A show that wants to portray the existence of an afterlife, but wants to avoid something as banal as Fluffy Cloud Heaven
will often describe the afterlife in purposefully vague terms.
The theory goes that Heaven is more wondrous and Hell more terrible than anything
we can imagine, so we are given only the reactions
of those who come back and either long to return or will do anything
to stay out. A possible implementation of The Unreveal
See also Afterlife Antechamber
where we see part of the afterlife but not the whole deal.
Anime and Manga
- Cheza and the wolves in Wolf's Rain are searching for the entrance to Paradise (Rakuen) on Earth, but none of them knows what it's really like. And the audience never gets to find out.
- In Naruto this is called "The Pure World" (life is "The Impure World"), and is brought up mostly in reference to Edo Tensei, the jutsu whereby a dead ninja is brought back to life to serve as an enslaved, zombified summon. The last thing any of the ninja remember is the moment of their death, which seems to be part of the "pure" thing. The Pure World may or may not refer to both Heaven and Hell since Zabuza fully expected to arrive in the latter, though in his case thats probably because of Death Equals Redemption.
- This could also imply that there is but one afterlife in the Narutoverse, much like Hades or an eternal purgatory.
- This is both employed and subverted in Neil Gaiman's The Sandman. Death is constantly meeting people to take them to the afterlife, but we never get to see what the afterlife she brings them to is like. However, we do see the fate of a great many souls after death, including quite a lot of time spent in Hell, and a memorable visit to the Greco-Roman underworld.
- Apparently, this happened to Jean-Paul Valley after he met his end in the final issue of his comic. His last comment before disapearing from the pages of DC Comics forever were "It looks just like the earth." And he was smiling.
- Discworld does this a bit (except in cases of definite reincarnation), though it shows varying amounts of the journey. In Mort, for instance, Death and Mort send off an assassinated king, who slowly vanishes from view while they're still in his castle. "What happened to him?" asks Mort. Death replies, Only he knows. In later books, such as Small Gods and A Hat Full of Sky, we're treated to descriptions a vast, silvery desert, which the deceased must cross before reaching their final destination.
- There is no consistent afterlife in Discworld, as it's explicitly stated that each person's afterlife experience is based on their personal beliefs.
- In Stephen King's The Dead Zone, when the protagonist falls into a coma, he ends up in a limbo, which is like a corridor with dark chromed steel walls. He eventually comes out of the corridor and returns to life. At the end, when he dies, he returns to the corridor, not knowing if there's something at the end of it.
- The Quantum Gravity series brings the viewpoint character of the time right up to the edge of what some cultures would call the River Styx, and some beings about to cross describe what they feel is going to happen, but the reader has yet to go that far. They say that they stop existing. You know how your body is broken down to make soil fertilizer? Like that.
- Adventures in Odyssey: In "The Mortal Coil," Whit designs an Imagination Station program that is supposed to be a virtual reality experience of death. It accidentally sends Whit into a coma where he really ends up on the edge, and we are treated to his experience of Heaven, albeit not nearly as wonderful as the real thing, or so he is told by his dead wife and son. But all we get is a secondhand account of Eugene's virtual experience of Hell: "I've never felt such loneliness or isolation. It was as though I was completely separated from everyone and everything — completely and thoroughly alone. Non-existent in a dark void of solitude. I was alone, Connie. Utterly alone in a burning blackness, and I've had nothing but nightmares since then..." Whit shelves the program permanently after all this.
- It's not uncommon for people who have had an out-of-body experience to believe they ventured to Heaven, Hell, or some other version of the afterlife. Obviously, they were the only people who witnessed their experiences.
- In Buffy the Vampire Slayer, Buffy falls into deep despair at being ripped out of Heaven. Angel's time in Hell is so horrific he is driven feral and insane by the time he returns.
- Over on Angel, Spike's terrified descriptions of slipping into Hell are played utterly seriously.
- There are plenty of hells and one heaven shown on-screen, though.
- Supernatural's demons are always waxing poetic about it. "It's a prison... made of pain, and bone, and flesh..." and so on.
- According to Ruby, it's like Hellraiser, but with less leather.
- We have caught two glimpses of hell thus far, in the season finales for seasons two and three. The first time it's shown to be a typical fiery cavern. The next time it's a dark green void with thunder and hundreds of chains and hooks.
- Until the beginning of season six, when Crowley remodeled it into an endless waiting line.
- As of season 5, we've had a look at heaven as well: apparently heaven is different things for each person, overlapping but separate, apart from the Garden at the centre, which everyone perceives differently. It gets explicitly described as "Disneyland, without the anti-semitism" (and, thankfully, from what we've seen, without the sugary death)
- Oh, and that time the Pink Galaxy Ranger died. She showed up again translucent blabbing about being in "a beautiful place", so move on and find the next Pink Ranger. And then she comes back to life with no explanation in the finale when they find the new colony planet.
- Which is in stark contrast to Mike's earier death, (yes, he did indeed die) where he can't remember anything, although that may be a side-effect of being possessed by the Magna Defender (yup, in this show the Sixth Ranger actually stole another person's body)
- Though not quite death, the realm of the ascended in the Stargate Verse is never shown, except for the time it was represented as a restaurant for Daniel's mind to comprehend (which was, appropriately enough, actually the restaurant set from Dead Like Me, see below). No details of what it's like are ever given. Also, even though at least three members of SG-1 have all died and come back (and more than once), they are never asked what it felt like before the resurrection — the one thing that's not even lampshaded, unlike nearly everything else in the show.
- In the Outer Limits episode "White Light Fever", an old man has been doing everything he can to stave off death, including putting himself ahead of a sweet young woman to have a heart transplant. He remarks during the episode that "death is cold". As he is finally dying, he sees the ghost of the sweet young woman approach him. "Take me with you," he pleads. She tells him this is not possible, and that where she is going, it is always warm. Just before she leaves, she turns to face him, saying, "It's funny. I always thought it was the other way 'round."
- In Dead Like Me, the viewers never get to see what happens to people's souls after they cross over, and it's never really given much detail. They usually just have some kind of happy vision and then vanish. You only see the souls that stick around, either as Reapers or as Gravelings.
- In LOST, it turns out that the "flash-sideways" universe in the sixth season is the afterlife for the main characters, but in the last episode they go to the final final afterlife, which seems to be some sort of white light that's bright enough that you can't tell what they're walking into.
- In Pushing Daisies, after Chuck's father, Charles Charles, gets resurrected, they describe the afterlife as "like flying." Little else is stated in the show, presumably because the rest of the resurrected people weren't dead for very long.
- Taken to the extreme in BIONICLE, where afterlife is sort of implied to exist (Mata Nui's soul, for example, started drifting off into it before he recovered), but what it is like is never given any details. The writers have their reasons for this: not wanting to touch on iffy subjects, they purposely avoid talking about it.