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Changed line(s) 94,99 (click to see context) from:
->'''Homer Simpson:''' And I gave that man directions even though I didn't know the way [[LampshadeHanging 'cause that's the kind of guy I am this week]].
-->-- ''WesternAnimation/TheSimpsons''
->'''Bat-Mite:''' Batman's rich history allows him to be interpreted in a multitude of ways. To be sure, this is a lighter incarnation, but it's certainly no less valid and true to the character's roots as the tortured avenger crying out for Mommy and Daddy. (Makes the paper disappear.) And besides, those [[KillerRabbit Easter Bunnies]] looked really scary, right?!
-->-- ''WesternAnimation/BatmanTheBraveAndTheBold''
-->-- ''WesternAnimation/TheSimpsons''
->'''Bat-Mite:''' Batman's rich history allows him to be interpreted in a multitude of ways. To be sure, this is a lighter incarnation, but it's certainly no less valid and true to the character's roots as the tortured avenger crying out for Mommy and Daddy. (Makes the paper disappear.) And besides, those [[KillerRabbit Easter Bunnies]] looked really scary, right?!
-->-- ''WesternAnimation/BatmanTheBraveAndTheBold''
to:
-->-- '''Homer Simpson''', ''WesternAnimation/TheSimpsons''
-->-- '''Bat-Mite''', ''WesternAnimation/BatmanTheBraveAndTheBold''
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Added two quotes
->Creator/RogerStern, Creator/TomDeFalco, Creator/PeterDavid and Creator/JMichaelStraczynski and J.M. [=DeMatteis=] do not write Peter Parker’s personality consistently.
->There are different aspects to why this is.
->1) No writer being perfect and sometimes even the good ones drop the ball and engage in mischaracterization. I mean shit even the Lee/Ditko/Romita era sometimes did that. The good writers are the ones who keep that stuff to a minimal, the bad ones are the guys who make it SOP; again see Slott.
->2) Writers will present a character in different situations. Is [=DeMatteis=] Spider-Man, a married man with a few more years of experience, who’s been tormented by Venom, buried alive by Kraven, seen Ned Leeds betray him and die and in the course of [=DeMatteis=]’ run go through mentally/emotionally traumatic events going to act as Roger Stern’s Spider-Man (who had none of that stuff going on) did?
->No.
->3) Not only will specific situations affect how a writer handles a character but also in an ongoing series each successive writer is in a sense writing a version of the character the former writers innately didn’t. This is because the incumbent writer is now writing the character with a backstory full of more experiences than the former author.
->Let me simplify that.
->When [=DeFalco=] began his run on ASM his Spider-Man was not the same as the Spidey from the Spider-Man Roger Stern began writing at the start of his run, precisly because the latter hadn’t yet lived through all the experiences OF the Roger Stern run and was ‘younger’.
->4) Different writers by intention or by accident will wind up emphasizing different traits more than others. Case in point Peter David’s Spider-Man is a lot more grim and angry than [=DeFalco=]’s when they were simultaneously working on Spec and ASM respectively. this is partially because PAD just saw Peter that way and partially because editorial wanted him to make Spec a more gritty crime orientated book.
->This being said even that aside, PAD, to put it delicately, emphasized Peter’s libido more than [=DeFalco=] did. This isn’t out of character, most people have a libido and its part of being human.
->But technically it’s inconsistent to Peter’s prior portrayals. But that’s just a case of an area that was mostly unexplored as opposed to ‘not who the character is’.
->Similarly [=DeMatteis=] made Peter much more spiritual than he was before. This too is ‘inconsistent’ but again only because nobody raised the topic. it wasn’t like JMD made Peter a devout Catholic like Daredevil it was just that, he made it clear yes Peter is a man of faith and wanted to talk about that.
->See what I mean. It’s inconsistent in perhaps the most literal sense but its not a case of rendering the personality of Spider-Man less important than his central premise. It was just adding to his personality or exploring it from a previously ignored angle.
->This is different to say Creator/DanSlott [[CharacterDerailment having Peter be selfish and take paparazzi photos which is something he’d literally never ever do]].
