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* Music/CrystalCastles's Courtship Dating:
to:
* Music/CrystalCastles's Music/{{Crystal Castles|Band}}' Courtship Dating:
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Changed line(s) 475 (click to see context) from:
* ''Roleplay/WeAreAllPokemonTrainers'': ''The call-and-response cues''. To elaborate- starting in 2018, one of the characters in WAAPT, Colton Kendall Rever would often perform call-and-response lyrical cues with his Pokemon while they were performing a Z-Move or Mega Evolution. The classic format, used during most battles, is:
to:
* ''Roleplay/WeAreAllPokemonTrainers'': ''The call-and-response cues''.The Reverian cues, more colloquially known as "ozzies" (especially in Galar). To elaborate- starting in 2018, one of the characters in WAAPT, Colton Kendall Rever would often perform call-and-response lyrical cues with his Pokemon while they were performing a Z-Move or Mega Evolution. The classic format, used during most battles, is:
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** That being said, in situations where there is no audience, the format is the same as that of the original. The call-and-response cue was referred to as a "Reverian cue", named after its originator, by Leonard Braker; over time in the RP it gets shortened to "RC" and later gets corrupted by Galarian audiences due to a mishearing and British accent puns as "an ozzie". It spreads, and eventually the phrase "GIVE US AN OZZIE" is getting screamed at stadiums left and right by fans towards anyone who uses a Z-Ring, Mega Stone, or Tera Orb.
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* ''Literature/TheLordOfTheRings'': "The Ent and the Entwife" is written as a back-and-forth duet between a male and a female Ent. In the first four verses, the two alternate between the Ent pleading for the Entwife to join him in his forests and the Entwife rebuffing him and instead praising her farmlands. The last two verses instead discuss the world's eventual death, with the Ent mourning the death of forests and the Entwife the death of fields, before singing the last lines -- a promise to find each other and seek a better land -- in harmony.
to:
* ''Literature/TheLordOfTheRings'': ''Literature/TheLordOfTheRings'':
** "The Ent and the Entwife" is written as a back-and-forth duet between a male and a female Ent. In the first four verses, the two alternate between the Ent pleading for the Entwife to join him in his forests and the Entwife rebuffing him and instead praising her farmlands. The last two verses instead discuss the world's eventual death, with the Ent mourning the death of forests and the Entwife the death of fields, before singing the last lines -- a promise to find each other and seek a better land -- inharmony.harmony.
** The Lament for Boromir is formatted as a version of this where the singers ask the West, South and North Winds for news of Boromir, with the main speaker singing a question, the wind singing a reply, and the main speaker singing a response. The first two winds deny any knowledge of Boromir's fate and tell the singer to ask the North Wind, who in turn reports Boromir's death.
** "The Ent and the Entwife" is written as a back-and-forth duet between a male and a female Ent. In the first four verses, the two alternate between the Ent pleading for the Entwife to join him in his forests and the Entwife rebuffing him and instead praising her farmlands. The last two verses instead discuss the world's eventual death, with the Ent mourning the death of forests and the Entwife the death of fields, before singing the last lines -- a promise to find each other and seek a better land -- in
** The Lament for Boromir is formatted as a version of this where the singers ask the West, South and North Winds for news of Boromir, with the main speaker singing a question, the wind singing a reply, and the main speaker singing a response. The first two winds deny any knowledge of Boromir's fate and tell the singer to ask the North Wind, who in turn reports Boromir's death.
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* "Type Wild" from ''Anime/{{Pokemon}}''. The call is most of the lyrics from the song, while the response from the chorus is "Type Wild".
to:
* "Type Wild" from ''Anime/{{Pokemon}}''.''Anime/{{Pokemon|The Series}}''. The call is most of the lyrics from the song, while the response from the chorus is "Type Wild".
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Persona 4 The Golden Animation wick migration
Changed line(s) 19 (click to see context) from:
* The second [[TheAnimeOfTheGame anime adaptation]] of ''VideoGame/{{Persona 4}}'', ''[[Anime/Persona4GoldenTheAnimation The Golden Animation]]'', has a frantic, orchestral hip-hop song by Lotus Juice during the fight between [[spoiler:the protagonist Yu and the big bad, Tohru Adachi]]. Lotus Juice sings for both characters (with the latter character receiving a heavy filter over his lines) - [[spoiler:Yu tries to sympathize with and calm down Adachi, whereas Adachi is content with being nihilistic. With the end of the song, it's suggested Yu is able to talk down Adachi, which manifests in the show itself as Adachi making something vaguely-resembling a heel-face turn to help take down a bigger fish]].
to:
* The second [[TheAnimeOfTheGame anime adaptation]] of ''VideoGame/{{Persona 4}}'', ''[[Anime/Persona4GoldenTheAnimation ''[[Anime/Persona4TheGoldenAnimation The Golden Animation]]'', has a frantic, orchestral hip-hop song by Lotus Juice during the fight between [[spoiler:the protagonist Yu and the big bad, Tohru Adachi]]. Lotus Juice sings for both characters (with the latter character receiving a heavy filter over his lines) - [[spoiler:Yu tries to sympathize with and calm down Adachi, whereas Adachi is content with being nihilistic. With the end of the song, it's suggested Yu is able to talk down Adachi, which manifests in the show itself as Adachi making something vaguely-resembling a heel-face turn to help take down a bigger fish]].
