposes of saving people's lives. Shalee, the female lead, gets off easier in the beginning by virtue of not really doing anything of her own accord, but loses the readers' sympathy once she starts using her time-stopping magic for the purposes of molesting people for absolutely no reason. [[hottip:*:Not there's every a good reason, but still...]] George gets off more easily, since you're clearly supposed to think he's a scumbag.

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* The heroes of the WorldsOfTheCrystalMoon ''Literature/WorldsOfTheCrystalMoon'' series, well, aren't. The male lead, for instance, is clearly intended to be a GeniusBruiser ScienceHero, but he acts more like an arrogant, selfish, sexist thug who bullies and belittles everyone he comes across, regardless of whether the situation actually calls for it, and doesn't think to share his advanced medical knowledge centuries ahead of the [[TrappedInAnotherWorld setting's time]] for the purposes of saving people's lives. Shalee, the female lead, gets off easier in the beginning by virtue of not really doing anything of her own accord, but loses the readers' sympathy once she starts using her time-stopping magic for the purposes of molesting people for absolutely no reason. [[hottip:*:Not there's every a good reason, but still...]] George gets off more easily, since you're clearly supposed to think he's a scumbag.
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* ''Literature/SwordOfTruth'': Richard can certainly come across this way, given his [[BloodKnight eagerness to slaughter]] all those who [[ConceptsAreCheap "choose death" rather than "life"]] in the later books. Despite being an UnscrupulousHero and an outright SociopathicHero, the narrative and the other characters refer to him as an [[IncorruptiblePurePureness incorruptibly pure]] [[TheHero hero]]. Kahlan is, if anything, even ''more'' bloodthirsty and willing to ShootTheDog, and that's saying something. Zedd also drifts in this direction in the [[SeasonalRot later books]] by a mixture of [[AuthorFilibuster lectures]] and [[AMillionIsAStatistic an extremely high kill count]].

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* ''Literature/SwordOfTruth'': Richard can certainly come across almost immediately turns into this way, after being named Seeker, given his [[BloodKnight eagerness to slaughter]] all those who [[ConceptsAreCheap "choose death" rather than "life"]] in the later books. books, and even in the earlier books to a slightly lesser degree. Despite being an UnscrupulousHero at best and an outright SociopathicHero, SociopathicHero at worst, the narrative and the other characters refer to him as an [[IncorruptiblePurePureness incorruptibly pure]] [[TheHero hero]].hero]], mentioning his "winning manner" and that "he's the most gentle man I know" and displaying a general belief that Richard is always right. Kahlan is, if anything, even ''more'' bloodthirsty and willing to ShootTheDog, and that's saying something. Zedd also drifts in this direction in the [[SeasonalRot later books]] by a mixture of [[AuthorFilibuster lectures]] and [[AMillionIsAStatistic an extremely high kill count]].
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--> “This is going to sound cold, but—they’re an insurance policy,” he whispers steeling himself for my response.

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--> “This is going to sound cold, but—they’re but—they’re an insurance policy,” he whispers steeling himself for my response.



** Which all makes sense since Fifty Shades is an AlternateUniverseFic of {{Twilight}}. See the section on Edward's creepy stalker tendencies under Twilight above.

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** Which all makes sense since Fifty Shades is an AlternateUniverseFic of {{Twilight}}. Edward minus vampires plus wealth and BDSM = Christian. See the section on Edward's own creepy stalker tendencies under Twilight above.
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** Which all makes sense since Fifty Shades is an AlternateUniverseFic of {{Twilight}}. See the section on Edward's creepy stalker tendencies under Twilight above.
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** Zedd is something of a subversion, because while he's a big part of the epic world-saving quests and Richard certainly treats him as a heroic forebear and wise mentor, there are regular asides to remind the reader that he's NOT someone to be emulated or looked up to. Zedd is regularly characterized by all non-Richard characters as being far WORSE than the big bad of the first book (the war between the two being what broke the world prior to the series' birth), and among the characters expressing this opinion is Zed himself. In the Zed-focused short story Debt of Bones, it is heavily implied that his decision to retire to the non-magic portion of the continent had little to do with staying with his family and a lot to do with looking at the path he was on and predicting that it was a matter of a few years at best before he could talk himself into wiping out all life on the planet completely. For bonus points, this is one of the few story elements where [[MarySue Richard]] is actually presented as being unambiguously wrong about something, making Richard's hero-worship an in-setting example of the trope as well.

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*** And the time when he, as the pilot of the Antichrist, knows that the Antichrist is going to nuke millions of people - including the entire population of the city where he currently is--as soon as the plane takes off and gets clear. A hero would face a dilemma in how to stop this: Try to crash the plane during takeoff, which might kill the Antichrist but might fail thanks to Antichrist powers, or secretly try to remain in range of the nukes, which definitely will kill the Antichrist but could be detected, and will result in millions dead but might be worth it. Or assassinate him, or broadcast what he's doing, or something.
*** Rayford, on the other hand, delays the plane so his wife can leave the city before he takes off. Then he takes off so the Antichrist can proceed. This is not after some long internal conflict, or for the sake of staying undercover, or because he thinks stopping the nukes will fail. It's just because flying the airplane is his ''job''. Our hero, everyone: An accessory to murdering millions of people.

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*** And the time when he, as the pilot of the Antichrist, knows that the Antichrist is going to nuke millions of people - including people--including the entire population of the city where he currently is--as soon as the plane takes off and gets clear. A hero would face a dilemma in how to stop this: Try to crash the plane during takeoff, which might kill the Antichrist but might fail thanks to Antichrist powers, or secretly try to remain in range of the nukes, which definitely will kill the Antichrist but could be detected, and will result in millions dead but might be worth it. Or assassinate him, or broadcast what he's doing, or something.
***
something.\\
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Rayford, on the other hand, delays the plane so his wife can leave the city before he takes off. Then he takes off so the Antichrist can proceed. This is not after some long internal conflict, or for the sake of staying undercover, or because he thinks stopping the nukes will fail. It's just because flying the airplane is his ''job''. Our hero, everyone: An accessory to murdering millions of people.

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The Weatherwax example has almost nothing to do with this, and no-one else actually exemplifies the trope either.


* The Silver Horde from Literature/{{Discworld}} personify this trope, as explicitly lampshaded by the Patrician in ''Discworld/TheLastHero''.
** Better [[Discworld/InterestingTimes Cohen than Lord Hong]]. Also, they aren't meant to be 'heroes', just protagonists.
** Cohen is actually titled Cohen ''the Barbarian''. They are meant to be 'heroes' but only in the same way Conan was.
** Done with Granny Weatherwax. While she's [[{{Jerkass}} not exactly]] [[JerkWithAHeartOfGold the]] ''[[JerkWithAHeartOfGold nicest]]'' [[JerkWithAHeartOfGold person around]], [[GoodIsNotNice she's definitely a hero]] and [[ShootTheDog the Disc is much the better for her nastiness]]. Unfortunately, she's also a twin, and the TheoryOfNarrativeCausality holds that [[CainAndAbel twins must be opposites]]: one good, one [[EvilTwin evil]]. Granny Weatherwax [[EvilIsCool wanted to be the evil one]], and was horrified that her sister instead chose to be an insane KnightTemplar, forcing her to take the "good" role. ("Evil" witches are usually just sadistic [[KarmicTrickster tricksters]], and have as much contempt for [[ThouShaltNotKill killing]] and [[SorcerousOverlord conquering]] as the "good" ones.)

