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** Hugh Grant and Emma Thompson play siblings in ''Film/LoveActually''. Emma Thompson is also married to Alan Rickman in the same movie.

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** Hugh Grant and Emma Thompson play siblings in ''Film/LoveActually''. Emma Thompson is also married to Alan Rickman in the same movie. And if you count a brief clip from ''Film/{{Titanic}}'', even Kate Winslet appears in the film.

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* CrowningMomentOfAwesome: Emma Thompson's Best Adapted Screenplay win makes her the only person to have won Academy Awards for both writing and acting. (She got Best Actress for ''Howard's End''.)
* CrowningMusicOfAwesome: Patrick Doyle's soundtrack, especially the main theme, which is reprised multiple times and comes to a spectacular crescendo in the wedding scene.

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* CrowningMomentOfAwesome: Emma Thompson's Best Adapted Screenplay win makes her the only person to have won Academy Awards for both writing and acting. (She got Best Actress for ''Howard's End''.)
* CrowningMusicOfAwesome:
SugarWiki/AwesomeMusic: Patrick Doyle's soundtrack, especially the main theme, which is reprised multiple times and comes to a spectacular crescendo in the wedding scene.


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* SugarWiki/MomentOfAwesome: Emma Thompson's Best Adapted Screenplay win makes her the only person to have won Academy Awards for both writing and acting. (She got Best Actress for ''Howard's End''.)
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* RetroactiveRecognition: John Willoughby is played by Dominic Cooper, who broke into the mainstream with his appearances as Howard Stark in ''Film/CaptainAmericaTheFirstAvenger'' and ''Series/AgentCarter'' and starring in ''Series/{{Preacher}}''.

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* RetroactiveRecognition: John Willoughby is played by Dominic Cooper, who broke into the mainstream with his appearances as Howard Stark in ''Film/CaptainAmericaTheFirstAvenger'' and ''Series/AgentCarter'' and starring in ''Series/{{Preacher}}''.''Series/{{Preacher|2016}}''.
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-->''"She had seen enough of [Mrs. Ferrars's] '''pride''', her meanness, and her determined '''[[PrideAndPrejudice prejudice]]''' against herself..."''

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-->''"She had seen enough of [Mrs. Ferrars's] '''pride''', her meanness, and her determined '''[[PrideAndPrejudice '''[[Literature/PrideAndPrejudice prejudice]]''' against herself..."''

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* FauxSymbolism: On the commentary, Emma Thompson praises the symbolism of Brandon giving Marianne a knife when she's gathering reeds. She cheerfully goes on that she doesn't know ''what'' it symbolizes, it's just good symbolism.

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* FauxSymbolism: On the commentary, Emma Thompson praises the symbolism of Brandon giving Marianne a knife when she's gathering reeds.to gather reeds with. She cheerfully goes on that she doesn't know ''what'' it symbolizes, it's just good symbolism.


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* SignatureScene: Colonel Brandon carrying Marianne back to the house after she goes walking in a rainstorm is so iconic that someone complimented Emma Thompson for depicting that scene from the novel so well, and the 2008 miniseries reproduced it with only slight modifications. In fact, this scene originated with the film itself.
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** Edward's persisting in the engagement is portrayed as the honorable thing to do. However, the modern reader can't help noticing that Edward's stance would lead him to a life-bonding contract with an individual he no longer cared about. The engagement is also technically void (made by two minors without their parents' consent), meaning it's not legally binding; Edward sticks to it because he feels morally bound. As one fanfiction writer puts it, "I made a promise when I was a teenager, and it is only honourable that I be bound by this promise for all eternity." With that said, Edward's breaking off the engagement ''after'' its reveal would have ruined Lucy's reputation and destroyed her chance of ever marrying, let alone marrying well. Given her financial situation, that would be a sentence to ruin. Only women in the Regency era could break off an engagement, and even then it was a risk; Lucy only got away with it because she married Robert immediately thereafter.

to:

** Edward's persisting in the engagement is portrayed as the honorable thing to do. However, the modern reader can't help noticing that Edward's stance would lead him to a life-bonding contract with an individual he no longer cared about. The engagement is also technically void (made by two minors without their parents' consent), meaning it's not legally binding; Edward sticks to it because he feels morally bound. As one fanfiction writer puts it, "I made a promise when I was a teenager, and it is only honourable that I be bound by this promise for all eternity." With that said, Edward's breaking off the engagement ''after'' its reveal would have ruined Lucy's reputation and destroyed her chance of ever marrying, let alone marrying well. Given her financial situation, that would be a sentence to ruin. Only women in the Regency era could break off an engagement, and even then it was a risk; Lucy only got away with it because she married Robert immediately thereafter.