-->-- [[https://hellzyeahthewebwieldingavenger.tumblr.com/post/184409518062/yes-characters-in-comics-have-many-iterations Hellz Yeah, Spider-Man]]
->There are different aspects to why this is.
->1) No writer being perfect and sometimes even the good ones drop the ball and engage in mischaracterization. I mean shit even the Lee/Ditko/Romita era sometimes did that. The good writers are the ones who keep that stuff to a minimal, the bad ones are the guys who make it SOP; again see Slott.
->2) Writers will present a character in different situations. Is [=DeMatteis=] Spider-Man, a married man with a few more years of experience, who’s been tormented by Venom, buried alive by Kraven, seen Ned Leeds betray him and die and in the course of [=DeMatteis=]’ run go through mentally/emotionally traumatic events going to act as Roger Stern’s Spider-Man (who had none of that stuff going on) did?
->No.
->3) Not only will specific situations affect how a writer handles a character but also in an ongoing series each successive writer is in a sense writing a version of the character the former writers innately didn’t. This is because the incumbent writer is now writing the character with a backstory full of more experiences than the former author.
->Let me simplify that.
->When [=DeFalco=] began his run on ASM his Spider-Man was not the same as the Spidey from the Spider-Man Roger Stern began writing at the start of his run, precisly because the latter hadn’t yet lived through all the experiences OF the Roger Stern run and was ‘younger’.
->4) Different writers by intention or by accident will wind up emphasizing different traits more than others. Case in point Peter David’s Spider-Man is a lot more grim and angry than [=DeFalco=]’s when they were simultaneously working on Spec and ASM respectively. this is partially because PAD just saw Peter that way and partially because editorial wanted him to make Spec a more gritty crime orientated book.
->This being said even that aside, PAD, to put it delicately, emphasized Peter’s libido more than [=DeFalco=] did. This isn’t out of character, most people have a libido and its part of being human.
->But technically it’s inconsistent to Peter’s prior portrayals. But that’s just a case of an area that was mostly unexplored as opposed to ‘not who the character is’.
->Similarly [=DeMatteis=] made Peter much more spiritual than he was before. This too is ‘inconsistent’ but again only because nobody raised the topic. it wasn’t like JMD made Peter a devout Catholic like Daredevil it was just that, he made it clear yes Peter is a man of faith and wanted to talk about that.
->See what I mean. It’s inconsistent in perhaps the most literal sense but its not a case of rendering the personality of Spider-Man less important than his central premise. It was just adding to his personality or exploring it from a previously ignored angle.
->This is different to say Creator/DanSlott [[CharacterDerailment having Peter be selfish and take paparazzi photos which is something he’d literally never ever do]].
-->-- [[https://hellzyeahthewebwieldingavenger.tumblr.com/post/184409518062/yes-characters-in-comics-have-many-iterations Hellz Yeah, Spider-Man]]
->'''Homer Simpson:''' And I gave that man directions even though I didn't know the way [[LampshadeHanging 'cause that's the kind of guy I am this week]].
-->-- ''WesternAnimation/TheSimpsons''
-->-- ''WesternAnimation/TheSimpsons''
Changed line(s) 77 (click to see context) from:
->"''People get into all these debates of what's {{canon}} and what's not, and sometimes forget the special nature of telling a good story and creating great characters. Part of the fan debate in the past always used to be 'What's canon? What's not?' because there was Creator/{{George|Lucas}}, and we always knew George was the canon. I look at it very broadly, and I just say there's a love of'' Star Wars''. Because I knew George, I worked with him, and none of us are going to be him. But we love the Galaxy he created, and we're very much a product of it; growing up with it."''
to:
->"''People get into all these debates of what's {{canon}} and what's not, and sometimes forget the special nature of telling a good story and creating great characters. Part of the fan debate in the past always used to be 'What's canon? What's not?' because there was Creator/{{George|Lucas}}, and we always knew George was the canon. I look at it very broadly, and I just say there's a love of'' Star of ''Star Wars''. Because I knew George, I worked with him, and none of us are going to be him. But we love the Galaxy he created, and we're very much a product of it; growing up with it."''
