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Formatting an entry as "[Title]. It [does X]" or "[Title], which [does X]" instead of "[Title] [does X]" is Word Cruft, as is any reference to "previously mentioned" tracks or the phrase "pretty much". And puns, lame or otherwise, do not get potholed to Incredibly Lame Pun, which is now a redirect.
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While Music/{{Perfume}} barely have any duds in their catalogue (with their GreatestHitsAlbum spanning 50 singles and 2 new tracks), the following songs stand out in the group's fanbase:
* "Polyrhythm". It was the BreakthroughHit that [[SignatureSong put Perfume on the map]], and its [[UncommonTime unconventional]] bridge was a literal seismic shift in the Japanese pop music scene. "Polyrhythm"'s b-side "SEVENTH HEAVEN" is fondly remembered by fans by association and continues to be performed live to this day.
* "Polyrhythm". It was the BreakthroughHit that [[SignatureSong put Perfume on the map]], and its [[UncommonTime unconventional]] bridge was a literal seismic shift in the Japanese pop music scene. "Polyrhythm"'s b-side "SEVENTH HEAVEN" is fondly remembered by fans by association and continues to be performed live to this day.
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While Music/{{Perfume}} barely have any duds in their catalogue (with their GreatestHitsAlbum spanning 50 singles and 2 two new tracks), the following songs stand out in the group's fanbase:
*"Polyrhythm". It "Polyrhythm" was the BreakthroughHit that [[SignatureSong put Perfume on the map]], and its [[UncommonTime unconventional]] bridge was a literal seismic shift in the Japanese pop music scene. "Polyrhythm"'s b-side "SEVENTH HEAVEN" is fondly remembered by fans by association and continues to be performed live to this day.
*
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* "edge" from ''Triangle'', which is one of the most daring and, well... ''[[IncrediblyLamePun edgy]]'' songs they've ever done. The song has three officially released versions, with the nine(!)-minute Triangle-mix becoming a live show staple, fully communicating the group's ability to command an arena stage by themselves. "edge (Triangle-mix)" paved the way for producer Nakata's later penchant for re-editing the group's singles into "album-mix"es that pared better with Perfume's live concert energy and performance style.
* "Party Maker", "STORY" and "FUSION", unlike the previously mentioned b-sides, are songs that debuted live and were later included on albums due to how well audiences reacted to the performances (and in a cynical frame of mind, were included mainly to fill space on those albums.) "Party Maker" ''goes off'' in Japan, while "STORY" and "FUSION" leave any audience Perfume are in front of with mouths agape due to the extensive projection mapping technology used.
* Pretty much any time the words "Music by 中田 ヤスタカ" appears on screen during a live concert, the audience ''erupts''. This simple phrase clues the audience into the fact that the song/performance they're about to hear/see is exclusive to that particular tour and has led to some of the group's most energetic songs, such as "Perfume no Okite", "JPN Special" and "Opera".
* "Party Maker", "STORY" and "FUSION", unlike the previously mentioned b-sides, are songs that debuted live and were later included on albums due to how well audiences reacted to the performances (and in a cynical frame of mind, were included mainly to fill space on those albums.) "Party Maker" ''goes off'' in Japan, while "STORY" and "FUSION" leave any audience Perfume are in front of with mouths agape due to the extensive projection mapping technology used.
* Pretty much any time the words "Music by 中田 ヤスタカ" appears on screen during a live concert, the audience ''erupts''. This simple phrase clues the audience into the fact that the song/performance they're about to hear/see is exclusive to that particular tour and has led to some of the group's most energetic songs, such as "Perfume no Okite", "JPN Special" and "Opera".
to:
* "edge" from ''Triangle'', which ''Triangle'' is one of the most daring and, well... ''[[IncrediblyLamePun ''[[{{Pun}} edgy]]'' songs they've ever done. The song It has three officially released versions, with the nine(!)-minute Triangle-mix becoming a live show staple, fully communicating the group's ability to command an arena stage by themselves. "edge (Triangle-mix)" paved the way for producer Nakata's later penchant for re-editing the group's singles into "album-mix"es "album-mixes" that pared paired better with Perfume's live concert energy and performance style.
* "Party Maker", "STORY" and"FUSION", unlike the previously mentioned b-sides, are songs that "FUSION" debuted live and were later included on albums due to how well audiences reacted to the performances (and in a cynical frame of mind, were included mainly to fill space on those albums.) albums). "Party Maker" ''goes off'' in Japan, while "STORY" and "FUSION" leave any audience Perfume are in front of with mouths agape due to the extensive projection mapping technology used.
*Pretty much any Any time the words "Music by 中田 ヤスタカ" appears appear on screen during a live concert, the audience ''erupts''. This simple phrase clues the audience into the fact that the song/performance they're about to hear/see is exclusive to that particular tour and has led to some of the group's most energetic songs, such as "Perfume no Okite", "JPN Special" and "Opera".
* "Party Maker", "STORY" and
*
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* "Polyrhythm" deserves special mention, not only for [[BreakthroughHit putting the group]] [[SignatureSong on the map,]] but for its [[UncommonTime unconventional]] bridge.