* RetroactiveRecognition: [[Film/CaptainAmericaTheFirstAvenger Howard]] [[Series/AgentCarter Stark]] is John Willoughby. He's still as philandering as ever.

to:

* RetroactiveRecognition: [[Film/CaptainAmericaTheFirstAvenger Howard]] [[Series/AgentCarter Stark]] is John Willoughby. He's still Willoughby is played by Dominic Cooper, who broke into the mainstream with his appearances as philandering as ever.Howard Stark in ''Film/CaptainAmericaTheFirstAvenger'' and ''Series/AgentCarter'' and starring in ''Series/{{Preacher}}''.
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* ToughActToFollow: The series had a challenge to be remarkable in the face of an Oscar-winning film starring the likes of Emma Thompson and Alan Rickman. Andrew Davies said one of his goals was to make viewers forget about the movie while they were watching the series, and Hattie Morahan (Elinor) chose not to watch it so she wouldn't have Thompson's performance in her head. Critical reception mostly praised the adaptation as strong in its own right, but occasionally tended towards descriptions like "[[DamnedByFaintPraise nothing glaringly wrong]]" or a good companion adaptation to Lee's.

to:

* ToughActToFollow: The series had a challenge to be remarkable in the face of an Oscar-winning film starring the likes of Emma Thompson and Alan Rickman. Andrew Davies said one of his goals was to make viewers forget about the movie while they were watching the series, and Hattie Morahan (Elinor) chose not to watch it so she wouldn't have Thompson's performance in her head. Critical reception mostly praised the adaptation as strong in its own right, but occasionally tended towards descriptions like "[[DamnedByFaintPraise nothing glaringly wrong]]" or a good companion adaptation to Lee's. (It didn't help that certain aspects, like Edward and Elinor bonding over Margaret, Brandon's flowers versus Willoughby's[[note]]albeit they're strawberries here[[/note]], and Marianne collapsing in a rainstorm are taken from the ''film'' rather than the book itself.)
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** Greg Wise (Willoughby) and Imelda Staunton (Mrs. Palmer) went on to appear in ''Series/{{Cranford}}'' as Sir Charles and Miss Pole.
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* EsotericHappyEnding: Possibly Marianne and the Colonel to a modern audience due to ValuesDissonance, similar to Jo's fate in ''LittleWomen'' but with less evidence of ShipToShipCombat.

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* EsotericHappyEnding: Possibly Marianne and the Colonel to a modern audience due to ValuesDissonance, similar to Jo's fate in ''LittleWomen'' ''Literature/LittleWomen'' but with less evidence of ShipToShipCombat.
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** Girls of a more-or-les high decent status are considered able to marry ''much'' younger than in modern times. When sixteen-year-old Marianne objects that Colonel Brandon (35) is old enough to be her father, this is treated as a sign of her immaturity. her own mother later says that it's better to marry an older man whose character and position in the world are fixed. (There's also the fact that Brandon is attracted to her because she resembles his LostLenore whom he knew since they were kids and fell in love as teenagers.) Willoughby's crime of impregnating and abandoning Eliza condemns him, but not the fact that she's even younger than Marianne.

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** Girls of a more-or-les high decent status are considered able to marry ''much'' younger than in modern times. When sixteen-year-old Marianne objects that Colonel Brandon (35) is old enough to be her father, this is treated as a sign of her immaturity. her Her own mother later says that it's better to marry an older man whose character and position in the world are fixed. (There's also the fact that Brandon is attracted to her because she resembles his LostLenore whom he knew since they were kids and fell in love as teenagers.) Willoughby's crime of impregnating and abandoning Eliza condemns him, but not the fact that she's even younger than Marianne.