Changed line(s) 80 (click to see context) from:
->"''We work with any creative who is wanting to tell a story of Star Wars, and we help them find the story that they want to tell, while also make sure that story fits within the framework of Star Wars. So it's not just about making sure the number of moons over a planet is correct, it's more about, you know, thematically what are you going for and what's the best way to achieve that with'' Franchise/StarWars''. And also, is the story that you're telling—is it something we've done before? Or is it something that's also actually in development somewhere else in the company? So we become this sort of—this point that coordinates all storytelling across the board so that we don't inadvertently tell something that is contradictory, not only from a continuity point of view but from a thematic point of view. Or if we are departing thematically for whatever reason, we understand the artistic decision behind it and it's never because 'Oh we didn't know that was the right way to do it' or 'We didn't know—we did "Y" because we didn't know that "X" was an option.'''"
to:
->"''We work with any creative who is wanting to tell a story of Star Wars, and we help them find the story that they want to tell, while also make sure that story fits within the framework of Star Wars. So it's not just about making sure the number of moons over a planet is correct, it's more about, you know, thematically what are you going for and what's the best way to achieve that with'' Franchise/StarWars''.with ''Franchise/StarWars''. And also, is the story that you're telling—is it something we've done before? Or is it something that's also actually in development somewhere else in the company? So we become this sort of—this point that coordinates all storytelling across the board so that we don't inadvertently tell something that is contradictory, not only from a continuity point of view but from a thematic point of view. Or if we are departing thematically for whatever reason, we understand the artistic decision behind it and it's never because 'Oh we didn't know that was the right way to do it' or 'We didn't know—we did "Y" because we didn't know that "X" was an option.'''"
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->"''We work with any creative who is wanting to tell a story of Star Wars, and we help them find the story that they want to tell, while also make sure that story fits within the framework of Star Wars. So it's not just about making sure the number of moons over a planet is correct, it's more about, you know, thematically what are you going for and what's the best way to achieve that with'' Franchise/StarWars''. And also, is the story that you're telling—is it something we've done before? Or is it something that's also actually in development somewhere else in the company? So we become this sort of—this point that coordinates all storytelling across the board so that we don't inadvertently tell something that is contradictory, not only from a continuity point of view but from a thematic point of view. Or if we are departing thematically for whatever reason, we understand the artistic decision behind it and it's never because 'Oh we didn't know that was the right way to do it' or 'We didn't know—we did "Y" because we didn't know that "X" was an option.'''"
-->--'''Pablo Hidalgo''' clarifying the function of the '''Lucasfilm Story Group'''
-->--'''Pablo Hidalgo''' clarifying the function of the '''Lucasfilm Story Group'''
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Changed line(s) 77 (click to see context) from:
"''People get into all these debates of what's {{canon}} and what's not, and sometimes forget the special nature of telling a good story and creating great characters. Part of the fan debate in the past always used to be 'What's canon? What's not?' because there was Creator/{{George|Lucas}}, and we always knew George was the canon. I look at it very broadly, and I just say there's a love of'' Star Wars''. Because I knew George, I worked with him, and none of us are going to be him. But we love the Galaxy he created, and we're very much a product of it; growing up with it."''
to:
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Changed line(s) 70,71 (click to see context) from:
-->--''WesternAnimation/SpongeBobSquarePants''
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-> ''"Early on, I learned that writing in a shared world works a whole lot better if you don't define 'sharing' as 'everything in the lore is up for grabs, no matter who created it'."''
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"''People get into all these debates of what's {{canon}} and what's not, and sometimes forget the special nature of telling a good story and creating great characters. Part of the fan debate in the past always used to be 'What's canon? What's not?' because there was Creator/{{George|Lucas}}, and we always knew George was the canon. I look at it very broadly, and I just say there's a love of'' Star Wars''. Because I knew George, I worked with him, and none of us are going to be him. But we love the Galaxy he created, and we're very much a product of it; growing up with it."''