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* The Silver Horde from Literature/{{Discworld}} personify ''Literature/{{Discworld}}'' discusses this trope, as explicitly lampshaded by trope in pointing out that professional "heroes", the Patrician in ''Discworld/TheLastHero''.
** Better [[Discworld/InterestingTimes Cohen than Lord Hong]]. Also, they aren't meant to be 'heroes',
people who go around slaying the monsters and stuff, are typically just protagonists.
** Cohen is actually titled Cohen ''the Barbarian''. They are meant to be 'heroes' but only in the same way Conan was.
** Done with Granny Weatherwax. While she's [[{{Jerkass}} not exactly]] [[JerkWithAHeartOfGold the]] ''[[JerkWithAHeartOfGold nicest]]'' [[JerkWithAHeartOfGold person around]], [[GoodIsNotNice she's definitely a hero]]
violent and [[ShootTheDog the Disc is much the better for her nastiness]]. Unfortunately, she's also a twin, and the TheoryOfNarrativeCausality holds that [[CainAndAbel twins must be opposites]]: one good, one [[EvilTwin evil]]. Granny Weatherwax [[EvilIsCool wanted to be the evil one]], and was horrified that her sister instead chose to be an insane KnightTemplar, forcing her to take the "good" role. ("Evil" witches are usually just sadistic [[KarmicTrickster tricksters]], and have as much contempt for [[ThouShaltNotKill killing]] and [[SorcerousOverlord conquering]] as the "good" ones.)rather dim.
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** Not to mention the fact that after he meets Ana for the first time, he immediately orders a background check on her and receives her address, employment history, ''banking details, and social security number''. He then proceeds to stalk her by showing up at her work, and later admits to tracking her cell phone.

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** In ''Eclipse'', Jacob becomes just as emotionally manipulative of Bella as Edward is, threatening to go into battle and die at one point, unless she proves her love to him. When she kisses him to convince him not to kill himself, he orders her to "do better than that" or else he won't count it. At the end of the book, he's rude to Leah when she tries to talk to him about his feelings for Bella (granted she wasn't exactly gentle, but given that she too had been dumped by someone she loved, his taunting of her was pretty callus) and then abandons his father to go hide as a wolf for awhile. In ''Breaking Dawn'', he throws a fit when he learns that Bella intends to sleep with Edward while she's still human. In the second part of the book, when he hears that Bella's sick, he immediately believes that Edward changed her and goes over to kill the Cullens over it (rather creepily dismantling the phone and ensuring that his wheelchair-bound father couldn't follow after and stop him). He seriously considers Edward's offer to talk her into an abortion in exchange for him knocking her up instead. He later tries to invoke an imprint by going to a park and creepily staring at random girls to force it to happen. When Bella gives birth to Renesmee and he thinks she's dead, he ''goes to kill the baby'' to avenge her (ignoring the fact that Bella made it clear she was willing to give her life for her child) and was only stopped by imprinting on her. In case you didn't know, "imprinting" is Stephanie Meyer's word for realising that the person you are looking at is the only person you will ever feel sexually attracted to. This happened when he looked at a new-born baby. From then on, his imprint makes him do countless horrible things in the name of protecting Renesmee, including saying nothing while vampire allies stay in Forks and eat people outside of the town and ordering all of his pack (including ''newly-transformed young children'') to stay behind as canon fodder while he and Renesmee abandon them all to escape the Volturi.

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** In ''Eclipse'', Jacob becomes just as emotionally manipulative of Bella as Edward is, threatening to go into battle and die at one point, unless she proves her love to him. When she kisses him to convince him not to kill himself, he orders her to "do better than that" or else he won't count it. At the end of the book, he's rude to Leah when she tries to talk to him about his feelings for Bella (granted she wasn't exactly gentle, but given that she too had been dumped by someone she loved, his taunting of her was pretty callus) and then abandons his father to go hide as a wolf for awhile. In ''Breaking Dawn'', he throws a fit when he learns that Bella intends to sleep with Edward while she's still human. In the second part of the book, when he hears that Bella's sick, he immediately believes that Edward changed her and goes over to kill the Cullens over it (rather creepily dismantling the phone and ensuring that his wheelchair-bound father couldn't follow after and stop him). He seriously considers Edward's offer to talk her into an abortion in exchange for him knocking her up instead. He later tries to invoke an imprint by going to a park and creepily staring at random girls to force it to happen. When Bella gives birth to Renesmee and he thinks she's dead, he ''goes to kill the baby'' to avenge her (ignoring the fact that Bella made it clear she was willing to give her life for her child) and was only stopped by imprinting on her. In case you didn't know, "imprinting" is Stephanie Meyer's word for realising realizing that the person you are looking at is the only person you will ever feel sexually attracted to. This happened when he looked at a new-born baby. From then on, his imprint makes him do countless horrible things in the name of protecting Renesmee, including saying nothing while vampire allies stay in Forks and eat people outside of the town and ordering all of his pack (including ''newly-transformed young children'') to stay behind as canon fodder while he and Renesmee abandon them all to escape the Volturi.



*** And the time when he, as the pilot of the Antichrist, knows that the Antichrist is going to nuke millions of people - including the entire population of the city where he currently is--as soon as the plane takes off and gets clear. A hero would face a dilemma in how to stop this: Try to crash the plane during takeoff, which might kill the Antichrist but might fail thanks to Antichrist powers, or secretly try to remain in range of the nukes, which definitely will kill the Antichrist but could be detected, and will result in millions dead but might be worth it. Or assassinate him, or broadcast what he's doing, or something.\\
\\
Rayford, on the other hand, delays the plane so his wife can leave the city before he takes off. Then he takes off so the Antichrist can proceed. This is not after some long internal conflict, or for the sake of staying undercover, or because he thinks stopping the nukes will fail. It's just because flying the airplane is his ''job''. Our hero, everyone: An accessory to murdering millions of people.

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*** And the time when he, as the pilot of the Antichrist, knows that the Antichrist is going to nuke millions of people - including the entire population of the city where he currently is--as soon as the plane takes off and gets clear. A hero would face a dilemma in how to stop this: Try to crash the plane during takeoff, which might kill the Antichrist but might fail thanks to Antichrist powers, or secretly try to remain in range of the nukes, which definitely will kill the Antichrist but could be detected, and will result in millions dead but might be worth it. Or assassinate him, or broadcast what he's doing, or something.\\
\\
something.
***
Rayford, on the other hand, delays the plane so his wife can leave the city before he takes off. Then he takes off so the Antichrist can proceed. This is not after some long internal conflict, or for the sake of staying undercover, or because he thinks stopping the nukes will fail. It's just because flying the airplane is his ''job''. Our hero, everyone: An accessory to murdering millions of people.



