Baltimore is back, baby. If you feel the need to make stories that blow past the boundaries of detective/crime drama, you need to be working a Baltimore setting. Homicide: Life on the Street set the bar. The Wire doesn't just jump that bar, it executes a triple somersault and lands perfectly on the other side.The Wire is a show about Baltimore, taking you through a different segment of the city in each season.Season one is focused on the police and the drug trade. One of the unique aspects of the show is that, rather than having a crime each week, each episode is just a chapter in a single, season-long case for the Baltimore police Major Crimes Unit. Thus, the viewer sees in great detail the political wrangling on either side of the drug war, as financial constraints, personal vendettas and career opportunism get in the way of the guys just trying to do their jobs - whether those jobs are maintaining law and order or keeping up a steady supply of heroin to Baltimore's numerous "fiends."The show's scope broadens from the street corners to show how all parts of Baltimore — and by extension every US city — are complicit in the social machine that keeps the drug trade alive and buoyant.Season two moves to the ailing Baltimore docks and their uneasy racial balance of power, as dock manager Frank Sobotka discovers the price for taking money from organized crime — even if he's only doing it to keep the docks from dying.Season three returns to the streets of Baltimore, but also looks at the city's politicians, in particular up-and-coming mayoral hopeful Tommy Carcetti as he plays all sides to get into a position of power. Thus, the season is able to show how street-level policing is dependent on the whims of those higher up the food chain and examine the issue of reform.Season four is about education and continues to show Carcetti's rise as he runs for mayor, but a large chunk of the air time now also focuses on four young friends: Dukie, an impoverished son of junkies; Michael, a troubled victim of abuse who looks out for his younger brother; Namond, born into a junk-dealing family; and Randy, a small-time huckster just trying to get by. These four youths find themselves equally attracted and repelled by the opportunities and dangers of Baltimore's drug trade.The fifth and final season wraps up the stories of everyone that has been featured in the show thus far, while introducing a new set of characters, a series of reporters working for The Baltimore Sun, a newspaper that is constantly suffering cutbacks and buy-outs as the experienced old guard are replaced with naÔve new reporters. Two such reporters subsequently become involved in a scam by one of the MCU's detectives to bring down new drug kingpin Marlo Stanfield.With the rotating focus every season, the show is anchored by the police officer characters and the often ignored power struggles that go on within major city police departments. The rank and file detectives and patrol officers are often portrayed as helpless pawns of their superiors, who are more concerned with their own petty vendettas and personal ambitions than the city and its citizens. Detectives regularly find their investigations spiked the moment they start to become a financial burden for the department or threaten the status quo.Counterbalancing the police are the city's drug dealers, who range from the the ruthless Marlo Stanfield and Avon Barksdale, to the more affable "Proposition Joe" and ambitious social climber Stringer Bell. Also in the mix is Omar Little, a deadly Robin Hood-like figure who robs drug dealers; the drug-addicted police informant "Bubbles"; and the mysterious European crime lord known as "The Greek," who supplies both drugs and prostitutes to the city of Baltimore.The Wire is rife with social commentary and the liberal political views of show creators David Simon and Ed Burns. The most overt theme of the series is the notion that the "War on Drugs" is a complete and total failure in its current form of "lock up the drug dealers and throw away the key" logic. In addition, there is the more nihilistic notion that the institutions that make up the American way of life are irreversibly corrupt, and that it is impossible to reform them. To try to reform them is to be crushed by the system. (Worth noting is that Simon has recently begrudgingly congratulated the city of Baltimore for introducing legal reforms he had petitioned for for years - see below.)Although the series has been critically acclaimed, The Wire never managed to earn anything more than a small but devoted following while it was on the air. Part of the reason, says co-creator David Simon, is that it has a primarily black cast representing the racial makeup of the real-life Baltimore. Indeed, the show's best-rated season is its second, which was the only one to have an equal number of white faces, being set in Baltimore's docks. Over the years, however, word-of-mouth helped widen the show's audience beyond its initial broadcast viewers, elevating it from overlooked gem to widespread cult phenomenon to national phenomenon (quite famously, Barack Obama considers it his favorite TV series), and eventually became so influential that it's said to have inspired actual legal reforms in the city of Baltimore - perhaps the ultimate historic vindication.A proposed spin-off series, The Hall, would have run between the third, fourth and fifth seasons of The Wire in order to focus on the political-themed aspects of the series and the Tommy Carcetti storyline, but the low ratings resulted in the spin-off not being greenlighted and the plotlines absorbed into the main series.Co-created by former cop Ed Burns and former journalist David Simon, The Wire premiered on HBO on June 2, 2002 and ended on March 9, 2008, comprising 60 episodes.
This show provides examples of:
Abandoned Playground: Several, considering that Baltimore is a shooting gallery. Most notably, Nick laments Ziggy in one in Season 2, Marlo holds court in one for most of Season 3, and Lex is ambushed by Snoop in one in Season 4.
Dominic West during much of the fourth season (his character, McNulty, works as a beat cop); this was done largely to accommodate West, due to him landing several movie roles during the period that season four filmed.
McNulty disappeared through much of season two as well, getting assigned to "harbor unit", which the writers then promptly turned into a key plot point of the season. The writing is overall so strong that major characters cycle in and out of the narrative, and if something life-altering happens to a character (for instance, a life prison term), it's permanent, and the overall arc is so strong that it supports it completely, and we simply focus on other characters.
For whatever reason Leander Sydnor is not included in the Major Crimes unit in Season 2, but returns for 3-5, the only original member still on the unit at the end of the show. His absence from the Second Season is mentioned in universe, but never explained.
That's because it didn't need to be. For the first two seasons, the cops are mostly seen being "Detailed"; working a special case that is not their normal assignment. Sydnor was pulled from the Auto Squad, and reluctantly at that because he was considered their best undercover man. Once Daniels is given his own unit (and a lot of pull within the dept.) he asks for Sydnor to join it. He evidently wasn't able to get him for the Sobatka detail.
Namond and D'Angelo have some of the worst mothers around. Both continually press their sons into the drug game (read: mortal danger) to maintain their own lifestyles. Both are eventually called out on it, in a brutal manner. Wee Bey allows Namond to live with Bunny Colvin, for a chance at a real future. When D'Angelo is "suicided," McNulty goes to his girlfriend with his suspicions instead of his mom because "Honestly? I was looking for somebody who cared about the kid."scene The ironic and sad thing though, is that his girlfriend didn't really care about him either.
Wallace, Michael and Dukie's mothers were even worse, since they were all junkies who couldn't care less about their sons' well being. Wallace ran away from home and lived in the low rise projects with other (presumably) runaway kids for this reason. Dukie was constantly deprived of essential needs, and had to rely on what his teacher gave him, and eventually stayed in Michael's place, which he acquired after getting involved in the drug game. In Michael's case, he was forced to take responsibility of the welfare money issued out to his mother every month, because she kept using it on drugs instead of food, clothes and other household essentials. If Michael didn't step up to the task, he and his little brother would have starved. Michael's stepfather is strongly implied to have sexually abused Michael.
Added to that, the fathers of all these people are not even around at all. The only one who could have been a father figure was Michael's stepfather and he was worst of all.
Maryland Governor Robert Ehrlich playing a security guard at the governor's office.
Donnie Andrews, the real-life inspiration for Omar Little, who appears as his sidekick a few times and is ultimately killed when Omar makes his Super Window Jump. That scene was based on an incident in Andrews' real life.
Felicia Pearson basically plays a fictionalized version of herself. Somewhat.
The woman playing the principal of the local school? Actually the principal of the real high school. No wonder you sat up straight when she yelled.
Lt. Dennis Mello was played by the actual Jay Landsman, a long-time homicide detective in the Baltimore Police Department. Not to be confused with the fictional homicide detective Jay Landsman (see Celebrity Paradox below)
Det. Ed Norris is played by Edward Norris, former Baltimore Police Commissioner who had a somewhat...controversial career (that ended in indictment). His lack of respect for the current Commissioner is a running gag.
When he goes undercover in the Greek's brothel, McNulty's alias is "James Cromwell", in reference to "the English fuck who stole my ancestors' land". Dominic West played Oliver Cromwell in the Channel 4 miniseries The Devil's Whore.
Adaptational Attractiveness: Inverted with Jay Landsman. See for yourself—the real Jay Landsman (Lieutenant Mello's actor) and the fictional Jay Landsman both appear in the show. Conspicuously, the fictional character is at least 50 pounds heavier than his Real Life counterpart.
Advertised Extra: Really, did Neal Huff deserve a spot in the opening credits of season 5? Did Michelle Paress?
Aesop Amnesia: At the end of Season 1, Herc is seen giving a couple of rookie Narcotics detectives a speech about the importance of being a Guile Hero in their work. He immediately forgets all about that lesson in subsequent seasons.
All Men Are Perverts: Mostly played straight. There is not a single character who is still with the same partner at the beginning of the show as at the end, there's cheating galore (both McNulty and Bunk cheat on their wives/partners, and later Kima does too), and this is seen as normal. But it's taken Up to Eleven with Poot, who has probably done all the girls in his 'hood.
American Dream: The portrayal of Baltimore can be seen as the opposite, the American Nightmare where very few individuals have a chance to enjoy a decent life outside the criminal world and where the new generation just take over the roles of the older one in a neverending cycle.
The very first scene of the series features a story about a guy who chronically robs the pot of a crap game every time he plays. McNulty is puzzled and asks why the guy is even allowed to play the game. He receives a casual answer "You gotta, this' America man" . The camera then pans out, showing the the guy lying dead on the ground, before going out of focus.
Stringer Bell is an interesting take, an ambitious educated man who approaches crime as a regular capitalist venture and who is eager to climb the social ladder with a plan to win "the game"; becoming "the bank" amassing a great amount of wealth through legitimate income and deals and thus become a respected citizen away from the traffic of drugs. He is however a NaÔve Newcomer out of his depth in the politician game and gets conned by Senator Davis, a man from the establishment.
The dark corner of the american experiment, in Landsman's words.
Anti-Villain: Most of the people on the bad side of the law could qualify, as very few of them consciously choose a life of crime or actively take pleasure in suffering and fear. With the notable exception of the Stanfield gang, of course. Of particular note are D'Angelo Barksdale, Bodie and Co., and Frank Sobotka.
Anyone Can Die: To the point that by the final season, most of the Barksdale clan's members who weren't arrested were killed on the streets; long-running characters like Bodie and Omar Little are killed off suddenly as well.
"The game": "It's all in the game"; "The game is the game"
Cutty: The game done changed.
Slim Charles: Game's the same - just got more fierce.
"Same as it ever was."
Armoured Closet Gay: Bill Rawls is a somewhat downplayed case. At one point he intentionally riffles through Landsman's porno mag.
Artifact Title: A literal wire, rather than a metaphor for walking a thin line, only plays a major role in the first season. Wiretaps of one variety or another are central to several operations. The title also suggests pulling the thread. Season 5 may count as a subversion - news-wires and such.
Kenard is seen in a quick season-three scene playing with two other kids before he gains more screentime in the fourth and fifth seasons.
Detective Colicchio was initially an unnamed background character in Major Colvin's unit before gaining an abrasive personality and more dialogue.
Jeff Price (a court reporter for the Baltimore Sun) appears in one season three sequence (a press conference) asking a question, then becomes a full-fledged supporting character in the fifth and final season
The Major Crimes Unit shines over regular units due to its painstaking police work and meticulous data gathering and interpretation, in radical contrast with the departments policy of drug-on-the-table and short-term arrests that lead to nowhere. At the core of it lies Lester Freamon, who in Daniel's words is by himself the MCU.
Some examples outside the MCU include Bunk-McNulty's surgical F-reconstruction and McNulty's tide calculations.
Back for the Finale: Pretty much everyone that's not dead has one last hurrah as a One-Scene Wonder at some point during the final season. Even Nicky and Johnny Fifty from season 2's docks plotline show up for cameos.
Scott Templeton, who wins a Pulitzer for his fabricated story while Gus is demoted.
