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* AlternativeCharacterInterpretation: For some reason, a good percentage of the Tommy {{Fandom}} seems to treat the Local Lad (''especially'' the Music/EltonJohn version) like he's a SissyVillain simply for being Tommy's rival when it came to being a champion at {{Pinball}}. As an unfortunate result, he occasionally ends up being treated like either TheScrappy or an AssholeVictim. To be fair, some versions of the musical do feature the Local Lad as something of an antagonist, but they're still pretty harmless in comparison to the other villains (calling Tommy a freak in the film version likely didn't do much to endear him to anyone).

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* AlternativeCharacterInterpretation: AlternativeCharacterInterpretation:
**
For some reason, a good percentage of the Tommy {{Fandom}} seems to treat the Local Lad (''especially'' the Music/EltonJohn version) like he's a SissyVillain simply for being Tommy's rival when it came to being a champion at {{Pinball}}. As an unfortunate result, he occasionally ends up being treated like either TheScrappy or an AssholeVictim. To be fair, some versions of the musical do feature the Local Lad as something of an antagonist, but they're still pretty harmless in comparison to the other villains (calling Tommy a freak in the film version likely didn't do much to endear him to anyone).



* WTHCastingAgency: For TheMovie, you have Roger Daltrey, Ann-Margret, Music/EltonJohn, Music/TinaTurner, Music/EricClapton, Keith Moon, [[CreatorCameo John Entwistle, Pete Townshend]]...[[TheLastOfTheseIsNotLikeTheOthers and]] Creator/JackNicholson. [[TropesAreNotBad He does a pretty good job, for not being a singer.]]

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* WTHCastingAgency: For TheMovie, you have Roger Daltrey, Ann-Margret, Music/EltonJohn, Music/TinaTurner, Music/EricClapton, Keith Moon, [[CreatorCameo John Entwistle, Pete Townshend]]...[[TheLastOfTheseIsNotLikeTheOthers and]] Creator/JackNicholson. [[TropesAreNotBad [[Administrivia/TropesAreTools He does a pretty good job, for not being a singer.]]
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* EarWorm



* EpicRiff

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* TheyChangedItNowItSucks: Could very well be part of why a lot of people in Music/TheWho FanDumb loathe the Music/EltonJohn version of "Pinball Wizard" with an immense passion. (That, and/or perhaps because at one point [[ItsPopularNowItSucks his version got almost as popular as the original]].) [[FridgeLogic Even though it was]] '''[[Music/TheWho Pete Townshend]]''' [[FridgeLogic who made most of the real changes]].

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* TheyChangedItNowItSucks: Could very well be part of why a lot of people in Music/TheWho FanDumb fandom loathe the Music/EltonJohn version of "Pinball Wizard" with an immense passion. (That, and/or perhaps because at one point [[ItsPopularNowItSucks his version got almost as popular as the original]].) [[FridgeLogic Even though it was]] '''[[Music/TheWho Pete Townshend]]''' [[FridgeLogic who made most of the real changes]].
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** In the movie, the [[OnlySaneMan Doctor]] was played by Creator/JackNicholson, who went on to play such shining examples of mental health as [[Film/OneFlewOverTheCuckoosNest Randle McMurphy]], [[Film/TheShining Jack Torrance]], and [[{{Film/Batman}} the Joker]].

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** In the movie, the [[OnlySaneMan Doctor]] was played by Creator/JackNicholson, who went on to play such shining examples of mental health as [[Film/OneFlewOverTheCuckoosNest Randle McMurphy]], [[Film/TheShining Jack Torrance]], and [[{{Film/Batman}} [[Film/Batman1989 the Joker]].
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*** The movie version of "Cousin Kevin" is pretty intense, too. Amidst dizzying camera angles and bizarre music, Kevin puts Tommy through a number of torments, including drying his clothes by ironing them ''while he's still wearing them.''
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*** If you go see the stage production, you can count on Uncle Ernie getting the most laughs, despite being the CreepyUncle.
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* GrowingTheBeard: Before this album, Music/TheWho were considered a [[FifteenMinutesOfFame flash-in-the-pan]] UsefulNotes/BritishInvasion act known mostly for joke songs and [[RockersSmashGuitars destroying perfectly good musical instruments]]. Then along comes this record, really the first of its kind, featuring rock n roll songs with tight composition and performance and a sophisticated overarching story, sending the band's popularity skyrocketing to the rock legends they are today.

