Music: Low

Mimi Parker (left), Alan Sparhawk (right), the driving forces of the band.
Low are a Minnesotan Alternative Rock band formed in 1993, chiefly known for being largely the Trope Namer for the silly-titled subgenre Slowcore.

The band's concept began as a joke between guitarist Alan Sparhawk and bassist John Nichols of indie band Zen Identity, wondering what would happen if they tried playing quieter music to the loud, Grunge-oriented alternative crowds of Duluth. Growing serious about trying, Sparhawk and Nichols left Zen Identity, and formed Low with the addition of Sparhawk's wife Mimi Parker on a drumkit consisting entirely of a cymbal and a floor tom.

While the bassist position underwent some changes, and the band later moved towards experimentation with electronic music, Low's music is largely centered around some easily identifiable traits:

  • Sparhawk and Parker's acclaimed vocals and harmonies.
  • Minimal instrumentation (especially compared to their Dream Pop antecedents like Galaxie 500)
  • Slow, dirgey tempos marked by very simple rhythms
  • Use of reverb for atmospheric purposes
  • General avoidance of excessive studio trickery (setting them apart from other Dream Pop bands)

They have made the following albums (along with the requisite bunch of EPs and singles):

  1. I Could Live in Hope (1994), the only album recorded with John Nichols, who left the band afterwards
  2. Long Division (1995), their first album with bassist Zak Sally
  3. The Curtain Hits the Cast (1996)
  4. Secret Name (1999)
  5. Things We Lost in the Fire (2001)
  6. Trust (2002)
  7. The Great Destroyer (2005)
  8. Drums and Guns (2007), for this album Sally was replaced by Matt Livingston
  9. C'mon (2011), their first album with current bassist Steve Garrington
  10. The Invisible Way (2013)
  11. Ones and Sixes (2015)

They've also put out a three-disc box set A Lifetime of Temporary Relief (2004), a compilation of rarities and B-sides, videos, documentaries and live tracks.

Tropes used by Low:

  • Cover Version: "You Are My Sunshine", "Transmission" by Joy Division, "Jack Smith" by the Supreme Dicks, "Down by the River" by Neil Young, "Heartbeat" by Wire, "I Started a Joke" by The Bee Gees, "Long Long Long" by The Beatles, "Lord, Can You Hear Me?" by Spacemen 3, "Back Home Again" by John Denver, "Open Arms" by Journey, "Surfer Girl" by The Beach Boys, "Blowin' in the Wind" by Bob Dylan, "...I Love" by Tom Hall, "Carnival Queen" by Jandek, "Fearless" by Pink Floyd, "Last Night I Dreamt That Somebody Loved Me" by The Smiths... and those are just the ones on their studio releases and A Lifetime of Temporary Relief. All of said songs are transformed to fit the band's signature style.
    • Robert Plant covered "Monkey" and "Silver Rider" on his 2010 Band of Joy solo record.
    • A 2013 standalone single was a cover of Rihanna's "Stay." Yes, that Rihanna.
  • Epic Rocking: "Lullaby", "Down", "Stay", "Laugh", "Do You Know How to Waltz?", "Born by the Wires", "Be There", some of the material on The Exit Papers, "(That's How You Sing) Amazing Grace", "The Lamb", "John Prine", "Shots and Ladders", "Pissing."
    • The most extreme example the band ever did was actually live, at Rock The Garden 2013. Their immediately controversial set during the festival was made up of one song - "Do You Know How To Waltz?" - stretched out to 27 long, droning minutes, and ending with Alan's declaration "drone, not drones."
  • Incredibly Long Note: "Standby". Actually, quite a few of their songs involve long-held notes.
  • Insistent Terminology: Alan Sparhawk hates the term "slowcore", claiming it originated as a joke with a friend who worked in a record store.
    "What's the cheesiest? Slow-core. I hate that word. The most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that."
  • Mohs Scale of Rock and Metal Hardness: They usually get stuck between a 1 and 2. They've been edging upwards somewhat since Things We Lost in the Fire.
  • Mood Whiplash: "When I Go Deaf" starts off as a gentle ballad, and mid song suddenly changes into one of their harder rocking songs.
  • New Sound Album / Recycled IN SPACE!: The Great Destroyer is basically Low... WITH DISTORTION!
  • Step Up to the Microphone: Zak Sally has a brief cameo on "I Love" from A Lifetime Of Temporary Relief, singing a few lines Mimi felt uncomfortable singing.
  • Vocal Tag Team