Film / The Baader Meinhof Complex

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The Baader Meinhof Complex (German: Der Baader Meinhof Komplex) is a 2008 German film by Uli Edel. The film is based on the 1985 German best selling non-fiction book of the same name by Stefan Aust. It retells the story of the early years of the West German far-left extremist group the Red Army Faction (German: Rote Armee Fraktion, or RAF).

The film was an Academy Award and Golden Globe nominee for Best Foreign Language Picture, but lost to the Japanese film Departures and the Israeli film Waltz with Bashir respectively.

The Baader Meinhof Complex provides examples of:

  • Action Duo: Andreas Baader and his girlfriend, Gudrun Ensslin. Later Brigitte Mohnhaupt and Peter Boock.
  • Avenging the Villain
    • After Petra Schelm's death, the RAF move from committing bank robberies and start bombing corporate targets and U.S. military installments.
    • The RAF's second generation believe their acts are avenging the alleged extrajudicial executions of their imprisoned leaders. They're quite upset to learn that their leaders actually killed themselves.
  • Baby Carriage: Used to hide an assault rifle for the Schleyer kidnapping.
  • Bathtub Bonding: Gudrun gets to know a young Peter Boock this way.
  • Berserk Button: Question any of Baader's reasoning or methods.
  • The Book Cipher: Moby Dick is used.
  • Book Safe: The guns used for the Suicide Pact are smuggled in by a sympathetic lawyer in his briefing papers.
  • Butt Monkey: Ulrike Meinhof. Her husband cheats on her. She loses her children after attempting to ship them to an orphan camp in Jordan. She gets arrested. She's ostracized by other members of the RAF, especially Gudrun. She eventually hangs herself in prison.
  • Courtroom Antics: Baader and company these throughout their trial, so much that it couldn't be completed before they shot themselves in prison.
  • Culture Clash: Muslim terrorists sharing the training camp with the RAF are not pleased about them sunbathing in the nude and both sexes having the same quarters.
  • Curbstomp Battle: The RAF against Hanns-Martin Schleyer's bodyguards. In the previous scene, the RAF even discuss how the bodyguards are highly trained and battle-hardened. The RAF kill all four of Schleyer's bodyguards before they can even fire back and successfully kidnap Schleyer.
  • Cycle of Revenge: The movie ends on the murder of Schleyer, showing the terrorist violence will continue.
  • Dark Action Girl: All the women in the RAF can count as this.
  • Dragon Ascendant: The second generation of the RAF, led by Brigitte Mohnhaupt and Peter Boock.
  • Driven to Suicide
    • After being ostracized by her fellow RAF members, Meinhof becomes depressed and hangs herself in her cell.
    • After authorities thwarted the hijacking of Lufthansa Flight 181, which the PFLP took over in hopes of releasing the imprisoned RAF members Baader, Ensslin and Jan-Carl Raspe killed themselves with smuggled guns. Irmgard Möller tried to, but survived.
  • Driver Faces Passenger: Baader, Ensslin, Peter Boock and company speed down the Autobahn, swapping cigarettes between cars and shooting at highway signs.
  • Even Evil Has Standards: Baader and the imprisoned leaders of the first generation of the RAF are appalled by the second generation putting innocent lives in harm's way.
  • Five-Bad Band
  • Force Feeding: When the first generation of the RAF is initially imprisoned, they decide to go on hunger strike. Holger Meins is force-fed through a tube. He dies anyway..
  • Foregone Conclusion
  • Foreshadowing: At the beginning of the film, an activist on TV accuses the Israeli government's treatment of Palestinian people no different on how the Nazis treated the Jews, hinting how the RAF will become just as bad as the people they're fighting against.
  • Former Regime Personnel: One of the catalysts for the RAF's actions, and also a major reason they had popular support, was the widespread belief that the denazification process in Germany after WW2 was ineffective. Some actual and suspected Nazi party members were still in positions of government.
  • From Nobody to Nightmare: Andreas Baader. Also Peter, originally an escapee from a juvenile detention center, rises through the ranks to become a leader of the RAF's second generation.
  • Going Commando: Several Arab terrorists are startled by the sight of a female terrorist in a miniskirt showing she's not wearing panties as she clambers out of a land rover.
  • Heroic B.S.O.D.: The second generation when they learn that the original leaders were not executed as they were lead to believe.