* Christian Grey of ''Literature/FiftyShadesOfGrey'' is someone that we're supposed to symphathize with, despite him effectively raping the heroine on more than one occasion. In chapter 21 of ''Fifty Shades Darker'', Ana asks Christian about photos are of Christian's previous subs, and he admits that he has them for the purpose of blackmailing his ex-subs into silence in case they should want to tell anyone that he likes BDSM. ("Exposure", in Grey's mind, always, always involves the news media and publicity.)

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* Christian Grey of ''Literature/FiftyShadesOfGrey'' is someone that we're supposed to symphathize sympathize with, despite him effectively raping the heroine on more than one occasion. In chapter 21 of ''Fifty Shades Darker'', Ana asks Christian about photos are of Christian's previous subs, and he admits that he has them for the purpose of blackmailing his ex-subs into silence in case they should want to tell anyone that he likes BDSM. ("Exposure", in Grey's mind, always, always involves the news media and publicity.)



* The protagonist from ''A Call To Arms'' in [[AlanDeanFoster Alan Dean Foster's]] ''The Damned Trilogy''. He's ''not'' a jerkass, and has humanity's best interests at heart. The problem? His idea of ''humanity's best interests'' involves sabotaging the Weave's efforts to get humankind to join them in the war against the Amplitur, a race who psychically, genetically and surgically MindRape every race they come across into enslavement to them, and who ''will'' at some point reach Earth. He wants humanity to become a peaceful race like all the other aliens, which is admirable. ''But his actions almost get humanity enslaved, results in millions of Human deaths when the Amplitur finally send a force to attack Earth pre-emptively, and ensures the war is prolonged for thousands of years.'' He is presented as a hero, when his actions ''make him the most evil person in the history of the galaxy''.

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* The protagonist from ''A Call To Arms'' in [[AlanDeanFoster Alan Dean Foster's]] ''The Damned Trilogy''. He's ''not'' a jerkass, and has humanity's best interests at heart. The problem? His idea of ''humanity's best interests'' involves sabotaging the Weave's efforts to get humankind to join them in the war against the Amplitur, a race who psychically, genetically and surgically MindRape every race they come across into enslavement to them, and who ''will'' at some point reach Earth. He wants humanity to become a peaceful race like all the other aliens, which is admirable. ''But his actions almost get humanity enslaved, results in millions of Human deaths when the Amplitur finally send a force to attack Earth pre-emptively, preemptively, and ensures the war is prolonged for thousands of years.'' He is presented as a hero, when his actions ''make him the most evil person in the history of the galaxy''.
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* In the ''Literature/TortallUniverse'', Nawat from the short story bearing his name. After his wife Aly gives birth to human-looking triplets, he acts like they're 100% crows and must be treated accordingly, ignoring the team of highly experienced midwives in lieu of his second-hand experience of crow chicks. This leads him to pitch a fit when Aly tries to stick to human methods. When she gets mad at him for holding their babies out of a second-story window rather than use a diaper (something which almost causes a diplomatic incident when the Copper Isles really needs international help) ''she'' is painted to be the one in the wrong for not suggesting a compromise that he was clearly unwilling to listen to. This is all before [[spoiler:he has to decide whether or not to follow crow law, which would involve him committing infanticide on his dwarf daughter]]. Kind of hard to sympathize.

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* In the ''Literature/TortallUniverse'', Nawat from the short story bearing his name. After his wife Aly gives birth to human-looking triplets, he acts like they're 100% crows and must be treated accordingly, ignoring the team of highly experienced midwives in lieu of his second-hand experience of crow chicks. This leads him to pitch a fit when Aly tries to stick to human methods. When she gets mad at him for holding their babies out of a second-story window rather than use a diaper (something which almost causes a diplomatic incident when the Copper Isles really needs international help) ''she'' is painted to be the one in the wrong for not suggesting a compromise that he was clearly unwilling to listen to. This is all before [[spoiler:he has to decide whether or not to follow crow law, which would involve him committing infanticide on his dwarf daughter]].daughter--no, he doesn't consult Aly on this, even though Ochobu is ''her'' kid too]]. Oh, and he complains that Aly's Sight makes it hard to lie to her. Kind of hard to sympathize.
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** Jason is another example, whose greatest accomplishments are actually performed by his mistress Medea, whom he promptly dumps when he's done with her. Jason becomes a FallenHero for his treachery at the end of his story. Even before he met Medea, Jason didn't really do anything {{Badass}}. Prior to seducing her, most of the work was done by his much more BadassCrew, which consisted of some of the greatest heroes of GreekMythology. The only really decent thing he does in the story is to help an old lady across a river. This wasn't necessarily a ValuesDissonance thing. Euripides produced ''Theatre/{{Medea}}'' in 430 BCE -- that makes it clear this was how most of the Greeks felt about the character even a bare few centuries after the origin of the (presumed Homeric) legend. Whether the bronze-age heroes were meant to be unironically heroic or whether modern audiences just missing the sarcasm of ancient Greek poetry is still sort of in question.

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** Jason is another example, whose greatest accomplishments are actually performed by his mistress Medea, whom he promptly dumps when he's done with her. Jason becomes a FallenHero for his treachery at the end of his story. Even before he met Medea, Jason didn't really do anything {{Badass}}. Prior to seducing her, most of the work was done by his much more BadassCrew, which consisted of some of the greatest heroes of GreekMythology.Myth/GreekMythology. The only really decent thing he does in the story is to help an old lady across a river. This wasn't necessarily a ValuesDissonance thing. Euripides produced ''Theatre/{{Medea}}'' in 430 BCE -- that makes it clear this was how most of the Greeks felt about the character even a bare few centuries after the origin of the (presumed Homeric) legend. Whether the bronze-age heroes were meant to be unironically heroic or whether modern audiences just missing the sarcasm of ancient Greek poetry is still sort of in question.
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* ''Literature/TheChemicalGardenTrilogy'':
** Rhine is extremely rude and unsympathetic to Cecily, and generally seems pretty okay with the whole kidnapping and raping thing.
** Gabriel is just generally bland, but we should not be feeling sympathy for Linden even a ''little'' bit. He honestly believed a row of dirty, crying, scared looking girls had ''' ''chosen'' ''' to be brides? And what did he think those gun shots were?
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* ''Literature/SwordOfTruth'': Richard can certainly come across this way, given his [[BloodKnight eagerness to slaughter]] all those who [[ConceptsAreCheap "choose death" rather than "life"]] in the later books. The only thing keeping him from being an UnscrupulousHero or even an outright SociopathicHero is the narrative and the other characters referring to him as an [[IncorruptiblePurePureness incorruptibly pure]] [[TheHero hero]]. Kahlan is, if anything, even ''more'' bloodthirsty and willing to ShootTheDog, and that's saying something. Zedd also drifts in this direction in the [[SeasonalRot later books]] by a mixture of [[AuthorFilibuster lectures]] and [[AMillionIsAStatistic an extremely high kill count]].

