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* There is also "Dayvan Cowboy".
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* There is also "Dayvan Cowboy".Cowboy", an uplifting and exhilarating song that could be emotional to some.
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* Some people can get lumps in their throats upon hearing "Amo Bishop Roden," for one.
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* Some people can get lumps in their throats upon hearing "Amo Bishop Roden," Roden", for one.
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* There is also "Dayvan Cowboy."
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* There is also "Dayvan Cowboy."Cowboy".
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*** "Farewell Fire," in particular, is heart-wrenching. It sounds as if you're wearily walking home with a long road ahead.
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*** "Farewell Fire," Fire", in particular, is heart-wrenching. It sounds as if you're wearily walking home with a long road ahead.
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** And ''Geogaddi'' as a whole accomplishes the impressive feat of being both longingly, heartrendingly nostalgic and fucking terrifying, especially "1969."
** ''Tomorrow's Harvest'' focuses on the sadness, anger and despair associated with destruction and the impermanence of all things. The duo have hinted that it is about an "inevitable stage that awaits all of us," i.e. death -- of people, of ideas, of civilizations, of the entire planet.
** ''Tomorrow's Harvest'' focuses on the sadness, anger and despair associated with destruction and the impermanence of all things. The duo have hinted that it is about an "inevitable stage that awaits all of us," i.e. death -- of people, of ideas, of civilizations, of the entire planet.
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** And ''Geogaddi'' as a whole accomplishes the impressive feat of being both longingly, heartrendingly nostalgic and fucking terrifying, especially "1969."
"1969".
** ''Tomorrow's Harvest'' focuses on the sadness, anger and despair associated with destruction and the impermanence of all things. The duo have hinted that it is about an "inevitable stage that awaits all of us," i.e. , death -- of people, of ideas, of civilizations, of the entire planet.
** ''Tomorrow's Harvest'' focuses on the sadness, anger and despair associated with destruction and the impermanence of all things. The duo have hinted that it is about an "inevitable stage that awaits all of us," i.e.
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** "Corsair," though maybe a bit creepier, has a similar effect.
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** "Corsair," "Corsair", though maybe a bit creepier, has a similar effect.
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* ''Old Tunes Vol. 2'' has "Mukinabaht," a very desolate and hopeless track which feels like running through an endless hallway while holding back tears.
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* ''Old Tunes Vol. 2'' has "Mukinabaht," "Mukinabaht", a very desolate and hopeless track which feels like running through an endless hallway while holding back tears.
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* Some people can get lumps in their throats upon hearing "Amo Bishop Roden", for one.
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* Some people can get lumps in their throats upon hearing "Amo Bishop Roden", Roden," for one.
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*** "Farewell Fire", in particular, is heart-wrenching. It sounds as if you're wearily walking home with a long road ahead.
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*** "Farewell Fire", Fire," in particular, is heart-wrenching. It sounds as if you're wearily walking home with a long road ahead.
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** "Corsair", though maybe a bit creepier, has a similar effect.
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** "Corsair", "Corsair," though maybe a bit creepier, has a similar effect.
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* ''Old Tunes Vol. 2'' has "Mukhinabaht", a very desolate and hopeless track which feels like running through an endless hallway while holding back tears.
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* ''Old Tunes Vol. 2'' has "Mukhinabaht", "Mukinabaht," a very desolate and hopeless track which feels like running through an endless hallway while holding back tears.
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* Some people can get lumps in their throats upon he hearing "Amo Bishop Roden", for one.
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* Some people can get lumps in their throats upon he hearing "Amo Bishop Roden", for one.
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* ''Old Tunes Vol. 2'' has "Mukinabaht", a very desolate and hopeless track which feels like running through an endless hallway while holding back tears.
to:
* ''Old Tunes Vol. 2'' has "Mukinabaht", "Mukhinabaht", a very desolate and hopeless track which feels like running through an endless hallway while holding back tears.
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*** ''Farewell Fire'', in particular, is heart-wrenching. It sounds as if you're wearily walking home with a long road ahead.
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*** ''Farewell Fire'', "Farewell Fire", in particular, is heart-wrenching. It sounds as if you're wearily walking home with a long road ahead.
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** ''Tomorrow's Harvest'' focuses on the sadness, anger and hopelessness associated with destruction.