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* GrowingTheBeard: Before this album, Music/TheWho were considered a [[FifteenMinutesOfFame flash-in-the-pan]] UsefulNotes/BritishInvasion [[UsefulNotes/TheBritishInvasion British Invasion]] act known mostly for joke songs and [[RockersSmashGuitars destroying perfectly good musical instruments]]. Then along comes this record, really the first of its kind, featuring rock n roll songs with tight composition and performance and a sophisticated overarching story, sending the band's popularity skyrocketing to the rock legends they are today.
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* EnsembleDarkHorse:

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* EnsembleDarkHorse:EnsembleDarkhorse:



* WTHCastingAgency: For TheMovie, you have Roger Daltrey, Ann-Margret, Music/EltonJohn, Tina Turner, Music/EricClapton, Keith Moon, [[CreatorCameo John Entwistle, Pete Townshend]]...[[TheLastOfTheseIsNotLikeTheOthers and]] Creator/JackNicholson. [[TropesAreNotBad He does a pretty good job, for not being a singer.]]

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* WTHCastingAgency: For TheMovie, you have Roger Daltrey, Ann-Margret, Music/EltonJohn, Tina Turner, Music/TinaTurner, Music/EricClapton, Keith Moon, [[CreatorCameo John Entwistle, Pete Townshend]]...[[TheLastOfTheseIsNotLikeTheOthers and]] Creator/JackNicholson. [[TropesAreNotBad He does a pretty good job, for not being a singer.]]
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* SugarWiki/MomentOfAwesome: During the band's performance at {{Woodstock}}, the climactic moment of "See Me, Feel Me" happened to coincide precisely with [[CueTheSun the morning sun breaching the horizon]]. The group had a lighting rig (then a rarity) constructed to replicate this effect for later performances, [[spoiler:and it is nodded to at the end of the film adaptation.]]

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* SugarWiki/MomentOfAwesome: During the band's performance at {{Woodstock}}, UsefulNotes/{{Woodstock}}, the climactic moment of "See Me, Feel Me" happened to coincide precisely with [[CueTheSun the morning sun breaching the horizon]]. The group had a lighting rig (then a rarity) constructed to replicate this effect for later performances, [[spoiler:and it is nodded to at the end of the film adaptation.]]

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** Did Tommy's followers want a quick fix from Tommy, which he refused to give them, or did they reject him because he tried to impose his way of thinking and lifestyle on them? The movie seems to lean more towards this interpretation.

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** Did Tommy's followers want a quick fix from Tommy, which he refused to give them, or did they reject him because he tried to impose his way of thinking and lifestyle on them? The movie seems to lean more towards this interpretation. Though it could be a case of BeCarefulWhatYouWishFor, since his followers did tell Tommy that they wanted "to be like him."
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* CrossesTheLineTwice: Uncle Ernie molesting Tommy is often played for laughs, particularly in the movie where it is paired with Keith Moon's [[HamAndCheese performance]] and aided by cartoon sound effects.
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* LoveItOrHateIt: The movie adaptation. It's either a time capsule of awesome 70's rock music based around an already-great set of songs, with some flawed by enjoyable acting, or it fails to understand the album entirely and makes up for creativity with dated 70's cheese.
Is there an issue? Send a MessageReason:
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* GrowingTheBeard: Before this album, Music/TheWho were considered a [[FifteenMinutesOfFame flash-in-the-pan]] BritishInvasion act known mostly for joke songs and [[RockersSmashGuitars destroying perfectly good musical instruments]]. Then along comes this record, really the first of its kind, featuring rock n roll songs with tight composition and performance and a sophisticated overarching story, sending the band's popularity skyrocketing to the rock legends they are today.

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* GrowingTheBeard: Before this album, Music/TheWho were considered a [[FifteenMinutesOfFame flash-in-the-pan]] BritishInvasion UsefulNotes/BritishInvasion act known mostly for joke songs and [[RockersSmashGuitars destroying perfectly good musical instruments]]. Then along comes this record, really the first of its kind, featuring rock n roll songs with tight composition and performance and a sophisticated overarching story, sending the band's popularity skyrocketing to the rock legends they are today.
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Lolicon and shotacon have been disambiguated. Links with too little context are being removed - "paedo" is not always a trope, examples where the tropeworthiness is unclear are being removed. Also, please do not use "loli" as a synonym for little girl; see Lolicon And Shotacon as to why not


** "Fiddle About" has Tommy's [[CreepyUncle Uncle]] {{E|vilUncle}}rnie [[{{Lolicon}} molesting]] him. Arguably, it's turned into a very dark SugarWiki/{{Funny Moment|s}} by [[CrazyAwesome Keith Moon]], the band's drummer, in TheMovie.

