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* Vaughn Stoffey - guitars (2023-present)

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* [[DeathMetal Brutal Death Metal]]

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* [[DeathMetal Brutal Death Metal]]Metal]]: An example that occasionally borders on slam due to the heaviness.



* {{Gorn}}: As per being Death Metal, this is expected
** MisanthropeSupreme[=/=]StrawNihilist: Of this variety

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* {{Gorn}}: As per being Death Metal, this is expected
** MisanthropeSupreme[=/=]StrawNihilist: Of this variety
Largely of the MisanthropeSupreme[=/=]StrawNihilist variety.



* SpiritualSuccessor: Arguably one to either Disgorge or Music/{{Suffocation}}.
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Real Life troping; Cool Old Guy is a narrative trope and deemed NRLEP because of that


* CoolOldGuy: Teske had played in various jazz fusion and progressive rock groups since the seventies, and he initially got into death metal by way of Lille just to challenge himself before he began to treat it as a serious endeavor.

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* MohsScaleOfRockAndMetalHardness: Hard 10 on ''Prelude'', solid 11 on ''Psalms'' and everything after. ''Dharmata'' shifts between a standard 9 and a solid 10



* TeenGenius: Gruber was only ''[[ChildPopstar twelve]]'' when he formed the band with Teske, Muenzner was around seventeen or eighteen when he joined, and Schmidt was also around eighteen when he joined.

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* TeenGenius: Gruber was only ''[[ChildPopstar twelve]]'' when he formed the band with Teske, Muenzner was around seventeen or eighteen when he joined, and Schmidt was also around eighteen when he joined.joined.
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* MultinationalTeam: Lille and Jacob are from Germany, while Josh is from the US, and Jacob himself currently lives in the US as well.
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** ''The Sanguinary Impetus'' was overall a throwback to the classic style of Technical Brutal Death Metal, but in their style.
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* NoPartyLikeADonnerParty: "Propelled into Sacrilege", along with BearsAreBadNews and GaiasLament, as the subject is a starving polar bear forced to turn to cannibalism due to habitat destruction and a shortage of normal prey animals.

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* ConceptAlbum: Each half of ''Disposal of the Dead[=/=]Dharmata'' has its own lyrical concept, to go with the album's two contrasting styles. ''Disposal'' deals with funerary practices from around the world, while ''Dharmata'' explores Buddhist themes.

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* ConceptAlbum: Each half of ''Disposal of the Dead[=/=]Dharmata'' has its own lyrical concept, to go with the album's two contrasting styles. ''Disposal'' deals with funerary practices from around the world, while ''Dharmata'' explores Buddhist themes. ''The Sanguinary Impetus'' is another one of these, with a focus based around the brutality of the natural world.



* LeadDrummer: Lille Gruber essentially is the band (though Schmidt does a lot as well) and writes most of the material, in addition to being known for his very unique style and extreme technical ability. He is also an extremely accomplished guitarist, up to the point where he tracked a lot of ''Dharmata'' and the entirety of their sixth full-length after Christian left.

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* LeadDrummer: Lille Gruber essentially is the band (though Schmidt does a lot as well) and writes most of the material, in addition to being known for his very unique style and extreme technical ability. He is also an extremely accomplished guitarist, up to the point where he tracked a lot of ''Dharmata'' and the entirety of their sixth full-length ''The Sanguinary Impetus'' after Christian left.



* NatureMetal: ''The Sanguinary Impetus'' is a loose ConceptAlbum about the [[NatureIsNotNice various brutal and disgusting realities of the natural world]].



* RevolvingDoorBand: There was a lot of turnover early on and Lille is the only remaining founder, but Schmidt and Kuhn have both been in the band for eleven years and the only people who come and go with any regularity are vocalists.