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[[folder:Literature]]
* ''Literature/TheLordOfTheRings'': "The Ent and the Entwife" is written as a back-and-forth duet between a male and a female Ent. In the first four verses, the two alternate between the Ent pleading for the Entwife to join him in his forests and the Entwife rebuffing him and instead praising her farmlands. The last two verses instead discuss the world's eventual death, with the Ent mourning the death of forests and the Entwife the death of fields, before singing the last lines -- a promise to find each other and seek a better land -- in harmony.
[[/folder]]
* ''Literature/TheLordOfTheRings'': "The Ent and the Entwife" is written as a back-and-forth duet between a male and a female Ent. In the first four verses, the two alternate between the Ent pleading for the Entwife to join him in his forests and the Entwife rebuffing him and instead praising her farmlands. The last two verses instead discuss the world's eventual death, with the Ent mourning the death of forests and the Entwife the death of fields, before singing the last lines -- a promise to find each other and seek a better land -- in harmony.
[[/folder]]
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* In ''WesternAnimation/TurningRed'', 4*Town turns "U Know What's Up" into this during their concert.
--> You want it? (I want it!)
--> You want it? (I want it!)
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* In the Banx & Ranx remix of Music/{{Sia}}'s "1+1", featuring Yandel and Sofia Reyes [[MultilingualSong singing in their native Spanish]], the last verse is [[BilingualDialogue a bilingual call & response]] between Reyes and Sia.
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* ''Series/SesameStreet'': Episode 3385 features the song "Yes-O!", led by visitors Michael and Maduka in which the responders sing their names and what they like.
to:
* ''Series/SesameStreet'': ''Series/SesameStreet'':
** "Sing After Me", a recurring "echo" song in which the leader sings a verse and the other(s) repeat back to them.
** Episode 3385 features the song "Yes-O!", led by visitors Michael and Maduka in which the responders sing their names and what they like.
** "Sing After Me", a recurring "echo" song in which the leader sings a verse and the other(s) repeat back to them.
** Episode 3385 features the song "Yes-O!", led by visitors Michael and Maduka in which the responders sing their names and what they like.
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[[folder:Puppet Shows]]
* ''Series/SesameStreet'': Episode 3385 features the song "Yes-O!", led by visitors Michael and Maduka in which the responders sing their names and what they like.
[[/folder]]
* ''Series/SesameStreet'': Episode 3385 features the song "Yes-O!", led by visitors Michael and Maduka in which the responders sing their names and what they like.
[[/folder]]
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[[folder:Roleplay]]
* ''Roleplay/WeAreAllPokemonTrainers'': ''The call-and-response cues''. To elaborate- starting in 2018, one of the characters in WAAPT, Colton Kendall Rever would often perform call-and-response lyrical cues with his Pokemon while they were performing a Z-Move or Mega Evolution. The classic format, used during most battles, is:
--> '''Trainer''': "Lyric A"
--> '''Pokemon''': <Lyric B>
--> (''cue Mega Evolution and/or Z-Move'')
** After the Final Shell, the practice was phased out, and ultimately abandoned, by its originator; it was promptly handed over to [=Goldenheart388=], who added in an AudienceParticipation aspect of it. The main format, under her usage and always when in a stadium, is:
--> '''Trainer''': "Lyric A"
--> '''Pokemon''': <Lyric B>
--> '''Audience''': "[[AudienceParticipationSong Lyric C]]"
[[/folder]]
* ''Roleplay/WeAreAllPokemonTrainers'': ''The call-and-response cues''. To elaborate- starting in 2018, one of the characters in WAAPT, Colton Kendall Rever would often perform call-and-response lyrical cues with his Pokemon while they were performing a Z-Move or Mega Evolution. The classic format, used during most battles, is:
--> '''Trainer''': "Lyric A"
--> '''Pokemon''': <Lyric B>
--> (''cue Mega Evolution and/or Z-Move'')
** After the Final Shell, the practice was phased out, and ultimately abandoned, by its originator; it was promptly handed over to [=Goldenheart388=], who added in an AudienceParticipation aspect of it. The main format, under her usage and always when in a stadium, is:
--> '''Trainer''': "Lyric A"
--> '''Pokemon''': <Lyric B>
--> '''Audience''': "[[AudienceParticipationSong Lyric C]]"
[[/folder]]
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* In Lutheran liturgical music of the Baroque era, dialogues between Jesus (the [[http://en.wikipedia.org/wiki/Vox_Christi Vox Christi]]) and the Soul, which act as Call-and-Response Songs, were quite popular. Perhaps the best examples of such dialogues comes from the oeuvre of Music/{{Johann Sebastian Bach}}. The most famous example of such a dialogue comes from the cantata ''[[https://www.youtube.com/watch?v=3sj-NKqR0tw Wachet auf, ruft uns die Stimme]]'' (Wake up, the voice calls to us). The example given here is that of "[[http://youtu.be/3sj-NKqR0tw?t=8m7s Wenn kömmst du, mein Heil?]]", the third movement of the cantata and the first movement with a duet.
to:
* In Lutheran liturgical music of the Baroque era, dialogues between Jesus (the [[http://en.wikipedia.org/wiki/Vox_Christi Vox Christi]]) and the Soul, which act as Call-and-Response Songs, were quite popular. Perhaps the best examples of such dialogues comes from the oeuvre of Music/{{Johann Sebastian Bach}}. The most famous example of such a dialogue comes from the cantata {{cantata}} ''[[https://www.youtube.com/watch?v=3sj-NKqR0tw Wachet auf, ruft uns die Stimme]]'' (Wake up, the voice calls to us). The example given here is that of "[[http://youtu.be/3sj-NKqR0tw?t=8m7s Wenn kömmst du, mein Heil?]]", the third movement of the cantata and the first movement with a duet.
