"Thus sayeth the Lord God of Israel: let my people go!"
The last of the great Cecil B. DeMille epics.This 1956 film from Paramount tells The Bible story of Moses and the Exodus. Charlton Heston plays Moses. Yul Brynner plays Rameses. They are in a Love Triangle with Nefretiri (Anne Baxter), whom Moses might have won, had the matter of injustice to Hebrew slaves not come up. Other important characters are, naturally, Moses's brother Aaron (John Carradine); Sephora (Yvonne de Carlo), daughter of Jethro and Moses's eventual wife; Joshua (Jon Derek); and Liliah (Debra Paget), the woman Joshua loves — who happens to be the sex slave of the overseer Dathan (Edward G. Robinson, see?).You know the basic tale — or if you don't, you need either to see this or read the source material. Moses hears the voice of God while out in the wilderness. It ages him about forty years — hey, the film may be long, but to keep the cast of characters constant, the time in which it takes place is compressed. Moses goes to Rameses to tell him that God wants him to let His people go, or else. "Or else" happens. Nefretiri tries to seduce Moses out of this position; it doesn't work...The film won one Academy Award for its special effects, and was nominated for seven others, including best picture. The majestic score was written by Elmer Bernstein as his first major film project.The dedicated and curious might want to compare this with The Prince of Egypt. The source material is the same (though this film might've been distilled through an extra novel), but the directions taken with it are very different.There was also a Ten Commandments mini-series starring Dougray Scott which rips apart the Moses story.
Charlton Heston's other role also has him playing a Jewish character, who returns after being years away to set things right.
In Yul Brynner's case, it's good to be the king. Prior to this role, he's running Siam and wooing the English tutor in both the Broadway musical and later the film. Ironically in that role, Anna tells the story of Moses, and he responds,"This Moses is a fool." Three years later, Brynner would go on to play King Solomon.
Adored by the Network: ABC has shown this on either Easter Sunday or the the day before every year since 1973, according to The Other Wiki. The one year they didn't air it, they received more complaints for that than for anything else they did the entire season.
Anachronism Stew: Mostly averted except for one deliberate case, which falls under Rule of Funny. In the DVD commentary, they mention that the soldier would have said the Underworld or Hades, but it wouldn't have worked so well.
Dathan: Where are we going?
Egyptian Soldier: Hell, I hope.
Dathan actually does go to Hell.
The representative from Troy being dressed as a Roman centurion is also wildly inaccurate, although it is a Shout-Out to The Aeneid, in which the Trojans founded Rome.
Also according to Egyptian legend, on his way back to Troy after abducting Helen Paris arrived in Egypt during the reign of Seti II, the grandson of Ramses II. They had chosen the wrong pharaoh for a Priam reference.
Likewise, the Egyptian soldier's sword at the very beginning of the culling of the Hebrew boys looks more like a Roman sword than anything else. The real-life Egyptians favored the khopesh, a sword whose blade looks kind of like a lower-case b, adapted from the Assyrian sappara.
Arc Words: "So let it be written, so let it be done."
Ascended Extra: Joshua, who's promoted to Lancer in the film. In the scriptures, while Joshua did eventually Take Up My Sword, he didn't come into focus until they were in the desert, and was implied to be younger than Moses.
Dyeing for Your Art: Brynner bulked up for the role of Rameses so that he did not look skinny in contrast to the imposing Charlton Heston.
According to the Orrison commentary track, the men were told not to bulk up, merely to get in shape so they'd look good in the skimpy outfits. (This fact makes the painting for the DVD — in which Heston is "bulked up to conform to modern physique standards" — even more ludicrous than it already is.) She says Brynner never worked out in the gym sense, but was very active in everyday life, so this was more or less his natural look at the time. However, there was no getting around the fact that he was seven inches shorter than Heston. Blocking and camera angles were used to even things out. It's only noticeable in the scene where Moses sets off the first plague; in one shot, when the water from the jar turns red and Rameses drops it.
Bittersweet Ending: The Hebrews eventually reach Israel... but for his Wrath, Moses cannot enter the Promised Land.
Bond Villain Stupidity: Rameses sending Moses into the desert to die a long slow agonizing death instead of just killing him quickly and being done with it.