-->--'''Dave Filoni''' on ''Franchise/StarWars''
-->--'''Dave Filoni''' on ''Franchise/StarWars''
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->'''Noah Sterling:''' Well, that's the history of the Joker. Or, uh… ''one'' of the Jokers. Maybe parts of two of them… apparently, there are three now. Still waiting for full answers on that. Ugh. Trying to condense eighty years of this character's history into one clear through line is kinda impossible.\\
'''The Joker:''' ''(suddenly appears)'' And that's the joke! AHAHAHAHAHAHAHAHAHAHA!
-->-- [[https://youtu.be/OXg1U6anIo8?feature=shared "The Animated History of The Joker!"]]
'''The Joker:''' ''(suddenly appears)'' And that's the joke! AHAHAHAHAHAHAHAHAHAHA!
-->-- [[https://youtu.be/OXg1U6anIo8?feature=shared "The Animated History of The Joker!"]]
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Changed line(s) 36,37 (click to see context) from:
-->--'''Connor Goldsmith''' discussing ''ComicBook/Inferno1988'', ''Podcast/Cerebro'' episode 100
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-->--'''Connor Goldsmith''' discussing ''ComicBook/Inferno1988'', ''Podcast/Cerebro'' ''Podcast/{{Cerebro}}'' episode 100
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[[AC:Podcasts]]
->''I was struck yet again by how insane it is to read those issues where it jumps between him and [Louise Simonson], and it's like one ongoing conversation, and in the Weezy issues [Madelyn Pryor]'s a mustache-twirling supervillain, and in the Claremont issues she is a Euripedean tragic heroine, and it's really kind of fascinating.''
-->--'''Connor Goldsmith''' discussing ''ComicBook/Inferno1988'', ''Podcast/Cerebro'' episode 100
->''I was struck yet again by how insane it is to read those issues where it jumps between him and [Louise Simonson], and it's like one ongoing conversation, and in the Weezy issues [Madelyn Pryor]'s a mustache-twirling supervillain, and in the Claremont issues she is a Euripedean tragic heroine, and it's really kind of fascinating.''
-->--'''Connor Goldsmith''' discussing ''ComicBook/Inferno1988'', ''Podcast/Cerebro'' episode 100
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Updating Links
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-->-- ''Comicbook/AnimalMan'', "Deus Ex Machina", Grant Morrison's last issue as writer.
to:
-->-- ''Comicbook/AnimalMan'', ''ComicBook/AnimalMan'', "Deus Ex Machina", Grant Morrison's last issue as writer.
Changed line(s) 72 (click to see context) from:
->''"Anytime you want to know [[UltimateShowdownOfUltimateDestiny who would win a fight]] between ComicBook/TheIncredibleHulk and ComicBook/{{Galactus}} or Franchise/SpiderMan and [[ComicBook/FantasticFour the Human Torch]] or anything: the correct answer is, it depends on who's writing the story and who he wants to win. Because the writer is like GOD."''
to:
->''"Anytime you want to know [[UltimateShowdownOfUltimateDestiny who would win a fight]] between ComicBook/TheIncredibleHulk and ComicBook/{{Galactus}} or Franchise/SpiderMan ComicBook/SpiderMan and [[ComicBook/FantasticFour the Human Torch]] or anything: the correct answer is, it depends on who's writing the story and who he wants to win. Because the writer is like GOD."''
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Per TRS.
Changed line(s) 3 (click to see context) from:
->'''Kana:''' Don't worry, I won't tell this to anybody. I will carefully lock it into my heart... ([[SlasherSmile smiles creepily]]) and take it out sometimes [[OutOfCharacter to look at it]]. ''[[SurpriseCreepy Yes...]] [[SugarWiki/FunnyMoments intently...]]''
to:
->'''Kana:''' Don't worry, I won't tell this to anybody. I will carefully lock it into my heart... ([[SlasherSmile smiles creepily]]) and take it out sometimes [[OutOfCharacter to look at it]]. ''[[SurpriseCreepy Yes...]] ''Yes... [[SugarWiki/FunnyMoments intently...]]''