%%* Also, its B-side "Seventh Heaven."
%%* "Secret Secret" is ''amazing.''
%%* All three singles from the ''Triangle'' era: "Love the World," "Dream Fighter," and "One Room Disco."
* From the ''Triangle'' era, we have "edge," which is one of the most daring and, well... ''[[IncrediblyLamePun edgy]]'' songs they've ever done. The live version is absolutely ''insane.''
%%* The title track from ''Cosmic Explorer'' definitely qualifies.
%%* Also, its B-side "Seventh Heaven."
%%* "Secret Secret" is ''amazing.''
%%* All three singles from the ''Triangle'' era: "Love the World," "Dream Fighter," and "One Room Disco."
* From the ''Triangle'' era, we have "edge," which is one of the most daring and, well... ''[[IncrediblyLamePun edgy]]'' songs they've ever done. The live version is absolutely ''insane.''
%%* The title track from ''Cosmic Explorer'' definitely qualifies.
to:
* "Polyrhythm". It was the BreakthroughHit that [[SignatureSong put Perfume on the
%%* Also, its B-side "Seventh Heaven."
%%* "Secret Secret"
%%* All three singles
* In the same vein as "SEVENTH HEAVEN", b-sides such as "FAKE IT" and "Hurly Burly" became highly requested and cherished songs, with the latter explicitly named as being near the top of the list in Perfume's survey of songs fans wanted to hear on their ''P Cubed'' greatest hits tour.
* "edge" from
* From the ''Triangle'' era, we have "edge,"
* "Party Maker", "STORY" and "FUSION", unlike the previously mentioned b-sides, are songs that debuted live and were later included on albums due to how well audiences reacted to the performances (and in a cynical frame of mind, were included mainly to fill space on those albums.) "Party Maker" ''goes off'' in Japan, while "STORY" and "FUSION" leave any audience Perfume are in front of with mouths agape due to the extensive projection mapping technology used.
* Pretty much any time the words "Music by 中田 ヤスタカ" appears on screen during a live concert, the audience ''erupts''. This simple phrase clues the audience into the fact that the song/performance they're about to hear/see is
%%* The title track from ''Cosmic Explorer'' definitely qualifies.
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain what makes them awesome. A song title on its own is not context. "[Title] is [adjective]" with no further explanation is not context. A Youtube link is not context. WHY are these songs awesome, or [other adjective]?
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%% Administrivia.ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain what makes them awesome. A song title on its own is not context. "[Title] is [adjective]" with no further explanation is not context. A Youtube link is not context. WHY are these songs awesome, or [other adjective]?
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New page, new mess of indentation violations and Zero Context Examples...
%%
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain what makes them awesome. A song title on its own is not context. "[Title] is [adjective]" with no further explanation is not context. A Youtube link is not context. WHY are these songs awesome, or [other adjective]?
%%
%%
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain what makes them awesome. A song title on its own is not context. "[Title] is [adjective]" with no further explanation is not context. A Youtube link is not context. WHY are these songs awesome, or [other adjective]?
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** Also, its b-side "Seventh Heaven."
* "Secret Secret" is ''AMAZING.''
* All three singles from the ''Triangle'' era: "Love the World," "Dream Fighter," and "One Room Disco."
** Also from the ''Triangle'' era, we have "edge," which is one of the most daring and, well... ''[[IncrediblyLamePun edgy]]'' songs they've ever done. The live version is absolutely ''insane.''
* The title track from ''Cosmic Explorer'' definitely qualifies.
* "Secret Secret" is ''AMAZING.''
* All three singles from the ''Triangle'' era: "Love the World," "Dream Fighter," and "One Room Disco."
** Also from the ''Triangle'' era, we have "edge," which is one of the most daring and, well... ''[[IncrediblyLamePun edgy]]'' songs they've ever done. The live version is absolutely ''insane.''
* The title track from ''Cosmic Explorer'' definitely qualifies.
to:
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None
Added DiffLines:
* "Polyrhythm" deserves special mention, not only for [[BreakthroughHit putting the group]] [[SignatureSong on the map,]] but for its [[UncommonTime unconventional]] bridge.
** Also, its b-side "Seventh Heaven."
* "Secret Secret" is ''AMAZING.''
* All three singles from the ''Triangle'' era: "Love the World," "Dream Fighter," and "One Room Disco."
** Also from the ''Triangle'' era, we have "edge," which is one of the most daring and, well... ''[[IncrediblyLamePun edgy]]'' songs they've ever done. The live version is absolutely ''insane.''
* The title track from ''Cosmic Explorer'' definitely qualifies.
** Also, its b-side "Seventh Heaven."
* "Secret Secret" is ''AMAZING.''
* All three singles from the ''Triangle'' era: "Love the World," "Dream Fighter," and "One Room Disco."
** Also from the ''Triangle'' era, we have "edge," which is one of the most daring and, well... ''[[IncrediblyLamePun edgy]]'' songs they've ever done. The live version is absolutely ''insane.''
* The title track from ''Cosmic Explorer'' definitely qualifies.
