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No longer pictured
Changed line(s) 34 (click to see context) from:
** One of the variations of the album's cover (pictured above) is a definition of NothingIsScarier, as it features a black and white photograph of a blurred road sign standing still ominously (it's also used as the cover for the 1998 CD release).
to:
** One of the variations of the album's cover (pictured above) is a definition of NothingIsScarier, as it features a black and white photograph of a blurred road sign standing still ominously (it's also used as the cover for the 1998 CD release).
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Changed line(s) 1,3 (click to see context) from:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/gsybefsharpasharpinfinity.jpg]]
[[caption-width-right:350:''[[MadnessMantra "Where are you going...? Where are you going...?"]]'']]
[[caption-width-right:350:''[[MadnessMantra "Where are you going...? Where are you going...?"]]'']]
to:
[[caption-width-right:350:''[[MadnessMantra "Where are you going...? Where are you going...?"]]'']]
%% Image removed per crowner in the Moments Images Cleanup Thread: https://tvtropes.org/pmwiki/crowner.php?crowner_id=wghmlmcd
%% https://tvtropes.org/pmwiki/posts.php?discussion=1642193091068711500
%% Please don't add a new image without discussion in Image Pickin'.
%%
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**The initial, sudden sawing entry of the strings in that song is a JumpScare. [[SugarWiki/AwesomeMusic As for what follows though..]]
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Changed line(s) 4,5 (click to see context) from:
Yeah, listening to GYBE in the middle of the night or while trying to sleep is usually a bad idea.
to:
Yeah, listening to GYBE GY!BE in the middle of the night or while trying to sleep is usually a bad idea.
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Changed line(s) 38 (click to see context) from:
** And it happens to be part of the inspiration for [[Wiki/SCPFoundation SCP]] [[http://www.scp-wiki.net/scp-1981 1981.]]
to:
** And it happens to be part of the inspiration for [[Wiki/SCPFoundation [[Website/SCPFoundation SCP]] [[http://www.scp-wiki.net/scp-1981 1981.]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/gsybefsharpasharpinfinity.jpg]]
[[caption-width-right:350:''[[MadnessMantra "Where are you going...? Where are you going...?"]]'']]
[[caption-width-right:350:''[[MadnessMantra "Where are you going...? Where are you going...?"]]'']]
Changed line(s) 27,28 (click to see context) from:
** "Providence" gives some horrific unsettling vibes, in particular the incredibly surreal and haunting nursery rhyme at the beginning of "Kicking Horse on Brokenhill" and the transition between "String Loop Manufactured During Downpour", which consists of a creepy repeating line sampled from the musical ''Theatre/{{Godspell}}''.
--> ''[[MadnessMantra "Where are you going...? Where are you going...?"]]''
--> ''[[MadnessMantra "Where are you going...? Where are you going...?"]]''
to:
** "Providence" gives some horrific unsettling vibes, in particular the incredibly surreal and haunting nursery rhyme at the beginning of "Kicking Horse on Brokenhill" and the transition between "String Loop Manufactured During Downpour", which consists of a creepy repeating line sampled from the musical ''Theatre/{{Godspell}}''.
--> ''[[MadnessMantra "Where are''Theatre/{{Godspell}}'' as captioned above. And if you going...? Where are you going...?"]]''have the original 1997 vinyl version, the album ends with a locked groove (hence the title "F♯ A♯ ∞").
** One of the variations of the album's cover (pictured above) is a definition of NothingIsScarier, as it features a black and white photograph of a blurred road sign standing still ominously (it's also used as the cover for the 1998 CD release).
--> ''[[MadnessMantra "Where are
** One of the variations of the album's cover (pictured above) is a definition of NothingIsScarier, as it features a black and white photograph of a blurred road sign standing still ominously (it's also used as the cover for the 1998 CD release).