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* Music/MiracleMusical: "Variations on a Cloud" includes the line "join if you wish" during the "keep it coming back" chorus. The song is about UsefulNotes/TheWarOnTerror and the "never forget" slogan used to encourage remembrance of the tragedies. In this case, it's telling the listener of the song to participate.
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* ''WesternAnimation/SouthPark'': Parodied in "[[Recap/SouthParkS21E2PutItDown Put It Down]]". Cartman interrupts a school announcement on distracted driving to sing his own [[AttentionWhore attention-seeking]] anti-suicide song "Eric, We Don't Want You to Die". He complains about his life and declares his intent to commit suicide. He thinks everyone will be begging him not to do it, so the chorus consists of pre-recorded kids' voices saying "Eric, we don't want you to die! / Eric, give life a try! / Eric, oh God no, Eric!" In practice, nobody sings along and just stares at him blankly. Cartman even has to mime someone saying one of the lines: "Eric, we don't want you to die! / You're so cool! / We'd be sad at school!"
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* Music/{{Majestica}}'s [[https://www.youtube.com/watch?v=B_RKRbA9gRY "Ghost of Marley"]] is a duet that alternates lines by [[YetAnotherChristmasCarol Ebenezer Scrooge (played by Tommy) and Jacob Marley (played by Chris)]]. The chorus goes:
-->'''Marley:''' Tell me why you doubt your senses\\
'''Scrooge:''' None of this is real, it cannot be\\
'''Marley:''' Now you're running out of chances\\
'''Scrooge:''' Spirit, tell me more, or leave me be\\
'''Marley:''' These chains were forged in life by our\\
'''Everybody:''' Act of greed, can't you see? Yours will come\\
'''Marley:''' Now your last chance for redemption\\
'''Scrooge:''' Marley, my dear friend, let me go in peace
-->'''Marley:''' Tell me why you doubt your senses\\
'''Scrooge:''' None of this is real, it cannot be\\
'''Marley:''' Now you're running out of chances\\
'''Scrooge:''' Spirit, tell me more, or leave me be\\
'''Marley:''' These chains were forged in life by our\\
'''Everybody:''' Act of greed, can't you see? Yours will come\\
'''Marley:''' Now your last chance for redemption\\
'''Scrooge:''' Marley, my dear friend, let me go in peace
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* Music/RebaMcEntire's "Does He Love You," a duet with Linda Davis, with two women--a wife and a mistress--confronting each other about the man they're in love with.
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** The Beatles were inspired by Music/ChuckBerry's use of call and response, though his was often between his voice and his guitar lines, as heard in School Days and No Particular Place To Go.
to:
** The Beatles were inspired by Music/ChuckBerry's use of call and response, though his was often between his voice and his guitar lines, as heard in School Days "School Days" and No "No Particular Place To Go.Go".
Changed line(s) 101 (click to see context) from:
** Also seen in 5:15: "(inside outside) Leave me alone/(inside outside) Nowhere is home/ (inside outside) Where have I been?/ Out of mine brain on the five-fifteen!"
to:
** Also seen in 5:15: [[Music/{{Quadrophenia}} "5:15"]]: "(inside outside) Leave me alone/(inside outside) Nowhere is home/ (inside outside) Where have I been?/ Out of mine brain on the five-fifteen!"
Changed line(s) 108 (click to see context) from:
* ''Paradise By the Dashboard Light'' and part of ''I'd Do Anything For Love (But I Won't Do That)'' by Music/MeatLoaf do this with a guest female singer.
to:
* ''Paradise "Paradise By the Dashboard Light'' Light" and part of ''I'd "I'd Do Anything For Love (But I Won't Do That)'' That)" by Music/MeatLoaf do this with a guest female singer.
* Music/TheIsleyBrothers run on the lead and backing vocals doing call and response. "Shout" even has a part that helps the AudienceParticipation ("A little bit softer/louder now...").
Changed line(s) 159 (click to see context) from:
* David Lee Roth's version of "Just a Gigolo/I Ain't Got Nobody" features this towards the end, basically with the backup singers repeating everything he says.
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* David Lee Roth's Music/DavidLeeRoth's version of "Just a Gigolo/I Ain't Got Nobody" features this towards the end, basically with the backup singers repeating everything he says.
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* Music/{{Cake}}'s "Never There" has the part "When I need you (BABY) Baby (YOU'RE NEVER THERE!)" Mind you that the second time around, the second response doesn't happen, [[AudienceParticipationSong but audiences still sing it.]]
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[[AC:Music]]
to:
[[folder:Anime]]
* The second [[TheAnimeOfTheGame anime adaptation]] of ''VideoGame/{{Persona 4}}'', ''[[Anime/Persona4GoldenTheAnimation The Golden Animation]]'', has a frantic, orchestral hip-hop song by Lotus Juice during the fight between [[spoiler:the protagonist Yu and the big bad, Tohru Adachi]]. Lotus Juice sings for both characters (with the latter character receiving a heavy filter over his lines) - [[spoiler:Yu tries to sympathize with and calm down Adachi, whereas Adachi is content with being nihilistic. With the end of the song, it's suggested Yu is able to talk down Adachi, which manifests in the show itself as Adachi making something vaguely-resembling a heel-face turn to help take down a bigger fish]].
