Well, Evil Running Good doesn't need to involve The Conspiracy, so it's distinct by way of its definition being broader than the other two tropes. You might be on to something with Benevolent Conspiracy and Conspiracy Redemption, however; the former at least has a TLP draft associated with it (dating to 2013), but Conspiracy Redemption is old (dates back to 2007), and so it might be a victim of bad definition-construction, like several tropes of similar age that were made before the original YKTTW system became the norm for trope creation.
Edited by MarqFJA on Nov 13th 2018 at 6:24:17 PM
Fiat iustitia, et pereat mundus.Does it mean... TRS time?
We can never truly eradicate the coronavirus, but we can suppress its threat like influenzaFor figuring out what Conspiracy Redemption should be? I believe so.
Fiat iustitia, et pereat mundus.What's the difference between In Their Own Image and Restart the World?
We can never truly eradicate the coronavirus, but we can suppress its threat like influenzaThe former involves Time Travel, the latter does not.
Some of the examples do mention "time loops" or some kind of "world cycle", but most of them simply says that they want to restart the world, without saying anything relating to time. That's what gets me confused.
We can never truly eradicate the coronavirus, but we can suppress its threat like influenzaIMHO, In Their Own Image's description is overly specific for its name; I've said the phrase be used in the context of (re)shaping a character, an organization or a place (e.g. a country) in your own image. As written, however, it's functionally a subtrope of Restart the World.
My suggestion is to broaden In Their Own Image to what I've described, at which point there would be only occasional overlap with Restart the World.
Edited by MarqFJA on Nov 18th 2018 at 6:55:42 PM
Fiat iustitia, et pereat mundus.I'd like it, too, but that change sounds major.
We can never truly eradicate the coronavirus, but we can suppress its threat like influenzaThen take the suggestion to TRS.
Fiat iustitia, et pereat mundus.I feel we need one of these for Anti-Role Model and Deliberately Bad Example. Both articles mention the other, clarifying that the first is an example to the audience, while the second is a foil to a sympathetic character. However, some entries on Deliberately Bad Example don't specify who they are a foil to, and I feel the page image on Anti-Role Model doesn't help it because it's an ironic, comedic example. I'm not sure if they're being misused, but an entry on Trope Distinctions could help.
Stories don't tell us monsters exist; we knew that already. They show us that monsters can be trademarked and milked for years.^ Not seeing the problem with ZCE on Deliberately Bad Example. Image problems can be handled via Image Pickin.
The Dragon Age II entry seems to be a foil for an entire community, or maybe a way of governing. The Breath of the Wild and Homestuck examples might fit on Anti-Role Model better because they seem to be about teaching the audience, however subtly.
Stories don't tell us monsters exist; we knew that already. They show us that monsters can be trademarked and milked for years.(Have this one been asked before?)
Loose Canon and Schrödinger's Canon seems to be very similar. What does separate the two?
We can never truly eradicate the coronavirus, but we can suppress its threat like influenzaWell, I couldn't figure it out from the descriptions of each trope, but the more recent one has a TLP draft where the question did get asked. Here's the answer that I found:
Schrodinger's Canon is things that are intended to be canon to the main work, to work within its confines and be just as important as the main work itself, but can ultimately be trumped by the main work. For instance, the Star Wars EU pre-Legends was intended to be a fully canon continuation of the Star Wars Saga, since George Lucas was pretty much done with "further adventures of Luke Skywalker" and retained some high-level creative control. Even so, everyone knew Lucas was planning on rolling out the prequel films eventually, and some assumptions the EU writers were working on weren't going to hold up. As, if I recall correctly, the Lucas Film liason with the authors said, "You're playing in George's driveway, with some of his toys. And you're adding some of your toys to the pile. But when he backs up the truck that is Episode I, he's going to run over a lot of your toys."
Like Timothy Zhan and the Thrawn Trilogy. Zhan first named the captial world Coruscant, and George picked it up for the prequels. Canon status confirmed. It was also a fairly major plot point that the Clone Wars had happened 44 years earlier (the novels set five years after Return of the Jedi), and the prequels show that this is not the case. It's also a fairly major plot point that growing clones takes about five years, and Thrawn somehow found a way around that, and Attack of the Clones doesn't step on this piece of canon per se, though it does screw with other statements about the Republic military fighting clones (and crazy ones to boot).
So, rather than it being Loose Canon, where it's intended to slot in seamlessly if it can and be ignored if it can't, it's Schrodinger's Canon, intended to be fully canon but proven not to be by the primary creator. The overall story of the Thrawn Trilogy still works in the Legends continuity, but needs some detail patching and fixing to make it fully canon-compatible.
EDIT: Added a line that wasn't in the original TLP comment to separate the first two paragraphs, since it's still bugged out as of this writing.