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[[AC:Video Games]]
->'''Tails:''' Sonic... Am I a burden to you?\\
'''Sonic:''' Wow. And how did you come to this [[SarcasmMode well-thought-out concern]]?\\
'''Tails:''' Whenever there's a crisis I'm either running away or standing on the sidelines! You're always rescuing me when all I do is just follow you around!\\
'''Sonic:''' Hey! Who was it who [[VideoGame/SonicAdventure stopped Eggman from blowing up Station Square]], huh? And who [[VideoGame/SonicAdventure2 broke me out of prison]], or [[VideoGame/SonicLostWorld saved me from the Deadly Six's trap]]?\\
'''Tails:''' I... then I'm wildly inconsistent!
-->--''VideoGame/SonicFrontiers''
->'''Tails:''' Sonic... Am I a burden to you?\\
'''Sonic:''' Wow. And how did you come to this [[SarcasmMode well-thought-out concern]]?\\
'''Tails:''' Whenever there's a crisis I'm either running away or standing on the sidelines! You're always rescuing me when all I do is just follow you around!\\
'''Sonic:''' Hey! Who was it who [[VideoGame/SonicAdventure stopped Eggman from blowing up Station Square]], huh? And who [[VideoGame/SonicAdventure2 broke me out of prison]], or [[VideoGame/SonicLostWorld saved me from the Deadly Six's trap]]?\\
'''Tails:''' I... then I'm wildly inconsistent!
-->--''VideoGame/SonicFrontiers''
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Removing examples added by frequent ban-evader Johnnyfog.
Deleted line(s) 36,41 (click to see context) :
->''"And then there’s Creator/CharlesGray’s interpretation, which somehow manages to be radically different from each of the two almost antithetical performances by Creator/DonaldPleasence and Creator/TellySavalas. Indeed, if you want to believe there’s some continuity between the appearances, you have to accept that either it’s three different characters or that Blofeld is suffering from some mental disorder, possibly the result of a psychological breakdown every time Bond thwarts his plans."''
-->-- '''[[http://them0vieblog.com/2012/10/31/a-view-to-a-bond-baddie-ernst-stavro-blofeld/ Darren Mooney]]''', "He's an expert in the Feld of not killing Bond"
->''"I don’t understand this woman? Just like year she was preaching the Prime Directive as [[BotheringByTheBook a creed that they have to cling onto with dear life]] if they are to escape the Delta Quadrant and now she is [[ScrewTheRulesImDoingWhatsRight happily dismissing it]] because (and I quote): ‘I’m not about to waste fifteen months because we’ve run into a bunch of bullies!’ If I were a Maquis crewmember I would call her screaming hypocrite although I’m willing to bet we’ll be hearing about the all-powerful Prime Directive in a few episodes time....just five episodes ago she was [[EekAMouse cowering under a table from a storm!]] Can’t we find a happy medium between that wimp and this fascist?"''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/04/voyager-season-three.html Joe Ford]]''' on ''Series/StarTrekVoyager'', "The Swarm"
-->-- '''[[http://them0vieblog.com/2012/10/31/a-view-to-a-bond-baddie-ernst-stavro-blofeld/ Darren Mooney]]''', "He's an expert in the Feld of not killing Bond"
->''"I don’t understand this woman? Just like year she was preaching the Prime Directive as [[BotheringByTheBook a creed that they have to cling onto with dear life]] if they are to escape the Delta Quadrant and now she is [[ScrewTheRulesImDoingWhatsRight happily dismissing it]] because (and I quote): ‘I’m not about to waste fifteen months because we’ve run into a bunch of bullies!’ If I were a Maquis crewmember I would call her screaming hypocrite although I’m willing to bet we’ll be hearing about the all-powerful Prime Directive in a few episodes time....just five episodes ago she was [[EekAMouse cowering under a table from a storm!]] Can’t we find a happy medium between that wimp and this fascist?"''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/04/voyager-season-three.html Joe Ford]]''' on ''Series/StarTrekVoyager'', "The Swarm"
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Changed line(s) 31 (click to see context) from:
->There are lots of different versions of Michael Scott. Some writers would write him as childish, others would write him as incompetent, some would write for the version of Michael Scott when he was at his best.