-->''Ay yo.''\\
'''''What?'''''\\
''Just trying to reach out\\
Ain't those bluffing gonna get you out''\\
'''''Hmm... nothing but middle finger\\
Hate talking to ignorance, stop the whimpers'''''\\
''Misunderstanding man that's too much overreacting\\
Better go check that\\
Statements on it, you can own it''\\
'''''I am flawless'''''\\
''[[ShutUpHannibal More like thoughtless]]''
* "Type Wild" from ''Anime/{{Pokemon}}''. The call is most of the lyrics from the song, while the response from the chorus is "Type Wild".
[[/folder]]
[[folder:Film]]
* "I'm Wishing" from ''WesternAnimation/SnowWhiteAndTheSevenDwarfs'' has an interesting variant. Snow White is singing into a well, and it echos out her voice.
* In ''Film/SilkStockings,'' Steve sings "Paris Loves Lovers" about the joys of GayParee, while Ninotchka interjects disapproving comments:
--> Paris ''(Capitalistic!)'' loves lovers ''(Characteristic!)''
--> For lovers ''(Sensualistic!)'' it's heaven above ''(They should be atheistic)''
--> Paris ''(Imperialistic!)'' tells lovers ''(I'm pessimistic)''
--> love is supreme, wake up your dream and make love ''(That's anti-communistic!)''
* [[Music/DavidBowie "Magic Dance"]] from the movie ''Film/{{Labyrinth}}''.
-->"You remind me of the babe"
-->"What babe?"
-->"The babe with the power."
-->"What power?"
-->"The power of voodoo."
-->"Who do?"
-->"You do."
-->"Do what?"
-->"Remind me of the babe!"
** The exchange is based on a 1947 Cary Grant/Shirley Temple movie called ''The Bachelor and the Bobby-Soxer'' in which Grant's character is trying to get out of dating Temple's character by making a bad first impression to her great-uncle, leading to their ''[[https://www.youtube.com/watch?v=Lfv1Jx3_PRs "You remind me of a man..!"]]'' exchange.
* The "Plagues" song from ''WesternAnimation/ThePrinceOfEgypt'' is a back-and-forth between Moses and Ramses noting the way their relationship has changed, and Moses pleading for the Hebrews to be freed and Rameses refusing. The animation behind the song is a montage of Egypt being devastated by the plagues.
* Dr. Facilier's VillainSong in ''WesternAnimation/ThePrincessAndTheFrog,'' taking many cues from the aforementioned Minnie The Moocher:
-->I've got Friends on the Other Side! (''He's got Friends on the Other Side!'')
** [[DarkReprise And later on...]]
-->''[[IronicEcho ARE YOU READY?!]]'' ('''NO!''' I'm not ready at all!)
* From the Manga/{{Bleach}} ImageSong CD featuring Ichigo and Zangetsu, we have "Zan," which features call and response from Ichigo and Zangetsu, then [[SuperPoweredEvilSide Hollow Ichigo]] and Ichigo.
* "Zydrate Anatomy" from ''Film/RepoTheGeneticOpera''. Slightly subverted, in that the responses become more dulled as the drugs take effect in the chorus.
* The VillainSong "Hellfire" from Disney's ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'' is a Call And Response Song with a BilingualBonus. While Frollo is insisting that he's not to blame, a chorus sings the Act of Contrition, "''Mea Culpa/Mea Culpa/Mea Maxima Culpa''", which, [[BilingualBonus when translated from]] [[OminousLatinChanting Ominous Latin]], is "My fault/My fault/My most grievous fault", and completely negates what he says.
** "Stay In Here" is one between Frollo and Quasimodo:
--> You are deformed (I am deformed)\\
And you are ugly (And I am ugly)\\
And these are crimes for which the world shows little pity\\
You cannot comprehend (You are my one defender)
* "I'm Goin' North" (lyrics by Frank Loesser) from the wartime movie musical ''Thank Your Lucky Stars''.
* "Tallahassee" (by Frank Loesser) from the movie musical ''Variety Girl''.
* ''WesternAnimation/{{Frozen|2013}}'' has "For the First Time in Forever (reprise)", which has Anna attempting to encourage Elsa to come back, while Elsa resists.
* The opening number from ''WesternAnimation/RockAndRule'', "Born to Raise Hell", has some call-and-response.
--> I hate you, you like me? \\
''No!'' \\
You like our music, now, don'tcha? \\
''No!'' \\
It's such a pity, you want me to go!
[[/folder]]
[[folder:Live-Action TV]]
* A scene in ''Series/JeevesAndWooster'' had the titular characters attempting the call-and-response portion of "Minnie the Moocher," which was somewhat hampered by Jeeves' VerbalTic of saying "sir" at the end of every line.