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** "Fiddle About" has Tommy's [[CreepyUncle Uncle]] {{E|vilUncle}}rnie [[{{Lolicon}} molesting]] molesting him. Arguably, it's turned into a very dark SugarWiki/{{Funny Moment|s}} by [[CrazyAwesome Keith Moon]], the band's drummer, in TheMovie.
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** In the movie, the [[OnlySaneMan Doctor]] was [[Literature/OneFlewOverTheCuckoosNest played by]] [[Film/TheShining Jack]] [[SelfDemonstrating/TheJoker Nicholson]].

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** In the movie, the [[OnlySaneMan Doctor]] was [[Literature/OneFlewOverTheCuckoosNest played by]] by Creator/JackNicholson, who went on to play such shining examples of mental health as [[Film/OneFlewOverTheCuckoosNest Randle McMurphy]], [[Film/TheShining Jack]] [[SelfDemonstrating/TheJoker Nicholson]].Jack Torrance]], and [[{{Film/Batman}} the Joker]].
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** Did Tommy's followers want a quick fix from Tommy, which he refused to give them, or did they reject him because he tried to impose his way of thinking and lifestyle on them? The movie seems to lean more towards this interpretation.
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* AlternativeCharacterInterpretation: For some reason, a good percentage of the Tommy {{Fandom}} seems to treat the Local Lad (''especially'' the Music/EltonJohn version) like he's a SissyVillain simply for being Tommy's rival when it came to being a champion at {{Pinball}}. As an unfortunate result, he occasionally ends up being treated like either TheScrappy or an AssholeVictim. To be fair, some versions of the musical do feature the Local Lad as something of an antagonist, but they're still pretty harmless in comparison to the other villains.

to:

* AlternativeCharacterInterpretation: For some reason, a good percentage of the Tommy {{Fandom}} seems to treat the Local Lad (''especially'' the Music/EltonJohn version) like he's a SissyVillain simply for being Tommy's rival when it came to being a champion at {{Pinball}}. As an unfortunate result, he occasionally ends up being treated like either TheScrappy or an AssholeVictim. To be fair, some versions of the musical do feature the Local Lad as something of an antagonist, but they're still pretty harmless in comparison to the other villains.villains (calling Tommy a freak in the film version likely didn't do much to endear him to anyone).
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* {{Narm}}: In the movie, the child's voice singing, "See me...feel me..." during "Christmas".

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Mass fixing formatting and indentation.


* AlternativeCharacterInterpretation: For some reason, a good percentage of the Tommy {{Fandom}} seems to treat the Local Lad (''especially'' the Music/EltonJohn version) like he's a SissyVillain simply for being Tommy's rival when it came to being a champion at {{Pinball}}. As an unfortunate result, he occasionally ends up being treated like either TheScrappy or an AssholeVictim.
** To be fair, some versions of the musical do feature the Local Lad as something of an antagonist, but they're still pretty harmless in comparison to the other villains.

to:

* AlternativeCharacterInterpretation: For some reason, a good percentage of the Tommy {{Fandom}} seems to treat the Local Lad (''especially'' the Music/EltonJohn version) like he's a SissyVillain simply for being Tommy's rival when it came to being a champion at {{Pinball}}. As an unfortunate result, he occasionally ends up being treated like either TheScrappy or an AssholeVictim.
**
AssholeVictim. To be fair, some versions of the musical do feature the Local Lad as something of an antagonist, but they're still pretty harmless in comparison to the other villains.



** The entire soundtrack, really.



* CoveredUp: "Eyesight to the Blind" was originally by Sonny Boy Williamson II. The Who had also intended to use Mose Allison's "Young Man Blues" on the album, but couldn't find room for it, and so it had to wait until ''Live At Leeds'' to be covered.
** On top of that, when the Who performed Tommy on tour in 1989, they used Eric Clapton's arrangement of ''Eyesight'', from TheMovie, rather than their own arrangement from the album.
* DracoInLeatherPants: Uncle Ernie has a following, despite being a drunken child molester.