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** Girls of a more-or-les high decent status are considered able to marry ''much'' younger than in modern times. When sixteen-year-old Marianne objects that Colonel Brandon (35) is old enough to be her father, this is treated as a sign of her immaturity and Mrs. Jennings says that it's better to marry an older man whose character and position in the world are fixed. (There's also the fact that Brandon is attracted to her because she resembles his teenage ward who resembles her mother, his LostLenore.) Willoughby's crime of impregnating and abandoning Eliza condemns him, but not the fact that she's even younger than Marianne.

to:

** Girls of a more-or-les high decent status are considered able to marry ''much'' younger than in modern times. When sixteen-year-old Marianne objects that Colonel Brandon (35) is old enough to be her father, this is treated as a sign of her immaturity and Mrs. Jennings immaturity. her own mother later says that it's better to marry an older man whose character and position in the world are fixed. (There's also the fact that Brandon is attracted to her because she resembles his teenage ward who resembles her mother, his LostLenore.LostLenore whom he knew since they were kids and fell in love as teenagers.) Willoughby's crime of impregnating and abandoning Eliza condemns him, but not the fact that she's even younger than Marianne.

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I don't think this pair fits. Explained in detailed here: http://tvtropes.org/pmwiki/remarks.php?trope=Literature.SenseAndSensibility ; In addition, some years ago, I was extensively reading a Jane Austen discussion board and was involved in the fandom, and this rarely comes up. Some people disliked Elinor or Edward as being more insipid than Marianne and Willoughby, but definitely not majority. Some fans thought that Marianne is a just Spoiled Brat and Emo Teen and that her love at first sight was not as believable as Elinor's quiet but steady love.


* StrangledByTheRedString: The novel never really explains why Edward and Elinor fell in love, focusing much more on Marianne's romantic relationships. Creator/EmmaThompson went out of her way to rectify this in the film, to the point where many fans consider the film superior, at least in this regard; the 2008 miniseries takes its cue from Thompson's screenplay, and is much the better for it.
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** Hugh Grant and Emma Thompson play siblings in ''LoveActually''. Emma Thompson is also married to Alan Rickman in the same movie.

to:

** Hugh Grant and Emma Thompson play siblings in ''LoveActually''.''Film/LoveActually''. Emma Thompson is also married to Alan Rickman in the same movie.

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** Girls are considered able to marry ''much'' younger than in modern times. When sixteen-year-old Marianne objects that Colonel Brandon (35) is old enough to be her father, this is treated as a sign of her immaturity and Mrs. Jennings says that it's better to marry an older man whose character and position in the world are fixed. (There's also the fact that Brandon is attracted to her because she resembles his teenage ward who resembles her mother, his LostLenore.) Willoughby's crime of impregnating and abandoning Eliza condemns him, but not the fact that she's even younger than Marianne.
* {{Wangst}}: Deliberate -- Marianne's response to her romantic woes begins to take on this edge, which to her credit she eventually comes to realize.
%% * TheWoobie

to:

** Girls of a more-or-les high decent status are considered able to marry ''much'' younger than in modern times. When sixteen-year-old Marianne objects that Colonel Brandon (35) is old enough to be her father, this is treated as a sign of her immaturity and Mrs. Jennings says that it's better to marry an older man whose character and position in the world are fixed. (There's also the fact that Brandon is attracted to her because she resembles his teenage ward who resembles her mother, his LostLenore.) Willoughby's crime of impregnating and abandoning Eliza condemns him, but not the fact that she's even younger than Marianne.
* {{Wangst}}: Deliberate -- Marianne's response to her romantic woes begins to take on this edge, which to her credit she eventually comes to realize.
%% * TheWoobie
realize.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ToughActToFollow: The series had a challenge to be remarkable in the face of an Oscar-winning film starring the likes of Emma Thompson and Alan Rickman. Andrew Davies said one of his goals was to make viewers forget about the movie while they were watching the series, and Hattie Morahan (Elinor) chose not to watch it so she wouldn't have Thompson's performance in her head. Critical reception mostly praised the adaptation as strong in its own right, but occasionally tended towards descriptions like "[[DamnedByFaintPraise nothing glaringly wrong]]" or a good companion adaptation to Lee's.