  • Historical Beauty Update: The real Baader and Meinhof were a bit less photogenic than the movie Baader and Meinhof.
  • Hollywood Healing: Averted with Rudi Dutschke, who suffers brain damage from his attempted assassination.
  • Hypocritical Humor: Baader taunts Mahler into stealing from an old lady's handbag, then flips out when moments later his car is stolen. Despite the fact that the car had been stolen by them in the first place.
  • Large Ham: Many characters have their ham moments, but Andreas by far takes the cake.
  • Looks Like Jesus: During the riot at the Springer newspaper, a shirtless bearded man loudly denounces the lousy state of the world.
  • Luxury Prison Suite: Public protests force the government to move the prisoners out of solitary confinement, giving them larger cells with books and television, in their own cell block. However this trope zig-zags according to the political climate — when the Lufthansa hijacking occurs, all televisions are confiscated, the prisoners are locked in their cells and wooden panels placed over the doors to prevent them communicating (they use radios smuggled into the cells to do so anyway).
  • My God, What Have I Done?: One of the terrorists was a family friend of Jürgen Ponto's family and wanted only to kidnap him. Ponto fights back and is killed.
  • Never Suicide: In-Universe where the RAF regard any death of their members as a Government Conspiracy, whether in a gunfight with police or a death-in-custody through suicide or hunger strike. Holger Meins is implied to have died through deliberate negligence (by failing to arrange a doctor), though the movie leaves it ambiguous whether the others on 'Death Night' died of Suicide Pact or conspiracy.
  • Not What I Signed Up For: Played straight at the training camp in Jordan, when Baader is frustrated by the lack of training for urban terrorism.
  • Police Brutality: The Berlin police attack students protesting the visit by the Shah of Iran at the beginning of the film, and one is shot to death, sparking the left-wing terrorist groups' actions. Later on Holger Meins is beaten by police after he's arrested.
  • Pretty Little Headshots: Petra Schelm takes one right below the eye.
  • Punch Clock Villain: Baader calls out Horst Mahler, a lawyer sympathetic to the RAF, on this.
  • Pyrrhic Villainy: Especially with the first generation. Shown in a montage where news of attacks by the RAF are played alongside news of RAF members being captured.
  • Reasonable Authority Figure: Horst Herold. He's tireless in pursuing the RAF, but also presses his superiors to gain a better understanding of the terrorists and their public appeal.
  • Right-Wing Militia Fanatic: One of them fatally shoots a left-wing student activist at the beginning of the move. This leads to the radicalization of the political left in West Germany, and is one of the triggers for the RAF's decision to turn to terrorism.
  • Taking the Kids:
    • Meinhof does this to her husband, after she catches him cheating on her.
    • In turn it happens to Meinhof herself, when her estranged husband, with the help of Peter Homann and Stefan Aust (the author of The Baader Meinhof Complex), took his daughters back from Sicily to prevent Ulrike from sending them to an orphan camp in Jordan.
  • There Is No Kill Like Overkill: Pretty much every assassination, kidnapping and attempted kidnapping the second generation of the RAF does counts as this.
  • Very Loosely Based on a True Story: For the most part averted. The film is widely praised amongst historians for by and large sticking to the historical accounts and sources surrounding the RAF and their deeds. However some have noted that its Politically Correct History especially the details surrounding Stammhein prison.
  • Villainous Breakdown: The RAF goes through this as the film progresses, as their attacks become more and more violent, and less focused on fighting for the causes the organization was founded upon.
  • Villain Protagonist: The RAF against what they view as an imperialistic, corporate, ex-Nazi dominated police state.
  • Well-Intentioned Extremist: As portrayed in the film, the founders of RAF (especially Meinhof) genuinely believed that they lived in a fascist state and that their actions would help liberate the oppressed peoples of the world. The film also portrays a good portion of the German people as sympathetic to the RAF's cause and open to sheltering members.
  • Western Terrorists: The RAF.

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