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* CoveredUp: "Eyesight to the Blind" was originally by Sonny Boy Williamson II. The Who had also intended to use Mose Allison's "Young Man Blues" on the album, but couldn't find room for it, and so it had to wait until ''Live At Leeds'' to be covered.
**
covered. On top of that, when the Who performed Tommy on tour in 1989, they used Eric Clapton's arrangement of ''Eyesight'', "Eyesight", from TheMovie, rather than their own arrangement from the album.
* DracoInLeatherPants: DracoInLeatherPants:
**
Uncle Ernie has a following, despite being a drunken child molester.



* EnsembleDarkHorse: Uncle Ernie, if you can believe it, has [[DracoInLeatherPants a whole host of fans]].

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* EnsembleDarkHorse: EnsembleDarkHorse:
**
Uncle Ernie, if you can believe it, has [[DracoInLeatherPants a whole host of fans]].



* HilariousInHindsight: In "Go To The Mirror!" the doctor thinks about the isolation shock caused when/if Tommy's senses return. When he does get them back, he mobilizes his cult of personality. {{Subverted}} later [[{{Foreshadowing}} when his followers leave him]] thanks to the unorthodox views he got from his experiences.

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* HilariousInHindsight: HilariousInHindsight:
**
In "Go To The Mirror!" the doctor thinks about the isolation shock caused when/if Tommy's senses return. When he does get them back, he mobilizes his cult of personality. {{Subverted}} later [[{{Foreshadowing}} when his followers leave him]] thanks to the unorthodox views he got from his experiences.



* IAmNotShazam: A common mistake even among the fans is to call the character who sings "Pinball Wizard", well, the Pinball Wizard (or, [[IAmNotLeonardNimoy in the movie's case]], Music/EltonJohn). He's actually called the Local Lad according to the scripts for the movie and the lyric sheet for the original album.

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* IAmNotShazam: IAmNotShazam:
**
A common mistake even among the fans is to call the character who sings "Pinball Wizard", well, the Pinball Wizard (or, [[IAmNotLeonardNimoy in the movie's case]], Music/EltonJohn). He's actually called the Local Lad according to the scripts for the movie and the lyric sheet for the original album.



* SugarWiki/MomentOfAwesome: During the band's performance at {{Woodstock}}, the climactic moment of ''See Me, Feel Me'' happened to coincide precisely with [[CueTheSun the morning sun breaching the horizon]]. The group had a lighting rig (then a rarity) constructed to replicate this effect for later performances, [[spoiler:and it is nodded to at the end of the film adaptation.]]

to:

* SugarWiki/MomentOfAwesome: During the band's performance at {{Woodstock}}, the climactic moment of ''See "See Me, Feel Me'' Me" happened to coincide precisely with [[CueTheSun the morning sun breaching the horizon]]. The group had a lighting rig (then a rarity) constructed to replicate this effect for later performances, [[spoiler:and it is nodded to at the end of the film adaptation.]]



* OneSceneWonder: Music/EltonJohn's appearance as the Champion/Local Lad in TheMovie is one of the most talked-about parts of the film (he even got third billing after Daltrey and Ann-Margret), and he barely even gets five minutes of screen-time. It probably didn't help that it was released in the UK the day after his twenty-ninth birthday.

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* OneSceneWonder: OneSceneWonder:
**
Music/EltonJohn's appearance as the Champion/Local Lad in TheMovie is one of the most talked-about parts of the film (he even got third billing after Daltrey and Ann-Margret), and he barely even gets five minutes of screen-time. It probably didn't help that it was released in the UK the day after his twenty-ninth birthday.



* {{Squick}}[=/=]NightmareFuel: Every one of the three {{Villain Song}}s. What Kevin, the Acid Queen and Uncle Ernie do to Tommy are one after the other on the album (though "The Acid Queen" and "Fiddle About" are separated by a ten-minute long psychedelic instrumental), making things worse.

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* {{Squick}}[=/=]NightmareFuel: {{Squick}}:
**
Every one of the three {{Villain Song}}s. What Kevin, the Acid Queen and Uncle Ernie do to Tommy are one after the other on the album (though "The Acid Queen" and "Fiddle About" are separated by a ten-minute long psychedelic instrumental), making things worse.



