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* MimingTheCues: Pseudolus pretends to be a fortune-teller, while Hysterium pantomimes the correct responses behind the subject's back. Or tries to, anyway.
-->'''Pseudolus''': You have two kids.
-->''(Hysterium pantomimes muscles)''
-->'''Pseudolus''': A fine strong boy...
-->''(Hysterium pantomimes a girl sticking her hip out.)''
-->'''Pseudolus''':[[NonverbalMiscommunication...and a very strange boy.]]



* NonverbalMiscommunication: Pseudolus pretends to be a fortune-teller, while Hysterium pantomimes the correct responses behind the subject's back. Or tries to, anyway.

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* NonverbalMiscommunication: Pseudolus pretends to be a fortune-teller, while Hysterium [[MimingTheCues pantomimes the correct responses responses]] behind the subject's back. Or tries to, anyway.
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** As mentioned under PaperThinDisguise, one production had Hysterium's actor (who has to cross-dress at one point) with a 5 o'clock shadow, which the director told him to keep, as it made the fact no one saw through the disguise funnier.
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to:

-->--'''Prologus'''
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Oedipus Complex is a disambiguation


* LongLostRelative: Erronius finds his kids in the end. Also qualifies under OedipusComplex and LukeIAmYourFather, as his children, Philia and Miles Gloriosus, were actually supposed to marry, but he decided to allow Hero to marry Philia after learning that she is actually his sister separated when they were kidnapped.

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* LongLostRelative: Erronius finds his kids in the end. Also qualifies under OedipusComplex and LukeIAmYourFather, as his children, Philia and Miles Gloriosus, were actually supposed to marry, but he decided to allow Hero to marry Philia after learning that she is actually his sister separated when they were kidnapped.
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to:

[[caption-width-right:300:Tragedy tomorrow, comedy tonight!]]
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Badass Baritone was disambiguated


* BadassBaritone: Miles Gloriosus, especially compared to rivals HenpeckedHusband Senex and TenorBoy Hero.
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* LogoJoke: The Creator/UnitedArtists logo is scrawled in a messy Roman font, now looking like it reads "VNITED ARTISTS".
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->"''Tragedy tomorrow, comedy tonight!''"

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->"''Tragedy tomorrow, ->"''Playgoers, I bid you welcome. The theater is a temple, and we are here to worship the gods of comedy tonight!''"
and tragedy. Tonight, I am pleased to announce a comedy. We shall employ every device we know in our desire to divert you!''"

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** Pseudolus quickly understands that the best way to convince the narcissistic Miles Gloriosus that his bride is beautiful is making her sound like him.

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** Pseudolus quickly understands realizes that the best way to convince the narcissistic Miles Gloriosus that his bride is beautiful is by making her sound like him.
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** Pseudolus quickly understands that the best way to convince the narcissistic Miles Gloriosus that his bride is beautiful is making her sound like him.
-->'''Pseudolus''': A face so fair, a heart so pure sir... if you had been born a woman, you would have been she!
-->'''Miles''': As magnificent as that...
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* MilesGloriosus: A character in the play has this name, but he's not exactly the stock character. Rather, he's borrowed from the play of the same name by Plautus, which is also the inspiration for the stock character's name. While fitting the "pompous, arrogant braggart" part, it's clear that he's also a powerful warrior who legitimately walks the walk.

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* MilesGloriosus: A character in the play has this name, but he's not exactly the stock character. Rather, he's borrowed from the play of the same name by Plautus, which is also the inspiration for the stock character's name. While fitting the "pompous, arrogant braggart" part, it's clear that he's also a powerful an accomplished warrior who legitimately walks the walk.
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** Miles Gloriosus describes himself as both "slaughterer of thousands" and "paragon of virtues" within thirty seconds of each other. In Rome, such a thing would be rather attractive qualities for a man (assuming it was all done in Rome's name, of course).

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** Miles Gloriosus describes himself as both "slaughterer of thousands" and "paragon of virtues" virtue" within thirty seconds of each other. In Rome, such a thing would be rather attractive qualities for a man (assuming it was all done in Rome's name, of course).
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** Miles Gloriosus describes himself as both "slaughterer of thousands" and "paragon of virtue" within thirty seconds of each other. In Rome, such a thing would be rather attractive qualities for a man (assuming it was all done in Rome's name, of course).