Played earlier and a lot more devastatingly at the end of the second season when The Greek and his cronies get away scot-free with the police still having no idea who they really are. Made worse when they resurface in the story a couple seasons later and we see that they've managed to avoid prosecution and are back in business in Baltimore.
Bad Guy Bar: Orlando's is the strip club, plotting nefarious deeds variant. Butchie's bar is the dingy, neutral variant; criminals from a variety of different organizations seem equally likely to spend time there, and it is the location of choice for Stringer Bell or Proposition Joe to parley with Omar Little from season two and onwards.
Being Good Sucks: Not surprising considering the cynical nature of the show. Then again: the bad guys don't always have it easy either (see above).
Big Applesauce: McNulty puts Omar on a bus there to get him away from drug deal retribution, the West Side's drug connection runs through there for the first few seasons, and drug deals (and eventually hitmen) show up from New York periodically.
The Big Board: A corkboard laying out all of each case's suspects. Also, the white board in the Homicide division that shows all the open cases, unsolved ones in red. The big board eventually spilled out over the walls as the cases grew larger.
Big "NO!": After a mother's son catches a stray bullet during a shootout.
Big Sleep: Rampant in the first couple seasons. Glekas is the first character to exhibit Dies Wide Open at all, late in season 2.
Bilingual Bonus: A brief sub-plot in series one concerned two older cops named Polk and Mahone. "Půg mo thůin" (pronounced Pogue Mahone) is Irish for "Kiss my ass".
Black and Gray Morality: Whenever Stanfield and his crew become involved, particularly in his ascendant Big Bad status in Seasons Four and Five, The Wire arguably slips into this trope instead.
Black Comedy: Quite often. The most hilarious examples include Bodie ordering a wreath for his friend's funeral in Season 2 or Herc and Carver trying to apply Good Cop/Bad Cop routine in Season 1.
Blue and Orange Morality: Chris and Snoop have some... odd ways of looking at life and death. Snoop seems to think that killing is a natural part of life, and it makes no difference who does it, or whether or not they deserved it. If someone says it's their turn to die, it's simply their turn to die.
Bluff The Eavesdropper: Marlo tricks Hauk into wrongly arresting him in order to discover which agency is behind his surveillance.
Bluff The Impostor: Chris and Snoop's questioning of New York drug dealers in the fourth season.
Break the Cutie: Randy in season four may have been a mischievous and somewhat naive teen, but he's also a sweet and likable person that no one wanted to do bad things to. When Randy tells a teacher about the vacant house murders. everyone in the neighborhood gets wind of what Randy said and things start getting really bad for him, very fast. It's mild at first, with the kids at his school not wanting to associate with him, then it escalates into daily fights; enough to the point that his legal guardian forcibly withdraws him until he can be transferred to another school. Unfortunately, that never happens, because several nights later, two random thugs toss Molotov cocktails into his guardian's house and set it on fire. Randy is intact, but his guardian gets horribly burned and is unable to care for him anymore. So Randy has to go to a group home with other volatile neighborhood kids who beat him up everyday for what he did, despite Carver trying to adopt Randy to avoid that fate. When Randy briefly reappears in season five, he has become a hardened, violent individual.
Brick Joke: When Ziggy meets Sergei Molotov for the first time, he derisively calls him "Boris" as a dig at his Eastern European heritage. Near the end of the season, when Sergei is being interrogated by the cops and refuses to speak, McNulty just shrugs and calls him "Boris" because he won't tell them his name. He rolls his eyes and mutters "Boris. Why always 'Boris'?" It gets a Call Back in season 5 when Marlo calls him "Boris" when he meets Sergei in prison.
Marlo's bribe for the Greeks in the fifth season. Mocked, because the Greek won't accept it as it comes, dirty from the streets. Marlo misses the point thinking it only means literally dirty, used not as in unlaundered and tries again.
Stringer Bell also gives a case full of drug money to "the faucet", a corrupt public official willing to approve building plans in return for a bribe only to later find out that the man he sees is just a random public official and the whole thing was just an elaborate scheme by Clay Davis to swindle him out of cash. This can be seen as a subversion of the trope of sorts as Levy points out that a State Senator like Davis wouldn't be willing to risk his career by walking around with briefcases full of drug money to give to public officials who might rat them out.
Kima drinks, sleeps around, and kicks in doors right along with the men of the series.
Snoop as well. She has the "one of the guys" aspect down nearly to a tee, wearing almost exclusively baggy men's clothing (concealing her fairly feminine build seen on the one exception), being one of the top two enforcers for Marlo, and with a voice deeper than most males on the show. Her sexual orientation is only once referred to, and that fairly obliquely (where she claims that she, like Bunk, is "thinking about some pussy"), but the actress who plays her is also a Butch Lesbian.
Butt Monkey: Ziggy, though he mostly brings it on himself. He can arguably be seen as a Deconstruction of the trope, once you see his fate at the end of the season: he gets so tired of being the punchline of every joke that he snaps and murders George Glekas after he cheats him in a business deal and humiliates him. He gets a lengthy prison term for the crime.
But Not Too Gay: The fairly prominent gay character of Omar never gets a sex scene, and over three boyfriends and five seasons, only has two on-screen kisses (three if you count kissing Brandon's forehead in an early episode): he barely even touches the third boyfriend, Renaldo, even in a non-sexual way (possibly as a result of some controversy about the fairly steamy make-out scene with his previous boyfriend, Dante). However, this is averted as Omar is one of few characters who never hides his relationships, and what we do see is still a lot more than some examples from other media.
Greggs. She refuses to cut corners in the identification of her shooters. In the series finale she is influenced by Carver's example below and the CowboyCops are brought down by this trope, and they are not mad by it, since Greggs doing it ought to mean it was the right thing to do
Carver is a very informal cop but Colicchio pushes his luck after a demonstration of excessive force and gets officially reported by Carver, who was initially flexible.
Camera Sniper: Happens a lot, particularly in season one. For instance, the scene where Bubbles is doing his red hat trick and Kima is on the roof photographing them.
Cardboard Prison: It takes Bodie about three minutes to break out of juvenile hall.
Interesting use with Lt. Mello. His actor, former police detective Jay Landsman, had his own real life catch phrase: he used to pretend to light up a joint and pass it around when something crazy came up in discussions with fellow officers, saying, "Good shit, right?" The writers incorporated it into his character; Lt. Mello does the same thing when scoping out potential locations for Major Colvin's "experiment."
Method Man plays Cheese, but Wu-Tang Clan songs have been heard on the radio at least once. We get a clear view of his Wu logo tattoo on his hand in season 4.
The reference to former Baltimore Mayor Kurt Schmoke in Season 5 despite a guest appearance by the same in Season 3, playing a health official.
In one episode, McNulty pontificates that the core cop cast of the show are among maybe ten or twenty truly good cops in Baltimore. One of the cops that he names is Ed Burns, one of the show's co-creators who is indeed a former cop. Burns was many years retired from police work when he began working on this show, so the cop in question would have to be a different Ed Burns.
The real Jay Landsman plays Lt. Mello, while Delaney Williams plays "Jay Landsman." Made more confusing in a scene in the fifth season where Lt. Mello, Jay Landsman, and Detective Munch (who was based on Landsman) all appear in a bar.
Omar is a Fan of HBO's Oz, although many cast members on The Wire (including the actors who play Herc, Carver, Rawls, Daniels, Bodie, Freamon and Cheese) have appeared on it.
In one episode, Avon mentions the Real Life Baltimore drug kingpin "Little Melvin" Williams when he's wondering how future generations in Baltimore will remember him. The now-reformed Williams (who was himself the inspiration for Avon) later got a recurring role as the Deacon in Season 3.
Chaotic Stupid: Ziggy Sobotka and, to a lesser extent, Frank and Nick Sobotka as well. While the former manages to make a mess out of absolutely everything he says and does, all three of them are happy to yell at, make demands of or otherwise challenge what they know to be very dangerous criminals. You can't help but wonder when one of The Greek's men will lose their calm and business-minded demeanor and give them a lesson in manners.
The Character Died with Him: Producer Robert F. Colesberry as Detective Ray Cole. As well as Richard DeAngelis who played relatively unimportant Major Raymond Foerster, who died of cancer during Season 4. They receive an In Memoriam wake at Kavanaugh's Pub. Cole's one is the first of the series.
Characterization Marches On: Proposition Joe is implied to be illiterate in Season One, when Avon mocks him for carrying a clipboard as a coach even though he can't read. Later episodes reveal Prop Joe to be quite intellectual. His prequel short shows that he was an excellent student who sold his test answers to fellow students.
Chastity Couple: Omar and Renaldo are not shown so much as holding hands, in comparison to Omar's being shown as affectionate with his first two boyfriends.
Colvin, who appears briefly in Season 2 only to become very important in Seasons 3 and 4.
Kenard, who appears briefly in season 3 as a kid on the street proclaiming, "It's my turn to be Omar!". He returns in season four, and then in season five is the one to shoot Omar. The best part is that this wasn't even intentional on the writer's part, they only found out later that it was the same kid and he just happened to be cast for both roles. In one interview Dennis Lehane jokingly declared that I Meant to Do That.
The Chessmaster: Many including Stringer, Prop Joe, etc. though their successes vary. Probably the most successful however, is Lester Freamon who is a Magnificent Bastard despite being a good guy.
Chess Motifs: In an early episode, Bodie and Wallace play checkers with a chess set. D'Angelo comes over and tries to teach them chess in terms of the drug trade and the characters, with plenty of subtext; the pawns are street dealers and muscle, the boss of the clan, Avon is the King and the all-powerful and flexible Stringer Bell is the Queen. Everyone stays the same, but very successful pawns can become queens in rare circustances, or so they are made to believe.
Children Are Innocent: Played straight with characters like Michael's brother, Bug, and then defied with characters like Kenard, who lies, steals, kills Omar, and is eventually arrested. Not to mention swears like a sailor on leave. He's even seen about to set a cat on fire before being distracted by Omar..
Child Soldiers: Not always the case for every West Baltimore kid, but it's certainly expected, given the ruthless nature of the drug game. In some cases like Bodie and Poot, they voluntarily joined for the monetary benefits and because it's almost encouraged by their environment. The most blatant and tragic case is Michael. Although he became a very good soldier for Marlo Stanfield, he joined because he needed an escape from his horrible living conditions and neglectful parents.
Clear My Name: A strange example. Herc and Carver arrest a cash mule and turn the money over to the Major Crimes Unit. However, it is several thousand dollars short of the amount that they heard being discussed on the wire. So Daniels tells them to get it back before he reports them - Herc and Carver tear apart the squad car and find that it has somehow gotten under the spare tire in the trunk. Carver notes that Daniels will never believe they didn't try to steal it. And since they have both seen each other doing so in the past, neither of them really believes the other didn't hide it there.
The deadwood and humps from other departments are dumped into the inconvenient special unit:
Straight example in Santangelo, who is flatly out of his depth. Polk and Mahone up to pathetically comical levels, they are tasked with putting a face to Barksdale and come up with a photo of a middle-aged white man.
Subverted with Lester and zigzagged with Prez; the latter has genuinely been a terrible cop to date, but being in the Major Crimes Unit reveals his Hidden Depths as a gifted data analyst and paper chaser. When he leaves the unit, another cop laments his absence.
Jimmy 'I'm the smartest asshole in three districts' McNulty fully exploits it in his season 5 scheme while working at Homicide.
McNulty: Most of the guy's up here couldn't catch the clap in a Mexican whorehouse!
Cluster F-Bomb: This happens throughout the show itself. Though the most particular would have to be in one of the first season episodes, where McNulty and Bunk spend an entire scene investigating a crime scene while muttering nothing but variations of the word "fuck."
O-Dog suggests to Snoop and Chris to execute someone via drive-by, like in the movie Boyz n the Hood. "Shit was tight, remember?" The negative context of the drive-bys from the movie must've gone completely over his head.
Common Nonsense Jury: The jury for Clay Davis's trial are seemingly under the impression that massive campaign finance fraud ceases to be illegal if you give away all the money.