*** Made ''so much worse'' in the London Symphony Orchestra recording. Whose idea was it to cast [[Music/RingoStarr the Beatle who sang all the cute kid's songs]] as Uncle Ernie? You may never be able to listen to [[Music/TheWhiteAlbum "Good Night"]] ever again. And it becomes a '''''even worse''''' if you're one of those ''WesternAnimation/ThomasTheTankEngine'' fans who [[CantUnhearIt imagines every sentence he says ending with "...said the Fat Controller."]]
*** The chorus of "We're Not Gonna Take It" has the line '"We'll forsake you, gonna rape you, let's forget you better still," which the angry mob sings to Tommy. It's pretty disturbing to say the least.

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*** ** Made ''so much worse'' in the London Symphony Orchestra recording. Whose idea was it to cast [[Music/RingoStarr the Beatle who sang all the cute kid's songs]] as Uncle Ernie? You may never be able to listen to [[Music/TheWhiteAlbum "Good Night"]] ever again. And it becomes a '''''even worse''''' '''even worse''' if you're one of those ''WesternAnimation/ThomasTheTankEngine'' fans who [[CantUnhearIt imagines every sentence he says ending with "...said the Fat Controller."]]
*** ** The chorus of "We're Not Gonna Take It" has the line '"We'll forsake you, gonna rape you, let's forget you better still," which the angry mob sings to Tommy. It's pretty disturbing to say the least.



* TheyChangedItNowItSucks: Could very well be part of why a lot of people in Music/TheWho FanDumb loathe the Music/EltonJohn version of "Pinball Wizard" with an immense passion. (That, and/or perhaps because at one point [[ItsPopularNowItSucks his version got almost as popular as the original]].) [[FridgeLogic Even though it was]] '''''[[Music/TheWho Pete Townshend]]''''' [[FridgeLogic who made most of the real changes]].

to:

* TheyChangedItNowItSucks: Could very well be part of why a lot of people in Music/TheWho FanDumb loathe the Music/EltonJohn version of "Pinball Wizard" with an immense passion. (That, and/or perhaps because at one point [[ItsPopularNowItSucks his version got almost as popular as the original]].) [[FridgeLogic Even though it was]] '''''[[Music/TheWho '''[[Music/TheWho Pete Townshend]]''''' Townshend]]''' [[FridgeLogic who made most of the real changes]].
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* BigLippedAlligatorMoment: The washing machine scene in the movie, although the spectacle of Ann-Margret covering herself in foam, baked beans and chocolate is pure {{Fanservice}} for those who like that kind of thing (presumably including Ken Russell.)

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added YMMV


* LoveItOrHateIt: The movie adaptation. It's either a time capsule of awesome 70s rock music based around an already-great set of songs, with some flawed by enjoyable acting, or it fails to understand the album entirely and makes up for creativity with dated 70s cheese.

to:

* LoveItOrHateIt: The movie adaptation. It's either a time capsule of awesome 70s 70's rock music based around an already-great set of songs, with some flawed by enjoyable acting, or it fails to understand the album entirely and makes up for creativity with dated 70s 70's cheese.


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** The movie version of "Acid Queen" has Tommy being stuffed into a spinning, needle-studded sarcophagus and pumped full of bright red liquid. The vivid hallucinations, in which Tommy imagines himself variously as his dead father, a Jesus-like figure, and ''a skeleton'', are horrifying enough, but the skeleton implies that Tommy actually suffers an overdose and only Frank's intervention saves him. And then there's the last part of the song, where Frank comes upon Tommy writhing on the floor while the Acid Queen stands over him, with an appalling rictus grin on her face...
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*** Made ''so much worse'' in the London Symphony Orchestra recording. Whose idea was it to cast [[Music/RingoStarr the Beatle who sang all the cute kid's songs]] as Uncle Ernie? (Warning: may lead to constantly having to lift the needle off ''Music/TheWhiteAlbum'' before it gets to "Good Night", in spite of the [[NightmareFuel last]] [[LastNoteNightmare track]].)

to:

*** Made ''so much worse'' in the London Symphony Orchestra recording. Whose idea was it to cast [[Music/RingoStarr the Beatle who sang all the cute kid's songs]] as Uncle Ernie? (Warning: You may lead never be able to constantly having listen to lift the needle off ''Music/TheWhiteAlbum'' before it gets to [[Music/TheWhiteAlbum "Good Night", in spite Night"]] ever again. And it becomes a '''''even worse''''' if you're one of those ''WesternAnimation/ThomasTheTankEngine'' fans who [[CantUnhearIt imagines every sentence he says ending with "...said the [[NightmareFuel last]] [[LastNoteNightmare track]].)Fat Controller."]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* LoveItOrHateIt: The movie adaptation. It's either a time capsule of awesome 70s rock music based around an already-great set of songs, with some flawed by enjoyable acting, or it fails to understand the album entirely and makes up for creativity with dated 70s cheese.
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** "Fiddle About" is even squickier in light of Pete Townshend being investigated for child porn, and his revelation that he was sexually abused by a relative when he was a child.

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** "Fiddle About" is even squickier in light of After Pete Townshend being investigated for child porn, and his revelation revealed that he was had been sexually abused by a relative when he was as a child.child, which inadvertently led him to a child pornography site while researching the subject, "Fiddle About" is ''much'' scarier.
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*** Made ''so much worse'' in the London Symphony Orchestra recording. Whose idea was it to cast [[Music/RingoStarr the Beatle who sang all the cute kid's songs]] as Uncle Ernie? (Warning: may lead to constantly having to lift the needle off The White Album before it gets to "Good Night", in spite of the [[NightmareFuel last]] [[LastNoteNightmare track]].)

to:

*** Made ''so much worse'' in the London Symphony Orchestra recording. Whose idea was it to cast [[Music/RingoStarr the Beatle who sang all the cute kid's songs]] as Uncle Ernie? (Warning: may lead to constantly having to lift the needle off The White Album ''Music/TheWhiteAlbum'' before it gets to "Good Night", in spite of the [[NightmareFuel last]] [[LastNoteNightmare track]].)
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* NightmareFuel: The original album is mostly ambiguous, which might create a creepier atmosphere to some.
** "Dream One" from the original Pete Townshend demos.
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* SugarWiki/MomentOfAwesome: During the band's performance at {{Woodstock}}, the climactic moment of ''See Me, Feel Me'' happened to coincide precisely with [[CueTheSun the morning sun breaching the horizon]]. The group had a lighting rig (then a rarity) constructed to replicate this effect for later performances.

to:

* SugarWiki/MomentOfAwesome: During the band's performance at {{Woodstock}}, the climactic moment of ''See Me, Feel Me'' happened to coincide precisely with [[CueTheSun the morning sun breaching the horizon]]. The group had a lighting rig (then a rarity) constructed to replicate this effect for later performances.performances, [[spoiler:and it is nodded to at the end of the film adaptation.]]
Is there an issue? Send a MessageReason:
None


*** Made ''so much worse'' in the London Symphony Orchestra recording. Whose idea was it to cast [[Music/RingoStarr the Beatle who sang all the cute kid's songs]] as Uncle Ernie? (Warning: may lead to constantly having to lift the needle off The White Album before it gets to "Good Night".)

to:

*** Made ''so much worse'' in the London Symphony Orchestra recording. Whose idea was it to cast [[Music/RingoStarr the Beatle who sang all the cute kid's songs]] as Uncle Ernie? (Warning: may lead to constantly having to lift the needle off The White Album before it gets to "Good Night".Night", in spite of the [[NightmareFuel last]] [[LastNoteNightmare track]].)
Is there an issue? Send a MessageReason:
None


* GrownTheBeard: Before this album, Music/TheWho were considered a [[FifteenMinutesOfFame flash-in-the-pan]] BritishInvasion act known mostly for joke songs and [[RockersSmashGuitars destroying perfectly good musical instruments]]. Then along comes this record, really the first of it's kind, featuring rock n roll songs with tight composition and performance and a sophisticated overarching story, sending the band's popularity skyrocketing to the rock legends they are today.

to:

* GrownTheBeard: GrowingTheBeard: Before this album, Music/TheWho were considered a [[FifteenMinutesOfFame flash-in-the-pan]] BritishInvasion act known mostly for joke songs and [[RockersSmashGuitars destroying perfectly good musical instruments]]. Then along comes this record, really the first of it's its kind, featuring rock n roll songs with tight composition and performance and a sophisticated overarching story, sending the band's popularity skyrocketing to the rock legends they are today.

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