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Changed line(s) 31 (click to see context) from:
** The opening to "Antennas to Heaven" may qualify for some with the jaunty LyricalDissonance of "Baby-O", particularly given how much it comes out of nowhere and how quickly everything goes back to normal afterwards.
to:
** The opening to "Antennas to Heaven" may qualify for some with the jaunty LyricalDissonance of "Baby-O", particularly given how much it comes out of nowhere nowhere, and how quickly everything goes back to normal afterwards.
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Changed line(s) 27,28 (click to see context) from:
** "Provenience" gives some horrific unsettling vibes, in particular the incredibly surreal and haunting nursery rhyme at the beginning of "Kicking Horse on Brokenhill" and the transition between "String Loop Manufactured During Downpour", which consists of a creepy repeating line.
--> ''[[MadnessMantra "Where we're going..? Where we're going...?"]]''
--> ''[[MadnessMantra "Where we're going..? Where we're going...?"]]''
to:
** "Provenience" "Providence" gives some horrific unsettling vibes, in particular the incredibly surreal and haunting nursery rhyme at the beginning of "Kicking Horse on Brokenhill" and the transition between "String Loop Manufactured During Downpour", which consists of a creepy repeating line.
line sampled from the musical ''Theatre/{{Godspell}}''.
--> ''[[MadnessMantra "Wherewe're going..are you going...? Where we're are you going...?"]]''
--> ''[[MadnessMantra "Where
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***The monologue is from a screenplay that Efrim Menuck was writing at the time.
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Shouldn't we keep political opinions out of NF entries?
Changed line(s) 33 (click to see context) from:
** It also doesn't help that Bush's speech was cut up to resemble things like "I am against tolerance." As if the man being in office for eight years wasn't terrifying enough on its own.
to:
** It also doesn't help that Bush's speech was cut up to resemble things like "I am against tolerance." As if the man being in office for eight years wasn't terrifying enough on its own.and something about "promoting emergency".
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** "Provenience" gives some horrific unsettling vibes, in particular the incredibly surreal and haunting nursery rhyme at the beginning of "Kicking Horse on Brokenhill" and the transition between "String Loop Manufactured During Downpour", which consists of a creepy repeating line.
--> ''[[MadnessMantra "Where we're going..? Where we're going...?"]]''
--> ''[[MadnessMantra "Where we're going..? Where we're going...?"]]''
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Changed line(s) 27 (click to see context) from:
** "Sleep" is mostly more on the TearJerker side, but "Momheim" ends with a LastNoteNightmare of dissonant guitar feedback before some more dissonant chords are played and the chaos subsides a bit.
to:
** "Sleep" is mostly more on the TearJerker side, but "Momheim" "Monheim" ends with a LastNoteNightmare of dissonant guitar feedback before some more dissonant chords are played and the chaos subsides a bit.
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** "Sleep" is mostly more on the TearJerker side, but "Momheim" ends with a LastNoteNightmare of dissonant guitar feedback before some more dissonant chords are played and the chaos subsides a bit.
** The opening to "Antennas to Heaven" may qualify for some with the jaunty LyricalDissonance of "Baby-O", particularly given how much it comes out of nowhere and how quickly everything goes back to normal afterwards.
** The opening to "Antennas to Heaven" may qualify for some with the jaunty LyricalDissonance of "Baby-O", particularly given how much it comes out of nowhere and how quickly everything goes back to normal afterwards.
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* "Mladic" is named after war criminal Ratko Mladić, and suffice it to say it has a suitably imposing build-up. Though by the time the song proper starts, most listeners will likely feel more like rocking out than cowering in a corner.
* "Lambs' Breath" is basically ten minutes of DroneOfDread, and "Asunder, Sweet" could be one of Music/NineInchNails' creepy interstitials.
* "Lambs' Breath" is basically ten minutes of DroneOfDread, and "Asunder, Sweet" could be one of Music/NineInchNails' creepy interstitials.
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The preacher on "Static" is a woman, not a guy (the sample has been slowed down by about 20%).
Changed line(s) 26 (click to see context) from:
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire / The Buildings They Are Sleeping Now," whose eeriness can't be easily described in words.
to:
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy woman babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire / The Buildings They Are Sleeping Now," whose eeriness can't be easily described in words.