Commuting On A Bus: McNulty as above-mentioned in Absentee Actor in season 4. In season 5, to great hilarity, the show also provides a literal example, McNulty arrives at a crime scene on a bus because BPD has no funds for cars.
Fellow cop: Well now I've seen everything.
Consummate Liar: Quite a few of those, but Clay Davis and Scott Templeton are the best examples.
Continuity Nod: frequent references to prior events and conversations; especially evident in the final two seasons.
Cool Old Guy: Lester Freamon is the oldest of the detectives and at first glance is considered a "hump" who spends all his time painting miniature furniture. He's soon revealed to be the smartest guy on the whole damn show. There's a reason they call him "Cool Lester Smooth". He also gets a Let's Get Dangerous moment when he punks a dealer with a bottle during a season one arrest.
The Coroner: Dr. Frazier in the first, second, and third season.
Corrupt the Cutie: Carcetti starts out idealistic and messianic, but slowly but surely gets dragged into the politics game. His New Era Speech is genuine but it turns out to be an ironic twisted example in hindsight.
McNulty fails to get away with indirectly applying the word to his ex-wife in Season One. The word also features in a line in Season Three which is so offensive it shocks Stringer.
Bird, the charming gentleman who spouts this word, and many other slurs, several times at Kima and the other detectives while in homicide's interview room. He's actually so offensive and obnoxious that even Daniels joins in on the asskicking.
Herc and Carver are deconstructed versions of this trope, showing how their gung-ho, headcracking style of busting street corner hustlers is actually not very useful policework. Over the course of the show, Carver matures into a more competent policeman who becomes a part of his community and uses more intelligent tactics to disrupt the drug trade.
McNulty is also a Deconstruction of this Trope. He's a cowboy who plays by his own rules and is constantly getting into hot water with his superiors despite the fact that he gets results. How he goes about it, however, is completely the opposite of a standard movie cowboy cop. His tactics involve navigating government bureaucracy and patiently building up intelligence on high-ranking targets rather than busting street hoodlums, which is what his superiors actually want him to do.
Lester Freamon is a kindred spirit with McNulty and is also willing to buck the system in an attempt to do real good for the community. While McNulty is a reckless hothead, Freamon is a quiet Chessmaster, making him less of a true cowboy.
Creator Cameo: David Simon plays a reporter during Frank Sobotka's arrest, and briefly at the Baltimore Sun in the final season. Other writers and producers have appeared in minor roles on the show, including Dennis Lehane as bored cop Sullivan in the special equipment room in the season 3 episode "Middle Ground" (with a porno magazine called Irish Lasses, no less).
Crime Time Soap: The show focuses drastically more on personal and professional relationships and favors than "real police work", yet still portrays police work in an accurate manner. It's the way it shows how such relationships shape crime and police work, always in a realistic and believable way, that makes it so authentic.
Criminal Procedural: It tends to be evenly split between the lives of the criminals and the lives of the cops that are stalking them. Later seasons broaden this to politicians, journalists, and children who are getting into a life of crime.
Cultural Posturing: Facing a serious challenge from Carcetti (who is white), Mayor Royce (who is black) redesigns all his campaign materials in African colors to inspire racial solidarity at the ballot box. Even lampshaded by Carcetti.
Cut Lex Luthor a Check: Stringer Bell plans to apply his shrewd knowledge of economics to become "the bank", winning the game through real estate, legitimate business and untraceable laundered money, shifting away from the risky street trafficking. Avon Barksdale would have none of it.
Avon: I'm just a gangster I suppose. I want my corners.
Da Chief: Commander Rawls, who rips his underlings to shreds with gusto.
Danger Room Cold Open: The second to last episode of season 4 opens with Snoop and Chris chasing Michael down the streets with guns, seemingly serious about shooting him. It turns out they're firing paintballs and it was a training exercise for Michael, who delivers a very good performance.
Darker and Edgier/The Good, the Bad, and the Evil: The generational shift in Season 3 is represented this way, with Marlo representing a Darker and Edgier amalgamation of Stringer's conservative and calculating nature, and Avon's brutality and pride. Similarly, Chris Partlow is a darker and edgier version of Wee Bey Brice while the Stanfield bit players also seem to be a little rougher around the edges than their Barksdale counterparts. Barksdale is given a few Pet the Dog moments via Cutty that underscore Marlo's greater evil, later confirmed with the massacres at the vacant houses.
Dartboard of Hate: Sobotka has one with the face of Bob Irsay, the owner of the Colts who moved them from Baltimore to Indianapolis.
Dawn Of An Era: Carcetti's "new day" is set to mark one for Baltimore but —along with his Big Good potential— it's quickly subverted in a way considered illegitimate by McNulty and Freamon.
Usually averted, but the scene of Stringer's death had quite an aesthetic tinge to it.
Bodie's last stand is also fairly meaningful up until its seemingly anticlimactic end.
The death of Omar is a biting aversion, from the initial killing shot, to his murder not making the paper, to his name tag almost being switched up. Also Played With for the rest of the series whenever a corner boy tells some tall tale of how he fell.
Decade Dissonance: BPD is still using typewriters and obsolete gadgets well into the new millenium. In stark contrast both FBI and DEA have state of the art devices and technology.
Defective Detective: McNulty, whose life outside of his excellent police work is a train wreck.
Demoted to Extra: The fifth and final season gives this treatment to various (fairly) major characters from previous seasons such as: Roland Pryzbylewski, Randy Wagstaff, Namond Brice, and Dennis 'Cutty' Wise, among others.
Derailed For Details: In season 4, Prez tries to set his class a Train Problem and they pester him for details that would be relevant to an actual journey (which station it's leaving from, what the purpose of this guy's trip is, etc.), but not to the basic maths problem he has in mind.
In season three, an otherwise simple robbery by Omar and his crew turns deadly when they realize that the house is more heavily guarded than they were expecting, and they have to shoot their way out, resulting in deaths on both sides of the gunfight.
Diegetic Switch: The show as a rule, only uses Source Music, with the exemption of the montages in the season finales and the Greek music in the second-to-last episode of the second season. Used switches include:
In the second season the music from a radio is overlaid across several scenes. I Walk the Line .
Directed by Cast Member: The season 5 episode "Took" was directed by Dominic West (McNulty). Clark Johnson also directed several episodes (notably "The Target"), even before he joined the cast as editor Augustus "Gus" Haynes.
Dirty Cop: The show is full of them. The top brass are so corrupt and so full of personal vendettas that it prevents them from doing any actual police work. When Judge Phelan and McNulty set in motion the creation of the MCU, Rawls makes it his top priority to screw McNulty over. The Deputy Ops himself is reluctant to do any police work either.
Disposable Vagrant : Zig-zagged; invoked and deconstructed. In season 5 McNulty fabricates a fraudulent Serial Killer case using forsaken vagrant victims in order to atract media and political attention and divert funds to real police work. He even "abducts" one live vagrant to further drive the point home.
Disposing Of A Body: Marlo's hit squad Chris and Snoop have a genius system that allows them to off a huge number of rival dealers before the police start to notice (22 bodies are eventually recovered, but their actual hit count is unknown). They take them at gunpoint into one of hundreds of derelict row-houses, kill them and cover the body in lime, then wrap them in a plastic sheet and board the house back up.
Divorce Is Temporary: In a season 2 episode McNulty and his estranged/ex-wife have a passionate one night stand, the next morning he thinks they're back together but she insists that its just a one time thing. Averted trope. They never get back together for the remainder of the series.
The Dog Bites Back: Attempted in the fourth season of wherein Rawls reveals Burrell's manipulation of the stats to the newly elected Carcetti. Backfires when Carcetti lacks sufficient political clout to have Burrell fired.
The Don: In season 2, "The Greek", unnamed patriarch of the Greek crime syndicate. He's very soft spoken, has a calm civility of another age, masking an icy ruthlessness.
Zig-zagged; in the first season, a detective tries to make one of the Barksdale clan's top dealers (D'Angelo Barksdale) write an apology letter to the (fictional) family of a man killed for witnessing against him. Amoral Attorney Levy's reaction is something to behold. This also counts as a case of Shown Their Work, as this is a common trick the police use to elicit written confessions from crooks who don't know better.
Played with hilariously in a later episode, where they convince a young punk that a photocopier is a Lie Detector. The kid confesses because he assumes the jig's up now anyway after he's made to believe his accomplice folded and is enjoying a Big Mac menu because of it.
Double Meaning Title: In the first two seasons, the title obviously refers to the wiretapping techniques that the police use to catch drug dealers. After they stop using the wire around the third season, it can take on a variety of more metaphorical meanings.
It can refer to the act of "walking the wire"—that is, to the metaphorical "balancing act" that Baltimore cops must perform in order to fight crime while staying loyal to the forces that perpetuate it.
It can refer to the proverbial "thin line" that separates cops from the criminals that they fight.
It can refer to the metaphorical wire that connects Baltimore citizens of all walks of life, thus ensuring that one group's actions always affect the other.
Downer Ending: Don't expect this show to, like any other cop shows, have a happy ending. With the brutal honesty and the creator's unwillingness to just give the audience what they want, most of the stories in the show are an example of this trope with a few, very rare and very happy exceptions.
The Dragon: From season 3 through the end of the series, Chris Partlow fills this role for Marlo Stanfield, though his constant training and use of Snoop may amount to making the two of them Co-Dragons.
The Dreaded: Omar fucking Little. Even Chris and Snoop — Chris and Snoop — get nervous when he's hunting them. Chris and Snoop themselves also count. Brother Mouzone from New York is one for the druglords, but his feats aren't widely known in the streets of Baltimore.
Dropped a Bridge on Him: Done deliberately with Omar. He's such an epic badass that other hardened criminals are terrified of him, so of course he'll go down in a blaze of glory, right? Wrong. This show is not Scarface, he is shot from behind by an eleven year old while trying to buy a pack of cigarettes.
Bubbles in season four. He is saved just in time. Also, "No Heart" Anthony Little (Omar's older brother) got his nickname from a failed suicide attempt after he was sentenced to several years in prison; he tried to shoot himself in the chest, but ended up with only a contact wound "and a new nickname".
McNulty comes VERY close to the edge over the course of Season 3, he seems very tempted to simply stay on the the train tracks.
Drowning My Sorrows: McNulty's nighttime antics of drinking buckets, getting into a car accident, re-attempting that accident, and going home with his waitress after ending up at the diner.
Drunk Driver: Cops are regularly shown driving to an out-of-the-way spot to chat and get plastered on beer, then driving home.
Major Rawls at one point attempts to get revenge on McNulty by pressuring Detective Santangelo to catch him driving under the influence: Santangelo is dismayed; it is implicit that freedom to drive drunk is an unwritten sacred right for Baltimore police.
In one of the show's funniest moments, McNulty is driving home drunk, takes a turn too wide and scrapes the side of his car against a freeway support. He stops, gets out, surveys the damage and the scene, and then gets back into the car and reverses around the corner. He then tries to take the turn again and hits the support again. Watch
Due to the Dead: BPD has the Irish wakes, Boadie and Prop Joe are shown doing funeral arrangements for fallen comrades. On the other extreme dwells Marlo and his ruthless crew. They dump and forsake bodies in vacant houses and refuse the anguished plea of their own associate Old Andre to be disposed in a way that his people can learn of his demise and give him later a decent burial.
Slim Charles : Game's the same - just got more fierce.
Empathy Doll Shot: Discussed in season five, when Gus complains about a fellow journo's habit of submitting these.
Empty Cop Threat: almost never happens because the gangs have more credible threats and can act more swiftly. The cops acknowledge that this threat is empty once - right before it's noted that lying to the Grand Jury can be prosecuted.
Brother Mouzone and Omar, once they discover they weren't actually enemies and it was Stringer all along
Avon prefers to endorse Marlo and introduce him to The Greek connection for a fee rather than endure an East Baltimore (Prop Joe) prominence.
Enhance Button: Prez at one point in Season 3 works some magic with a security footage on a computer and gets a license plate number by blowing up the right portion of the image.
Epigraph: Each episode begins with one, usually spoken by a character in the episode. The only episodes which avert this are the finales for seasons 4 and 5, where the quotes are instead a notice for animal control ("If animal trapped call 410-844-6286.") and a quote from H.L. Mencken ("...the life of kings."). However, they are both displayed prominently in the episodes themselves.