Bowdlerise: In the movie, Moses angrily throwing down the tablets results in a chasm that many of the Jews fall into. In the Bible/Tanakh, Moses gets the Levites (priests) to grab some swords and get busy. Killing 3,000 total. To be fair, keeping in the original slaughter makes Moses a Dark Shepherd. And the chasm actually did occur but later, in a different conflict.
Broad Strokes: The movie's approach to the source material in some areas, especially what happened to the Hebrews after the flight from Egypt.
Canon Foreigner: Lilia. Nearly every character is based on someone from the bible, extra-biblical ancient sources, or actual historical figures, but Lilia was created for the film as Joshua's love interest.
Captain Obvious: The movie is loaded with this; ex: "Moses' serpent swallows up the others!"
Saved them a boatload of money animating that.
Catch Phrase: "So let it be written. So let it be done." by Rameses.
Changeling Fantasy: Where Moses does not enjoy learning that he is actually a Hebrew, nor does his love interest. This is altered for drama's sake from the original story, which suggests that Moses knew very well while he was growing up that he was Hebrew.
Priest: "Because of Moses, there is no wheat in the temple granaries!"
Seti: "You don't look any leaner."
In addition, the soldier who evicts Dathan.
Dathan: "Why do you come here? I put no blood on my door!"
Egyptian Soldier: "Then stone bleeds!"
Sethi: "It is pleasing to the gods to see a man honored by his enemies."
Nefretiri: "And such a beautiful enemy."
Death Glare: several, but Nefretiri gives a ferocious one to the Ethiopian princess flirting with Moses.
Doing In the Wizard: After nine plagues, Rameses informs Moses that he'd learned of a volcano erupting that would explain all nine of those plagues.
Interestingly, it is a serious theory that the plagues and the parting of the sea, and the pillar of smoke and flame, and for an encore a scene in Jason and the Argonauts where they get pelted with rocks, are all explicable somewhat by a truly MASSIVE eruption in the Aegean Sea - Antikythera or Santorini. Pretty good reference...
It gets better. The Ten Plagues were actually recorded on the stele of Ahmose. The current most probable theory is that a climatic variation caused extremely heavy rainfall in the Ethiopian highlands, resulting in the Nile being choked with red, acidic mud. The river became as blood, fish died, frogs left the river, and so on. The same variation resulted in unusually dry weather in the locusts' spawning grounds, hence the plague of locusts, and the enormous sandstorm that hid the sun. The deaths of the firstborn of Egypt? All those dead fish sank, then the water became supersaturated with toxic gasses, and when they came out of solution, the firstborn sons, who alone among the inhabitants of Egypt slept inside, at ground level, smothered. Everyone else was fine because the custom was to sleep outside, on the roof. Imagine this on a nation-wide scale. They say God works in mysterious ways...
Although, in The Movie, since Rameses actually sees Moses turn the water into blood, without a volcano being involved, this comes across more as a What an Idiot moment. (Doubly so since he also saw the water in the jar that he was holding, which had no contact with the river, turning into blood before his very eyes.)
Eldritch Abomination: The Angel of Death. Rather than being a human looking angel (or The Grim Reaper,) it's portrayed as a cloud of bluish fog descending from the sky in the shape of a creepy hand. It makes sense for the Angel to take on this kind of form, given the nature of its job but still, it's incredibly creepy....
Even better: the Metallica song "Creeping Death" is about the Exodus (and specifically to this film), and the title refers to the appearance of the Tenth Plague.
Enforced Method Acting: Of a sort. Heston, many years later, told of how on one location shoot, many of the locals were rounded up to serve as a huge crowd of extras... many of whom didn't even need to be dressed up as they were still wearing that sort of clothes today, and didn't really have the scene explained to them other than very basically. As Heston walked through the crowd in costume during the scene, he heard many of them whispering "Mosah! Mosah!"... and realized they thought that he actually was Moses.
De Mille, normally very kind to his actors, said mildly nasty stuff to Deborah Paget before the scene where she becomes Dathan's sex slave, so she would be appropriately distraught.
Originally DeMille wanted William Boyd to play Moses. Boyd declined, not because he didn't like the script, but he had been so solidly associated with the role of Hopalong Cassidy for so long that he was afraid that audiences wouldn't be able to take Moses as seriously if he played the character.
It didn't hurt that old Heston bore an uncanny resemblance to a statue of Moses by Michelangeo (whom Heston himself later played in TheAgonyAndTheEcstasy).
His Name Is...: Seti on his deathbed breaks his own decree by saying Moses' name.
