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* QuestionableCasting: Some find it rather genteel by modern movie standards. Given the use of the GoryDiscretionShot (which was mandated by censors) it can be surprising to find that this was so controversial.
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* QuestionableCasting: OnceOriginalNowCommon: Some find it rather genteel by modern movie standards. Given the use of the GoryDiscretionShot (which was mandated by censors) it can be surprising to find that this was so controversial.
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Renamed some tropes.
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* AlternateCharacterInterpretation: Since Helen doesn't run screaming from Mark once she discovers the truth, maybe she has a bit of a NightmareFetishist side to her - and she and Mark are similar. She notably becomes attracted to Mark after seeing the films of his father scaring him. Or maybe her attraction to him is rooted in feeling sorry for him? As a writer herself, she might be attracted to his tragic childhood.
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* AlternateCharacterInterpretation: AlternativeCharacterInterpretation: Since Helen doesn't run screaming from Mark once she discovers the truth, maybe she has a bit of a NightmareFetishist side to her - and she and Mark are similar. She notably becomes attracted to Mark after seeing the films of his father scaring him. Or maybe her attraction to him is rooted in feeling sorry for him? As a writer herself, she might be attracted to his tragic childhood.
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* QuestionableCasting: Some find it rather genteel by modern movie standards. Given the use of the GoryDiscretionShot (which was mandated by censors) it can be surprising to find that this was so controversial.
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* SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards. Given the use of the GoryDiscretionShot (which was mandated by censors) it can be surprising to find that this was so controversial.
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* IronyAsSheIsCast: Not in ''Peeping Tom'', but years later Creator/AnnaMassey was cast by Creator/AlfredHitchcock in ''Film/{{Frenzy}}''. Massey's Helen survived, while in ''Frenzy'' her character is murdered by the serial killer, also in London. Michael Powell had started out working for Hitchcock in his early British films, and ''Peeping Tom'' came to be regarded as precursor to ''Film/{{Psycho}}''.
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* IronyAsSheIsCast: Not in ''Peeping Tom'', but years later Creator/AnnaMassey was cast by Creator/AlfredHitchcock in ''Film/{{Frenzy}}''.''Film/{{Frenzy|1972}}''. Massey's Helen survived, while in ''Frenzy'' her character is murdered by the serial killer, also in London. Michael Powell had started out working for Hitchcock in his early British films, and ''Peeping Tom'' came to be regarded as precursor to ''Film/{{Psycho}}''.
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A Date With Rosie Palms is no longer a trope
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-->"[[ADateWithRosiePalms He won't be busy with the crossword tonight!]]"
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* ValuesDissonance: When Helen watches the video of Mark spying on the kissing couple, she says "I hope you were spanked for that" - right before she [[AbusiveParents objects to Mark's father scaring him all the time]].
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* ValuesDissonance: When Helen watches the video film of Mark spying on the kissing couple, she says "I hope you were spanked for that" - right before she [[AbusiveParents objects to Mark's father scaring him all the time]].
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* SugarWikiFunnyMoments: An old man purchases some "views"--some scandalous photos--alongside a copy of the newspaper from Mark's boss, then almost leaves without taking the newspaper. [[DeadpanSnarker Mark's boss has this gem in response]]:
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* SugarWikiFunnyMoments: SugarWiki/FunnyMoments: An old man purchases some "views"--some scandalous photos--alongside a copy of the newspaper from Mark's boss, then almost leaves without taking the newspaper. [[DeadpanSnarker Mark's boss has this gem in response]]:
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* FunnyMoments: An old man purchases some "views"--some scandalous photos--alongside a copy of the newspaper from Mark's boss, then almost leaves without taking the newspaper. [[DeadpanSnarker Mark's boss has this gem in response]]:
** "[[ADateWithRosyPalms He won't be busy with the crossword tonight!]]"
** "[[ADateWithRosyPalms He won't be busy with the crossword tonight!]]"
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* FunnyMoments: SugarWikiFunnyMoments: An old man purchases some "views"--some scandalous photos--alongside a copy of the newspaper from Mark's boss, then almost leaves without taking the newspaper. [[DeadpanSnarker Mark's boss has this gem in response]]:
** "[[ADateWithRosyPalms -->"[[ADateWithRosiePalms He won't be busy with the crossword tonight!]]"
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* FunnyMoments: An old man purchases some "views"--some scandalous photos--alongside a copy of the newspaper from Mark's boss, then almost leaves without taking the newspaper. [[DeadpanSnarker Mark's boss has this gem in response]]:
** "[[ADateWithRosyPalms He won't be busy with the crossword tonight!]]"
** "[[ADateWithRosyPalms He won't be busy with the crossword tonight!]]"
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Added DiffLines:
* UnintentionalPeriodPiece: The film is instantly recognisable as a 1960s piece by the fashions and vibrant color palette, which resembles many of the Op and Pop art movements of the day. The technology on the film sets is state of the art for the early 60s, as is the tape recorder that Viv has on her person - a Grundig Cub which had been released just a year before the film started production. The film's comparison between Mark's fetish and the porn in the newsagents is indicative of how the public was slowly getting more aware of porn being public - and the fact that an older 'respectable' gentleman has to secretly ask for some naughty pictures shows that the film was made before magazines like ''Magazine/{{Playboy}}'' and ''Penthouse'' were mainstream. Films too would become HotterAndSexier by the time the decade was over.