Equal-Opportunity Evil: The Greek's syndicate includes Greeks, Ukrainians, and Israelis (in addition to whatever nationality the Greek himself really is) and does business with both Polish and black associates.
Escalating War: The entire fight between Valchek and Sobotka in season 2 stems from when both men donate stained glass windows to a local church, and Sobotka refused to withdraw his larger, more expensive window which had been installed first. Valchek has Sobotka investigated in terms of where he got the money, having police ticket the Union workers' cars, and doing a "random" DUI screening in the morning to catch the Union guys coming out of the bar, so the Union retaliates by stealing his valuable district surveillance van from right under his nose and shipping it from port to port, sending him photographs from each destination. And even better, even after Sobotka is killed, the van continues to travel around the world, and when Valchek gets the final envelope there's even a bit of what sounds like admiration in his voice.
Establishing Series Moment: The Wirestarts with officer McNulty's talking with a witness while investigating a murder. The subject of the conversation is not about what happened, but about who the victim was and includes a casual jab at the American way. It demonstrates that this series has a different outlook than your usual police procedural, and indicates where on the Sliding Scale of Idealism Versus Cynicism the series falls.
Stringer and Avon, who are like brothers, betray each other for the sake of the business.
Proposition Joe is betrayed by Cheese, his ambitious nephew. Ironically Joe had revealed his connection with the Greek to Marlo to prove Cheese's innocence -and save his life- regarding an Omar robbery. Joe remarks he treated Marlo like a son before Marlo capitalizes on Cheese's betrayal
Many of the gangbangers respect a "Sunday Truce" prohibiting violence on that day. When two clueless hitmen spot Omar taking his Grandma to a church, they make a move on him. Both Omar and Avon are completely livid at this breach. Avon orders the hitmen to replace Omar's grandmother's hat - her "church crown" - which was ruined in the attack.
Omar doesn't curse at all for four seasons. Only in Season 5 he refers to Marlo as a "Bitch" twice in response to the death of his old friend Butch.
Avon and his sister put family before everything else, Stringer and Avon always put a high value on their genuine friendship until business gets in the way.
In season 4, Chris killed Michael's step-father in a drastically different fashion than anyone else. Whereas Chris executed most victims in a calculated way to avoid being discovered (i.e., killing them in a vacant house and then boarding the houses up to hide the bodies), with Michael's step-father, he beat him to a bloody pulp using nothing but his fists and spit on his face after doing the deed. Most viewers understand that he was murdered with extreme prejudice because Chris was disgusted that he molested Michael. Despite Chris being a cold-hearted assassin for Marlo, he has no mercy for pedophiles. In other words, to Chris, Michael's step-father didn't deserve a clean death inside a vacant house, but a brutal bludgeoning for everyone to see. Even Snoop was shocked when she watched him commit the act. Ironically enough, this act was the one Bunk used to imprison Chris for life, thanks to the DNA he left behind when spitting on Michael's step-father's face.
Word Of God states that the above standard is a result of Chris being a victim of molestation himself.
Bodie bordered on evil territory at times, but even he couldn't stomach Marlo's methods for dealing with his enemies.
Evil Power Vacuum: The internal leadership problems and the decay of the Barksdale organization are quickly exploited by Proposition Joe and by Marlo. The ascendancy of the former means a reduction of the violence, the opposite is true for Marlo's.
Evil Matriarch: De'londa Brice who is a criminal version of a Stage Mom and (to a lesser extent) Brianna Barksdale.
Evil Sounds Deep: A few of the drug dealers. Stringer and Slim Charles are the most obvious examples.
Evil Will Fail: In season 1, the nature of "The Game" of drug dealing has everyone looking out for themselves, to the point where innocent bystanders or even friends who might pose a risk have to be dealt with. It's this repeated brutality that ends up winning allies for the investigation team again and again from players who want out after someone they care about gets hurt.
And invoked by Carver in Season 3's first episode, where he tells the hiding dealers "You do not get to win!"
Expy: Johnny, Bubbles' friend and fellow addict, is basically an extension of Leo Fitzpatrick's character from Kids. Carcetti is based on current Maryland Governor Martin O'Malley (though O'Malley himself apparently exists in the world of The Wire, having been referred to once in season 5.)
Expospeak: Very little from a story standpoint, and noAs You Know explanations. You can't skip an episode to follow the plot, and if you don't have a cursory knowledge of each season's field, then be sure to have a web browser open and a pause button handy. The closest the show gets is Bunk and Lester saying as McNulty flirts with women in a bar:
Fake American: McNulty and Stringer Bell are both played by Brits. The Italian-American Carcetti is played by an Irishman
Fake Guest Star: Quite a few. This is yet another series where many "regulars" were not billed as such. The first season gave us Lester, Prez, Herc and Carver, as well as Bodie, Wallace, Wee Bay and Landsman, all of whom were credited as guest stars. Some of those later got opening-credits billing, but not all. Perhaps the most glaring example happened in season four, wherein Namond and Randy were clearly the central characters for that season, with Mike and Dookie close behind. None of them were credited in the opening credits. The fifth season does promote Dookie and Mike, but arguably both have less screen time after that.
Fake Nationality: Sergei, supposedly from the Ukraine, is played by Chris Ashworth, born and raised in the USA. In-universe example with "The Greek"... who's not even a Greek. He does head a mostly-Greek gang though.
Faking the Dead: The audience is led to believe that McNulty is dead, and a wake is being held for him in a Baltimore pub; that is, until he then starts laughing uncontrollably when one of his fellow officers makes a joke about him. It turns out that the "funeral" is a retirement party in the uniquely morbid style of the Baltimore P.D.
False Rape Accusation: An 8th grade girl has sex with two boys, and when it is revealed they only had interest in her for the sex, she accuses them of rape. In the end this ruins quite a few lives and sending ripples through the entire criminal underworld.
Fat Bastard: Quite a few, including Jay Landsman, Bill Rawls, Ervin Burrell, and to a lesser extent Proposition Joe.
Foil: In the second season, Nick and Frank Sobotka serve as a foil for D'Angelo and Avon Barksdale. Both are uncle-nephew duos who are born into the same business, and both involve the nephew trying to break away, but their respective environments (working class Polish vs. inner-city Black) and subtle differences in character dynamics form a contrast.
Foreshadowing: the chess conversation in the first season; McNulty's confession that he doesn't want to end up "on the boat" in the pilot; Kenard pretending to be Omar; almost all of Bodie's appearances in season four foreshadow his death; Prez not wanting to see Randy get chewed up by the system, many other instances.
Forever War: In the first episode Carver corrects Greggs remarking there isn't such a thing as a "war on drugs", as wars end. Recalled from time to time, on one occasion the police finds the streets empty and jokingly declare they have won, maybe.
Subverted. It seems as though Wallace has been pretty well forgotten by Poot and Bodie after season one, but the mention of his name in season four provokes Bodie into panicked alarm.
Inverted with Brandon.
Four Lines, All Waiting: a rare example of this done well. You sometimes have to wait several episodes for a minor plotline to advance at all, and it might be by a single line of dialogue; however, since you really have to be paying attention to enjoy this show at all, it usually works.
McNulty and Bunk put Omar on the witness stand, knowing that he will perjure himself to convict Bird in retaliation for Bird's torture of Omar's boyfriend. Everyone on both sides of the case knows Omar is lying - everyone except the jury.
A variation in the final season The scheme pulled by McNulty and Lester is based on a fictional and fabricated case intended to attract funds towards police work and judicial coverage and then divert the efforts againts Stanfield, because Marlo's conviction is just a matter of getting proof. They just have to make a switcheroo and conceal the illegal procedure in the end. Unfortunately Levy gets in their way Spotting The Thread and it backfires, greatly.
Freeze Frame Bonus: During a police/community meeting about drug dealing in city neighborhoods, a chart shows the success of enforcement efforts with drug arrests going up between 2003 and 2004—however arrests for every other crime are down. This of course reinforces the third season's premise that the drug war distracts from real police work.
Freudian Excuse: The show goes to some pains to show how the street villains of the series are the product of the environment they grew up in as children. More specifically, Chris Partlow is confirmed by Word Of God to have been molested as a child.
Functional Addict: McNulty is a professionally functional alcoholic. It get's lampshaded by his FBI profile. The trope is subverted because he is not fully functional as Rhonda Pearlman gets to lament (nothing is more useless in bed than an irish drunk) and his alcoholism is one of the causes behind the wreckage of his romantic relations. Bunk is overall a more successful one, altough he embarrass himself once, puking at work in front of Lt. Daniels.
The Fun in Funeral: The Baltimore police have a tradition of holding rowdy Irish wakes for their own, Landsman delivers a fair poignant eulogy and then it culminates in a passionate sing-along of the Pogues' "The Body of an American."
Played straight frequently, but shown to be ineffective, because most 'gangstas' have no idea how to use guns. A shootout between two gangs is shown in season two where they fire like this, (half the time covering their eyes) and the only person they hit is an innocent child upstairs in an apartment not far away.
Actively defied by Marlo, Chris and Snoop - the first thing they do on recruiting Michael is teach him how to shoot properly. He lampshades the trope later when he's teaching Dukie how to shoot; he tells him not to do any of that "gangsta bullshit" when using his gun. Cutty and Slim are also shown aiming down the sights when shooting. The minor drug dealers may not know how to shoot, but the professional muscle know how to do it right.
Snoop: Fuck them west coast niggas. In B'more, we aim to hit a nigga, you heard?
Genre Shift: There is humor throughout the show, but Season 5 is driven by absurdist dark comedy as much as drama. It was the only place left to go after the downward spiral of despair the city went through in the first four seasons. Hard to say what makes the better punchline—McNulty's FBI profile or Clay Davis's trial. Or maybe it was Valchek becoming Commissioner.
Gilligan Cut: An incredibly drunk McNulty in "Duck and Cover":
McNulty: I'm looking you in the eye, Gus, and I'm telling you, I'm not driving a car tonight!
(cut to McNulty driving across three lanes)
Go Karting with Bowser: The East side and West side gang lords have a truce day where they meet and play a high-stakes basketball game. This series is full of examples of this, fairly cordial interactions between sworn enemies.
Good Adultery, Bad Adultery / Sympathetic Adulterer: In season 1 D'Angelo hooking up with Shardene despite having a wife and young child (who he led Shardene to believe he was separated from) was depicted very sympathetically. His wife Donette hooking up with Stringer in season 2 wasn't depicted so sympathetically, especially since Stringer was the one who arranged D'Angelo's death.
It's actually never stated that D'Angelo and Donette are married. She's just his baby-mama.
Good Cop/Bad Cop: Subverted: season one, episode five has this shtick turning into "Bad Cop, Pissed Cop".
Good Is Not Nice: Let's not sugarcoat it. The cops in the Baltimore Police Department aren't exactly one of the shows' nicest cops.
Good Guy Bar: Kavanagh's, the bar where McNulty and Bunk regularly go to drink, and where the Irish wakes are held.
Good Scars, Evil Scars: Omar has a pretty distinctive antihero scar running down the left side of his face, which goes a long way towards solidifying him as a Badass. Interestingly, that scar isn't a prosthetic—Michael K. Williams actually has a scar like that, which he got from a bar fight. Marlo has a less noticiable scar around the left side of his jaw, which is also an actual scar. Nobody seems to notice that Hassan Johnson (Weebey) has a scar on his jaw almost identical to Marlo's.
Gone Horribly Right: Just about every action the police takes to stop crime basically ends in disaster for them.
Grammar Nazi: Judge Phelan admonishes McNulty for a report plagued with grammatical mistakes. It's a justified trope since an official document should be written properly. The complaint reflects more on McNulty's dissipated ways.
Gratuitous Foreign Language: In the second season's opening credits, a passport ostensibly from the Russian Federation (despite still having Communist stationary and reading "Union of Soviet Socialist Republics" at the top of one page) reads: ??????????? D????? ??????????? (Fedorovskal Dovlasch Lschtvkrfyrsht). The passport's gender reads M and something that looks like a cross between an F and ?, and the "transliterated" name is "Dobrav Naberezhnyi".