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Changed line(s) 4,5 (click to see context) from:
** The first track of the album, “The Dead Flag Blues” has the following monologue spoken in a sombre monotone, which, whether it is a DyingDream, drug-induced [[{{Hallucinations}} hallucination]], or an actual ApocalypticLog, is ''oppressingly'' dire:
-->The car is on fire, and there’s no driver at the wheel\\
-->The car is on fire, and there’s no driver at the wheel\\
to:
** The first track of the album, “The "The Dead Flag Blues” Blues" has the following monologue spoken in a sombre monotone, which, whether it is a DyingDream, drug-induced [[{{Hallucinations}} hallucination]], or an actual ApocalypticLog, is ''oppressingly'' dire:
-->The car is on fire, andthere’s there's no driver at the wheel\\
-->The car is on fire, and
Changed line(s) 10 (click to see context) from:
And we’re on so many drugs\\
to:
And we’re we're on so many drugs\\
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-->We’re trapped in the belly of this horrible machine\\
to:
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** The second song, “East Hastings”, was used extensively in the movie ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it. The end of the track, “Drugs in Tokyo/Black Helicopter”, is [[LastNoteNightmare particularly unsettling]].
* ''Lift Your Skinny Fists'' is the band’s brightest album as a whole, but the track “Static” deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, “World Police and Friendly Fire/The Buildings They Are Sleeping Now”, whose eeriness can’t be easily described in words.
* ''Lift Your Skinny Fists'' is the band’s brightest album as a whole, but the track “Static” deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, “World Police and Friendly Fire/The Buildings They Are Sleeping Now”, whose eeriness can’t be easily described in words.
to:
** The second song, “East Hastings”, "East Hastings," was used extensively in the movie ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it. The end of the track, “Drugs "Drugs in Tokyo/Black Helicopter”, Tokyo / Black Helicopter," is [[LastNoteNightmare particularly unsettling]].
* ''Lift Your Skinny Fists'' is theband’s band's brightest album as a whole, but the track “Static” "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, “World "World Police and Friendly Fire/The Fire / The Buildings They Are Sleeping Now”, Now," whose eeriness can’t can't be easily described in words.
* ''Lift Your Skinny Fists'' is the
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* “George Bush Cut Up While Talking” consists of a strange buzz-like noise, a high-pitched voice reciting “It is a predominant question: why am I here, and what can I do to make it better? How can I do what is right?” on a loop, and George Bush giving a speech, cut up into random excerpts punctuated by quick, short bursts of applause that sound like static. The combination is ''terrifying''.
** It also doesn’t help that Bush’s speech was cut up to resemble things like “I am against tolerance”. As if the man being in office for eight years wasn’t terrifying enough on its own.
** And it happens to be part of the inspiration for [[Wiki/SCPFoundation SCP]] [[http://www.scp-wiki.net/scp-1981 1981.]]
** It also doesn’t help that Bush’s speech was cut up to resemble things like “I am against tolerance”. As if the man being in office for eight years wasn’t terrifying enough on its own.
** And it happens to be part of the inspiration for [[Wiki/SCPFoundation SCP]] [[http://www.scp-wiki.net/scp-1981 1981.]]
to:
* “George "George Bush Cut Up While Talking” Talking" consists of a strange buzz-like noise, a high-pitched voice reciting “It "It is a predominant question: why Why am I here, and what can I do to make it better? How can I do what is right?” right?" on a loop, and George Bush giving a speech, cut up into random excerpts punctuated by quick, short bursts of applause that sound like static. The combination is ''terrifying''.
** It alsodoesn’t doesn't help that Bush’s Bush's speech was cut up to resemble things like “I "I am against tolerance”. tolerance." As if the man being in office for eight years wasn’t wasn't terrifying enough on its own.
** And it happens to be part of the inspiration for [[Wiki/SCPFoundation SCP]] [[http://www.scp-wiki.net/scp-1981 1981.]]]]
