Pickup on South Street
is a 1953 Cold War
spy Film Noir
written and directed by Samuel Fuller
and released by the Twentieth Century Fox
Barely out of prison, loner and pickpocket Skip McCoy (Richard Widmark) quietly helps himself to the contents of a woman's purse. His beautiful victim, Candy (Jean Peters), turns out to be an unwitting courier for the communist underground; McCoy's booty is actually microfilmed U.S. government secrets, formerly en route to Moscow. Both the FBI and Candy's employers are desperate to retrieve the film.
This film provides examples of:
- All Girls Want Bad Boys: Candy seems to be extremely fond of edgy characters.
- Anti-Hero: Skip and Candy. Neither of them has a clean slate, but they show likable character traits.
- Black and Gray Morality: The commies are depicted as ruthless evil characters who Would Hit a Girl and Shoot the Dog while on the other hand New York is filled with lowlifes with a heart of gold who succumb to a criminal life style only to make ends meet.
- Blood from the Mouth: Candy, after being shot in the back by Joey. Unlike most victims of this trope, she gets to live.
- Dirty Communists: The ring of communist spies who try to spirit the top-secret microfilm out of the country.
- Earn Your Happy Ending: Candy, being harassed by cops and bashed up and shot by Joey.
- Even Evil Has Standards: Instead of destroying the film or turning it in to the cops for immunity, Skip tries to sell it back to the spies for a big payoff. This shocks even his fellow lowlifes, one of whom remarks, "Even in our crummy business, you have to draw the line somewhere."
- Face Death with Dignity: Moe, when she realizes she wouldn't make it out alive.
- Five-Finger Discount: Skip's trade.
- Good Old Fisticuffs: The climatic fist fight between Skip and Joey in the subway.
- She Knows Too Much: Moe had to die because she knew about the Dirty Commies' involvement in the case.
- Heroic Sacrifice: Both Moe and Candy refuse to tell Joey where Skip lived. Both were shot for their lack of cooperation, one died from it.
- Jerk with a Heart of Gold: Skip.
- Karma Houdini: Skip. First he steals a wallet containing the microfilm. When the cops offer him immunity for the film, he decides to sell it back to the spies instead. Even when the commies murder his best friend in cold blood, he's still willing to sell the film to them, which would have gotten him killed, had the girl not knocked him out and taken it to the cops. And what's his comeuppance for being such an unrepentant louse? He gets the girl and rides off into the sunset scott-free...but not before dropping by the police station to rub the head cop's nose in it.
- Love at First Sight: Candy falls for Skip the first time they met.
- MacGuffin: The microfilm of top-secret government information.
- Minion with an F in Evil: Candy can't seem to play the evil card right.
- One Last Job: That's what Candy promised to herself.
- Percussive Pickpocket: Having snatched Candy's wallet, Skip applies this trope to close the purse.
- Pistol-Whipping: Joey does this to a cop blocking his escape route. The cop dies of the head wound.
- The Rat: Moe.
- Really Gets Around: Candy is described as having had many lovers.
- Red Scare: A major theme running through the film.
- Second Face Smoke: Skip provokingly blows smoke into the face of the detective who was suspended twice for smacking him.
- Tap on the Head: Characters repeatedly get knocked out by a single blow to the head. One detective even dies from a Pistol-Whipping.
- Water Wake-up: Skip uses this technique to wake up Candy after he gave her a good Tap on the Head.
- Will Talk For A Price: Moe and Lightning Louie will take offers.
- Would Hit a Girl: Skip accidentally hits Candy on the jaw, in the dark of his shack where she was snooping around.
- Taken Up to Eleven in one memorable unbroken take, where Joey brutally beats up and slams Candy around the room.