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* AlternateCharacterInterpretation: Since Helen doesn't run screaming from Mark once she discovers the truth, maybe she has a bit of a NightmareFetishist side to her - and she and Mark are NotSoDifferent. She notably becomes attracted to Mark after seeing the films of his father scaring him. Or maybe her attraction to him is rooted in feeling sorry for him? As a writer herself, she might be attracted to his tragic childhood.
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* AlternateCharacterInterpretation: Since Helen doesn't run screaming from Mark once she discovers the truth, maybe she has a bit of a NightmareFetishist side to her - and she and Mark are NotSoDifferent.similar. She notably becomes attracted to Mark after seeing the films of his father scaring him. Or maybe her attraction to him is rooted in feeling sorry for him? As a writer herself, she might be attracted to his tragic childhood.
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* HilariousInHindsight: The film used a [[WesternAnimation/SylvesterTheCatAndTweetyBird cartoon catchphrase]] as a throwaway gag. More than six decades later, the catchphrase is still very well known to everyone everywhere.
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* UnbuiltTrope: The originator of the SlasherMovie puts the audience entirely in the ''killer'''s POV. The DeathBySex applied to his victims is justified by the circumstances - he wouldn't be able to get so close to normal everyday women. And the FinalGirl doesn't get killed like the rest because the killer is actually in love with her.
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Added DiffLines:
* IronyAsSheIsCast: Not in ''Peeping Tom'', but years later Creator/AnnaMassey was cast by Creator/AlfredHitchcock in ''Film/{{Frenzy}}''. Massey's Helen survived, while in ''Frenzy'' her character is murdered by the serial killer, also in London. Michael Powell had started out working for Hitchcock in his early British films, and ''Peeping Tom'' came to be regarded as precursor to ''Film/{{Psycho}}''.
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None
Changed line(s) 1 (click to see context) from:
* AlternateCharacterInterpretation: Since Helen doesn't run screaming from Mark once she discovers the truth, maybe she has a bit of a NightmareFetishist side to her - and she and Mark are NotSoDifferent. She notably becomes attracted to Mark after seeing the videos of his father scaring him. Or maybe her attraction to him is rooted in feeling sorry for him? As a writer herself, she might be attracted to his tragic childhood.
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* AlternateCharacterInterpretation: Since Helen doesn't run screaming from Mark once she discovers the truth, maybe she has a bit of a NightmareFetishist side to her - and she and Mark are NotSoDifferent. She notably becomes attracted to Mark after seeing the videos films of his father scaring him. Or maybe her attraction to him is rooted in feeling sorry for him? As a writer herself, she might be attracted to his tragic childhood.
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None
* AlternateCharacterInterpretation: Since Helen doesn't run screaming from Mark once she discovers the truth, maybe she has a bit of a NightmareFetishist side to her - and she and Mark are NotSoDifferent. She notably becomes attracted to Mark after seeing the videos of his father scaring him. Or maybe her attraction to him is rooted in feeling sorry for him? As a writer herself, she might be attracted to his tragic childhood.
* CrossesTheLineTwice: The star of the film Mark is working on has a reaction to seeing a red hat (after they've found Viv's body). She has a hilariously over the top scream, and the director is [[SkewedPriorities more annoyed about the filming being delayed]] ''again''.
* CrossesTheLineTwice: The star of the film Mark is working on has a reaction to seeing a red hat (after they've found Viv's body). She has a hilariously over the top scream, and the director is [[SkewedPriorities more annoyed about the filming being delayed]] ''again''.
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* SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards.
* VindicatedByHistory
* VindicatedByHistory
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* OneSceneWonder: Viv only appears in the middle of the film as Mark's second victim. It adds up to about fifteen minutes of screen time. But she's such a lovable GenkiGirl that it makes her demise all the more tragic.
* SeinfeldIsUnfunny: Some find it rather genteel by modern moviestandards.
standards. Given the use of the GoryDiscretionShot (which was mandated by censors) it can be surprising to find that this was so controversial.
*VindicatedByHistoryUnbuiltTrope: The originator of the SlasherMovie puts the audience entirely in the ''killer'''s POV. The DeathBySex applied to his victims is justified by the circumstances - he wouldn't be able to get so close to normal everyday women. And the FinalGirl doesn't get killed like the rest because the killer is actually in love with her.
* ValuesDissonance: When Helen watches the video of Mark spying on the kissing couple, she says "I hope you were spanked for that" - right before she [[AbusiveParents objects to Mark's father scaring him all the time]].
* VindicatedByHistory: Viewed as trashy and exploitative at the time, it's now seen as a classic of the horror genre.
* SeinfeldIsUnfunny: Some find it rather genteel by modern movie
*
* ValuesDissonance: When Helen watches the video of Mark spying on the kissing couple, she says "I hope you were spanked for that" - right before she [[AbusiveParents objects to Mark's father scaring him all the time]].
* VindicatedByHistory: Viewed as trashy and exploitative at the time, it's now seen as a classic of the horror genre.
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Added DiffLines:
--> '''Creator/MichaelPowell''': "I make a film that nobody wants to see and then, thirty years later, everybody has either seen it or wants to see it."
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* NightmareFuel
** SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards.
** SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards.
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* NightmareFuel
**SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards.
**
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Updated to meet new Nightmare Fuel criteria.
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* HighOctaneNightmareFuel
** SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards.
** SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards.
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* NightmareFuel
** SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards.
** SeinfeldIsUnfunny: Some find it rather genteel by modern movie standards.
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Alas Poor Villain is being moved back to Main. Examples that don\'t describe the moment or are purely editor opinion are being deleted.
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* AlasPoorVillain: Mark's horrible, but so was his upbringing, which may make a viewer feel pity for him.