----
** It also
** And it happens to be part of the inspiration for [[Wiki/SCPFoundation SCP]] [[http://www.scp-wiki.net/scp-1981 1981.
----
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** It also happens to be part of the inspiration for [[Wiki/SCPFoundation SCP]] [[http://www.scp-wiki.net/scp-1981 1981.]]
to:
** It also And it happens to be part of the inspiration for [[Wiki/SCPFoundation SCP]] [[http://www.scp-wiki.net/scp-1981 1981.]]
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Changed line(s) 30 (click to see context) from:
** Listening to “George Bush Cut Up While Talking” will cause some to compare to [[Wiki/SCPFoundation SCP-1981]]...
to:
** Listening It also happens to “George Bush Cut Up While Talking” will cause some to compare to be part of the inspiration for [[Wiki/SCPFoundation SCP-1981]]...SCP]] [[http://www.scp-wiki.net/scp-1981 1981.]]
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** Listening to "George Bush Cut Up While Talking" will cause some to compare to [[Wiki/SCPFoundation SCP-1981]]...
to:
** Listening to "George “George Bush Cut Up While Talking" Talking” will cause some to compare to [[Wiki/SCPFoundation SCP-1981]]...
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Changed line(s) 29 (click to see context) from:
** It also doesn’t help that Bush’s speech was cut up to resemble things like “I am against tolerance”. As if the man being in office for eight years wasn’t terrifying enough on its own.
to:
** It also doesn’t help that Bush’s speech was cut up to resemble things like “I am against tolerance”. As if the man being in office for eight years wasn’t terrifying enough on its own.own.
** Listening to "George Bush Cut Up While Talking" will cause some to compare to [[Wiki/SCPFoundation SCP-1981]]...
** Listening to "George Bush Cut Up While Talking" will cause some to compare to [[Wiki/SCPFoundation SCP-1981]]...
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Changed line(s) 4 (click to see context) from:
** The first track of the album, "The Dead Flag Blues" has the following monologue spoken in a sombre monotone, which, whether it is a DyingDream, drug-induced [[{{Hallucinations}} hallucination]], or an actual ApocalypticLog, is ''oppressingly'' dire:
to:
** The first track of the album, "The “The Dead Flag Blues" Blues” has the following monologue spoken in a sombre monotone, which, whether it is a DyingDream, drug-induced [[{{Hallucinations}} hallucination]], or an actual ApocalypticLog, is ''oppressingly'' dire:
Changed line(s) 24,26 (click to see context) from:
** That drone underneath said monologue is creepy in and of itself.
** The second song, "East Hastings", was used extensively in the movie ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it.
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire/The Buildings They Are Sleeping Now", whose eeriness can't be easily described in words.
** The second song, "East Hastings", was used extensively in the movie ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it.
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire/The Buildings They Are Sleeping Now", whose eeriness can't be easily described in words.
to:
** That drone [[DroneOfDread drone]] underneath said monologue is creepy in and of itself.
** The second song,"East Hastings", “East Hastings”, was used extensively in the movie ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it.
it. The end of the track, “Drugs in Tokyo/Black Helicopter”, is [[LastNoteNightmare particularly unsettling]].
* ''Lift Your Skinny Fists'' is theband's band’s brightest album as a whole, but the track "Static" “Static” deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World “World Police and Friendly Fire/The Buildings They Are Sleeping Now", Now”, whose eeriness can't can’t be easily described in words.
** The second song,
* ''Lift Your Skinny Fists'' is the
Changed line(s) 28,29 (click to see context) from:
* "George Bush Cut Up While Talking" consists of a strange buzz-like noise, a high-pitched voice reciting "It is a predominant question: why am I here, and what can I do to make it better? How can I do what is right?" on a loop, and George Bush giving a speech, cut up into random excerpts punctuated by quick, short bursts of applause that sound like static. The combination is ''terrifying''.
** It also doesn't help that Bush's speech was cut up to resemble things like "I am against tolerance". As if the man being in office for eight years wasn't terrifying enough on its own.
