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By Far, The Weakest
To start with: I love this game. I think it's an excellent game that everyone should play, and it deserves a lot of the praise it gets.

It is not without flaws, and those flaws have become much easier to notice since the second and third games have been released.

First, the gameplay is average. Having to switch between weapons and plasmids was clunky, and trying to go back to this game after playing Bioshock 2 and Infinite is downright painful. Plasmids are well balanced to avoid being gamebreakers; it's obvious they're meant to supplement your guns, you can't go through the game on plasmids alone and instead need them to give you an edge, but using them is downright aggravating and there's no reason it had to be this way. Bioshock 2 shouldn't have had to innovate in the area of weapon/power synergy. This is arguably still better than Infinite where vigors can be very overpowered.

More damningly, while the concepts and messages of the story are thought-provoking, the execution is awful. The pacing is completely screwed up; not only does the big twist bring the player too high too long before the end, but there is nothing of substance between that point and the end. It's not just a matter of the plot after the twist being weak, it feels like there is no plot at all. It feels like the map designers worked overtime and built too many maps for the writers to do anything with. It's truly bizarre that such a thought-provoking work can have such a large portion be nothing but dead space.

There is no point to the morality system; you get more for saving the Little Sisters than harvesting them, and it doesn't take long to realize it. The bad ending is a descent into cartoon villainy; it's simply absurd and, as such, not even remotely satisfying.

This is a good game game. You should play this game. You should play it before the others in the series not just because Bioshock 2 and Infinite benefit from having played this one first, but because they're so much better that it's hard to do it any other way.
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A game that runs out of Shock.
There are only two moments in Bioshock that make the game worth playing. The first fifteen minutes and the second-act climax. Everything else is a whole load of chaff.

Bioshock is billed as a cross between an FPS, an RPG and a Horror game. The problem is that it gives up being leeway competent at any of the three.

It doesn't work as an FPS. Your character runs and jumps like he just cacked his pants. The guns have massive recoil and the enemies move too goddamn fast.

It doesn't work as an RPG. You have a wide arsenal of powers at your disposal but only a small array of enemies to use them on. If your basic wrench is capable of murdering everyone short of the final boss, why bother experimenting?

It doesn't work as a Horror. After a few scripted scares the game gives up any notion of unease by the halfway point. This extends to the enemies. System Shock 2, Bioshock's predecessor, had invisible spiders, flesh monsters and cyborg midwives. What does this game have? Bomberman escorting a girl scout.

The music is fine but the sound effects are a bitch. Your enemies have these ear-grating Bronx accents which will compel you to beat real-life Bronx residents to death with your aforementioned wrench.

The environmental graphics are stellar but the characters animations leave a lot to be desired. It's painfully obvious there was only a small pool of character models and they try to hide this fact with NP Cs in shadow or behind locked doors. Just about every time you meet a new character they get interrupted by their death, conveniently removing the need for any NPC interaction.

The game has a fascinating back-story but an uninspiring main-story. The problem is that the game gives you one single goal to work on, but it has keep blocking your progress with broken bridges and scavenger hunts.

The themes are murky. What is this game's point exactly? That Objectivism doesn't work? Something, something, free will? The binary morality-system employed within the gameplay is complete and utter nonsense.

What really kills the game is the last act. Here the game gives up any notion of originality and becomes an exercise in tedium. The final boss is a joke in how cheesy he is for a game that has such artistic pretensions.

Bioshock is worth playing once only out of curiosity. Therefore I shall give it my lowest score ever. 3/5
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Shocking. Positively Shocking.
Bioshock begins when a man named Jack survives a plane crash over the middle of the Atlantic Ocean. Shortly thereafter, he finds himself in the undersea city of Rapture, built by the wealthy Andrew Ryan as a haven for free industry, scientific progress, and artistic freedom. However, the city has since fallen into civil war and disrepair, the streets stalked by the addict-like splicers. Faced with such odds, Jack must use his wits, scrounged resources, and the odd voice on the radio to survive Rapture and make his way back to the surface.

Let's start by examining the gameplay. The various powers, called "plasmids," are very fun to use and come in a great variety. I'd say there are a few too many, though, since I never even used half of them. The various standard weapons aren't quite as fun as the plasmids, but make for satisfying shooter combat. Another gameplay aspect that's fun to play around with are the gene tonics, various buffs that can accommodate various play styles. However, these are optional, so anyone not interested in the RPG elements can play as well.

Even considering the gameplay, the narrative is one of the game's biggest positives. Jack himself, is the typical voiceless player avatar, so he's pretty flat as a character. However, that works out pretty well, as the game isn't really about Jack; rather, the story is all about Rapture, how it fell, and its various inhabitants, who all get their stories told via audio logs that are found scattered around Rapture. the supporting characters are all fascinating in their own ways, especially the crazed artist Sander Cohen. These little stories all come together to form a complex examination of an objectivist utopia and the inherent problems such a place would present. This is all good, but the infamous plot twist late in the game not only serves as an effective gut punch to the player, but also adds a neat bit of meta-textual commentary on the nature of video games. These two elements combine to create a truly effective narrative.

Now, the game is not without its flaws, few though they may be. The biggest is probably the pacing after the aforementioned twist. The game from that point on is a mainly an overlong fetch quest, followed by an annoying escort quest. the the game ends with a mediocre boss fight, and less than satisfying ending cutscenes.

It's a must play.

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