Added: 685

Changed: 664

Removed: 698

Is there an issue? Send a MessageReason:
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** Edward's persisting in the engagement is portrayed as the honorable thing to do. However, the modern reader can't help noticing that Edward's stance would lead him to a life-bonding contract with an individual he no longer cared about. The engagement is also technically void (made by two minors without their parents' consent), meaning it's not legally binding; Edward sticks to it because he feels morally bound. As one fanfiction writer puts it, "I made a promise when I was a teenager, and it is only honourable that I be bound by this promise for all eternity." With that said, Edward's breaking off the engagement after its reveal would have absolutely ''ruined'' Lucy's reputation and destroyed her chance of ever marrying, let alone marrying well. Given her financial situation, that would be a sentence to ruin. Only women in the Regency era could break off an engagement, and even then it was a risk; Lucy only got away with it because she married Robert immediately thereafter.
** Sixteen-year-old Marianne's objection to Colonel Brandon on the basis of his age (she herself says he's old enough to be her father) would not be considered a sign of her immaturity today. (Getting married as a teenager itself goes without saying.) Mrs. Jennings points to his age as a major point in his favor, since young men are more likely to shift in character as they establish their position in the world.
** On the flip side, thirty-something Colonel Brandon's age would not be considered a sign in his favor for sixteen-year-old Marianne's hand today. In fact, Colonel Brandon being attracted to a teenage girl because she resembles his teenage ward, who resembles her mother, who was the sweetheart of his youth, and who could have been his wife had she not been forced to marry another, would be considered more {{Squick}}y today and less sentimental and romantic. The 1995 film ages Marianne up accordingly.
** Continuing in the age dissonance, Willoughby's is thoroughly castigated for the crime of impregnating and then abandoning young Eliza, but not for the fact that she was fifteen at the time.

to:

** Edward's persisting in the engagement is portrayed as the honorable thing to do. However, the modern reader can't help noticing that Edward's stance would lead him to a life-bonding contract with an individual he no longer cared about. The engagement is also technically void (made by two minors without their parents' consent), meaning it's not legally binding; Edward sticks to it because he feels morally bound. As one fanfiction writer puts it, "I made a promise when I was a teenager, and it is only honourable that I be bound by this promise for all eternity." With that said, Edward's breaking off the engagement after ''after'' its reveal would have absolutely ''ruined'' ruined Lucy's reputation and destroyed her chance of ever marrying, let alone marrying well. Given her financial situation, that would be a sentence to ruin. Only women in the Regency era could break off an engagement, and even then it was a risk; Lucy only got away with it because she married Robert immediately thereafter.
** Sixteen-year-old Marianne's objection Girls are considered able to marry ''much'' younger than in modern times. When sixteen-year-old Marianne objects that Colonel Brandon on the basis of his age (she herself says he's (35) is old enough to be her father) would not be considered father, this is treated as a sign of her immaturity today. (Getting married as a teenager itself goes without saying.) and Mrs. Jennings points says that it's better to his age as a major point in his favor, since young men are more likely to shift in marry an older man whose character as they establish their and position in the world.
** On
world are fixed. (There's also the flip side, thirty-something Colonel Brandon's age would not be considered a sign in his favor for sixteen-year-old Marianne's hand today. In fact, Colonel fact that Brandon being is attracted to a teenage girl her because she resembles his teenage ward, ward who resembles her mother, who was the sweetheart of his youth, and who could have been his wife had she not been forced to marry another, would be considered more {{Squick}}y today and less sentimental and romantic. The 1995 film ages Marianne up accordingly.
** Continuing in the age dissonance,
LostLenore.) Willoughby's is thoroughly castigated for the crime of impregnating and then abandoning young Eliza, Eliza condemns him, but not for the fact that she was fifteen at the time.she's even younger than Marianne.


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* FauxSymbolism: On the commentary, Emma Thompson praises the symbolism of Brandon giving Marianne a knife when she's gathering reeds. She cheerfully goes on that she doesn't know ''what'' it symbolizes, it's just good symbolism.


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* JerkassWoobie: Although Lucy Steele is possessive, selfish, and full of SugaryMalice, there are several subtle indications in the film that she's even worse off than the Dashwood girls. Her clothing isn't as nice, when Fanny kicks her out she ends up alone on Mrs. Jennings' doorstep crying to be let in, and she has ''no'' other connection by which she could find a man to marry. Her treatment of Elinor is still wrong, but it's somewhat understandable.
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The line is about Fanny's mother, not Lucy Steele.


-->''"She had seen enough of [Lucy's] '''pride''', her meanness, and her determined '''[[PrideAndPrejudice prejudice]]''' against herself..."''

to:

-->''"She had seen enough of [Lucy's] [Mrs. Ferrars's] '''pride''', her meanness, and her determined '''[[PrideAndPrejudice prejudice]]''' against herself..."''



