The last of the great Cecil B. DeMille epics.This 1956 film from Paramount tells The Bible story of Moses and the Exodus. Charlton Heston plays Moses. Yul Brynner plays Rameses. They are in a Love Triangle with Nefretiri (Anne Baxter), whom Moses might have won, had the matter of injustice to Hebrew slaves not come up. Other important characters are, naturally, Moses's brother Aaron (John Carradine); Sephora (Yvonne de Carlo), daughter of Jethro and Moses's eventual wife; Joshua (Jon Derek); and Liliah (Debra Paget), the woman Joshua loves — who happens to be the sex slave of the overseer Dathan (Edward G. Robinson), see?You know the basic tale — or if you don't, you need either to see this or read the source material. Moses hears the voice of God while out in the wilderness. It ages him about forty years — hey, the film may be long, but to keep the cast of characters constant, the time in which it takes place is compressed. Moses goes to Rameses to tell him that God wants him to let His people go, or else. "Or else" happens. Nefretiri tries to seduce Moses out of this position; it doesn't work...The film won one Academy Award for its special effects, and was nominated for seven others, including best picture. The majestic score was written by Elmer Bernstein as his first major film project.The dedicated and curious might want to compare this with The Prince of Egypt. The source material is the same (though this film might've been distilled through an extra novel), but the directions taken with it are very different.There was also a Ten Commandments mini-series starring Dougray Scott which rips apart the Moses story.
Arc Words: "So let it be written, so let it be done."
Ascended Extra: Joshua, who's promoted to Lancer in the film. In the scriptures, while Joshua did eventually Take Up My Sword, he didn't come into focus until they were in the desert, and was implied to be much younger than Moses.
Badass Boast: By a quietly furious Ramesses: "The city he builds will bear my name. The woman he loves will bear my child. So let it be written. So let it be done."
Bittersweet Ending: The Hebrews eventually reach Israel... but for his Wrath, Moses cannot enter the Promised Land.
Bowdlerise: In the movie, Moses angrily throwing down the tablets results in a chasm that many of the Jews fall into. In the Bible/Tanakh, Moses gets the Levites (priests) to grab some swords and get busy. Killing 3,000 total.
To be fair, keeping in the original slaughter makes Moses a hell of a Dark Shepherd.
Broad Strokes: The movie's approach to the source material in some areas, especially what happened to the Hebrews after the flight from Egypt.
Changeling Fantasy: Where Moses does not enjoy learning that he is actually a Hebrew, nor does his love interest. This is altered for drama's sake from the original story, which suggests that Moses knew very well while he was growing up that he was Hebrew.
Priest: "Because of Moses, there is no wheat in the temple granaries!"
Seti: "You don't look any leaner."
In addition, the soldier who evicts Dathan.
Dathan: "Why do you come here? I put no blood on my door!"
Egyptian Soldier: "Then stone bleeds!"
Nefretiri:
Sethi: "It is pleasing to the gods to see a man honored by his enemies."
Nefretiri: "And such a beautiful enemy."
Death Glare: several, but Nefretiri gives a ferocious one to the Ethiopian princess flirting with Moses.
Did Not Do the Research: We are pretty sure that Egypt did not have straight, double-edged swords. They instead used khopeshes, a weapon best described as a scimitar that got a straight section between the hilt and arc, without the arc changing angle with respect to the hilt; this gave the sword a look not unlike a lower-case "b". The Prince of Egypt, by the way, did portray Egyptians as using khopeshes.
The inclusion of the straight, bronze sword was a Shout Out to The Egyptian, and knowingly done.
Numerous sets and costumes from The Egyptian had been bought from 20th Century Fox by Paramount and were used by De Mille along with a handful of actors, creating unintentional as well as intentional continuity. This is especially noticeable in the throne room scenes.
Averted slightly in that many of the odd "speeches", where Cecil B. De Mille is heard narrating with emphatic strings, are from Jewish midrash or legends about Moses — just as the episodes where he saves the "grease woman", meets his family for the first time, or as an Egyptian gives the Hebrews one out of seven day of rest.
Women probably didn't have '50s make-up and hairdos back then either.
Doing in the Wizard : After nine plagues, Rameses informs Moses that he'd learned of a volcano erupting that would explain all nine of those plagues.
Interestingly, it is a serious theory that the plagues and the parting of the sea, not to mention the pillar of smoke and flame, and for an encore a scene in Jason And The Argonauts where they get pelted with rocks, are all explicable somewhat by a truly MASSIVE eruption in the Aegean Sea - Antikythera or Santorini. Pretty good reference...
