Chiodos is an Music/{{Emo}} and PostHardcore band, known mostly for their energetic live shows, frequent use of time shifts, complex song structures, piano interludes, references to Creator/WilliamShakespeare and Craig Owen's powerful and emotive voice that's comfortable with both {{metal scream}}s and musical theatre-esque high notes. A Chiodos song usually features an extensive use of piano along with thrash metal-influenced riffs, quick tempo shifts, and literate lyrics.

They released their debut album, ''All's Well That Ends Well'', in 2005. It caused a huge stir in the post-hardcore community for its ambitious sound and its aesthetic as well as for Craig Owen's intense vocals, which sounded closer to Broadway than to post-hardcore.

They followed this with ''Bone Palace Ballet'', which increased their ambition by featuring classical arrangements influenced by Fiona Apple, cabaret songs, better integrated use of piano, and even straight up metalcore.

The Chiodos released their third album, ''Illuminnaudio'' in 2010, with Brandon Bolmer replacing Owens as singer. This album further developed their classical-influenced sound and instrumentation, with some ProgressiveRock elements in them.

Owens returned as lead singer in 2012 and in 2014, the Chiodos released their fourth album, ''Devil''. ''Devil'' stripped back the baroque arrangements, creating a grittier, punk vibe while still containing the Chiodos' signature complexity.

!!Tropes featured by Chiodos:

* AuthorAppeal: Creator/WilliamShakespeare quotes and lush classical instrumentation.
* {{Bishonen}}: Craig, in spades.
* CarefulWithThatAxe: Craig is pretty good at luring you in with a poppy melody that results in a scream out of nowhere.
* MindScrew: Try and figure out what the music video for "Baby you wouldn't last a minute on the creek" is about, just ''try''.
* OutOfGenreExperience: ''Bone Palace Ballet'' features a couple, with "Intensity in Ten Cities" being a sweet piano ballad and "The Undertaker's Thirst for Revenge Is Unquenchable" being a switch to pure metalcore.
* ShoutOut: Numerous ones in their song titles, and many to a number of Shakespeare plays and sonnets in their song lyrics.
* TakeThat: "I Didn't Say I Was Powerful, I Said I Was a Wizard" is a big one against their hipster-mentality fans who claim they sold out ever since they got big. The band points out that the problem isn't with the music but with the fact that they're not obscure anymore, which is all these fans cared about.