* "For the Last Time, I'm Dominican" from the ''Series/{{Scrubs}}'' episode [[MusicalEpisode "My Musical"]] is a tango between Turk and Carla that takes the form of an argument:
--> '''Carla:''' I've had it up to here\\
So let me make it very clear\\
Because I swear I'll never clue you in again\\
Every time that you profess\\
I come from Puerto Rico ('''Turk:''' Yes?)\\
For the last time, Turk, I'm ''Dominican!''\\
'''Turk:''' Let's not make a big to-do\\
I was simply testing you\\
'''Carla:''' Well, then, why'd you tell J.D. our baby's "Blaxican"?\\
'''Turk:''' Babe, you know I know the truth!\\
'''Carla:''' Well, I need a little proof\\
[[LysistrataGambit So list all you know about me or no sex again.]]
* [[Series/TheDailyShow Jon Stewart]] and Creator/StephenColbert's duet in the ''Series/TheColbertReport 2008'' Christmas special uses this, with Stewart trying to convince Colbert to try Hanukkah.
* "Mahna Mahna" from ''Series/TheMuppetShow'' is an interesting example. Even though the song is complete nonsense, it is easy to tell what the argument is. The lead singer wants to improvise, and the backup singers want to stick to the original tune and lyrics.
* In one episode of Series/PeeWeesPlayhouse, Pee-Wee talks about lip-syncing, and lip-syncs to an old song called "That Certain Feeling", which is done like this.
[[/folder]]
[[folder:Music]]
Changed line(s) 346,350 (click to see context) from:
[[AC:{{Anime}}]]
* "Type Wild" from ''Anime/{{Pokemon}}''. The call is most of the lyrics from the song, while the response from the chorus is "Type Wild".
[[AC:{{Theatre}}]]
to:
[[folder:Radio]]
*
-->'''Omid''': ''[[Music/PinkFloyd We don't need no education...]]''
-->'''Jan''': Actually, you do need to be informed about double negatives!
-->'''Jan''': ''[[Music/SuzanneVega My name is Luka...]]''
-->'''Omid''': I don't care what your name is, can you drive a lorry?
-->'''Jan''': ''[[Music/SineadOConnor It's been seven hours and fifteen days...]]''
-->'''Omid''': The next train arriving on Platform 2 is the delayed Southern service from Redhill!
-->'''Omid''': ''I'm coming home, I've done my time...''
-->'''Jan''': Oh, didn't you hear the
[[AC:{{Theatre}}]]
-->'''Jan''': ''[[Music/WhitneyHouston If I should stay, I would only be in your way...]]''
-->'''Omid''': Should've thought of that before you glued yourself to the [=M25=], love!
-->'''Omid''': ''[[Music/{{Queen}} Tonight, I'm gonna have myself a real good time...]]''
-->'''Jan''': Yeah, I left some tissues out!
-->'''Jan''': ''Red and yellow and pink and green, purple and orange and blue...''
-->'''Omid''': Does that mean I've failed the urine test, doctor?
* ''Radio/NewDynamicEnglish'' often features Jazz Chants, which are usually spoken dialogue (except for one) with jazz music.
[[/folder]]
[[folder:Theatre]]
Changed line(s) 369,448 (click to see context) from:
[[AC:{{Film}}]]
* "I'm Wishing" from ''WesternAnimation/SnowWhiteAndTheSevenDwarfs'' has an interesting variant. Snow White is singing into a well, and it echos out her voice.
* In ''Film/SilkStockings,'' Steve sings "Paris Loves Lovers" about the joys of GayParee, while Ninotchka interjects disapproving comments:
--> Paris ''(Capitalistic!)'' loves lovers ''(Characteristic!)''
--> For lovers ''(Sensualistic!)'' it's heaven above ''(They should be atheistic)''
--> Paris ''(Imperialistic!)'' tells lovers ''(I'm pessimistic)''
--> love is supreme, wake up your dream and make love ''(That's anti-communistic!)''
* [[Music/DavidBowie "Magic Dance"]] from the movie ''Film/{{Labyrinth}}''.
-->"You remind me of the babe"
-->"What babe?"
-->"The babe with the power."
-->"What power?"
-->"The power of voodoo."
-->"Who do?"
-->"You do."
-->"Do what?"
-->"Remind me of the babe!"
** The exchange is based on a 1947 Cary Grant/Shirley Temple movie called ''The Bachelor and the Bobby-Soxer'' in which Grant's character is trying to get out of dating Temple's character by making a bad first impression to her great-uncle, leading to their ''[[https://www.youtube.com/watch?v=Lfv1Jx3_PRs "You remind me of a man..!"]]'' exchange.
* The "Plagues" song from ''WesternAnimation/ThePrinceOfEgypt'' is a back-and-forth between Moses and Ramses noting the way their relationship has changed, and Moses pleading for the Hebrews to be freed and Rameses refusing. The animation behind the song is a montage of Egypt being devastated by the plagues.
* Dr. Facilier's VillainSong in ''WesternAnimation/ThePrincessAndTheFrog,'' taking many cues from the aforementioned Minnie The Moocher:
-->I've got Friends on the Other Side! (''He's got Friends on the Other Side!'')
** [[DarkReprise And later on...]]
-->''[[IronicEcho ARE YOU READY?!]]'' ('''NO!''' I'm not ready at all!)
* From the Manga/{{Bleach}} ImageSong CD featuring Ichigo and Zangetsu, we have "Zan," which features call and response from Ichigo and Zangetsu, then [[SuperPoweredEvilSide Hollow Ichigo]] and Ichigo.
* "Zydrate Anatomy" from ''Film/RepoTheGeneticOpera''. Slightly subverted, in that the responses become more dulled as the drugs take effect in the chorus.