It gets better. The Ten Plagues were actually recorded on the stele of Ahmose. The current most probable theory is that a climatic variation caused extremely heavy rainfall in the Ethiopian highlands, resulting in the Nile being choked with red, acidic mud. The river became as blood, fish died, frogs left the river, and so on. The same variation resulted in unusually dry weather in the locusts' spawning grounds, hence the plague of locusts, and the enormous sandstorm that hid the sun. The deaths of the firstborn of Egypt? All those dead fish sank, then the water became supersaturated with toxic gasses, and when they came out of solution, the firstborn sons, who alone among the inhabitants of Egypt slept inside, at ground level, smothered. Everyone else was fine because the custom was to sleep outside, on the roof. Imagine this on a nation-wide scale. They say God works in mysterious ways...
Although, in The Movie, since Rameses actually sees Moses turn the water into blood, without a volcano being involved, this comes across more as a What an Idiot moment.
Eldritch Abomination: The Angel of Death. Rather than being a human looking angel (or The Grim Reaper,) it's portrayed as a cloud of bluish fog descending from the sky in the shape of a creepy hand. It makes sense for the Angel to take on this kind of form, given the nature of its job but still, it's incredibly creepy....
Even better: the Metallica song "Creeping Death" is about the Exodus (and specifically to this film), and the title refers to the appearance of the Tenth Plague.
Enforced Method Acting: Of a sort. Heston, many years later, told of how on one location shoot, many of the locals were rounded up to serve as a huge crowd of extras... many of whom didn't even need to be dressed up as they were still wearing that sort of clothes today, and didn't really have the scene explained to them other than very basically. As Heston walked through the crowd in costume during the scene, he heard many of them whispering "Mosah! Mosah!"... and realized they thought that he actually was Moses.
Fanservice: By modern standards, many of the outfits worn by the women in the palace are pretty revealing. In the 1950s, they were pushing the limits of what was allowable on screen.
Foreshadowing: Moses told Nefretiri that God will use her to work his will. Her manipulations would later backfire and lead to the plague on the firstborn and help the Israelites go free.
His Name Is...: Seti on his deathbed breaks his own decree by saying Moses' name.
Historical Villain Upgrade: Dathan played a much more minor role in the Exodus account, leading a revolt against Moses and getting swallowed up by the ground. Here, he becomes The Quisling, is responsible for the Golden Calf incident, and was responsible for driving Moses out of Exypt to begin with.
History Marches On: Most modern estimates put the Exodus in the reign of Thutmose III, not Ramesses II. Though to be fair, there isn't clear consensus among scholars and reconciling Old Testament timelines with historical dates is tricky at best.
I Just Knew: Miriam when she warns the women to stock up on water since there will be none for 7 days. It's implied she uses this gift often ("Miriam is always right.")
Informed Attribute: Unless you really believe Charlton Heston is slow of speech and thick of tongue...
Sethi: "Let the name of Moses be stricken from every book and tablet, stricken from all pylons and obelisks, stricken from every monument of Egypt. Let the name of Moses be unheard and unspoken, erased from the memory of men for all time."
Just Eat Gilligan: So Moses, why don't you wait for Seti to die, be crowned ruler of Egypt, and set the slaves free yourself? Lampshaded by Nefretiri "Will Ramses hear [the slaves'] cries when he is Pharoah?"
Except, in Real Life, Ancient Egypt was extremely stiff. The one time a pharoah, Ikhnaten, tried to make significant changes, it didn't end well.
Also, in the film, it is implied that Moses plans to do this, but he is stopped when he gets caught having killed Baka to save Joshua and Lilia.
Reasonable Authority Figure: Seti listens to both sides before making a decision. However, that decision isn't necessarily in favor of the protagonists.
Moses is one of these, particularly when he is in charge of building the city.
Shown Their Work: According to Katherine Orrison, De Mille's biographer and protoge of De Mille's friend Henry Wilcoxon, De Mille did a HUEG amount of research, using not only the Bible but the Qur'an and various Hebrew traditional texts including the Midrash.
Plus, the red-white-black pattern of the Tribe of Levi is actually the pattern associated with the Tribe of Levi.
Something Only They Would Say: Baka realizes that the Hebrew slave is actually Moses when he (Moses) refers to him as the "Master Butcher" — which Moses has called him before. A little too late, as he said this while he was strangling Baka to death.
Too Dumb to Live: The Egyptian army following the fleeing Israelites into the parted sea. Did NOBODY realize that God could (and would) solve that little problem simply by letting things return to normal?
Also, after seeing with their own eyes God part the waters of the sea, the Hebrews are quick to question the existence of Him while waiting for Moses to return from Mount Sinai. So they decided to forge a golden idol to worship instead.
Unperson: Sethi proclaims that Moses' name be erased from every carving, and never be spoken again, after learning that he is the one destined to free the Israelites. So let it be written, so let it be done! Obviously, that didn't take.
In ancient Egypt, this was done to ensure that a person would not only disappear from everyday life, but would have no life after death. De Mille biographer Katherine Orrison says that was the very reason Moses' name was spoken so often in the film. It was De Mille's symbolic attempt to ensure the real Moses could enter heaven.
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