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* ''Literature/SwordOfTruth'': Richard can certainly come across this way, given his [[BloodKnight eagerness to slaughter]] all those who [[ConceptsAreCheap "choose death" rather than "life"]] in the later books. The only thing keeping him from Despite being an UnscrupulousHero or even and an outright SociopathicHero is SociopathicHero, the narrative and the other characters referring refer to him as an [[IncorruptiblePurePureness incorruptibly pure]] [[TheHero hero]]. Kahlan is, if anything, even ''more'' bloodthirsty and willing to ShootTheDog, and that's saying something. Zedd also drifts in this direction in the [[SeasonalRot later books]] by a mixture of [[AuthorFilibuster lectures]] and [[AMillionIsAStatistic an extremely high kill count]].
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** In ''Eclipse'', Jacob becomes just as emotionally manipulative of Bella as Edward is, threatening to go into battle and die at one point, unless she proves her love to him. When she kisses him to convince him not to kill himself, he orders her to "do better than that" or else he won't count it. At the end of the book, he's rude to Leah when she tries to talk to him about his feelings for Bella (granted she wasn't exactly gentle, but given that she too had been dumped by someone she loved, his taunting of her was pretty callus) and then abandons his father to go hide as a wolf for awhile. In ''Breaking Dawn'', he throws a fit when he learns that Bella intends to sleep with Edward while she's still human. In the second part of the book, when he hears that Bella's sick, he immediately believes that Edward changed her and goes over to kill the Cullens over it (rather creepily dismantling the phone and ensuring that his wheelchair-bound father couldn't follow after and stop him). He seriously considers Edward's offer to talk her into an abortion in exchange for him knocking her up instead. He later tries to invoke an imprint by going to a park and creepily staring at random girls to force it to happen. When Bella gives birth to Renesmee and he thinks she's dead, he ''goes to kill the baby'' to avenge her (ignoring the fact that Bella made it clear she was willing to give her life for her child) and was only stopped by imprinting on her. From then on, his imprint makes him do countless horrible things in the name of protecting Renesmee, including saying nothing while vampire allies stay in Forks and eat people outside of the town and ordering all of his pack (including ''newly-transformed young children'') to stay behind as canon fodder while he and Renesmee abandon them all to escape the Volturi.

to:

** In ''Eclipse'', Jacob becomes just as emotionally manipulative of Bella as Edward is, threatening to go into battle and die at one point, unless she proves her love to him. When she kisses him to convince him not to kill himself, he orders her to "do better than that" or else he won't count it. At the end of the book, he's rude to Leah when she tries to talk to him about his feelings for Bella (granted she wasn't exactly gentle, but given that she too had been dumped by someone she loved, his taunting of her was pretty callus) and then abandons his father to go hide as a wolf for awhile. In ''Breaking Dawn'', he throws a fit when he learns that Bella intends to sleep with Edward while she's still human. In the second part of the book, when he hears that Bella's sick, he immediately believes that Edward changed her and goes over to kill the Cullens over it (rather creepily dismantling the phone and ensuring that his wheelchair-bound father couldn't follow after and stop him). He seriously considers Edward's offer to talk her into an abortion in exchange for him knocking her up instead. He later tries to invoke an imprint by going to a park and creepily staring at random girls to force it to happen. When Bella gives birth to Renesmee and he thinks she's dead, he ''goes to kill the baby'' to avenge her (ignoring the fact that Bella made it clear she was willing to give her life for her child) and was only stopped by imprinting on her. In case you didn't know, "imprinting" is Stephanie Meyer's word for realising that the person you are looking at is the only person you will ever feel sexually attracted to. This happened when he looked at a new-born baby. From then on, his imprint makes him do countless horrible things in the name of protecting Renesmee, including saying nothing while vampire allies stay in Forks and eat people outside of the town and ordering all of his pack (including ''newly-transformed young children'') to stay behind as canon fodder while he and Renesmee abandon them all to escape the Volturi.
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** Edward and the Cullens are the good guys because ... well, they don't eat humans. They let their vampire buddies eat humans, routinely show up the Muggles, use their awesome powers for pure personal gain most of the time, hunt endangered animals for fun, and screw up the lives of many a werewolf to get their way, but at least they don't eat humans.

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** Edward and the Cullens are the good guys because ...are... well, they don't eat humans. They let their vampire buddies eat humans, routinely show up the Muggles, use their awesome powers for pure personal gain most of the time, hunt endangered animals for fun, and screw up the lives of many a werewolf to get their way, but at least they don't eat humans.



** Edward Cullen at times acts like an abusive boyfriend. He physically stops Bella from driving herself home so he can take her there, forces her to eat dinner with him, resorts to drastic measures to stop her seeing Jacob, such as having his sister kidnap her and sabotaging her truck, and when she gets pregnant with a half-vampire baby, he tries to get it aborted, and offers to let Jacob impregnate her instead, all without telling Bella anything. And in the unfinished manuscript for ''Literature/MidnightSun'', he's definitely genocidal, casually mentioning wanting to [[MisplacedRetribution slaughter the Quilute tribe]] due to Jacob [[DisproportionateRetribution daring to speak to Bella]] because as far as he knew they were defenseless. He also comes across as a school killer, plotting the murders of his entire class so he could get to Bella without witnesses, and later plots getting her at her home in a way that comes across as like he's planning a rape.