* The VillainSong "Hellfire" from Disney's ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'' is a Call And Response Song with a BilingualBonus. While Frollo is insisting that he's not to blame, a chorus sings the Act of Contrition, "''Mea Culpa/Mea Culpa/Mea Maxima Culpa''", which, [[BilingualBonus when translated from]] [[OminousLatinChanting Ominous Latin]], is "My fault/My fault/My most grievous fault", and completely negates what he says.
** "Stay In Here" is one between Frollo and Quasimodo:
--> You are deformed (I am deformed)\\
And you are ugly (And I am ugly)\\
And these are crimes for which the world shows little pity\\
You cannot comprehend (You are my one defender)
* "I'm Goin' North" (lyrics by Frank Loesser) from the wartime movie musical ''Thank Your Lucky Stars''.
* "Tallahassee" (by Frank Loesser) from the movie musical ''Variety Girl''.
* ''WesternAnimation/{{Frozen|2013}}'' has "For the First Time in Forever (reprise)", which has Anna attempting to encourage Elsa to come back, while Elsa resists.
* The opening number from ''WesternAnimation/RockAndRule'', "Born to Raise Hell", has some call-and-response.
--> I hate you, you like me? \\
''No!'' \\
You like our music, now, don'tcha? \\
''No!'' \\
It's such a pity, you want me to go!
[[AC:LiveActionTV]]
* A scene in ''Series/JeevesAndWooster'' had the titular characters attempting the call-and-response portion of "Minnie the Moocher," which was somewhat hampered by Jeeves' VerbalTic of saying "sir" at the end of every line.
* "For the Last Time, I'm Dominican" from the ''Series/{{Scrubs}}'' episode [[MusicalEpisode "My Musical"]] is a tango between Turk and Carla that takes the form of an argument:
--> '''Carla:''' I've had it up to here\\
So let me make it very clear\\
Because I swear I'll never clue you in again\\
Every time that you profess\\
I come from Puerto Rico ('''Turk:''' Yes?)\\
For the last time, Turk, I'm ''Dominican!''\\
'''Turk:''' Let's not make a big to-do\\
I was simply testing you\\
'''Carla:''' Well, then, why'd you tell J.D. our baby's "Blaxican"?\\
'''Turk:''' Babe, you know I know the truth!\\
'''Carla:''' Well, I need a little proof\\
[[LysistrataGambit So list all you know about me or no sex again.]]
* [[Series/TheDailyShow Jon Stewart]] and Creator/StephenColbert's duet in the ''Series/TheColbertReport 2008'' Christmas special uses this, with Stewart trying to convince Colbert to try Hanukkah.
* "Mahna Mahna" from ''Series/TheMuppetShow'' is an interesting example. Even though the song is complete nonsense, it is easy to tell what the argument is. The lead singer wants to improvise, and the backup singers want to stick to the original tune and lyrics.
* In one episode of Series/PeeWeesPlayhouse, Pee-Wee talks about lip-syncing, and lip-syncs to an old song called "That Certain Feeling", which is done like this.
[[AC:{{Radio}}]]
* ''Radio/ImSorryIHaventAClue'' has the recurring game "Songstoppers", where one panellist sings the first line of a song and their teammate comes up with a (spoken) response that would bring the song to an immediate end. A sample round, as played by Omid Djalili and Jan Ravens:
-->'''Omid''': ''[[Music/PinkFloyd We don't need no education...]]''
-->'''Jan''': Actually, you do need to be informed about double negatives!
-->'''Jan''': ''[[Music/SuzanneVega My name is Luka...]]''
-->'''Omid''': I don't care what your name is, can you drive a lorry?
-->'''Jan''': ''[[Music/SineadOConnor It's been seven hours and fifteen days...]]''
-->'''Omid''': The next train arriving on Platform 2 is the delayed Southern service from Redhill!
-->'''Omid''': ''I'm coming home, I've done my time...''
-->'''Jan''': Oh, didn't you hear the parole board's decision?
-->'''Jan''': ''[[Music/WhitneyHouston If I should stay, I would only be in your way...]]''
-->'''Omid''': Should've thought of that before you glued yourself to the [=M25=], love!
-->'''Omid''': ''[[Music/{{Queen}} Tonight, I'm gonna have myself a real good time...]]''
-->'''Jan''': Yeah, I left some tissues out!
-->'''Jan''': ''Red and yellow and pink and green, purple and orange and blue...''
-->'''Omid''': Does that mean I've failed the urine test, doctor?
* ''Radio/NewDynamicEnglish'' often features Jazz Chants, which are usually spoken dialogue (except for one) with jazz music.
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* The second [[TheAnimeOfTheGame anime adaptation]] of ''VideoGame/{{Persona 4}}'', ''[[Anime/Persona4GoldenTheAnimation The Golden Animation]]'', has a frantic, orchestral hip-hop song by Lotus Juice during the fight between [[spoiler:the protagonist Yu and the big bad, Tohru Adachi]]. Lotus Juice sings for both characters (with the latter character receiving a heavy filter over his lines) - [[spoiler:Yu tries to sympathize with and calm down Adachi, whereas Adachi is content with being nihilistic. With the end of the song, it's suggested Yu is able to talk down Adachi, which manifests in the show itself as Adachi making something vaguely-resembling a heel-face turn to help take down a bigger fish]].