** Sixteen-and-a-half Marianne's objection to Colonel Brandon on the basis of his age (she herself says he's old enough to be her father) would not be considered a sign of her immaturity today. (Getting married as a teenager itself goes without saying.) Mrs. Jennings points to his age as a major point in his favor, since young men are more likely to shift in character as they establish their position in the world.

to:

** Sixteen-and-a-half Sixteen-year-old Marianne's objection to Colonel Brandon on the basis of his age (she herself says he's old enough to be her father) would not be considered a sign of her immaturity today. (Getting married as a teenager itself goes without saying.) Mrs. Jennings points to his age as a major point in his favor, since young men are more likely to shift in character as they establish their position in the world.
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None


* RetroactiveRecognition: [[Film/CaptainAmericaTheFirstAvenger Howard]] [[Series/AgentCarter Stark]] is John Willoughby. He's still as philandering as ever.

to:

* RetroactiveRecognition: [[Film/CaptainAmericaTheFirstAvenger Howard]] [[Series/AgentCarter Stark]] is John Willoughby. He's still as philandering as ever.ever.
----
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!![[Series/SenseAndSensiblity The 2008 miniseries]] provides examples of:

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!![[Series/SenseAndSensiblity !![[Series/SenseAndSensibility The 2008 miniseries]] provides examples of:
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----

to:

--------
!![[Series/SenseAndSensiblity The 2008 miniseries]] provides examples of:

* RetroactiveRecognition: [[Film/CaptainAmericaTheFirstAvenger Howard]] [[Series/AgentCarter Stark]] is John Willoughby. He's still as philandering as ever.
Is there an issue? Send a MessageReason:
None


** On the flip side, thirty-something Colonel Brandon's age would not be considered a sign in his favor for sixteen-year-old Marianne's hand today. In fact, Colonel Brandon being attracted to a teenage girl because she resembles his teenage ward, who resembles her mother, who was the sweetheart of his youth, who could have been his wife (and he the father of her daughter) had she not been forced to marry another, and was also his cousin, both of whom remind him of her, would be considered more {{Squick}}y today and less sentimental and romantic. The 1995 film ages Marianne up accordingly.

to:

** On the flip side, thirty-something Colonel Brandon's age would not be considered a sign in his favor for sixteen-year-old Marianne's hand today. In fact, Colonel Brandon being attracted to a teenage girl because she resembles his teenage ward, who resembles her mother, who was the sweetheart of his youth, and who could have been his wife (and he the father of her daughter) had she not been forced to marry another, and was also his cousin, both of whom remind him of her, would be considered more {{Squick}}y today and less sentimental and romantic. The 1995 film ages Marianne up accordingly.
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Hey Its That Guy cut by TRS decision. Ditto for Hey Its That Voice.


* HeyItsThatGuy:
** [[Series/{{House}} Dr. House]] is the long-suffering husband of [[Film/HarryPotter Dolores Umbridge]]?!
** And [[Film/{{Titanic 1997}} Rose DeWitt Bukater]] is the sister to [=Nanny McPhee=]? Or was she [[Film/HarryPotter Professor Sybil Trelawney]]? Ah no, she's [[MuchAdoAboutNothing Beatrice]]!
** Marianne hooks up with [[Film/DieHard Hans Gruber]] a.k.a. [[Creator/AlanRickman Severus Snape]], while her sister falls for Charles from ''Film/FourWeddingsAndAFuneral''.
** Their mother is Madam Pomfrey, and the nice old lady who takes them to London is the (original) Fat Lady from Gryffindor Tower, who lives with Cornelius Fudge. The Film/HarryPotter movie sets were practically a reunion party for the cast of this film.
** Their bitchy sister-in-law is [[TheYoungVictoria Queen Adelaide]]. Or [[LordPeterWimsey Harriet Vane.]] And their half-brother is [[TheVicarOfDibley Hugo Horton]].
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Moving to its own page


* TearJerker:
** Elinor's desperate speech to Marianne when Marianne learns that Edward has been engaged to Lucy Steele. From someone normally so reserved, it's absolutely ''shattering''.
-->'''Elinor''': Believe me, Marianne, had I not been bound to silence, I could have produced proof enough of a broken heart even for you!
** When the doctor tells Elinor she should prepare for the worst, Elinor breaks down at Marianne's bedside and begs her not to die--as much as they're different, Elinor couldn't live without her.
** It's hard to sit through Edward's speech to Elinor at the end ("my heart is and always will be yours") without crying.