Greedy Jew: Maurice Levy, the Amoral Attorney who profits handsomely by protecting drug dealers, makes a number of references to his Jewish culture, while Rhonda Pearlman, his honest counterpart, is also Jewish, but you'd never know it. McNulty at one point calls Pearlman "a member of [Levy's] tribe," but in the context he may very well be referring to the fact that they're both lawyers.
The touts, who you constantly hear (and sometimes see) in the background shouting out the name of the latest brand of heroin. "Brands" like "WMD" "pandemic" and "election day special" are amongst the more memorable ones. These are often punctuated with shouts of "Five-O!" or, famously, "Omar! Omar coming!".
Or in once instance, "Haha! Check out that little kid getting his ass beat!"
Grey and Gray Morality: Doesn't matter who you work for; the cops, the drug gangs, the schools, the government or the press. If you dare to buck the system in the name of what's right, then the institution to whom you were loyal will find a way to destroy you for it. If you play loyal and are willing to do horrible things for your superiors, then you may be rewarded, or you may be chewed up as cannon fodder. Nobody is portrayed as better than anyone else, they usually made themselves out to be just as bad as each other in this regard.
Guns Akimbo: Done briefly by Marlo during a target practice session.
The Guards Must Be Crazy: Bodie escapes from juvenile hall in suburban Baltimore by simply grabbing a mop bucket to pass the guard booth and then walking out the side door. And the disguise is not even tested as the guard is distracted chatting with a lady.
Heel Face Door Slam: While the heel/face lines are often very blurry to begin with, basically any time a character involved in organized crime decides to become an informant, they inevitably die. The most prominent example is probably Bodie Broadus.
Hidden Depths: Pryzbylewski is initially dumped on the Barksdale detail because he's an incompetent officer who once accidentally shot up his own car in a panic. On his first day he accidentally discharges his gun in the office, and later gets another car destroyed by needlessly inciting the local community. The only reason he doesn't get fired is nepotism. However, after being restricted to office duty, he begins to excell and becomes a specialist in penetrating the drug dealers' heavily slurred, slang-laden, and coded communications. He also becomes a decent teacher during season 4.
Hidden in Plain Sight: The Greek rarely meets contacts directly, instead sitting and inconspicuously reading a newspaper nearby while his second-in-command Spiros talks to them, allowing him to know what's going on and remain anonymous.
History Repeats: In the series finale several characters end up in situations that harken back to the pilot episode (in tandem with Call Back). Most notably, Detective Leander Sydnor goes to Judge Phelan and asks with his help investigating a major case (which Detective Jimmy McNulty did, in a conversation with the exact same character, five seasons prior). The "Where Are They Now" Epilogue insinuates that Baltimore is a cyclical place, and that characters will always end up in certain roles (e.g. Michael becomes the new Omar, Dukie becomes the new Bubbles, Carver takes the torch from Daniels, etc)
Greggs and McNulty go to a lesbian bar where he contemplates hitting on a girl, but he is discouraged
Greggs: Please, don't embarrass yourself
Idiot Ball: The always smart Stringer Bell tipping his hand to Brother Mouzoune when he asks "them?" (re: Mouzone attacker/s) and without hiding his surprised tone. It comes a bit Out of Character but then again it also fits with Stringer's too smart for his own good nature, foreshadowing he is not that infallible and his rise above the "gangster bullshit" is more smug than plausible.
Incredibly Obvious Bug: inverted; Herc hides a camera in a brick wall during the fourth season, which is then immediately found by a drug dealer and placed in a pigeon cage. In the 2nd season, that same cop buys a small microphone from his own his partner's money, intending to record some incriminating evidence quickly and then return the mic for a refund. They place it in a tennis ball in the gutter next to the dealer's street corner, but he unknowingly picks it up and throws it into traffic out of boredom. Hilarity Ensues.
Carver: Fifteen... hundred dollars.
Herc: Twelve-fifty with the police discount." (sigh) It just couldn't stand up to the modern urban crime environment, man.
Incredibly Obvious Tail: Stringer should really have been concerned that Bodie and his friend didn't notice the black SUV that was no more than one car behind them every step of the way from Baltimore to Philadelphia and back again. If it hadn't been Stringer's men, there would have been trouble.
Informed Flaw: Mc Nulty's quiet alcoholism, womanizing, arrogance and resistance to authority are frequently commented upon. Nearly everyone who does comment on them is worse than Mc Nulty ever thought about being, but they're never called on it the way he is. In fact, Mc Nulty is generally a better cop, and easier to get along with, than his partner Bunk Moreland, who's just a few notches up from "hump", but Moreland is well-liked by his superiors, mainly because they prefer cops that think (and act) inside the box.
The detectives show one of the perps a bag with three guns saying that they found his fingerprints on one of them. The perp knows that they cleaned them, so asks the detectives which one it is. They point to another gun. Subverted as the perp calls his lawyer immediately.
During an interrogation, Herc accidentally reveals too much about his informant (Randy), which gets the kid branded as a snitch, his house firebombed, his foster mother hospitalized, and generally ruins his life.
An example entirely between criminals: Brother Mouzone clues in to the fact that Stringer was responsible for Omar coming after him because the usually shrewd Stringer tips his hand asking, in a surprised tone, about the existance of more than one assailant.
Infant Immortality: True to the trope, not only do children get killed in the series (usually by stray bullets although if Wallace counts then not always), but Cheese also shoots his dog dead.
Inherent in the System: the overarching theme of the series is that the characters are trapped inside the machinations of the city of Baltimore, and no one can ever really shake up the system.
Insistent Terminology: Lester Freamon, a highly capable detective, was forced into pawn shop unit for thirteen years "and four months."
It Will Never Catch On: In one of the prequel shorts, we see a young Omar robbing an innocent man at a bus stop with his older brother Anthony. When Omar is disgusted with the robbery and forces Anthony to return the man's money, Anthony rolls his eyes and says "You're not cut out for this shit." Yeah...
Job Stealing Robot: Sobotka is horrified by the upcoming trend of automation -after he's shown it's already in full use in the port of Rotterdam- as this would render the stevedores' job obsolete.
John Munch: makes a cameo in the fifth season as a bar patron. Munch was Jay Landsman's expy in Homicide and in The Wire he shares the counter with Mello, who is played by the real Jay Landsman!
Several times, the Baltimore PD wants the FBI to come in and take over, but they refuse because they only want terrorism or corruption cases and political calculations obstruct the way in later seasons.
The homicide cops hate McNulty with a passion after he aggravates the workload of the Homicide unit when he proves the case of the thirteen dead women doesn't belong to another jurisdiction as initially assigned. The heads of the other agencies do argue about the jurisdiction but Rawls is able to dodge the case until McNulty intervenes as payback against Rawls, who exiled him from the Homicide unit.
Valchek brings the FBI into the investigation when he realizes his case is no longer focused on his target.
Said by Vinson during the final minutes of the series finale, regarding Michael's rise as the new stick up man, a la Omar.
Vinson: "But you just a kid" (Michael fires his shotgun at Vinson's knee) Michael: "And that's just a knee."\\
Just Like Robin Hood/Half Robin Hood: Omar Little often epitomizes the Robin Hood archetype. He steals from drug dealers and has been seen on more than one occasion giving money to poor kids. Additionally, Stringer tells Avon at one point that his 'Robin Hood' style is why he's so untouchable, despite the sizable bounty on his head; he's known to share his take of the drugs with addicts in the areas he settles in, so they won't pass on his whereabouts to the Barksdales.
Karma Houdini: Subverted by Marlo's ambiguous fate. Played straight many times: Maurice Levy, Andy Krawczyck, Scott Templeton, Valchek, The Greeks, and Senator Davis, among others.
While it's hard to say that Omar's death is considered karmic, due to the fact that he is somewhat of a sympathetic character, he is killed by a small child in a convenience store in the fifth season. The same kid who had seen Omar having a shoot-out in the street back in season three, and who Bunk noticed imitating Omar. He had previously stated in the series that he didn't consider children as a threat.
Cheese's death at the hands of Slim Charles as retribution for selling out Proposition Joe, his own uncle, which Cheese had essentially implicated himself in during the speech he was halfway through before Slim shot him.
Snoop's death, as Michael got the better of her by using the same techniques and advice that she and Chris Partlow had taught him.
Stringer's death also qualifies, as it's a direct result of his attempts to set Omar and Brother Mouzone against each other.
Kavorka Man: Bunk is lazy, overweight, smokes a lot, has a bad attitude, may very well be an alcoholic, is unquestionably misogynistic and rarely has a kind word for anyone. He also cheats on his wife with beautiful women, who for some odd reason find him irresistible.
Marlo, at least once in the fourth season (for example, flagrantly shoplifting lollipops just to intimidate the security guard). This being The Wire, though, it's played as much to explore his ego issues as to establish that he's just plain evil. The payoff of this Kick the Dog moment comes when he has that same security guard murdered for daring to ask him to stop.
A friend of Chardeene is abused while overdosed in a party and then thrown in a dumpster rolled up in a carpet. Deconstructed example as this is an in-universe Moral Event Horizon for Chardeene regarding D'Angelo and it snowballs into dire repercussions for the Barksdale organization.
Kingpin in His Gym: in Season One, Avon Barksdale and Russell "Stringer" Bell were shown working out at the gym and on the basketball court while planing gangland operations.
Knight in Sour Armor: The vast majority of the good cops in The Wire know perfectly well just how much of a Crapsack World Baltimore really is, and how little of what they do will change it. However, this doesn't stop them from trying.
Know When to Fold 'Em: Implicit; Sobotka stages his own undoing by escalating a minor conflict against an influential police officer. The Greek however makes a pragmatic exit as soon as he learns he is under scrutiny, forsaking a valuable last container.
The Last DJ: Lester Freamon was this before getting a second chance in the first season. McNulty and Daniels too, even though Daniels does eventually enjoy a string of rapid promotions, he is ultimately forced to retire his post as commissioner because he's unwilling to compromise his principles.
Last Stand: Bodie: "This my corner, I ain't runnin' NOWHERE!"
Stringer has a copy shop where he parleys with McNulty. Subverted as Stringer wants it to be a serious business, not a mere front and chides his lazy underlings —who don't understand a thing of what he says— for their lack of professionalism.
The Barksdales' well known headquarters are initially located at Orlando's bar, and more concealedly inside a funeral house later.
A source of disfunctionality and discontent among the ranks; the police work is not shaped to tackle the roots of the urban problems but to polish the clearence rates, cooking the numbers if necessary. Unmodified data is leaked as a political weapon against the Commissioner, and detectives whose actions alter the workload of the Homicide unit are heavily frowned upon.
Landsman: You know what he is? He is a vandal. He is vandalizing the board. He is vandalizing this unit. He is a Hun, a Visigoth, a barbarian at the gate, clamoring for noble Roman blood and what's left of our clearance rate.
Daniels: The stat games... that lie, itís what ruined this department. Shining up shit and calling it gold, so that Majors become Colonels and Mayors become Governors; pretending to do police work while one generation fucking trains the next how not to do the job.
The "numbers game" is also an inherent problem in the education system; instead of a balanced curriculum the teaching is focused on specific answers to test questions in order to improve the official ratings. The "no child left behind" policy is also used as a cosmetic and hindering tool.
Lyrical Dissonance: When the Greek mobs go fugitive and season 2 ends, they play the genuine Greek pop song "Efige, Efige". Its mood sounds just about right, but if you speak Greek you instantly realise it's actually a Breakup Song: "She's gone, She's gone". On the other hand, the Greeks have just gone fugitive.
The Ukrainian Sergei Malatov is played by an American actor, Chris Ashworth. "Malatov" is also not a Ukrainian name - however, it might be a fake name, made to conform to American stereotypes. He works for The Greek (who isn't Greek).
Partially averted in season 2, where at least one of the Russian prostitutes is played by a native Russian speaking actress.