-->''Ay yo.''\\
'''''What?'''''\\
''Just trying to reach out\\
Ain't those bluffing gonna get you out''\\
'''''Hmm... nothing but middle finger\\
Hate talking to ignorance, stop the whimpers'''''\\
''Misunderstanding man that's too much overreacting\\
Better go check that\\
Statements on it, you can own it''\\
'''''I am flawless'''''\\
''[[ShutUpHannibal More like thoughtless]]''
-->''Ay yo.''\\
'''''What?'''''\\
''Just trying to reach out\\
Ain't those bluffing gonna get you out''\\
'''''Hmm... nothing but middle finger\\
Hate talking to ignorance, stop the whimpers'''''\\
''Misunderstanding man that's too much overreacting\\
Better go check that\\
Statements on it, you can own it''\\
'''''I am flawless'''''\\
''[[ShutUpHannibal More like thoughtless]]''
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[[/folder]]
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* ''Radio/ImSorryIHaventAClue'' has the recurring game "Songstoppers", where one panellist sings the first line of a song and their teammate comes up with a (spoken) response that would bring the song to an immediate end. A sample round, as played by Omid Djalili and Jan Ravens:
-->'''Omid''': ''[[Music/PinkFloyd We don't need no education...]]''
-->'''Jan''': Actually, you do need to be informed about double negatives!
-->'''Jan''': ''[[Music/SuzanneVega My name is Luka...]]''
-->'''Omid''': I don't care what your name is, can you drive a lorry?
-->'''Jan''': ''[[Music/SineadOConnor It's been seven hours and fifteen days...]]''
-->'''Omid''': The next train arriving on Platform 2 is the delayed Southern service from Redhill!
-->'''Omid''': ''I'm coming home, I've done my time...''
-->'''Jan''': Oh, didn't you hear the parole board's decision?
-->'''Jan''': ''[[Music/WhitneyHouston If I should stay, I would only be in your way...]]''
-->'''Omid''': Should've thought of that before you glued yourself to the [=M25=], love!
-->'''Omid''': ''[[Music/{{Queen}} Tonight, I'm gonna have myself a real good time...]]''
-->'''Jan''': Yeah, I left some tissues out!
-->'''Jan''': ''Red and yellow and pink and green, purple and orange and blue...''
-->'''Omid''': Does that mean I've failed the urine test, doctor?
-->'''Omid''': ''[[Music/PinkFloyd We don't need no education...]]''
-->'''Jan''': Actually, you do need to be informed about double negatives!
-->'''Jan''': ''[[Music/SuzanneVega My name is Luka...]]''
-->'''Omid''': I don't care what your name is, can you drive a lorry?
-->'''Jan''': ''[[Music/SineadOConnor It's been seven hours and fifteen days...]]''
-->'''Omid''': The next train arriving on Platform 2 is the delayed Southern service from Redhill!
-->'''Omid''': ''I'm coming home, I've done my time...''
-->'''Jan''': Oh, didn't you hear the parole board's decision?
-->'''Jan''': ''[[Music/WhitneyHouston If I should stay, I would only be in your way...]]''
-->'''Omid''': Should've thought of that before you glued yourself to the [=M25=], love!
-->'''Omid''': ''[[Music/{{Queen}} Tonight, I'm gonna have myself a real good time...]]''
-->'''Jan''': Yeah, I left some tissues out!
-->'''Jan''': ''Red and yellow and pink and green, purple and orange and blue...''
-->'''Omid''': Does that mean I've failed the urine test, doctor?
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* The VillainSong "Hellfire" from Disney's ''WesternAnimation/TheHunchbackOfNotreDame'' is a Call And Response Song with a BilingualBonus. While Frollo is insisting that he's not to blame, a chorus sings the Act of Contrition, "''Mea Culpa/Mea Culpa/Mea Maxima Culpa''", which, [[BilingualBonus when translated from]] [[OminousLatinChanting Ominous Latin]], is "My fault/My fault/My most grievous fault", and completely negates what he says.
to:
* The VillainSong "Hellfire" from Disney's ''WesternAnimation/TheHunchbackOfNotreDame'' ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'' is a Call And Response Song with a BilingualBonus. While Frollo is insisting that he's not to blame, a chorus sings the Act of Contrition, "''Mea Culpa/Mea Culpa/Mea Maxima Culpa''", which, [[BilingualBonus when translated from]] [[OminousLatinChanting Ominous Latin]], is "My fault/My fault/My most grievous fault", and completely negates what he says.
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* "It Must Be Love" by Ty Herndon has a question-and-answer structure on the chorus, with Sons of the Desert singing the questions and Ty answering:
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* "It Must Be Love" by Ty Herndon Music/TyHerndon has a question-and-answer structure on the chorus, with Sons of the Desert singing the questions and Ty answering:
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You're the one he gave his name to\\\\
I never see his face in the early morning light
I never see his face in the early morning light
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You're the one he gave his name to\\\\
to\\
I never see his face in the early morninglightlight\\
I never see his face in the early morning
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* "Does He Love You" by Music/RebaMcEntire and Linda Davis:
-->'''Reba''': I've known about you for a while now\\
When he leaves me, he wears a smile now\\
As soon as he's away from me\\
In your arms is where he wants to be
-->'''Linda''': But you're the one he rushes home to\\
You're the one he gave his name to\\\\
I never see his face in the early morning light
You have his mornings, his daytimes, and sometimes, I have his nights
-->'''Reba''': I've known about you for a while now\\
When he leaves me, he wears a smile now\\
As soon as he's away from me\\
In your arms is where he wants to be
-->'''Linda''': But you're the one he rushes home to\\
You're the one he gave his name to\\\\
I never see his face in the early morning light
You have his mornings, his daytimes, and sometimes, I have his nights
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Changed line(s) 98 (click to see context) from:
--> "I'm caught again in the mystery - You're by my side, but are you still with me? The answer's somewhere deep in it, I'm sorry that you're feeling it but I just have to tell you that I... love you so much these days. [[TearJerker Have to tell you that I love you so much these days, it's true.]]"
