Chiodos is an Emo
band, known mostly for their energetic live shows, frequent use of time shifts and complex song structures, piano interludes, and Craig Owen's powerful and emotive voice that's comfortable with both metal screams
and musical theatre-esque high notes. A Chiodos song usually features an extensive use of piano along with thrash metal-influenced riffs, quick tempo shifts, and literate lyrics.
They released their debut, All's Well That Ends Well
, in 2005. It caused a huge stir in the post-hardcore community for its ambitious sound and aesthetic as well as for Craig Owen's intense vocals which sounded closer to Broadway than to post-hardcore.
They followed this with Bone Palace Ballet
which increased their ambition by featuring classical arrangements influenced by Fiona Apple, cabaret songs, better integrated use of piano, and even straight up metalcore.
Tropes featured by Chiodos:
- Author Appeal: William Shakespeare quotes and lush classical instrumentation.
- Bishōnen: Craig in spades.
- Careful With That Axe: Craig is pretty good at luring you in with a poppy melody that results in a scream out of nowhere.
- Mind Screw: Try and figure out what the music video for "Baby you wouldn't last a minute on the creek" is about, just try.
- Out-of-Genre Experience: Bone Palace Ballet features a couple, with "Intensity in Ten Cities" being a sweet piano ballad and "The Undertaker's Thirst for Revenge Is Unquenchable" being a switch to pure metalcore.
- Shout-Out: Numerous ones in their song titles, and many to a number of Shakespeare plays and sonnets in their song lyrics.
- Take That: "I Didn't Say I Was Powerful, I Said I Was a Wizard" is a big one against their hipster-mentality fans who claim they sold out ever since they got big. The band points out that the problem isn't with the music but with the fact that they're not obscure anymore, which is all these fans cared about.