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->As for the differences between the two: Evan’s style on IDW Sonic is obviously influenced by Ian’s since she’s a fan of his work and it’s still the same series, but I definitely got a different vibe from her stuff right away.\\
Amy’s probably one of the best examples. Evan clearly set out to make Amy a frontline fighter again right away. Not that Ian was sidelining her or anything, but she’s literally been going on adventures in all of Evan’s first eight issues back to back. She’s also definitely writing Amy more as the platonic ideal of Sega Amy, whereas in Ian’s solo run… Okay, I think people exaggerate the claims that Amy got turned into [[ComicBook/SonicTheHedgehogArchieComics Sally]], but consciously or not… there’s definitely [[WriteWhatYouKnow some Sally in the way Ian was writing her for a while]]. The two are certainly distinct characters, and it’s Sega’s fault in the first place for making her one of the heads of the Resistance, and they drifted even further apart as Amy fell out of her leadership role. But it’s there in a lot of Ian’s run as he slowly weens her off of her role from [[Videogame/SonicForces Forces]]. There’s a lot of good Sega-style Amy scenes, too, but when I go back and reread pretty much any scene where Amy is commanding the Resistance I can just feel the specter of Sally looming over the story.
Amy’s probably one of the best examples. Evan clearly set out to make Amy a frontline fighter again right away. Not that Ian was sidelining her or anything, but she’s literally been going on adventures in all of Evan’s first eight issues back to back. She’s also definitely writing Amy more as the platonic ideal of Sega Amy, whereas in Ian’s solo run… Okay, I think people exaggerate the claims that Amy got turned into [[ComicBook/SonicTheHedgehogArchieComics Sally]], but consciously or not… there’s definitely [[WriteWhatYouKnow some Sally in the way Ian was writing her for a while]]. The two are certainly distinct characters, and it’s Sega’s fault in the first place for making her one of the heads of the Resistance, and they drifted even further apart as Amy fell out of her leadership role. But it’s there in a lot of Ian’s run as he slowly weens her off of her role from [[Videogame/SonicForces Forces]]. There’s a lot of good Sega-style Amy scenes, too, but when I go back and reread pretty much any scene where Amy is commanding the Resistance I can just feel the specter of Sally looming over the story.
to:
Amy’s probably one of the best examples. Evan clearly set out to make Amy a frontline fighter again right away. Not that Ian was sidelining her or anything, but she’s literally been going on adventures in all of Evan’s first eight issues back to back. She’s also definitely writing Amy more as the platonic ideal of Sega Amy, whereas in Ian’s solo run… Okay, I think people exaggerate the claims that Amy got turned into [[ComicBook/SonicTheHedgehogArchieComics Sally]], but consciously or not… there’s definitely [[WriteWhatYouKnow some Sally in the way Ian was writing her for a while]]. The two are certainly distinct characters, and it’s Sega’s fault in the first place for making her one of the heads of the Resistance, and they drifted even further apart as Amy fell out of her leadership role. But it’s there in a lot of Ian’s run as he slowly weens her off of her role from [[Videogame/SonicForces Forces]]. There’s a lot of good Sega-style Amy scenes, too, but when I go back and reread pretty much any scene where Amy is commanding the Resistance I can just feel the specter of Sally looming over the story.''
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->''I know that three writers take turns writing episodes of Series/{{Glee}}, and someday I would like for them to meet each other.''
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->''I know that three writers take turns writing episodes of Series/{{Glee}}, ''Series/{{Glee}}'', and someday I would like for them to meet each other.''