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** Edward Cullen at times acts like is an abusive boyfriend. He physically stops Bella from driving herself home so he can take her there, forces her to eat dinner with him, resorts to drastic measures to stop her seeing Jacob, such as having his sister kidnap her and sabotaging her truck, and when she gets pregnant with a half-vampire baby, he tries to get it aborted, and offers to let Jacob impregnate her instead, all without telling Bella anything. And in the unfinished manuscript for ''Literature/MidnightSun'', he's definitely genocidal, casually mentioning wanting to [[MisplacedRetribution slaughter the Quilute tribe]] due to Jacob [[DisproportionateRetribution daring to speak to Bella]] because as far as he knew they were defenseless. He also comes across as a school killer, plotting the murders of his entire class so he could get to Bella without witnesses, and later plots getting her at her home in a way that comes across as like he's planning a rape.
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* ''Literature/{{Twilight}}'':
** Edward and the Cullens are the good guys because ... well, they don't eat humans. They let their vampire buddies eat humans, routinely show up the Muggles, use their awesome powers for pure personal gain most of the time, hunt endangered animals for fun, and screw up the lives of many a werewolf to get their way, but at least they don't eat humans.
** Bella gives minimal thought to the innocent people being killed by vampires, [[ProtagonistCenteredMorality unless it's someone she knows]]. In ''New Moon'', she seriously considers withholding what she knows about vampires from the werewolves because telling them anything would feel like betrayal to the Cullens (even though she knows full well that the Cullens are in no danger from the wolves at all and that helping the wolves learn about the vampires will help them stop Victoria more quickly and thus keep more people from dying).
** It's a lot harder to sympathize with Bree Tanner when she shows no remorse at all for committing multiple murders and seems under the impression that she is above laws as long as there is no one to hold her to them. There's also the matter of her and Diego suffering from a ''severe'' case of TooDumbToLive.
** Edward Cullen at times acts like an abusive boyfriend. He physically stops Bella from driving herself home so he can take her there, forces her to eat dinner with him, resorts to drastic measures to stop her seeing Jacob, such as having his sister kidnap her and sabotaging her truck, and when she gets pregnant with a half-vampire baby, he tries to get it aborted, and offers to let Jacob impregnate her instead, all without telling Bella anything. And in the unfinished manuscript for ''Literature/MidnightSun'', he's definitely genocidal, casually mentioning wanting to [[MisplacedRetribution slaughter the Quilute tribe]] due to Jacob [[DisproportionateRetribution daring to speak to Bella]] because as far as he knew they were defenseless. He also comes across as a school killer, plotting the murders of his entire class so he could get to Bella without witnesses, and later plots getting her at her home in a way that comes across as like he's planning a rape.
** In ''Eclipse'', Jacob becomes just as emotionally manipulative of Bella as Edward is, threatening to go into battle and die at one point, unless she proves her love to him. When she kisses him to convince him not to kill himself, he orders her to "do better than that" or else he won't count it. At the end of the book, he's rude to Leah when she tries to talk to him about his feelings for Bella (granted she wasn't exactly gentle, but given that she too had been dumped by someone she loved, his taunting of her was pretty callus) and then abandons his father to go hide as a wolf for awhile. In ''Breaking Dawn'', he throws a fit when he learns that Bella intends to sleep with Edward while she's still human. In the second part of the book, when he hears that Bella's sick, he immediately believes that Edward changed her and goes over to kill the Cullens over it (rather creepily dismantling the phone and ensuring that his wheelchair-bound father couldn't follow after and stop him). He seriously considers Edward's offer to talk her into an abortion in exchange for him knocking her up instead. He later tries to invoke an imprint by going to a park and creepily staring at random girls to force it to happen. When Bella gives birth to Renesmee and he thinks she's dead, he ''goes to kill the baby'' to avenge her (ignoring the fact that Bella made it clear she was willing to give her life for her child) and was only stopped by imprinting on her. From then on, his imprint makes him do countless horrible things in the name of protecting Renesmee, including saying nothing while vampire allies stay in Forks and eat people outside of the town and ordering all of his pack (including ''newly-transformed young children'') to stay behind as canon fodder while he and Renesmee abandon them all to escape the Volturi.
* ''Literature/SwordOfTruth'': Richard can certainly come across this way, given his [[BloodKnight eagerness to slaughter]] all those who [[ConceptsAreCheap "choose death" rather than "life"]] in the later books. The only thing keeping him from being an UnscrupulousHero or even an outright SociopathicHero is the narrative and the other characters referring to him as an [[IncorruptiblePurePureness incorruptibly pure]] [[TheHero hero]]. Kahlan is, if anything, even ''more'' bloodthirsty and willing to ShootTheDog, and that's saying something. Zedd also drifts in this direction in the [[SeasonalRot later books]] by a mixture of [[AuthorFilibuster lectures]] and [[AMillionIsAStatistic an extremely high kill count]].
* Most Bronze Age heroes lack traits that modern audiences would find heroic due to ValuesDissonance.
** Achilles is a well-known example, since most modern audiences side with the Trojans defending their home and have little sympathy for the pouting, slave-taking Achilles. Another interpretation is that the Iliad isn't attempting to portray Achilles as a hero, but is rather showing the tragedy that results from a man's unwillingness to compromise in the face of a perceived offense. Not only to modern readers: in the Middle Ages, Hector was generally a much more popular character than Achilles, largely because he was seen as someone who was defending his home and his people. One popular legend said that Durandal, the sword of Roland, a popular medieval folk hero (based on the very real Roland who was one of Charlemagne's dukes), had been the sword of Hector. Also, in the King Arthur tales, Arthur's adoptive father was named Sir Ector, an alternate spelling of Hector (technically, Hector is an alternate spelling of Ector, but whatever). British statesman Lord Chesterfield wrote in ''Literature/LettersToHisSon'' about Achilles: "I dare assert too, in defiance of the favorers of the ancients, that {{Homer}}'s hero, Achilles, was both a brute and a scoundrel, and consequently an improper character for the hero of an epic poem; he had so little regard for his country, that he would not act in defense of it, because he had quarreled with Agamemnon about a w—-e; and then afterward, animated by private resentment only, he went about killing people basely, I will call it, because he knew himself invulnerable; and yet, invulnerable as he was, he wore the strongest armor in the world; which I humbly apprehend to be a blunder; for a horse-shoe clapped to his vulnerable heel would have been sufficient." (letter 64)
** Jason is another example, whose greatest accomplishments are actually performed by his mistress Medea, whom he promptly dumps when he's done with her. Jason becomes a FallenHero for his treachery at the end of his story. Even before he met Medea, Jason didn't really do anything {{Badass}}. Prior to seducing her, most of the work was done by his much more BadassCrew, which consisted of some of the greatest heroes of GreekMythology. The only really decent thing he does in the story is to help an old lady across a river. This wasn't necessarily a ValuesDissonance thing. Euripides produced ''Theatre/{{Medea}}'' in 430 BCE -- that makes it clear this was how most of the Greeks felt about the character even a bare few centuries after the origin of the (presumed Homeric) legend. Whether the bronze-age heroes were meant to be unironically heroic or whether modern audiences just missing the sarcasm of ancient Greek poetry is still sort of in question.
** Similarly, when Theatre/{{Oedipus|TheKing}} kills a crazy old man that he meets on the road to Thebes because the guy insulted him, modern readers are likely to consider this DisproportionateRetribution. As a result, the sense that Oedipus is the (mostly) innocent [[YouCantFightFate pawn of fate]] gets somewhat lost in translation when it later turns out that that crazy old man [[ItWasHisSled was his biological father, Laius]]. Though it depends according to the version of the myth as to whether or not Oedipus was being threatened, whether the King had the right of way, whether someone stepped on his foot, or if Oedipus really did just murder a bunch of guys on the road.
** Perseus. Yay, he killed Medusa the horrible monster ... that had been a rape victim (in some versions) and was hiding in a cave in the middle of nowhere so she wouldn't hurt anyone and was asleep at the time. Mainly because the host of a party he went to dared him to. Then he goes around petrifying everyone who annoys him. Slightly mitigated in the versions that include the king threatening to forcibly marry Perseus' mother, but Perseus doesn't ask Athene or Hermes to assist with that matter.
* This is a recurring element in the ''Literature/InheritanceCycle'':