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** Miles Gloriosus describes himself as both "slaughterer of thousands" and "paragon of virtue" virtues" within thirty seconds of each other. In Rome, such a thing would be rather attractive qualities for a man (assuming it was all done in Rome's name, of course).
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** Miles Gloriosus describes himself as both "slaughterer of thousands" and "paragon of virtue" within thirty seconds of each other. In Rome, such a thing would be rather attractive qualities for a man (assuming it was in Rome's name, of course).

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** Miles Gloriosus describes himself as both "slaughterer of thousands" and "paragon of virtue" within thirty seconds of each other. In Rome, such a thing would be rather attractive qualities for a man (assuming it was all done in Rome's name, of course).
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* MilesGloriosus: A character in the play has this name, but he's not exactly the stock character. Rather, he's borrowed from the play of the same name by Plautus, which is also the inspiration for the stock character's name. While fitting the "pompous, arrogant blowhard" part, it's implied he also walks the walk.

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* MilesGloriosus: A character in the play has this name, but he's not exactly the stock character. Rather, he's borrowed from the play of the same name by Plautus, which is also the inspiration for the stock character's name. While fitting the "pompous, arrogant blowhard" braggart" part, it's implied he clear that he's also a powerful warrior who legitimately walks the walk.
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* HypocriticalHumor: Subverted near the end of "Free," after Pseudolus mentions that as a free man, he will have the right to buy his own slave:
--> Can you see him?
--> Well, I'll free him!
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Loads And Loads Of Characters is no longer a trope


* WhereAreTheyNowEpilogue: A final song is devoted to TyingUpRomanticLooseEnds and otherwise clarifying what happened to everyone. [[LoadsAndLoadsOfCharacters It's pretty necessary.]]

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* WhereAreTheyNowEpilogue: A final song is devoted to TyingUpRomanticLooseEnds and otherwise clarifying what happened to everyone. [[LoadsAndLoadsOfCharacters It's pretty necessary.]]
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The play opened in 1962, and did well enough to spawn a 1966 film adaptation and many revivals. The film, directed by Richard Lester, starred Creator/ZeroMostel as Pseudolus (reprising his part from the original Broadway production), Creator/PhilSilvers as Marcus Lycus, Creator/MichaelCrawford as Hero, and Creator/BusterKeaton (in his final film role) as Erronius. Revival productions have featured, among others, Creator/NathanLane, Creator/WhoopiGoldberg, Creator/GeoffreyRush and Creator/GaryChalk.

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The play opened in 1962, and did well enough to spawn a 1966 film adaptation and many revivals. The film, directed by Richard Lester, Creator/RichardLester, starred Creator/ZeroMostel as Pseudolus (reprising his part from the original Broadway production), Creator/PhilSilvers as Marcus Lycus, Creator/MichaelCrawford as Hero, and Creator/BusterKeaton (in his final film role) as Erronius. Revival productions have featured, among others, Creator/NathanLane, Creator/WhoopiGoldberg, Creator/GeoffreyRush and Creator/GaryChalk.

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* CrossCastRole: Pseudolus is usually played by a male actor, but Whoopi Goldberg replaced Nathan Lane in a Broadway revival.



* GenderNeutralNarrator: Pseudolus is usually played by a male actor, but Whoopi Goldberg replaced Nathan Lane in a Broadway revival.
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* AmbiguousTimePeriod: The setting is "Two hundred years before the Christian era". Naturally, there is no specification if this means before the founding of Christinaity, putting the setting during the time of the Republic, or before Rome became Christian with the baptism of Constantine the Great, putting the setting during the reign of Trajan.

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* AmbiguousTimePeriod: AllThereInTheManual: The setting is "Two hundred years before the Christian era". Naturally, there is no specification if this means before era" in the founding of Christinaity, putting the setting during the time of the Republic, or before script book. As Rome became Christian with the baptism of Constantine the Great, putting in 313, this tell us the setting is 113, during the reign of Trajan. In case there was any doubt, Pseudolus' question of "Was 1 a good year?" definitely tells us that it is not the time of the Republic.



* AncientRome: The story takes place in a "less fashionable suburb" of it. Actual dates or the Emperor or consuls in charge aren't relevant, though.

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* AncientRome: The story takes place in a "less fashionable suburb" of it. Actual dates or the Emperor or consuls in charge aren't relevant, though.

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