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** Edward's persisting in the engagement is portrayed as the honorable thing to do. However, the modern reader can't help noticing that Edward's stance would lead him to a life-bonding contract with an individual he no longer cared about. The engagement is also technically void (made by two minors without their parents' consent), meaning it's not legally binding; Edward sticks to it because he feels morally bound. As one fanfiction writer puts it, "I made a promise when I was a teenager, and it is only honourable that I be bound by this promise for all eternity." With that said, Edward's breaking off the engagement would have absolutely ''ruined'' Lucy's reputation forever and destroyed her chance of ever marrying, let alone marrying well. Given her financial situation, that would be a sentence to ruin. Only women in the Regency era could break off an engagement, and even then it was a risk; Lucy only got away with it because she married Robert immediately thereafter.

to:

** Edward's persisting in the engagement is portrayed as the honorable thing to do. However, the modern reader can't help noticing that Edward's stance would lead him to a life-bonding contract with an individual he no longer cared about. The engagement is also technically void (made by two minors without their parents' consent), meaning it's not legally binding; Edward sticks to it because he feels morally bound. As one fanfiction writer puts it, "I made a promise when I was a teenager, and it is only honourable that I be bound by this promise for all eternity." With that said, Edward's breaking off the engagement after its reveal would have absolutely ''ruined'' Lucy's reputation forever and destroyed her chance of ever marrying, let alone marrying well. Given her financial situation, that would be a sentence to ruin. Only women in the Regency era could break off an engagement, and even then it was a risk; Lucy only got away with it because she married Robert immediately thereafter.



** On the flip side, thirty-something Colonel Brandon's age would not be considered a sign in his favor for sixteen-year-old Marianne's hand today. In fact, Colonel Brandon being attracted to a teenage girl because she resembles his teenage ward, who resembles her mother, who was the sweetheart of his youth, who could have been his wife (and he the father of her daughter) had she not been forced to marry another, both of whom remind him of her, would be considered more {{Squick}}y today and less sentimental and romantic.

to:

** On the flip side, thirty-something Colonel Brandon's age would not be considered a sign in his favor for sixteen-year-old Marianne's hand today. In fact, Colonel Brandon being attracted to a teenage girl because she resembles his teenage ward, who resembles her mother, who was the sweetheart of his youth, who could have been his wife (and he the father of her daughter) had she not been forced to marry another, and was also his cousin, both of whom remind him of her, would be considered more {{Squick}}y today and less sentimental and romantic.romantic. The 1995 film ages Marianne up accordingly.
** Continuing in the age dissonance, Willoughby's is thoroughly castigated for the crime of impregnating and then abandoning young Eliza, but not for the fact that she was fifteen at the time.



* TearJerker: Elinor's desperate speech to Marianne when Marianne learns that Edward has been engaged to Lucy Steele. From someone normally so reserved, it's absolutely ''shattering''.

to:

* TearJerker: TearJerker:
**
Elinor's desperate speech to Marianne when Marianne learns that Edward has been engaged to Lucy Steele. From someone normally so reserved, it's absolutely ''shattering''.



** This troper cannot sit through Edward's speech to Elinor at the end ("my heart is and always will be yours") without crying.

to:

** This troper cannot When the doctor tells Elinor she should prepare for the worst, Elinor breaks down at Marianne's bedside and begs her not to die--as much as they're different, Elinor couldn't live without her.
** It's hard to
sit through Edward's speech to Elinor at the end ("my heart is and always will be yours") without crying.
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None

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** On the flip side, thirty-something Colonel Brandon's age would not be considered a sign in his favor for sixteen-year-old Marianne's hand today. In fact, Colonel Brandon being attracted to a teenage girl because she resembles his teenage ward, who resembles her mother, who was the sweetheart of his youth, who could have been his wife (and he the father of her daughter) had she not been forced to marry another, both of whom remind him of her, would be considered more {{Squick}}y today and less sentimental and romantic.
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* ValuesDissonance: In the movie, Colonel Brandon was forbidden from marrying his cousin Elizabeth because she had no money. In the book, she was forced to marry his brother specifically because she ''did'' have money - and it had to stay with the oldest son to keep it in the family.