MacGuffin: Old Face Andre's ring in season 4. Marlo demands it from Andre after his stash is stolen. Omar steals it from Marlo when he sticks up a poker game. Officer Walker steals it from Omar when the latter is arrested for murder. Michael steals it from Officer Walker in retribution for breaking his friends' fingers. Marlo spots it on a chain around Michael's neck, but chooses to let him keep it.
Omar fixing up and then walking on a broken leg. Ouch.
Seeing his boyfriend, Brandon's, mutilated corpse.
In the aftermath of Dante accidentally shooting Tosha during an ambush because he wasn't paying attention to where his gun was pointed in season three. In fact, Omar cries a lot, and yet he is still never less than manly.
May-December Romance: Of all people, Lester ends up with Shardene in late season one, and they remain together for the rest of the series; she shows up again in the finale.
Men Can't Keep House: McNulty's apartment is just marginally better arrayed than the houses from the projects. A reflection on his wrecked life. Subverted with Daniels, his house seems a mess but only because he recently moved in, he even apologizes for the disorder in the middle of a sexual affair.
Minor Crime Reveals Major Plot: Season Two: Wharfie with suspicious amounts of money buys a stained-glass window for a church + Shipping container full of dead prostitutes -> International drug and human smuggling cartel, city-wide crime organizations merging.
Mobile Kiosk: In Season 3, Bubbles starts selling white t-shirts to the drug dealers and users around Baltimore from a shopping trolley. Later in the season and in season four he starts to expand his operation, offering cans of paint, pirated DVDs and other such assorted goods from his trolley. Later, he uses two trolleys, so we can say that he goes trolleys akimbo, right?
Mob War: In Season 3, between the Barksdale and Stanfield crews.
Mood Dissonance: Omar's sort-of leitmotif is... The Farmer In The Dell. On the other hand, Omar whistles it so that in resembles a marching music. Since he only whistled it, the tune resembles that of the very relevant 'A-Hunting We Will Go'.
Mother Russia Makes You Strong: 'Boris' points out that American prisons are not real prisons as he has been a 'guest' to the actually harsh Ukranian ones.
Motivational Lie: Stringer likes to use them to control how people will act, such as getting Brother Mouzone and Omar to fight each other. Later, after Stringer dies, Slim Charles uses Stringer's death as one to get the Barksdale crew ready to fight Marlo.
My Name Is Not Durwood: During a scene where McNulty confronts Stringer in his copy shop, Stringer refers to him as 'Officer' (i.e. Patrolman, etc.) when Jimmy's rank is 'Detective'. Stringer, having encountered McNulty several times (even once drawing a picture that read 'Fuck you, Detective') is fully aware of McNulty's rank and does this ostensibly to piss him off.
Mythology Gag: A character named Rock-Rock is often mentioned but never seen. The character is a call back to a season six Homicide: Life on the Street episode (at least partly written by David Simon), featuring a character named Rock-Rock who was witness to the murders of two priests.
Name's the Same: The graphic novel Watchmen features a company called "Pyramid Delivery", as does the second season of The Wire. In both works, the company turns out to be a front set up by the Big Bad ( Ozymandias and The Greek, respectively).
Before Season 1 started, Lester Freamon had been forced to work in the pawn shop unit for, well, doing his job investigating a homicide.
McNulty gets a similar treatment at the end of season 1 for getting people in his homicide unit involved in the drug case that Season 1 was all about; he is forced to work in the loathed Baltimore Marine Unit for half of the second season as revenge by his former commander.
Haynes and Gutierrez also find this out the hard way in Season 5.
Bunny Colvin's reward for cutting the felony crime rate in his district by 14% and improving the general quality of life for its citizens is to be busted down to lieutenant, fired in disgrace, blacklisted and vilified to the media as an "amoral" and "incompetent" man who "buckled under the pressure" of his command.
Not-So-Harmless Villain: As has been said, many considered Marlo Stanfield to be a wannabe punk who wasn't worth much trouble, especially compared to Avon Barksdale. This includes both gangbangers and cops. However, by the end of the fourth season, they all see just how wrong that assumption was, as he proved himself to be far more ruthless than Avon ever was.
Number Two: Various characters in the drug trade, including Stringer Bell in the first season, Spiros Vondapolous, Chris Partlow and Slim Charles.
Obstructive Bureaucrat: Seemingly a dime a dozen in Baltimore, and they make life hell for those on the side of the law. Most of them aren't malicious, just lazy or more interested in protecting themselves than in accomplishing anything worthwhile. Lieutenant Marimow is a notable exception; he is given command of the Major Case squad specifically in order to put the brakes on them so they won't continue to embarrass political bigwigs.
Offscreen Villainy: Barksdale commits a number of heinous crimes onscreen, but most of the body count has already happened at the beginning of the story, losing some of its impact. This contrasts with Marlo, who in no small part comes off as more ruthless because his racking up is contemporary and shown to the audience.
Old Media Are Evil: Averted, as many of the staffers at the Baltimore Sun decry the death of traditional newspapers, and are just trying to make it through the day without getting hit with buyout offers or a lack of people to cover story beats.
One Steve Limit: Averted surprisngly often, such as with Dennis "Cutty" Wise and Dennis Mello; Roland "Wee-Bey" Brice and Roland Pryzbylewski; William "Bunk" Moreland and William Rawls; Tommy Carcetti, Thomas "Herc" Hauk and Thomas "Horseface" Pakusa; Johnny Weeks and Johnny "Fifty" Spamanto; Omar Little and Omar Isaiah 'Snotboogie' Betts; Ray Cole and Raymond Foerster. Probably due to Loads and Loads of Characters.
Ooh, Me Accent's Slipping: Several actors do this in their more emotional moments. Idris Elba manages to avoid it as Stringer Bell. Michael K Williams as Omar affects a pretty good Bawlmer accent for the most part, but slips a couple of times into his natural Brooklyn, particularly noticeably when he's acting across from Ernest Waddell, also from New York (and who uses his real accent). In the scene were Carcetti is pretending to make a phone call he sounds very Irish.
Outside Context Villain: The smugglers and human traffickers in Season 2. The cop protagonists are very experienced in the customs and economy of the drug trade in Baltimore, but most are life-long Baltimore natives and not particularly worldly, with almost no knowledge of how the smuggling world operates.
Jimmy is not a favorite to win the father of the year award: he loses sight of his children when they are made to play-tail Stringer in a market, and on another occasion leaves the kids alone in the house to have a quickie in a hotel, in the middle of the night.
Frank Sobotka, who ignores his wayward, attention-seeking son Ziggy until it's too late.
Passed Over Promotion: Several examples, the carrot and stick approach to appointments is a traditional weapon used by the higher-ups.
Pay Phone: In the first season, the drug communication is all done on pay phones and pagers, to avoid taps. In later seasons (when those pay phones have all been torn out), the gangs buy short-term prepaid phones in bulk from all over the state of Maryland so they can stay one step ahead of the court orders.
Wee-Bey Brice's love of his pet fish could qualify, and his fourth-season decision to let Bunny Colvin take custody of his son so he could have a chance at an actual futuredefinitely does.
Omar showing affection to the adorable baby of a dope fiend hitting him up for a free fix is the first sign that he's more than just a criminal. In season three, it's revealed that he also takes his grandmother to church once a month.
Landsman's letting Bubbles off, and "fuck the clearance".
Mayor Royce's consideration of Hamsterdam.
Cutty opening a boxing club in Hamsterdam, and Avon and Slim Charles seemingly dismissively laughing off Cutty's request for some funding for the gym. It turned out they were laughing because the amount of money he was asking for was too low, and Avon donates five thousand dollars more than Cutty asked for.
The only time Chris Partlow isn't seen scowling is when he discusses his love of club music. Also with his kids
Even Marlo Stanfield gets one. Despite repeatedly demonstrating that he's the coldest motherfucker in the series, he also keeps good care of a coop of pigeons, even hiring someone to take care of it.
Carcetti assigning random tasks to the municipal services, which scramble in a massive cleaning spree of the city to curtail the undetailed problems.
In the finale, McNulty taking care of the vagrant he abducted.
The cops and politicians justifiedly have it way easier than anyone on the street. Nobody in the game knowingly shoots a cop. Through the course of the series, the number of officers to die in the line of duty amounts to one, and that officer was not a character until his death to friendly fire at the hands of Prez.
Highlighted effectively by the Barksdale crew's panic after accidentally shooting an undercover officer. Also shows the consequences as the police then kick in every damn door they have a lead on the very next day. Shooting a cop is VERY bad for business.
Avon calls Stringer out when the latter is considering offing Senator Davis, the Clay Davis from downtown. All hell would break loose on them. Even the hitman of choice -Slim Charles- is reluctant.
Plot Parallel: Season 3 portrays two attempts to reform the game from opposite sides of the law, with mirrored outcomes : "Get on with it, motherfu—-"
Police Are Useless: Zigzagged to say the least, the trope is played with in every possible way.
Police Brutality: Most officers on the show at least one incident of brutality towards suspects in their custody, and this is simply considered part of the Game.
Carver: (yelling out to find a hiding suspect) So I'm only gonna say this one time: If you march your ass out here right now, and put the bracelets on, we will not kick the living shit out of you! But if you make us go into them reeds for you, or come back out here tomorrow night, catch you on a corner, then I swear to fucking Christ we will beat you longer and harder than you beat your own dick!
Police Brutality Gambit: When Bird is arrested, a Polaroid is taken of his existing injuries so he can't claim they were inflicted in custody. This does not stop the Baltimore Police Department from beating him. While he is handcuffed to a table, no less, and they ceremoniously tear up the Polaroid before they do it, just so Bird knows what's about to happen.
In Season 2 The Greek and Vondas contemplate killing Frank Sobotka, not out of genuine malice but rather because police are using damning evidence of his corruption in order to turn him for the prosecution against them. Vondas convinces The Greek it would be more pragmatic just to buy Frank's loyalty (and silence) by manipulating Frank's son Ziggy's murder trial and preventing a conviction. Unfortunately, Frank had already made a deal with the FBI by then, and both The Greek and Vondas find out from a "friend" in the FBI while Frank is on his way to meet with them. The Greek: Your way... It won't work . Frank is shown with his throat sliced open in the beginning of the next episode.
In Season 3, once Stringer Bell takes over Avon Barksdale's drug empire, he negotiates with other Baltimore players to create a co-op; his period of control marking what was almost certainly a low point in violent drug-crime, since it wasn't in the best interests of any of the dealers. Stringer had also been taking economics courses, and so this pragmatic course of action was a solid application of coordinated action to avoid the "tragedy of the commons". Unfortunately for them, Marlo's refusal to join their cartel and continued use of violence also solidly illustrated the free-rider problem and "prisoner's dilemma".
Avon calls Stringer out when the latter is considering offing Senator Davis, the Clay Davis from downtown. All hell would break loose.
A point in one of the last scenes. One druglord kills another and is berated just because the action is economically unsound.
Cheese: There ain't no back in the day [...] When it was my uncle, I was with my uncle, when it was Marlo, I was with him but now nigga... [Boom, Headshot] Vinson :What the fuck did you do that for?, now we are short the 900K. Slim Charles: That was for Joe. Vinson: This sentimental motherfucker just cost us money.
Product Placement: An aversion: Verizon pops up with great frequency, especially in the early seasons. This is because Verizon handled most of the payphones and inner-city telecommunications in Baltimore at the time, not because of paid consideration.
Season 1 features quite a bit of Heineken beers being tossed around.
Detective Collichio in the fourth and fifth seasons; he becomes so exasperated by the actions of the street dealers in Baltimore that he takes out his frustrations on a middle-school teacher driving to work.
Officer Walker decides that the most reasonable response to Donut's constant car thievery is to break his fingers. The boys get their revenge on him for this.
Raised Catholic: Bunk theorizes this is the reason behind McNulty giving a damn about the family of one of deceased girls in Season 2.
The Bunk: How does that matter? You see, this is that Catholic shit, Jimmy. This is that little altar-boy-guilt talking.
Reality Ensues: Happens quite a bit. Most notably in season 5 with Omar's death.