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Amy’s probably one of the best examples. Evan clearly set out to make Amy a frontline fighter again right away. Not that Ian was sidelining her or anything, but she’s literally been going on adventures in all of Evan’s first eight issues back to back. She’s also definitely writing Amy more as the platonic ideal of Sega Amy, whereas in Ian’s solo run… Okay, I think people exaggerate the claims that Amy got turned into [[ComicBook/SonicTheHedgehogArchieComics Sally]], but consciously or not… there’s definitely [[WriteWhatYouKnow some Sally in the way Ian was writing her for a while]]. The two are certainly distinct characters, and it’s Sega’s fault in the first place for making her one of the heads of the Resistance, and they drifted even further apart as Amy fell out of her leadership role. But it’s there in a lot of Ian’s run as he slowly weens her off of her role from [[Videogame/SonicForces Forces]]. There’s a lot of good Sega-style Amy scenes, too, but when I go back and reread pretty much any scene where Amy is commanding the Resistance I can just feel the specter of Sally looming over the story.\\
to:
Amy’s probably one of the best examples. Evan clearly set out to make Amy a frontline fighter again right away. Not that Ian was sidelining her or anything, but she’s literally been going on adventures in all of Evan’s first eight issues back to back. She’s also definitely writing Amy more as the platonic ideal of Sega Amy, whereas in Ian’s solo run… Okay, I think people exaggerate the claims that Amy got turned into [[ComicBook/SonicTheHedgehogArchieComics Sally]], but consciously or not… there’s definitely [[WriteWhatYouKnow some Sally in the way Ian was writing her for a while]]. The two are certainly distinct characters, and it’s Sega’s fault in the first place for making her one of the heads of the Resistance, and they drifted even further apart as Amy fell out of her leadership role. But it’s there in a lot of Ian’s run as he slowly weens her off of her role from [[Videogame/SonicForces Forces]]. There’s a lot of good Sega-style Amy scenes, too, but when I go back and reread pretty much any scene where Amy is commanding the Resistance I can just feel the specter of Sally looming over the story.\\
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->There are lots of different versions of Michael Scott. Some writers would write him as childish, others would write him as incompetent, some would write for the version of Michael Scott when he was at his best.
-->--'''Gene Stupnitksy''', ''Series/TheOfficeUS'' writer
-->--'''Gene Stupnitksy''', ''Series/TheOfficeUS'' writer
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Changed line(s) 46,47 (click to see context) from:
-->As for the differences between the two: Evan’s style on IDW Sonic is obviously influenced by Ian’s since she’s a fan of his work and it’s still the same series, but I definitely got a different vibe from her stuff right away.\\
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--> '''[[https://thankskenpenders.tumblr.com/ Bobby Schroeder]]''' [[https://thankskenpenders.tumblr.com/post/653586926621868032/maybe-spoilers-for-idw-sonic-40-id-like-to-say on the differences]] between Creator/IanFlynn and Creator/EvanStanley's styles on ''ComicBook/SonicTheHedgehogIDW''.
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-->As for the differences between the two: Evan’s style on IDW Sonic is obviously influenced by Ian’s since she’s a fan of his work and it’s still the same series, but I definitely got a different vibe from her stuff right away.\\
Amy’s probably one of the best examples. Evan clearly set out to make Amy a frontline fighter again right away. Not that Ian was sidelining her or anything, but she’s literally been going on adventures in all of Evan’s first eight issues back to back. She’s also definitely writing Amy more as the platonic ideal of Sega Amy, whereas in Ian’s solo run… Okay, I think people exaggerate the claims that Amy got turned into [[ComicBook/SonicTheHedgehogArchieComics Sally]], but consciously or not… there’s definitely [[WriteWhatYouKnow some Sally in the way Ian was writing her for a while]]. The two are certainly distinct characters, and it’s Sega’s fault in the first place for making her one of the heads of the Resistance, and they drifted even further apart as Amy fell out of her leadership role. But it’s there in a lot of Ian’s run as he slowly weens her off of her role from [[Videogame/SonicForces Forces]]. There’s a lot of good Sega-style Amy scenes, too, but when I go back and reread pretty much any scene where Amy is commanding the Resistance I can just feel the specter of Sally looming over the story.\\
--> '''[[https://thankskenpenders.tumblr.com/ Bobby Schroeder]]''' [[https://thankskenpenders.tumblr.com/post/653586926621868032/maybe-spoilers-for-idw-sonic-40-id-like-to-say on the differences]] between Creator/IanFlynn and Creator/EvanStanley's styles on ''ComicBook/SonicTheHedgehogIDW''.