Historical Villain Upgrade: Dathan played a more minor role in the Exodus account, leading a revolt against Moses and getting swallowed up by the ground. Here, he becomes The Quisling, is responsible for the Golden Calf incident, and was responsible for driving Moses out of Egypt to begin with.
History Marches On: Most modern estimates put the Exodus in the reign of Thutmose III, not Rameses II. Though to be fair, there isn't clear consensus among scholars and reconciling Old Testament timelines with historical dates is tricky at best.
Also, Rameses II did lose his first-born son (the tomb was found).
Sethi: "Let the name of Moses be stricken from every book and tablet, stricken from all pylons and obelisks, stricken from every monument of Egypt. Let the name of Moses be unheard and unspoken, erased from the memory of men for all time."
Rameses certainly qualifies, as does Nefretiri after she's been married to him long enough.
Just Eat Gilligan: So Moses, why don't you wait for Seti to die, be crowned ruler of Egypt, and set the slaves free yourself? Lampshaded by Nefretiri "Will Ramses hear [the slaves'] cries when he is Pharoah?" and Bithiah's "Cannot justice and truth be served better upon a throne?"
Except, in Real Life, Ancient Egypt was extremely stiff. The one time a pharoah, Ikhnaten, tried to make significant changes, it didn't end well.
Also, in the film, it is implied that Moses plans to do this, but he is stopped when he gets caught having killed Baka to save Joshua and Lilia.
Except that though Moses had been raised by the daughter of Pharaoh, he is never said to be part of the royaty. Indeed, the New Testament states that he 'preferred suffer with his people than enjoy the temporary usufruct of the sin'.
Oh Crap: The look on Baka's face when he sees that the slave who is about to strangle him is actually Moses.
Moses' birth mother, when she is about to be crushed by the granite she is greasing.
Moses himself, when Nefeteri tells him that Rameses has ordered the murder of the Hebrew children, meaning that the Egyptian firstborn, not the children of Goshen, will perish.
Pet the Dog / Pragmatic Villainy: Prince Moses has no problem using the Hebrew slaves to build the treasure city, but he knows that happier and healthier slaves are more productive. So he increases their rations and gives them one day in seven to rest, and construction thus accelerates.
Moses: "A city is made of brick, Pharaoh. The strong make many. The weak make few. The dead make none."
Nefretiri probably saw her marriage to Rameses as this.
Shout-Out: Moses's hair and beard are patterned after Michelangelo's sculpture in Rome. (Heston later played Michelangelo in The Agony and the Ecstasy)
Shown Their Work: According to Katherine Orrison, De Mille's biographer and protoge of De Mille's friend Henry Wilcoxon, De Mille did a HUGE amount of research, using not only the Bible but the Qur'an and various Hebrew traditional texts including the Midrash.
Plus, the red-white-black pattern of the Tribe of Levi is actually the pattern associated with the Tribe of Levi.
Something Only They Would Say: Baka realizes that the Hebrew slave is actually Moses when he (Moses) refers to him as the "Master Butcher" — which Moses has called him before. A little too late, as he said this while he was strangling Baka to death.
Rameses: Come to me no more, Moses! For on the day you see my face again...you will surely die!
Moses: (deadpan) So let it be written.
Too Dumb to Live: The Egyptian army following the fleeing Israelites into the parted sea. Did NOBODY realize that God could (and would) solve that little problem simply by letting things return to normal?
Bithiah even points this out: Would a God who's shown you such wonders let Moses die before his work was done?
Tyrant Takes the Helm: Played straight with Rameses suceeding the relatively reasonable Seti. Technically averted when Dathan is promoted to governor upon Baka's death — while he is certainly a Bad Boss, he's nowhere near as tyrannical as Baka.
The Unfavorite: Rameses is clearly this to Moses as Seti heaps praise after praise after praise upon his adopted son while leaving Rameses out in the cold. Granted, he's an evil jerk so he brings it on himself.
Unperson: Sethi proclaims that Moses' name be erased from every carving, and never be spoken again, after learning that he is the one destined to free the Israelites. So let it be written, so let it be done! Obviously, that didn't take.
In ancient Egypt, this was done to ensure that a person would not only disappear from everyday life, but would have no life after death. De Mille biographer Katherine Orrison says that was the very reason Moses' name was spoken so often in the film. It was De Mille's symbolic attempt to ensure the real Moses could enter heaven.