Real Estate Scam: Maurice Levy constantly suggests his clients from organized crime turn to real estate; they do. One of the background subplots is that drug money is being funneled to State Sen. Clay Davis, who then tells Stringer which buildings are due to get revitalization grants so Stringer can buy them while they are still dirt cheap. It turns out the scam is on Stringer
Realistic Diction Is Unrealistic: Notoriously averted, such that the show has acquired a reputation for being occasionally incomprehensible to non-Baltimorians and/or people unfamiliar with ghettospeak.
Reality Is Unrealistic: Many praise the show for its realism, however, some critics and opinion writers have criticized the show for going too far in the direction of institutional determinism to the point where it is more bleak than reality.
Possibly falls under Acceptable Breaks from Reality - the message "Sometimes our institutions fail us and other times they don't, depending on the individuals and circumstances involved", if more realistic, doesn't exactly make for compelling drama or social criticism.
Real Song Theme Tune: Tom Waits's "Way Down In The Hole", performed by a different artist each season (including Waits himself in Season 2).
Cedric Daniels is shown to be a good cop at heart, but he's at first very cautious because he is not willing to risk the career of his ambitious wife.
Howard Colvin is a father to his men, but he risks everything on a poorly conceived gambit that inspires some angry tirades from cops.
Frank Sobotka does everything he can to save the docks, but essentially sells his soul to do so.
Carcetti seems to be one during his early career and political campaign, but his ambition causes him to go down the same roads as everyone else.
Prez turns into one over the course of season 4, though he'd already shown himself to be a truly incompetent and even violent cop.
Judge Phelan is almost always willing to help the police and to prosecute the drug dealers, shaming the obstructive chiefs if necessary, but he panics and halts his crusade at one point, when he fears he is being punished for it after he is initally excluded from an electoral ticket.
McNulty, at the end of the first and third seasons (the latter being used to allow Dominic West to be Written-In Absence while filming several feature film roles).
Daniels, when he's assigned to Evidence Control.
D'Angelo after he returns home from jail.
Santangelo is demoted to beat cop following the end of the Season 1 Barksdale case, but ends up liking it way more than being a Homicide detective.
Lester Freamon, stuck in the pawn shop unit for thirteen years. And four months.
Alma at the end of Season 5 to the bureau in rural Carroll County after backing up Gus when he revealed to the bosses that Templeton was making up stories.
Colvin defies it, since he is months away from his retirement he no longer fears the usual retaliations. In the end he is demoted, with a lower pension as punishment
Reassignment Backfire: To a certain extent the premise of The Wire. A Ragtag Bunch of Misfits is put on a dead-end assignment, but the MCU turns out to be a elite unit that grows beyond mere buy-and-bust corner arrests meant to appease the higher-ups and juggle the statistics and its great diligence starts to generate problems on its own to the rigid system.
McNulty is exiled to the marine unit. Through painstaking police work McNulty single-handedly manages to pin a waterfront related case of 13 dead women back to Rawls' homicide unit, aggravating the workload of such unit. McNulty is so low on the career ladder that the infuriated Rawls can't do anything meaningful in retaliation anymore.
Reckless Gun Usage: Kima is assigned to a murder of a State's witness in an alley. There's quite a bit of backroom scheming because it's a mayoral election year, so she under pressure from one side to solve the case quickly and from the other to bury it. It turns out, a pair of drunken knuckleheads two blocks away were shooting at beer bottles and hit the guy by accident.
Det Norris: So these idiots are shooting forties two blocks down, and now this Carcetti fuck gets to be mayor? What a town.
Ultimately subverted. Cutty Wise is shocked at the state of the world after his release from prison (he's held up at gunpoint by a dealer soon after getting home); most of the third season chronicles his unsuccessful attempts to find work and go straight. He eventually joins the Barksdale crew, but realizes "the game ain't in him no more" and opens a boxing gym instead, which flourishes with young trainees.
Potentially played straight with Michael's stepfather in Season 4, although the entire arc is shrouded in ambiguity.
Bubbles' sister lets him stay in her basement, but is unwilling to believe he's reformed enough to let him into the house. Subverted in the season five finale.
Right Hand Versus Left Hand: When Avon Barksdale gets sent to prison at the end of Season 1, he and Stringer Bell start pulling their gang in separate directions. Stringer is a businessman at heart, and wants to turn the gang into a mostly nonviolent Thieves' Guild that finances legitimate business investments. Avon is a thug at heart, and is obsessed with controlling as many corners as possible, even if it inevitably leads to war and police investigation. Their conflict reaches its nadir in late Season 2, when Stringer tries to trick Omar into assassinating Brother Mouzone, Avon's new enforcer.
Day Day, the bagman and driver of Clay Davis engages in criminal talk with Daniels, who introduces himsself as "I mostly go by Lieutenant". Cue Oh Crap face. Scene
A clueless pusher tries to sell drugs to Colvin, who is wearing the uniform, drives an obvious cop car, rises the volume of the police radio and finally has to put on his hat for the Too Dumb to Live dealer to realize it. Watch
Running Gag: Herc's issues with surveillance, Valchek's surveillance van touring around the world, Omar's attempts and failures to get Honey Nut Cheerios and Donut's intermittent, and hilarious, appearances in various high-priced SUVs. Stringer's obsession with non-closed doors counts as a stealth one.
Subverted: at first, it appears that Michael has shot Chris and Snoop, but it turns out that it was a training exercise with paintball rounds.
Played straight, however, with the blood of the store clerk left to frame Omar.
Ruthless Foreign Gangsters: The Greek. While Baltimore's drug gangs rule over petty kingdoms and fall apart almost as soon as they rise, the Greek's empire is a serious international crime syndicate.
Sarcastic Confession: Major Colvin did tell the other majors that he was planning on legalizing drugs in his district. They just thought he was kidding.
Save Our Students: Played fairly straight. Prez struggles to adopt to his new life as a teacher, and the class barrier between him and his students makes his transition very difficult, but he grows pretty quickly and gets his class in line within the first school year. Even still, he cannot win every battle.
Scary Black Man: Most of the gangs' enforcers. The cops even have a shorthand for less-than-useful witness descriptions, "B. N. B. G." ("Big Negro, Big Gun").
Herc and Carver roust a corner of the drug dealers, when one of the youngest ones grabs the drug stash and takes off through the alleys. The cops all tear off in pursuit, and then another kid comes walking by, casually picks up the real drug stash, and disappears.
Season 5, during one of the corners "time out" moments. Kenard blatantly stashed a brown bag "package" in plain view for the western "narcos" to see. Without question, militant cop Colicchio snatches the whole corner. When he reaches inside the package, he pulls out a hand full of dog shit.
The Scream: Omar's reaction after viewing the mutilated body of his lover Brandon at a Baltimore morgue. The camera cuts to McNulty's sons (who are waiting in the main lobby for their father) freezing in shock when he screams.
Screw the Rules, I'm Beautiful! : Hello, Attorney! Rhonda Pearlman uses Judge Phelan's attraction to her to get favorable rulings out of him a few times. In Season 3, Rhonda uses a short skirt and a seductive smile to convince Judge Phelan to authorize a wiretap that the cops technically don't have a valid probable cause for.
Secret Test of Character: Stringer sends Bodie and some other Mooks to Philadelphia to pick up some drugs stashed in a parked car. He has Bodie memorize the route and plans to check his odometer down to the tenth of a mile. What Bodie doesn't know is that Stringer has a car following Bodie the whole time, and the route he picked goes right through a construction zone (necessitating a detour) just to see how Bodie would handle it.
Second Coming: Judge's Phelan amusingly cites it as his criteria to grant parole to a convicted murderer.
Phelan: Mr. Hilton, are you the second coming of our savior? [...] Are you Jesus Christ come back to Earth?
Series Fauxnale: The ending of season three, since David Simon wasn't 100% sure whether The Wire would return for the fourth and fifth seasons.
The annual basketball game between the Barksdale crew and Proposition Joe's men. The entire neighborhood shuts down to watch it and Avon thinks nothing of paying $20,000 to hire a ringer for his team.
Business doesn't get more serious than a stained glass window at Father Lewandowski's church. Because of a beef over that window, lives are destroyed, careers are made, a union is brought low, and the MCU is formed.
Sex Slave: The plot of Season 2 kicks off when a shipping container full of dead Eastern European sex slaves are found on the Baltimore docks.
Lester: "This is a tomb. Lex is in there." Cue baffled looks from his colleagues.
A subtle variant shows up in the third episode. When Sydnor is preparing to go undercover as an addict in the Pit, Kima asks Bubbles to give him feedback on the disguise, which Sydnor thinks is completely flawless. Bubble points out that any drug dealer would immediately know that he's a cop because he's wearing a wedding ring (when a real addict would have long since pawned off such a valuable item to pay for drugs) and because the soles of his shoes are clean (when a real addict would have broken glass on their shoes from walking over discarded vials).
Shoot the Shaggy Dog: One of the main themes of the show is the idea that no matter what, the game is always on. Which is pretty much reinforced with the last montage showing how every character is replaced by someone in one way or another. Also, by the end of the show itself, nothing is resolved about stopping the drug trade itself.
Omar and Dante are shown watching a season six episode of Oz together.
Some of the cops choose music on their car stereos to compliment their mood. When rallying to shut down Hamsterdam, Rawls plays "The Ride of the Valkyries". When prepping to chase drug runners down alleys, Herc chooses the Shaft theme.
Herc: He's a complicated man, and no one understands him but his woman.
Carver: Seek professional help.
In the second season, Brodie discovers that radio stations are different outside of Baltimore by accidentally tuning into A Prairie Home Companion. When we cut back to him later, he's still listening to it.
McNulty is nicknamed The Prince Of Tides by Landsman when the case of a dead women is revealed to be within homicide jurisdiction thanks to McNulty's thorough seafaring calculations in the episode Ebb Tide . And Clarice during his season 5 Serial Killer case.
Marlo's analysis on Omar's escape :"That's some Spider-Man shit"
When Avon calls out Stringer for wanting to kill Clay Davis, he says, "You need a Day of the Jackal type motherfucker to do some shit like that."
Shown Their Work: When it was on the air, The Wire was considered to be quite possibly the most realistic, accurate, and brutally honest television show on the air. One sociologist called the show the greatest sociological text ever created.
Shrouded in Myth: Omar. After he is shot by Kenard the story makes the rounds through the streets getting bigger each time it's told. When another character who knows the truth tries to correct someone, no one believes him. 'The bigger the lie, the more they believe.'
Sibling Yin-Yang: The Sobotka brothers; Frank is crooked while Louis is straight, their children (brotherly cousins) too. Ziggy is The Ditz, The Load, a malaka (wanker) who talks way too much while Nick is smart, reliable and concise.
Sir Swears-a-Lot: Played straight with almost every character from the police, the politicians, corner boys, workers, and fiends. Notably averted by Omar Little, who (after one incident early in season one) never swears at all. When he finally breaks his habit in an explitive-laden public tirade against Marlo, it's a sign of his degenerating composure and state of mind.
Slave to PR: An omnipresent driving force behind many situations. After all, politics it's part of the game.
Got its own in the form of David Simon's Treme, which keeps the show's general style and format (large ensemble cast, interweaving plotlines, etc.) but takes place in New Orleans instead of Baltimore, and widens its scope beyond the world of crime and law enforcement.
Spoiler Opening: Every opening contains clips from episodes later on in the season, but they don't make much sense until you see them in context.
Bubbles easily tears apart Sydnor's cover during the rehearsal and points out anyone on the street would do the same; a dope fiend would have pawned his ring a long time ago and his shoes are too clean with no trace of broken drug vials.
In the last episodes, Levy realizes something is fishy in the Stanfield case, as Jimmy and Lester tainted the due process, but he can't really Pull the Thread as he has his own skeletons in the closet
String Theory: The Major Crimes Unit's pegboards are a fairly low-key example.
Stealth Pun: The tale of Frank Sobatka, particularly how he ends up. It's a Greek tragedy.
Stylistic Suck: McNulty's intentionally horrible British accent—Dominic West is British himself.