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->'''Kana:''' Don't worry, I won't tell this to anybody. I will carefully lock it into my heart... ([[SlasherSmile smiles creepilly]]) and take it out sometimes [[OutOfCharacter to look at it]]. ''[[SurpriseCreepy Yes...]] [[SugarWiki/FunnyMoments intently...]]''
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->'''Kana:''' Don't worry, I won't tell this to anybody. I will carefully lock it into my heart... ([[SlasherSmile smiles creepilly]]) creepily]]) and take it out sometimes [[OutOfCharacter to look at it]]. ''[[SurpriseCreepy Yes...]] [[SugarWiki/FunnyMoments intently...]]''
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->''"And then there’s [[Film/DiamondsAreForever Charles Gray’s]] interpretation, which somehow manages to be radically different from each of the two almost antithetical performances by [[Film/YouOnlyLiveTwice Donald Pleasence]] and [[Film/OnHerMajestysSecretService Telly Savalas]]. Indeed, if you want to believe there’s some continuity between the appearances, you have to accept that either it’s three different characters or that Blofeld is suffering from some mental disorder, possibly the result of a psychological breakdown every time Bond thwarts his plans."''
to:
->''"And then there’s [[Film/DiamondsAreForever Charles Gray’s]] Creator/CharlesGray’s interpretation, which somehow manages to be radically different from each of the two almost antithetical performances by [[Film/YouOnlyLiveTwice Donald Pleasence]] Creator/DonaldPleasence and [[Film/OnHerMajestysSecretService Telly Savalas]].Creator/TellySavalas. Indeed, if you want to believe there’s some continuity between the appearances, you have to accept that either it’s three different characters or that Blofeld is suffering from some mental disorder, possibly the result of a psychological breakdown every time Bond thwarts his plans."''
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->'''Kana:''' Don't worry, I won't tell this to anybody. I will carefully lock it into my heart... ([[SlasherSmile smiles creepilly]]) and take it out sometimes [[OutOfCharacter to look at it]]. ''[[SurpriseCreepy Yes...]] [[CrowningMomentOfFunny intently...]]''
to:
->'''Kana:''' Don't worry, I won't tell this to anybody. I will carefully lock it into my heart... ([[SlasherSmile smiles creepilly]]) and take it out sometimes [[OutOfCharacter to look at it]]. ''[[SurpriseCreepy Yes...]] [[CrowningMomentOfFunny [[SugarWiki/FunnyMoments intently...]]''
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Changed line(s) 51 (click to see context) from:
->'''Squidward:''' Patrick, just how stupid are you?
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->'''Squidward:''' Patrick, just how stupid dumb are you?
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->''Actually, the show can't make up its mind about Danny. One minute he's a nervy, shy, {{nice guy}}, and the next, he's behaving like the biggest shit-eating posturing little bum-balloon you've ever seen in your life''.
-->--'''Creator/CharlieBrooker''' on ''Series/BritanniaHigh''
-->--'''Creator/CharlieBrooker''' on ''Series/BritanniaHigh''
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Changed line(s) 60 (click to see context) from:
->''"Anytime you want to know [[UltimateShowdownOfUltimateDestiny who would win a fight]] between ComicBook/TheIncredibleHulk and ComicBook/{{Galactus}} or {{Spider-Man}} and [[ComicBook/FantasticFour the Human Torch]] or anything: the correct answer is, it depends on who's writing the story and who he wants to win. Because the writer is like GOD."''
to:
->''"Anytime you want to know [[UltimateShowdownOfUltimateDestiny who would win a fight]] between ComicBook/TheIncredibleHulk and ComicBook/{{Galactus}} or {{Spider-Man}} Franchise/SpiderMan and [[ComicBook/FantasticFour the Human Torch]] or anything: the correct answer is, it depends on who's writing the story and who he wants to win. Because the writer is like GOD."''