** Eragon's condition as TheChosenOne, his lack of respect towards his master's skills and his lack of regard for the life of his uncle, all add up to a character that's portrayed sympathetically, but behaves like TheLoad.
** The lack of regard for the life/health/sanity of any person. While he'd had his bad moments all through the series, the scene in ''Brisingr'' with the slaves was enough to send book sporkers all over the internet into a frothing rage about what an utterly heartless dick this "hero" is.
** And then there's the scene where he [[spoiler: uses Sloan's true name to ''force'' him to take an unbreakable oath to make him never see his daughter again]]. The fact that the DesignatedVillain had apparently done the exact same thing (which Eragon regarded as reprehensible) never seems to occur to him.
* ''Literature/LeftBehind'':
** Cameron "Buck" Williams is [[InformedAbility referred to]] as an amazing investigative reporter who has won awards. He almost [[ThePiratesWhoDontDoAnything never files reports or writes anything]], and when confronted with an international conspiracy that's already killed two people he knows, he... agrees to bury all the evidence if they'll spare his life. Way to go, hero.
** Rayford Steele fits this, too. First there's his stringing-along of Hattie Durham, but what ''really'' pushes him into Designated Hero territory is the fact that upon seeing a tarmac covered in crashed airplanes, rescue crews, and injured bodies, it never even occurs to him to help.
*** And the time when he, as the pilot of the Antichrist, knows that the Antichrist is going to nuke millions of people - including the entire population of the city where he currently is--as soon as the plane takes off and gets clear. A hero would face a dilemma in how to stop this: Try to crash the plane during takeoff, which might kill the Antichrist but might fail thanks to Antichrist powers, or secretly try to remain in range of the nukes, which definitely will kill the Antichrist but could be detected, and will result in millions dead but might be worth it. Or assassinate him, or broadcast what he's doing, or something.\\
\\
Rayford, on the other hand, delays the plane so his wife can leave the city before he takes off. Then he takes off so the Antichrist can proceed. This is not after some long internal conflict, or for the sake of staying undercover, or because he thinks stopping the nukes will fail. It's just because flying the airplane is his ''job''. Our hero, everyone: An accessory to murdering millions of people.
** Both Buck and Rayford, by working very closely with the Antichrist, helping him constantly, refusing to inform anyone of who he really is, and not doing a thing to stop him, are well past 'Designated Hero' and into 'Designated Not-TheDragon', which they would be in almost any story.
** Then there's Bruce Barnes, who supposedly becomes a model Christian after being skipped by the Rapture, yet when the time comes to make an apocalypse survival plan, it consists of building an underground bunker for ''himself and three other people'', then hiding in it. The notion of helping, or even ''interacting with'', any of his congregation beside the two {{Author Avatar}}s and Chloe Steele, except on Sunday morning, does not seem to occur to him.
* The two authors of LeftBehind didn't learn from their mistake
** In ''Soon'', by Jerry Jenkins, we get Paul Stepola. He starts out as a VillainProtagonist, working for the atheist NewWorldOrder's StateSec, he's responsible for the deaths of several unarmed civilians and treating his wife like crap. Once EasyEvangelism takes hold, he becomes a DefectorFromDecadence... and continues to treat his wife like crap while being responsible for the deaths of several ''thousand'' unarmed civilians.
** In ''Edge of Apocalypse'', co-written by Tim LaHaye, we get Josh Jordan. A rich businessman who developed an anti-missile system for the U.S. government which doesn't destroy nuclear cruise missiles, but just redirects them and has them detonate there... and refuses to give control of it to the government because he ([[AuthorTract correctly]]) guesses that the Democratic politicians will give it to enemies of America. So he demands to have a weapon that can redirect America's own nukes if he decides to, and no one is supposed to notice that makes him look like a Bond villain.
* Liu Bei from ''Literature/RomanceOfTheThreeKingdoms''... who manages to get away with abandoning his wives and children multiple times, dashing his infant son into the ground since a brave warrior risked his life to rescue the boy, eating a hunter's wife, turning on or abandoning certain "allies" at rather opportune moments, and in the end having a HeroicBSOD, all because he's for upholding the "rightful" dynasty. Some of Liu Bei's actions are so over the top that one has to wonder if the authors (who were writing about events taking place several centuries before their own time) were at least on some occasions subversively critiquing those same cultural values by exaggerating them to the point of the ridiculous. Liu Bei does in the end fail rather ignominiously; even taking into account that Liu Bei had to fail because that was what happened in history, the novel does on several occasions seem to subtly emphasize his failure. For example, Zhuge Liang and Pang Tong are hyped up with a prophecy that any leader who obtains the services of either one of them is sure to win ultimate victory: Liu Bei gets ''both'' of them, and he ''still'' fails. While [[spoiler:the death of Pang Tong before he could do much]] was arguably bad luck, someone should have told Liu Bei that he had to actually follow Zhuge Liang's advice for the prophecy to work. (Ironically, when Zhuge Liang was newly appointed as military advisor, Liu Bei was the only member of their force to believe in him!)
* Several of Creator/RafaelSabatini's protagonists fit this pretty well, tending to be rather ChaoticNeutral characters. For example, the main character of ''Literature/{{Scaramouche}}'' seeks revenge for the death of his friend by an [[AristocratsAreEvil evil aristocrat]] and ends up as a high ranking member of UsefulNotes/TheFrenchRevolution government and uses this position to cut a swath through France's aristocracy despite the fact he couldn't give a damn about the ideals of the Revolution.
* The Silver Horde from Literature/{{Discworld}} personify this trope, as explicitly lampshaded by the Patrician in ''Discworld/TheLastHero''.
** Better [[Discworld/InterestingTimes Cohen than Lord Hong]]. Also, they aren't meant to be 'heroes', just protagonists.
** Cohen is actually titled Cohen ''the Barbarian''. They are meant to be 'heroes' but only in the same way Conan was.
** Done with Granny Weatherwax. While she's [[{{Jerkass}} not exactly]] [[JerkWithAHeartOfGold the]] ''[[JerkWithAHeartOfGold nicest]]'' [[JerkWithAHeartOfGold person around]], [[GoodIsNotNice she's definitely a hero]] and [[ShootTheDog the Disc is much the better for her nastiness]]. Unfortunately, she's also a twin, and the TheoryOfNarrativeCausality holds that [[CainAndAbel twins must be opposites]]: one good, one [[EvilTwin evil]]. Granny Weatherwax [[EvilIsCool wanted to be the evil one]], and was horrified that her sister instead chose to be an insane KnightTemplar, forcing her to take the "good" role. ("Evil" witches are usually just sadistic [[KarmicTrickster tricksters]], and have as much contempt for [[ThouShaltNotKill killing]] and [[SorcerousOverlord conquering]] as the "good" ones.)
* Creator/MichaelCrichton's ''Literature/{{Timeline}}'' ends with the protagonists drugging the CorruptCorporateExecutive, and sending him to past to die of the Black Plague. While he was a fairly unpleasant individual and was more concerned about using TimeTravel to [[OnlyInItForTheMoney make money]] than actually giving a chance to learn about the past, he does actively work to prevent the tissue-damage caused to the people who do too many trips through the time-machine/teleporter by forbidding one person from doing too many trips, and all the problems result from those who disobeyed him. But since he's a douchebag, it's all right to murder him horribly. Notably, when TheFilmOfTheBook came out, his death and circumstances around it were substantially changed.