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* RevolvingDoorBand: There was a lot of turnover early on and Lille is the only remaining founder, but Schmidt and Kuhn have both has been in the band for eleven fifteen years, and Kuhn was in the band for fourteen years and the only people who come and go with any regularity are vocalists.before he left in 2019.



* TechnicianVersusPerformer: Lille and Jacob (technicians) versus Christian (performer). Christian apparently just comes up with stuff on the fly and usually gravitates towards more standard (though still quite technical) brutal death and slam riffing, which contrasts Lille and Jacob's more deliberate and perfectionist songwriting styles and focus on more technical and unconventional material. Lille even stated that Christian's more casual approach to songwriting is always a big help whenever he and/or Jacob hit a brick wall and can't come up with anything or can't make something that they're working on come out the way that they want it to.

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* TechnicianVersusPerformer: Lille and Jacob (technicians) versus Christian (performer). Christian apparently just comes came up with stuff on the fly and usually gravitates gravitated towards more standard (though still quite technical) brutal death and slam riffing, which contrasts contrasted Lille and Jacob's more deliberate and perfectionist songwriting styles and focus on more technical and unconventional material. Lille even stated that Christian's more casual approach to songwriting is always was a big help whenever he and/or Jacob would hit a brick wall and can't couldn't come up with anything or can't couldn't make something that they're they were working on come out the way that they want wanted it to.
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* ''The Sanguinary Impetus'' (2020)
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* OncePerEpisode: They have released preview tracks from albums they were in the process of writing over a year in advance for each release starting with ''Passages into Deformity'' (as "Frenzy" was a bonus track on the UpdatedRerelease of ''Psalms of the Moribund'').
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* LeadDrummer: Lille Gruber essentially is the band (though Schmidt does a lot as well) and writes most of the material, in addition to being known for his very unique style and extreme technical ability.

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* LeadDrummer: Lille Gruber essentially is the band (though Schmidt does a lot as well) and writes most of the material, in addition to being known for his very unique style and extreme technical ability. He is also an extremely accomplished guitarist, up to the point where he tracked a lot of ''Dharmata'' and the entirety of their sixth full-length after Christian left.
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* [[Music/{{Deadlock}} Kevin Heiderich]] - guitar (prog set) (2015-2016)
* [[Music/{{Obscura}} Tom Geldschlaeger]] (2016-present)

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* [[Music/{{Deadlock}} Kevin Heiderich]] - guitar (prog set) (2015-2016)
(2015-2016, 2019)
* [[Music/{{Obscura}} Tom Geldschlaeger]] (2016-present)
(2016-2018)
* Dan Thornton (2019-present)
* Justin Sakogawa (2019-present)
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* ThePerfectionist: Lille has quite openly admitted that he is one of these; their writing process is a lengthy, deliberate affair that involves lots of revisions and difficult decisions (including scrapping large portions of songs that have been done for months), and he will be the first to admit it when he feels that he chose poorly and released a song that was beneath his standards.

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* Christian Kühn – guitar (2005–present)




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* Christian Kühn – guitar (2005–2019)
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Altum Videtur was renamed to Gratuitous Latin. Removed because it's a Zero Context Example.


* AltumVidetur: "Introitus"
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* {{Retraux}}: Both sides of ''Disposal of the Dead[=/=]Dharmata'' are deliberate throwbacks; the former is a throwback to the late 1990s/early 2000s Unique Leader, United Guttural, and Unmatched Brutality catalogs with a raw, lo-fi production style and cover art from Jon Zig, while the latter is a throwback to various early 1990s technical thrash and death metal albums with a Morrisound-emulating production.
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* FadingIntoTheNextSong: Almost every song on some of the later releases. Particularly notable is ''Disposal of the Dead // Dharmata'', where not merely are all the ''Dharmata'' songs connected, but they actually connect to the end of ''Disposal of the Dead'' as well. ''Psalms'' and ''Passages'' do this the most out of all their full-lengths, probably, but apart from their demos, all of their releases do it at least a few times.

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