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** ''Tomorrow's Harvest'' focuses on the sadness, anger and hopelessness despair associated with destruction.destruction and the impermanence of all things. The duo have hinted that it is about an "inevitable stage that awaits all of us," i.e. death -- of people, of ideas, of civilizations, of the entire planet.
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* ''Old Tunes Vol. 2'' has "Mukinabaht", a very desolate and hopeless track which feels like running through an endless hallway while holding back tears.
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* "Pete Standing Alone" and "Smokes Quantity" both have a lonely feel to them.
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** "Corsair", though maybe a bit creepier, has a similar effect.
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* The calm melancholy of "Over the Horizon Radar" from ''Geogaddi'', especially after coming off from the NightmareFuel that was the previous two tracks ("The Devil is in the Details" and "A is to B as B is to C"), can really tug on one's heartstrings.
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*** "'Farewell Fire' is Marcus is on keyboards, nothing more. He did it in a night session. There are moments where it stutters and it really feels like someone no longer able to play well out of sadness. That is why you should never program music. Even if it is an electronic piece, it sounds very human, heartbreaking."
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*** "'Farewell ''"'Farewell Fire' is Marcus is on keyboards, nothing more. He did it in a night session. There are moments where it stutters and it really feels like someone no longer able to play well out of sadness. That is why you should never program music. Even if it is an electronic piece, it sounds very human, heartbreaking.""''
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**** "'Farewell Fire' is Marcus is on keyboards, nothing more. He did it in a night session. There are moments where it stutters and it really feels like someone no longer able to play well out of sadness. That is why you should never program music. Even if it is an electronic piece, it sounds very human, heartbreaking."
---->'''--Mike Sandison'''
---->'''--Mike Sandison'''
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added Seven Forty Seven
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* "Seven Forty Seven" has a particular wistful feel in the ethereally light starting drone as well as the succinct singular piano chord that ends the piece.
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** ''Tomorrow's Harvest'' focuses on the sadness, anger and hopelessness associated with destruction.
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* Something about "Melissa Juice" is so damn ''mournful.''
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*** ''Farewell Fire'', in particular, is heart-wrenching. It sounds as if you're wearily walking home with a long road ahead.
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Removing Nightmare Fuel potholes. NF should be on YMMV only.
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** And ''Geogaddi'' as a whole accomplishes the impressive feat of being both longingly, heartrendingly nostalgic and [[NightmareFuel fucking terrifying,]] especially "1969."
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** And ''Geogaddi'' as a whole accomplishes the impressive feat of being both longingly, heartrendingly nostalgic and [[NightmareFuel fucking terrifying,]] terrifying, especially "1969."
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Updated to meet new Nightmare Fuel criteria.
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** And ''Geogaddi'' as a whole accomplishes the impressive feat of being both longingly, heartrendingly nostalgic and [[HighOctaneNightmareFuel fucking terrifying,]] especially "1969."
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** And ''Geogaddi'' as a whole accomplishes the impressive feat of being both longingly, heartrendingly nostalgic and [[HighOctaneNightmareFuel [[NightmareFuel fucking terrifying,]] especially "1969."
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*The song "In the Annexe" has a warm feeling that makes some people emotional.
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[[Music/BoardsOfCanada This electronic music duo from Scotland]] [[TearJerker manage to make highly emotional, moving music]] without even using any lyrics at all. A lot of it leaves the impression of a faint memory one can't quite get a hold of, making it very melancholic.
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* Some people can get lumps in their throats upon he hearing "Amo Bishop Roden", for one.
* There is also "Dayvan Cowboy."
* They focus on different aspects of this with each album
** ''Music Has the Right to Children'' is based on nostalgia for childhood.
** ''The Campfire Headphase'' leans more toward TearsOfJoy.
** And ''Geogaddi'' as a whole accomplishes the impressive feat of being both longingly, heartrendingly nostalgic and [[HighOctaneNightmareFuel fucking terrifying,]] especially "1969."
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----
* Some people can get lumps in their throats upon he hearing "Amo Bishop Roden", for one.
* There is also "Dayvan Cowboy."
* They focus on different aspects of this with each album
** ''Music Has the Right to Children'' is based on nostalgia for childhood.
** ''The Campfire Headphase'' leans more toward TearsOfJoy.
** And ''Geogaddi'' as a whole accomplishes the impressive feat of being both longingly, heartrendingly nostalgic and [[HighOctaneNightmareFuel fucking terrifying,]] especially "1969."
----