** It also doesn't help that Bush's speech was cut up to resemble things like "I am against tolerance". As if the man being in office for eight years wasn't terrifying enough on its own.
to:
* "George “George Bush Cut Up While Talking" Talking” consists of a strange buzz-like noise, a high-pitched voice reciting "It “It is a predominant question: why am I here, and what can I do to make it better? How can I do what is right?" right?” on a loop, and George Bush giving a speech, cut up into random excerpts punctuated by quick, short bursts of applause that sound like static. The combination is ''terrifying''.
** It alsodoesn't doesn’t help that Bush's Bush’s speech was cut up to resemble things like "I “I am against tolerance". tolerance”. As if the man being in office for eight years wasn't wasn’t terrifying enough on its own.
** It also
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Changed line(s) 28 (click to see context) from:
* "George Bush Cut Up While Talking" consists of a strange buzz-like noise, a high-pitched voice reciting "It is a predominant question: why am I here, and what can I do to make it better? How can I do what is right?" on a loop, and George Bush giving a speech, cut up into random excerpts punctuated by quick, short bursts of applause that sound like static. The combination is ''terrifying''.
to:
* "George Bush Cut Up While Talking" consists of a strange buzz-like noise, a high-pitched voice reciting "It is a predominant question: why am I here, and what can I do to make it better? How can I do what is right?" on a loop, and George Bush giving a speech, cut up into random excerpts punctuated by quick, short bursts of applause that sound like static. The combination is ''terrifying''.''terrifying''.
** It also doesn't help that Bush's speech was cut up to resemble things like "I am against tolerance". As if the man being in office for eight years wasn't terrifying enough on its own.
** It also doesn't help that Bush's speech was cut up to resemble things like "I am against tolerance". As if the man being in office for eight years wasn't terrifying enough on its own.
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Changed line(s) 27 (click to see context) from:
* Any time the guitarists start playing with screwdrivers, this trope is sure to ensue
to:
* Any time the guitarists start playing with screwdrivers, this trope is sure to ensueensue.
* "George Bush Cut Up While Talking" consists of a strange buzz-like noise, a high-pitched voice reciting "It is a predominant question: why am I here, and what can I do to make it better? How can I do what is right?" on a loop, and George Bush giving a speech, cut up into random excerpts punctuated by quick, short bursts of applause that sound like static. The combination is ''terrifying''.
* "George Bush Cut Up While Talking" consists of a strange buzz-like noise, a high-pitched voice reciting "It is a predominant question: why am I here, and what can I do to make it better? How can I do what is right?" on a loop, and George Bush giving a speech, cut up into random excerpts punctuated by quick, short bursts of applause that sound like static. The combination is ''terrifying''.
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Changed line(s) 3 (click to see context) from:
* ''F sharp A sharp Infinity'', which is an album ruminating about the apocalypse.
to:
* ''F sharp A sharp Infinity'', ''F♯ A♯ ∞'', which is an album ruminating about the apocalypse.
Changed line(s) 27 (click to see context) from:
* Any time the guitarists start playing with screwdrivers, this trope is sure to ensue
to:
* Any time the guitarists start playing with screwdrivers, this trope is sure to ensue
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Changed line(s) 1,5 (click to see context) from:
* ''F sharp A sharp Infinity'', which is an album ruminating about the apocalypse. The first track of the album, "The Dead Flag Blues" includes the lyrics "The car is on fire, and there's no driver at the wheel/And the sewers are all muddied with a thousand lonely suicides" spoken in a somber monotone.
** "We're trapped in the belly of this horrible machine/and the machine is bleeding to death"
** That drone underneath it all is creepy in and of itself.
* The second song, "East Hastings", was used extensively in the movie ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it.
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire/The Buildings They Are Sleeping Now", whose eeriness can't be easily described in words.
** "We're trapped in the belly of this horrible machine/and the machine is bleeding to death"
** That drone underneath it all is creepy in and of itself.
* The second song, "East Hastings", was used extensively in the movie ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it.