Super Window Jump: Unfortunately, it doesn't work too well for Omar; he ends up with a broken leg that never fully heals. note Reality Is Unrealistic; the event actually had to be downplayed compared with the real life incident, which happened from a higher altitude and resulting in lesser injuries for Donnie Andrews
Surrounded by Idiots: At times in Seasons 3 and 2 this is how Stringer feels like... like a 40 degree day!. Comically aggravated often by his use of complex economics terms with hardly literate underlings.
Suspect Is Hatless: The Baltimore Homicide Unit equivalent for a generic useless description is "Big Negro, Big Gun" or "BNBG" as coined by Bunk. The term is introduced in the Season 3 finale when Andy Krawczyck fails to describe Omar - who on top of being Famed in Storydoesn't go anywhere without his Badass Longcoat and has a distinctive scar right across his face and stands in front of him long enough for the witness to take a good look at his face. This conveys how the street is an alien world for an uptown white citizen and the minuscule help the police can expect from most of them.
Swiss Bank Account: The unsophisticated Marlo has to be schooled about this (Antillean off-shore version) and even then he decides to visit the bank in person to verify that his money is actually there.
Sympathetic P.O.V.: While the term "sympathetic" might be stretching it, due to the fact that the characters were flawed and complex, this is pretty much the point of the show, as the story itself is seen through the perspectives of cops, drug dealers, foreigners, students, politicians and the media.
Ted Baxter: Cheese is the game's version of this. There is not a single season that he appears in where he doesn't get completely punked out at least once, and if he weren't Prop Joe's nephew he probably wouldn't have gotten anywhere near where he got. And then when he finally was on top of the drug game, it lasted all of one scene before Slim Charles put a bullet in his brain.
McNulty gets several over the course of five seasons, even Rawls slips one in while trying to console Jimmy in the wake of Kima getting shot. Bunk delivers the ultimate one:
Bunk: You've lost your fucking mind, Jimmy. Look at you. Half-lit every third night, dead drunk every second. Nut deep in random pussy. What little time you are sober and limp-dicked, you're working murders that don't even exist!
Omar gets a nasty armor-piercing one from Bunk in Season 3.
Carver gets a rare lenient one from Colvin on how he isn't much of a police officer.
Avon calls Stringer out when he grows tired of him trying to avoid war even after Avon is almost killed.
One of the best has Nicky Sobotka slapping Frog hard with his "You Know You're White?" speech.
Stringer: But there go a life that had to be snatched, Avon (...) Twenty years above his fucking head. He'd flip, man! They got you, me, and Brianna! No fucking way, man! Hell, no! Now, I know you family, you loved that nigga, but you wanna talk that Blood is thicker than water bullshit, you take that shit somewhere else, nigga! That motherfucker would've taken down the whole fucking show, starting with you, killer!"
Thieves' Guild: Stringer trying to run syndicate meetings according to Roberts' Rules of Order.
You ain't got the floor. Chair don't recognise yo ass.
Those Two Guys: Bodie and Poot in the first two seasons; Herc and Carver throughout the series
Three-Way Sex: Jimmy has a threesome with two prostitutes while he is undercover during a bust; he ends up justifying it as, "I was outnumbered." and has to write a report on why he did it, as obviously he wasn't meant to "close the deal" before the other police arrived to arrest everyone. It becomes such a legend in the Baltimore PD that other characters are still talking about it several seasons later.
Jimmy "I'm the smartest asshole in three districts" McNulty is mostly propulsed by his intellectual vanity and this consumes his life (when he is not philandering). He's even professionally trounced once by Freamon and Bunk when they have already figured out one case before he is able to smugly expose it. Finally his shenanigans lead to no good.
Stringer Bell, a businessman at heart, knows or thinks he is way above the "gangsta bullshit", but he quickly fails in the respectable suit and tie part of the game and his manipulations end up backfiring on him.
Avon: I look at you these days, String, you know what I see? I see a man without a country. Not hard enough for this right here and maybe, just maybe, not smart enough for them out there.
True Companions: A lot of the cops might hate each other. In fact, a lot of them do. But when a cop gets shot, the all forget their differences and all work together.
Twofer Token Minority: Korean-African-American Lesbian Detective Kima Greggs is at least a twofer, though her tokenhood is questionable given the show's diverse cast.
Two-Teacher School: Averted in the fourth season. Multiple scenes show teachers at an inner-city Baltimore school debating issues such as curriculums, test preparations, and overall teaching structures; we also see shots of teachers giving lectures to their classes. Played straight when it comes to actual class focus, however.
Unwinnable by Design: As remarked by Bodie ("This game is rigged man") and Marla Daniels ("You cannot lose if you do not play.") amongst others. The game is the game; the system in The Wire shapes itself and is merely perpetuated by those at the top, who are just an instrument to screw over those below them.
Urban Segregation: Many districts are a perpetual warzone and there is a big concern about Baltimore becoming a Dying Town. One episode has Bubbles traveling from a nice residential zone to his usual decayed habitat and remarking "thin line 'tween heaven and here".
For the most part, however, this is averted: most applications seen on the show are plain Win32 GDI apps running on Windows XP. The animations on the dock monitoring software are a little unbelievable (a little truck drives away with the container?), and once a search for "suspects" was done using what appeared to be the Windows Explorer File Search (with a call to the contact done through the Windows Telephony dialog), but jaggy, aliased 2D polygons and unframed text boxes in clunky custom programs are far more believable on a city police computer than full-3D operating systems that can enhance a 4 pixel area.
Vandalism Backfire: Major Rawls trashes a desk thinking it belongs to Jimmy McNulty, his soon-to-be former (in)subordinate. He is informed that the stuff actually belongs to another detective. In line with his usual bluntness, Rawls doesn't seem to care much for the mistake.
Viewers Are Geniuses: You're expected to keep up with multiple plot lines, a dozen-plus characters and their sub-stories, and all their field terminology with no Expospeak provided. David Simon's quote "Fuck the average viewer" famously summarizes his writing style.
Villain By Proxy Fallacy: A major theme of the series. Best shown in their depiction of the drug war, or from Lieutenant Valchek. Check out the trope itself to see the details.
McNulty in season one, when he listens to the tape of Kima getting shot. Slightly different from most examples in that he's not even at the scene, and when it actually happened he kept his cool. It's only in reliving the experience when he loses it.
In season two, it looks like Beadie's about to throw up after the discovers the 13 dead girls in a shipping container, but she keeps it together. Not bad for a woman whose main work experience up to that point was taking tolls, and a hint that she's a lot tougher than she looks.
The local Baltimore police discovers that drug trafficking has fallen off the FBI's priority list and they can't get Bureau assistance in their anti-drug cases anymore, counter-terrorism is now the focus. The last remaining case, powerfully finished is used as a counterpoint to the miseries faced by BPD. However Agent Fitz is a dear friend of McNulty's, the wiretapping idea originates from him and provides valuable assistance from time to time on a personal level; Agent Fitzhugh hooks them up with an expedited wiretap by registering Stringer Bell as a homeland security threat named "Ahmed") and ironically they crack the case with the help of equipment granted to the BPD by a Homeland Security grant that was buried on a back shelf for years
Season 2 has the closest FBI-BPD collaboration since waterfronts are a homeland security issue
The Greek invokes the new anti-terrorist sensibilities against some colombian drug dealers (narcoterrorists) who cheated him. It's implied the FBI mole protects The Greek regularly in exchange for counterterrorism information.
One of the enthusiastically peddled drugs is called WMD.
The local cops being trained by the FBI crack jokes about the futility of their counter-terrorist instruction, Baltimore being already a war zone and how the drug-dealers would scare off any potential terrorist. Several Baltimore-Fallujah comparisons are made through the series.
Old Face Andre compares being robbed by Omar to a terrorist act where there should be flexibility with the affected business, like with the airlines but Marlo shoots down the analogy and shows no sympathy to his plea.
In the last episodes there is a plot about an Iraq war story of a marine embellished by a Sun journalist. The creators of the show would go on to truthfully examine the invasion in Generation Kill, which premiered just four months after the end of The Wire
Watering Down: Due to its heavy focus on drug gangs, The Wire features the drug version of this trope in spades. Numbers are thrown around between the gangs to talk about the strength of their product; 'Take it to ten' or 'This stuff is ninety', referring to what percentage of the product is actually the drug, and in hard times, they weaken their product by cutting it with whatever similar-looking substance comes to hand to make more profit. In season two, there are five deaths and eight hospitalizations in the Correctional Facility because the supply of heroin has been cut with rat poison.
We Will Not Use Photoshop in the Future: Averted: On the eve of the election, Mayor Royce distributes flyers near polling places that show Carcetti with a notorious slumlord. Even though they immediately determine them to be fake, Carcetti doesn't have the time to properly debunk them.
Wham Episode: Usually the second-to-last episode of each season; most memorably, the eleventh episode of the third season.
What Measure Is a Mook?: Averted. Nearly every one of the street thugs has a backstory and character development, and the deaths of even minor mooks are given dramatic weight.
What Have I Done: One of the intonations of McNulty's catchphrase, "The fuck did I do?".
Subverted when Bunk brings Lester into the loop to talk some sense into Jimmy "Shit like this actually goes through your fucking brain?". But what Lester means is the lie needs more wings to fly and ends up encouraging McNulty to sensationalize the story.
Where Da White Women At?: Pearlman and Daniels must initially keep their relationship a secret because it becoming known that Daniels was divorcing his wife Marla and dating a white woman instead would harm Marla's political career.
The hoppers in white neighborhoods are generally portrayed as posturing wanna-bes. Herc visits Kima just to joke about how incompetent they are and suggests there should be Affirmative Action for white gangbangers. Herc and Nick Sobotka both deliver a "You know you're white, right?" line to a white gangbanger.
White Mike is a mid-level dealer who seems to have a better grasp of the game. Given his nickname, he apparently associates with black gangs.
Wicked Cultured: Stringer Bell attends college and gives his economical lessons a great practical use. The police are genuinely surprised when they discover his refined and elegant penthouse, full of classical books and styled very differently from the archetypal mansion of a drug-lord.
Window Love: A staple of the second-season prison conversations.
Working The Same Case: Rawls succesfully manages to unload the clearance-killer case of the thirteen dead women to Daniel's detail, also working the waterfronts for the Sobotka case. The frictional connection is eventually proven right by Boris.
McNulty is proud to be chasing Barksdale, since stupid criminals make stupid cops. Lester does a similar remark with Marlo.
At the end of season 1, Stringer Bell tells McNulty "nicely done" at the trial. Which echoes McNulty saying the same to Stringer in the pilot.
Wretched Hive: Bodymore, Murdaland. Note that the show goes out of its way to show "Hamsterdam" getting worse.
Rawls: If we were the size of New York, we'd be clocking over four-thousand murders at this pace.
X Must Not Win: Freamon and McNulty take professional offense and put their careers on the line after Marlo stops being investigated.
Jimmy: Marlo's an asshole, but he doesn't get to win, we get to win!
You Are Too Late: A common occurrence. Most notable in the second season where, due to an FBI mole, the Greek's organization twice gets tipped off just in time to destroy the evidence or murder the key witness. One scene literally cuts back and forth between the cops frantically typing up warrants and the dealers washing the heroin down the drain.
You Have Outlived Your Usefulness: Marlo to Proposition Joe, who taught him the more complicated aspects of the game. It comes back to bite Marlo, as it leads to the discovery of the Grand Jury mole, which ultimately brings down his organization.
Your Cheating Heart: Several examples. A chronic second nature for McNulty, The Casanova. Bunk to a lesser extent. The two hang out together pitching escapades in turn and play wingman or farcical comedy to home in the target of opportunity.
You Won't Feel a Thing: A variant appears in the fourth-season premiere, where enforcer Chris Partlow prepares to execute a dealer in a vacant house.
Chris: Don't fret, boss. I've got you covered. Quick and clean, I promise."
Zipping Up The Bodybag: We see Omar's body bag being zipped up in the morgue at the end of an episode. Furthermore, in this scene, it's shown that there was a mistake with the ID tags, which the ME has to correct, which further emphasize the point: he's no longer a character, just a statistic.