(born June 23, 1970) is a French musician from the Bretagne, best known for his surreal instrumentation and melancholic solo piano pieces. A compilation of his tunes became iconic as the soundtrack for the Jean-Pierre Jeunet
romantic comedy Amélie
.The accordion and toy piano driven arrangements fell straight into a cliché of Paris, much to the displeasure
of Tiersen, who says he "hates Paris" and doesn't want to be considered a soundtrack composer.
Among critics, he is well respected for his ability to combine Minimal Music with French Folk Music and his instrumental skills.Discography:
- La valse des monstres (1995)
- Rue des cascades (1996)
- Le phare (1998)
- (Tout est calme) (1999)
- L'absente (2001)
- Amélie (2001)
- C'était ici (2002)
- Good Bye, Lenin!! (2003)
- Les retrouvailles (2005)
- Tabarly (2008)
- Dust Lane (2010)
- Skyline (2011)
- ∞ (2014)
Yann Tiersen plays these tropes:
- Cult Soundtrack: The whole reason of his fame is the Amélie soundtrack which sold incredibly well and is considered one of the best soundtracks of all time by music critics and the public alike.
- Creator Backlash: Much more in interviews since 2010 when he presented his new sound, he complains about people don't really care for his music and mistake him for a Parisienne when he in fact hates Paris.
- Darker and Edgier: Since Dust Lane with tracks such as Fuck Me.
- Epic Rocking: The live track Février from C'était ici marks his first step into post rock... well and into songs longer than 12 minutes.
- I Am the Band: On many releases he playes the vast majority of instruments, notably Violin, Viola, Cello, Piano, Toy Piano, Glockenspiel, Accordion, Piano, Guitar...
- Intentionally Awkward Title: Fuck Me from Dust Lane.
- Last Note Nightmare: Le Jour D'avant of L'absente starts off as a pretty minimalist accordion ballad, becomes a full-brass fanfare, shifts mood and tempo a few times just too end in a sudden atonal tone cluster.
- Genre Shift: His albums since Dust Lane are strikingly influenced from Post-Rock.
- Playing Against Type: He was sick of being pigeonholed as a soundtrack composer and stereotypical Paris street musician so he blew up his sound a lot, compared to the minimalism of his early work.
- Signature Style: A powerfully accentuated 3/4 or 6/8 signature, accordions and catchy melodies with lots of counterpoints over repetitive chord progressions.
- Special Guest: He's not as good as a vocalist so he often invites singers to help him out. Among these are names like Elizabeth Fraser, Neil Hannon, Lisa Germano and Dominique A.
- Rhythm Typewriter: One of the most well-known performers on this instrument.