Neal Stephenson is a
very tall man, as well as the author of (in chronological order of publishing):
- Assorted other novels, short stories, and non-fiction works
He is known for somewhat
idiosyncratic pacing,
multiple interwoven plots, doing his research
and sharing it in excruciating detail, assuming that
his readers are geniuses, and a Pynchonesque tendency to
throw in long, seemingly pointless digressions: a
lengthy erotic story on antique furniture and stockings, say, or a
three-page memo regarding the proper use of toilet paper in an office environment. His more recent books also tend to be
practical arguments in favor of electronic books supplanting paper copies (read:
long), with
Cryptonomicon coming in at well over 900 pages and
Anathem at nearly the same length before the many
glossaries and
appendices. He is widely considered to be rather poor at endings, with many of his novels reaching a climax and then more or less ending immediately afterwards with little to no denouement.
A recurring theme in Stephenson's work involves the classification of humanity into a typography of functional castes based on their approach to practical and theoretic knowledge; this is spelled out most explicitly in his novella-length essay
In The Beginning... Was The Command Line
, where humanity is divided into
Morlocks (those willing to pursue low-level technical knowledge) and
Eloi (those unwilling to do so). However, the details vary from book to book;
Cryptonomicon expands the concept into a
Five Races-style typography of Elves, Dwarves, Men, and Hobbits smattered with occasional Wizards and a single specimen of
Gollum, while
Anathem could be considered a near-thousand-page meditation on a similar theme. Not surprisingly, Stephenson's heroes always fall into a technically or theoretically sophisticated caste.
Oh, and, he's currently making a motion-controlled
swordfighting videogame
.
Here's
◊ a
screen-breaking photo with him,
Neil Gaiman and
Neil Armstrong.