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire/The Buildings They Are Sleeping Now", whose eeriness can't be easily described in words.
to:
Yeah, listening to GYBE in the middle of the night or while trying to sleep is usually a bad idea.
* ''F sharp A sharp Infinity'', which is an album ruminating about theapocalypse. apocalypse.
** The first track of the album, "The Dead Flag Blues"includes has the lyrics "The following monologue spoken in a sombre monotone, which, whether it is a DyingDream, drug-induced [[{{Hallucinations}} hallucination]], or an actual ApocalypticLog, is ''oppressingly'' dire:
-->The car is on fire, andthere's there’s no driver at the wheel/And wheel\\
And the sewers are all muddied with a thousand lonelysuicides" spoken in suicides\\
And asomber monotone.
** "We'redark wind blows
-->The government is corrupt\\
And we’re on so many drugs\\
With the radio on and the curtains drawn
-->We’re trapped in the belly of this horriblemachine/and machine\\
And the machine is bleeding todeath"
death [...]
-->The buildings tumbled in on themselves\\
Mothers clutching babies\\
Picked through the rubble\\
And pulled out their hair
-->The skyline was beautiful on fire\\
All twisted metal stretching upwards\\
Everything washed in a thin orange haze...
** That drone underneathit all said monologue is creepy in and of itself.
* ** The second song, "East Hastings", was used extensively in the movie ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it.
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire/The Buildings They Are Sleeping Now", whose eeriness can't be easily described inwords.words.
* Any time the guitarists start playing with screwdrivers, this trope is sure to ensue
* ''F sharp A sharp Infinity'', which is an album ruminating about the
** The first track of the album, "The Dead Flag Blues"
-->The car is on fire, and
And the sewers are all muddied with a thousand lonely
And a
** "We're
-->The government is corrupt\\
And we’re on so many drugs\\
With the radio on and the curtains drawn
-->We’re trapped in the belly of this horrible
And the machine is bleeding to
-->The buildings tumbled in on themselves\\
Mothers clutching babies\\
Picked through the rubble\\
And pulled out their hair
-->The skyline was beautiful on fire\\
All twisted metal stretching upwards\\
Everything washed in a thin orange haze...
** That drone underneath
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire/The Buildings They Are Sleeping Now", whose eeriness can't be easily described in
* Any time the guitarists start playing with screwdrivers, this trope is sure to ensue
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None
Changed line(s) 4 (click to see context) from:
* The second song, "East Hastings", was used extensively in the movie 28 Days Later, whose director claimed that he had the song in mind when making it.
to:
* The second song, "East Hastings", was used extensively in the movie 28 Days Later, ''Film/TwentyEightDaysLater'', whose director claimed that he had the song in mind when making it.
Is there an issue? Send a MessageReason:
Moved from the general Music NF page.
Added DiffLines:
* ''F sharp A sharp Infinity'', which is an album ruminating about the apocalypse. The first track of the album, "The Dead Flag Blues" includes the lyrics "The car is on fire, and there's no driver at the wheel/And the sewers are all muddied with a thousand lonely suicides" spoken in a somber monotone.
** "We're trapped in the belly of this horrible machine/and the machine is bleeding to death"
** That drone underneath it all is creepy in and of itself.
* The second song, "East Hastings", was used extensively in the movie 28 Days Later, whose director claimed that he had the song in mind when making it.
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire/The Buildings They Are Sleeping Now", whose eeriness can't be easily described in words.
** "We're trapped in the belly of this horrible machine/and the machine is bleeding to death"
** That drone underneath it all is creepy in and of itself.
* The second song, "East Hastings", was used extensively in the movie 28 Days Later, whose director claimed that he had the song in mind when making it.
* ''Lift Your Skinny Fists'' is the band's brightest album as a whole, but the track "Static" deserves to be here. To hear a guy babbling on about seeing the face of God and dying over a beautiful, somber violin solo creates a SoundtrackDissonance that is quite disturbing. And then there's the second half of the track, "World Police and Friendly Fire/The Buildings They Are Sleeping Now", whose eeriness can't be easily described in words.