* Abdel Adrian from the ''Literature/BaldursGate'' novelisations by Philip Athans. The writer [[MarySue wants him to be everything positive, but he really can't pull it off]]. Adrian is treated as the hero even though without being specifically kicked to it he hasn't even the motivation to do anything but booze, womanise, kill random people and possibly [[KickTheDog kick puppies]].
* ''The Sheik'', from the [[Literature/TheSheik novel of the same name]]. He's an abusive rapist who is initially portrayed as negatively as he deserves, but once the protagonist falls in love with him the book suddenly expects us to think of him much more sympathetically.
* Literature/AnitaBlake. Killer, rapist, performs the same actions she reviles in others but it's okay when she does them. And apparently the reason all the evil comes to town is that its attracted to her.
* In Creator/GeorgeEliot's "Literature/SillyNovelsByLadyNovelists", in the Evangelical novels,
-->''The Orlando of Evangelical literature is the young curate, looked at from the point of view of the middle class, where cambric bands are understood to have as thrilling an effect on the hearts of young ladies as epaulettes have in the classes above and below it. In the ordinary type of these novels, the hero is almost sure to be a young curate, frowned upon, perhaps, by worldly mammas, but carrying captive the hearts of their daughters, who can "never forget that sermon;". . . The young curate always has a background of well-dressed and wealthy, if not fashionable society;–for Evangelical silliness is as snobbish as any other kind of silliness; . . . but in one particular the novels of the White Neck-cloth School are meritoriously realistic,–their favourite hero, the Evangelical young curate is always rather an insipid personage.''
* The heroes of ''Literature/TheTurnerDiaries'' are a group of {{Western Terrorist|s}} neo-Nazis.
* Apparently Patch of ''Literature/HushHush'' is supposed to be a good guy, or at least an anti-hero we can cheer on. This is the same fellow who apparently uses the Abuser's Handbook as a guide for dating Nora and [[spoiler:at one point pins her to the bed and ''threatens to murder her''.]]
* Literature/SisterhoodSeries by Creator/FernMichaels:
** The Sisterhood or the Vigilantes have fallen into this territory at least once. The first seven books were all about the Vigilantes getting {{Revenge}} on the people who wronged them, and breaking the law in doing so. That's not supposed to be heroic. Despite this, once it got out what they were doing, they were considered heroes and household items. Reviewers at Amazon.com were quite happy to point out how the Vigilantes' behaviour went into this in the book ''Under the Radar''. In that book, the heroes go to a cult of pedophile polygamists. The heroes acted rather abusively toward the adult women in the cult. In fact, the book spelled out quite clearly that the adult women didn't care about the treatment their own children suffered in the cult and deserved absolutely no sympathy. Reviewers, however, pointed out that the adult women were raised in this cult and brainwashed into believing in the cult all their lives, and that they are actually victims who you should feel sympathy for. With that said, the heroes have the adult women lined up and shave off the hair on their heads. They did this, because the cult leader likes long hair, and they wanted him to look at bald women to spite him. Reviewers pointed out what the Vigilantes did seems to be uncomfortably close to what the Nazis did in those concentration camps!
** The book ''Sweet Revenge'' has this little gem from the thoughts of a stand-up male character named Bobby Harcourt: "He stopped at the receptionist's desk for his messages, hating how sleazy the young woman looked. He'd spoken to Rosemary about the receptionist's appearance and all she'd done was cluck her tongue and ask him if he wanted a lawsuit on his hands. It wasn't just the way the young woman looked, it was her stupid name as well. Sasha. No one named their kid Sasha except maybe a Russian mother. This Sasha was from Mud Creek, Mississippi. White trash, all ninety pounds of her. He rather suspected that Rosemary kept her on because Sasha made her look beautiful, which she was, but she was also a cold, relentless, heartless bitch of a woman. He'd found that out as soon as the honeymoon was over, much to his regret." For such a supposedly stand-up guy, Bobby sounds like he hates people who aren't Americans like him, he sounds mean-spirited towards people from the Appalachians, and he apparently judges people based on their appearance and ''their given name'' before things like morals or personality.
* Gareth in ''The Rebel Prince''. He is told he has to rape the protagonist in order to gain control of her psychic powers, needed to overthrow the evil leaders of the planet. He gets drunk to overcome his reluctance and does so, and feels bad about it afterwards. This is supposed to lead to him finding redemption. Instead, after claiming he is sorry, he continues to insist she is his wife (because they were married against her will) and uses mind control and threats of violence to control her. As well as using mind control to force her to learn pleasurable sex (it's still rape even if she enjoys it). The worst part is [[spoiler:she winds up staying with him at the end because he "loves her"]].
* Elizabeth Wakefield of the Literature/SweetValleyHigh series is constantly presented as the "good" twin--smart, level-headed, kind, etc. But she frequently proves herself to be a hypocrite. She blasts her sister Jessica for being promiscuous while she herself repeatedly cheats on her boyfriends, she goes on and on about how people deserve a second chance, but apparently thinks this only applies to ''her'' friends, not Jessica's, and she instantly makes judgments about people without getting to know them, while again criticizing Jessica and her clique for doing the same thing.
* Bertie of ''Literature/TheatreIlluminataTrilogy''. The reader is treated to her causing a bunch trouble around the theatre with no provocation whatsoever yet it's viewed as a matter of [[ProtagonistCenteredMorality liberation and freedom]]. All of the noble and decent characters respect and admire her, or [[EasilyForgiven are at least willing to give her a second chance]], while the ones who rightfully object to this behaviour, namely [[UnintentionallySympathetic the stage manager]], are just misguided bores for being upset that their livelihood is under fire by some bratty teenager. She's responsible for half of the bad things that occur in the book, yet she gets away with blaming everyone else. In fact, her immediate response to the stage manager calling her out on all the trouble she's caused? [[DisproportionateRetribution Attack him with a sword]] (injuring him and drawing blood, no less) and threatening to cut off his ear. She's [[{{Jerkass}} rude and inconsiderate toward everyone]] yet somehow she's always in the right and [[JerkSue remains the Golden Girl of the theatre]].
* Patrick Hennessy/Patricio Carrera in ''Literature/CarrerasLegions''. An ex-military officer who uses his wife and children's murder as an excuse to gun down unarmed Muslim civilians (while they were [[AssholeVictim celebrating a pseudo 9/11 attack]], admittedly) and apparently take orgasmic pleasure in doing so, then establish a PMC that carries out extreme torture and ultimately nukes a city solely to kill the family of the terrorist ringleader who orchestrated the attack that killed ''his'' family. He also establishes a training regimen that gets hundreds of his recruits killed through things like faulty grenade training, use of poor-quality mortar ammunition, and extreme high-risk live-fire training that requires recruits to wear heavy vehicle-door-gunner armor, and responds to all of these deaths with sociopathic apathy. And since he's Tom Kratman's AuthorAvatar, Henessey/Carrera is [[CharacterShilling repeatedly and at length described as the most incredible strategist and tactician in history]], and every callous, sociopathic act of violence, negligence, and murder he engages is in is portrayed as saintly and righteous.