Edited by MarqFJA on Nov 24th 2018 at 4:16:09 PM
Fiat iustitia, et pereat mundus."Intention". We can't always know that, right?
And the way you described Loose Canon makes it sounds similar to Filler...
We can never truly eradicate the coronavirus, but we can suppress its threat like influenzaA Filler is canon as long as it doesn't get banished from continuity. It's not loose or ambiguous in any way.
Check out my fanfiction!Loose Canon and Schrödinger's Canon have Laconic/ pages that are very similar. I can take this to the Laconic/ discussion thread...
This is what I'll propose (and what could be brought up in the appropriate thread, tbh):
- When a spinoff work is not canon but fits neatly into canon by design.
For Schrödinger's Canon:
- When a spinoff work is canon but later installments of the main series contradicts or disproves portions of it.
What's the difference of Breaking Old Trends and Nothing Is the Same Anymore?
We can never truly eradicate the coronavirus, but we can suppress its threat like influenza^ I could think of two points but am not sure:
- Time scope: BOT only applies from the third season onward where trends are firmly established. NITSA doesn't have this restriction.
- Irrevocable: BOT shakes things up but it doesn't mean it cannot go back to established paths. NITSA incidents are points of no return.
Edited by eroock on Jan 27th 2019 at 1:39:08 PM
I'm checking I've got the right trope to avoid Square Peg Round Trope here, but are these correct for the settings (if I add them to an entry):
- Anachronism Stew: A work set in November 1995 has Me Too! protestors, a Chevrolet Corvette design from 1998, and Katy Perry "Wide Awake"
- Anachronic Order: Story 3 is set in 1995, but comes after Story 1 set in 2006.
- Webcomic Time: The timeframe of a work of serial media is much smaller than the time it took to publish it. Basically, the real and in-universe time scales are out of sync due to production time.
- The work is set in February 1995, but it took 3 years of real-world time to move to November 1995 (In-Universe the work covers from February 1995 to December 1996).
- Purely Aesthetic Era: The medieval era seen in The Mighty Magiswords treats the anachronisms as Played for Laughs.
- Retro Universe: It's not an Alternate Universe. It's not Alternate History. It's not a Fictional Earth. It's like our Earth, but maybe takes some liberties with geography for the sake of a better story.
Are these correct definitions?
Edited by Merseyuser1 on Jan 27th 2019 at 4:23:57 AM
Anachronism Stew is technically correct but the example you give is actually the subtrope Present-Day Past, as it's mostly about stuff from the present day creeping into the past. A better example would be:
- A work set in November 1995 has Me Too! protestors, a Chevrolet Corvette design from 1978, all set to the tunes of Elvis.
Retro Universe is incorrect. Retro Universe is explicitly an Alternate Universe that resembles a particular time period in history, often one where a specific time period never ended or went out of style. It has nothing to do with Artistic License – Geography.
The other are correct.
"It's just a show; I should really just relax"I hadn't realized that - I wrongly thought Anachronism Stew was future things in a Period Piece.
Retro Universe has some relation to Frozen in Time, am I right? Would Aubrey-Maturin which lists both Comic-Book Time and Frozen in Time (1813 on a loop for the next 10 books) technically be a Retro Universe?
I know that Tropes Are Flexible, and could Retro Universe be a Sister Trope to Frozen in Time (it does say See Also: Retro Universe on the page itself) but I wasn't sure what would be a good re-write of the trope description, since it could do with improvement, but I'm not sure how to make it a good enough article.
Edited by Merseyuser1 on Jan 27th 2019 at 8:52:09 PM
This was brought up in TLP: I need to know the difference of Sketchy Successor, Sucksessor and Inadequate Inheritor.
We can never truly eradicate the coronavirus, but we can suppress its threat like influenzaRetro Universe is an intentional, stylistic choice. It's about a world or universe that has a very retro flavor in terms of visual styling and technology, without necessarily being literally set in that specific era. It's also usually justified in at least a handwavy way by having speculative fiction elements. Think Cassette Futurism or Steampunk for specific categories.
I'm a little confused about what Frozen in Time is, but it's very closely related to Comic-Book Time. As best as I can tell, it's when a story remains set in the same era for longer in-story than it should logically take to leave that era. As opposed to Comic-Book Time, where a long-running story is always set in "the present" and they update the styles and technology even though the characters don't age. But then the page also lists a lot of examples about adaptations of a work always being set in the same time period regardless of when they were made, which seems different...
Edited by naturalironist on Jan 28th 2019 at 5:44:46 AM
"It's just a show; I should really just relax"
But we have Benevolent Conspiracy for wholly good ones.
The way you describe Evil Running Good and Conspiracy Redemption doesn't make them sound distinct either.
We can never truly eradicate the coronavirus, but we can suppress its threat like influenza