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* ValuesDissonance: In the movie, Colonel Brandon was forbidden from marrying his cousin Elizabeth because she had no money. In the book, she was forced to marry his brother specifically because she ''did'' have money - and it had to stay with the oldest son to keep it in the family.family.
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-->''"She had seen enough of her '''pride''', her meanness, and her determined '''[[PrideAndPrejudice prejudice]]''' against herself..."''

to:

-->''"She had seen enough of her [Lucy's] '''pride''', her meanness, and her determined '''[[PrideAndPrejudice prejudice]]''' against herself..."''



** Edward's persisting in the engagement is portrayed as the honorable thing to do. However, the modern reader can't help noticing that Edward's stance would lead him to a life-bonding contract with an individual he no longer cared about. The engagement is also technically void (made by two minors without their parents' consent), meaning it's not legally binding; Edward sticks to it because he feels morally bound. As one fanfiction writer puts it, "I made a promise I was a teenager, and it is only honourable that I be bound by this promise for all eternity". With that said, Edward's breaking off the engagement would have absolutely ''ruined'' Lucy's reputation forever and destroyed her chance of ever marrying, let alone marrying well. Given her financial situation, that would be a sentence to ruin. Only women in the Regency era could break off an engagement, and even then it was a risk; Lucy only got away with it because she married Robert immediately thereafter.

to:

** Edward's persisting in the engagement is portrayed as the honorable thing to do. However, the modern reader can't help noticing that Edward's stance would lead him to a life-bonding contract with an individual he no longer cared about. The engagement is also technically void (made by two minors without their parents' consent), meaning it's not legally binding; Edward sticks to it because he feels morally bound. As one fanfiction writer puts it, "I made a promise when I was a teenager, and it is only honourable that I be bound by this promise for all eternity". eternity." With that said, Edward's breaking off the engagement would have absolutely ''ruined'' Lucy's reputation forever and destroyed her chance of ever marrying, let alone marrying well. Given her financial situation, that would be a sentence to ruin. Only women in the Regency era could break off an engagement, and even then it was a risk; Lucy only got away with it because she married Robert immediately thereafter.



-->'''Elinor''': Believe me, Marianne, had I not been bound to silence I could have produced proof enough of a broken heart even for you!

to:

-->'''Elinor''': Believe me, Marianne, had I not been bound to silence silence, I could have produced proof enough of a broken heart even for you!
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-->''"A woman of [[{{Persuasion}} seven-and-twenty]]," said Marianne, after pausing a moment, "can never hope to feel or inspire affection again...''

to:

-->''"A woman of [[{{Persuasion}} [[Literature/{{Persuasion}} seven-and-twenty]]," said Marianne, after pausing a moment, "can never hope to feel or inspire affection again...''
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** And [[{{Titanic}} Rose De Witt Bukater]] is the sister to [=Nanny McPhee=]? Or was she [[Film/HarryPotter Professor Sybil Trelawney]]? Ah no, she's [[MuchAdoAboutNothing Beatrice]]!
** Marianne hooks up with [[Film/DieHard Hans Gruber]] a.k.a. [[Creator/AlanRickman Severus Snape]], while her sister falls for Charles from ''FourWeddingsAndAFuneral''.

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** And [[{{Titanic}} [[Film/{{Titanic 1997}} Rose De Witt DeWitt Bukater]] is the sister to [=Nanny McPhee=]? Or was she [[Film/HarryPotter Professor Sybil Trelawney]]? Ah no, she's [[MuchAdoAboutNothing Beatrice]]!
** Marianne hooks up with [[Film/DieHard Hans Gruber]] a.k.a. [[Creator/AlanRickman Severus Snape]], while her sister falls for Charles from ''FourWeddingsAndAFuneral''.''Film/FourWeddingsAndAFuneral''.
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** Sixteen-and-a-half Marianne's objection to Colonel Brandon on the basis of his age (she herself says he's old enough to be her father) would not be considered a sign of her immaturity today. Getting married as a teenager itself goes without saying.

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** Sixteen-and-a-half Marianne's objection to Colonel Brandon on the basis of his age (she herself says he's old enough to be her father) would not be considered a sign of her immaturity today. Getting (Getting married as a teenager itself goes without saying.) Mrs. Jennings points to his age as a major point in his favor, since young men are more likely to shift in character as they establish their position in the world.

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