** The ''prologue'' of the book opens up with a man going by the nickname of "the Blue Djinn" who takes pleasure in being considered outright evil, is portrayed with a savage, demonic light, orders the mass execution of hundreds of his enemies via crucifixion, and sells the wives and teenage daughters of said prisoners into sexual slavery. It isn't until you read further into the book that you realize that the Blue Djinn is ''Hennessy/Carrera''.
%%* Arguably Michael in Vikram Seth's novel ''Literature/AnEqualMusic''.
* In ''Literature/FateOfTheJedi'', the New Jedi Order's complete and utter failure to use clearly available legal options to deal with Chief of State Natasi Daala is presented as a good thing. Instead of using the mounting public pressure on the legislature to remove her from power legally, something that had already worked to break the siege of the Jedi Temple and get the [[KangarooCourt Court of Jedi Affairs]] dissolved, [[spoiler:they mount a violent coup d'etat]]. [[StrawmanHasAPoint This is the exact sort of thing Daala was trying to prevent, albeit misguidedly,]] with her increasingly draconian anti-Jedi policies.
* The Clave from ''Literature/TheMortalInstruments'' is an entire group of designated heroes. With their FantasticRacism, [[KnightTemplar inventive cruelty]], and [[ItsAllAboutMe massive arrogance]], it's a wonder how we're supposed to root for them in the final battle.
* Christian Grey of ''Literature/FiftyShadesOfGrey'' is someone that we're supposed to symphathize with, despite him effectively raping the heroine on more than one occasion. In chapter 21 of ''Fifty Shades Darker'', Ana asks Christian about photos are of Christian's previous subs, and he admits that he has them for the purpose of blackmailing his ex-subs into silence in case they should want to tell anyone that he likes BDSM. ("Exposure", in Grey's mind, always, always involves the news media and publicity.)
--> “This is going to sound cold, but—they’re an insurance policy,” he whispers steeling himself for my response.
-->“Insurance policy?”
-->“Against exposure.”
* The ONI characters of ''Franchise/{{Halo}}'' ''Kilo-Five'' trilogy. They're supposed to be painted as morally superior and paint Dr Halsey as [[MadDoctor Mrs Mengel]] for what she did in creating the SPARTAN II's. But their plan is to instigate a civil war among the Elites as a means to tip the scales in the UNSC's favor, essentially going behind humanity's only ally and weakening them. And in the long run all of their actions only cause more harm, as the rebel Sangheili soon become willing supporters to the Didacts mission in eliminating humanity.
* Leon from ''Pagan Lover'' frequently makes unwelcome advances on the heroine, kidnaps her on the day of her wedding (to someone she would have been HappilyMarried to no less), repeatedly threatens to rape her, and later forces her to marry him. Yet for some reason, he's the romantic lead, and women are supposed to consider him a better lover than the other guy.
* The Gods of Good from ''Literature/{{Dragonlance}}'' come off as this more than once, ''especially'' in the original trilogy written by Weis & Hickman. The corrupt ruler of a theocratic empire is trying to demand the power to break the BalanceBetweenGoodAndEvil by eliminating evil ''[[SarcasmMode obviously]]'' should be met by throwing around extremely vague portents of doom with no clear messages to the mortals as to why the gods are angry, culminating in devastating the planet with a cataclysmic meteor strike. Oh, and make sure you kidnap all of the still-faithful priests and whisk them away to the god's realms first, and never send them back to minister to the survivors during the massive disasters, famines and plagues that result from the Cataclysm afterwards. And don't forget about being offended when mortalkind is angered by this treatment, declare mortalkind has "turned its back on the gods", and abandon them for centuries to struggle in the now-devastated world with no healing magic of any kind! [[StrawmanHasAPoint Small wonder that a lot of fans support]] Tanis Half-Elven and those of similar view when they [[NayTheist claim the gods are arrogant, self-absorbed bastards who don't deserve reverence in the first place]].
* The heroes of the WorldsOfTheCrystalMoon series, well, aren't. The male lead, for instance, is clearly intended to be a GeniusBruiser ScienceHero, but he acts more like an arrogant, selfish, sexist thug who bullies and belittles everyone he comes across, regardless of whether the situation actually calls for it, and doesn't think to share his advanced medical knowledge centuries ahead of the [[TrappedInAnotherWorld setting's time]] for the purposes of saving people's lives. Shalee, the female lead, gets off easier in the beginning by virtue of not really doing anything of her own accord, but loses the readers' sympathy once she starts using her time-stopping magic for the purposes of molesting people for absolutely no reason. [[hottip:*:Not there's every a good reason, but still...]] George gets off more easily, since you're clearly supposed to think he's a scumbag.
* [[Creator/RoaldDahl Roald Dahl]]'s book Esio Trot really suffers from this. Mr Hoppy is treated as a sympathetic figure because he is a shy StalkerWithACrush. However he blatantly lies to Mrs Silver about having the secret of getting her tortoise Alfie bigger. He then proceeds to kidnap Alfie and gradually replace him with bigger tortoises. Due to this Mrs Silver ends up marrying him, never discovering that he lied to her.
* Marcus Yallow from ''Literature/LittleBrother.'' The book opens with him using his hacking skills to play hooky, including filling a JerkJock's phone with spam out of fear that he would tattle on him. He scapegoated his friend for stealing booze from his father to avoid getting in trouble. When his friends don't agree with his crusade, he disregards them. He often causes his own problems. He would have gotten out of his interrogation sooner if he complied with the BigBad's orders to hand her his phone, despite knowing there was nothing on it that would have gotten him sent to prison. He then [[NiceJobBreakingItHero causes the DHS to up security]] after causing a security glitch just to make a point to his father.
* Hermione was victim to this in ''Literature/HarryPotterAndTheOrderOfThePhoenix.'' She refused to listen to reason about her crusade for the House Elves, despite knowing full well that [[BigGood Dumbledore]] would be the last person to abuse House Elves. She jinxed the sign-up sheet for the DA to deform potential snitches, no matter what the intention was. It was heavily implied that [[spoiler: Marietta only ratted out the DA out of fear that her mother would lose her job in the Ministry of Magic]]. Cho points out how cruel of a trick it was and points out that Hermione should have told the members the sign-up sheet was jinxed after they signed. Cho was in the right, since [[spoiler: not only would it have encouraged Marietta not to snitch, [[NiceJobBreakingItHero but Dumbledore wouldn't have left Hogwarts over the incident]]]]. However, [[InformedWrongness Harry tells her that what Hermione did was brilliant and breaks up with her over it]].
* In the ''Literature/TortallUniverse'', Nawat from the short story bearing his name. After his wife Aly gives birth to human-looking triplets, he acts like they're 100% crows and must be treated accordingly, ignoring the team of highly experienced midwives in lieu of his second-hand experience of crow chicks. This leads him to pitch a fit when Aly tries to stick to human methods. When she gets mad at him for holding their babies out of a second-story window rather than use a diaper (something which almost causes a diplomatic incident when the Copper Isles really needs international help) ''she'' is painted to be the one in the wrong for not suggesting a compromise that he was clearly unwilling to listen to. This is all before [[spoiler:he has to decide whether or not to follow crow law, which would involve him committing infanticide on his dwarf daughter]]. Kind of hard to sympathize.
* The protagonist from ''A Call To Arms'' in [[AlanDeanFoster Alan Dean Foster's]] ''The Damned Trilogy''. He's ''not'' a jerkass, and has humanity's best interests at heart. The problem? His idea of ''humanity's best interests'' involves sabotaging the Weave's efforts to get humankind to join them in the war against the Amplitur, a race who psychically, genetically and surgically MindRape every race they come across into enslavement to them, and who ''will'' at some point reach Earth. He wants humanity to become a peaceful race like all the other aliens, which is admirable. ''But his actions almost get humanity enslaved, results in millions of Human deaths when the Amplitur finally send a force to attack Earth pre-emptively, and ensures the war is prolonged for thousands of years.'' He is presented as a hero, when his actions ''make him the most evil person in the history of the galaxy''.
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