to:
--> "I'm caught again in the mystery - You're by my side, but are you still with me? The answer's somewhere deep in it, I'm sorry that you're feeling it but I just have to tell you that I... love you so much these days. [[TearJerker Have to tell you that I love you so much these days, it's true.]]""
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* ''WesternAnimation/{{Grojband}}'': The episode "Myme Disease" features the song "[[https://www.youtube.com/watch?v=GHvrvtADk6o Noise]]", performed by Corey against a group of {{Enemy Mime}}s who have turned his friends into more of their kind.
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* "Theatre/Hadestown" as two calls and responds songs the first one being "Wedding Song" Were Orpheus and Eurydice sing about the reason why she should marry him. The other Song is "Chant" song mainly between Hades and Persephone who are arguing in song about there marriage and what they both think is going wrong in it
to:
* "Theatre/Hadestown" ''Theatre/{{Hadestown}}'' as two calls and responds songs the first one being "Wedding Song" Were Orpheus and Eurydice sing about the reason why she should marry him. The other Song is "Chant" song mainly between Hades and Persephone who are arguing in song about there marriage and what they both think is going wrong in it
it.
* "Beneath a Moonless Sky" from ''Theatre/LoveNeverDies''.
* "Beneath a Moonless Sky" from ''Theatre/LoveNeverDies''.
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** "What Happens on the Dancefloor", an Music/AlexandraBurke song featuring Gabe Saporta. Both parties sing about meeting at a club [[NoGoingSteady and having a fling, expecting nothing more than casual attraction,]] but end up falling for each other. The verses alternate with Burke or Saporta [[IntercourseWithYou encouraging one to make a move on the other]], even though it's made clear that ''[[YourCheatingHeart "she got a boyfriend, but he ain't here tonight"]]''.
to:
** "What Happens on the Dancefloor", an Music/AlexandraBurke song featuring Gabe Saporta. Both parties sing about meeting at a club [[NoGoingSteady and having a fling, expecting nothing more than casual attraction,]] but end up falling for each other. The verses alternate with Burke or Saporta [[IntercourseWithYou encouraging one to make a move on the other]], even though it's made clear that ''[[YourCheatingHeart "she ''"she got a boyfriend, but he ain't here tonight"]]''.tonight"''.
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''[[IncrediblyLamePun O-HI-O!]]''
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* Music/{{DMX}}'s "Damien" series of songs, with X providing both roles. The song Ready 2 Meet Him uses this trope as well, with DMX arguing with God, while providing both voices.
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* Music/{{DMX}}'s "Damien" series of songs, with X providing both roles. The song Ready 2 Meet Him uses this trope as well, with DMX arguing with God, God while providing both voices.
Changed line(s) 33 (click to see context) from:
* The entire song is sung by just one guy, but "I Think I'm in Love" by Music/{{Spiritualized}} can count. It has Jason Pierce singing by himself a line that goes like "I Think I('m) X", to which a chorus of Jason Pierces responds "Probably just Y", where Y undermines the X.
to:
* The entire song is sung by just one guy, but "I Think I'm in In Love" by Music/{{Spiritualized}} can count. It has Jason Pierce singing by himself a line that goes like "I Think I('m) X", to which a chorus of Jason Pierces responds "Probably just Y", where Y undermines the X.
Changed line(s) 38 (click to see context) from:
* Music/CabCalloway was on of the most famous forerunner of this in popular music, "Minnie the Moocher" being the most popular example. Other jazz singers of his time known for using this as a trademark include Louis Prima and Louis Jordan, among many, many others.
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* Music/CabCalloway was on one of the most famous forerunner of this in popular music, "Minnie the Moocher" being the most popular example. Other jazz singers of his time known for using this as a trademark include Louis Prima and Louis Jordan, among many, many others.
Changed line(s) 42 (click to see context) from:
** "Bicycle Race" also features call and response, e.g. "You say Coke / I say Cain / You say John / I say Wayne".
to:
** "Bicycle Race" also features call and response, e.g. , "You say Coke / I say Cain / You say John / I say Wayne".
Changed line(s) 65 (click to see context) from:
* "Ich Will" ("I Want" for all you non German speakers) by Music/{{Rammstein}} was written because Till Lindemann could not get why audiences are so fond of call and response and audience participation. Ironically it's a call and response song itself.
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* "Ich Will" ("I Want" for all you non German non-German speakers) by Music/{{Rammstein}} was written because Till Lindemann could not get why audiences are so fond of call and response and audience participation. Ironically it's a call and response song itself.
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--> (Tracing a sparrow on snow crested ground)
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--> (Tracing a sparrow on snow crested snow-crested ground)
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* Used a lot in the czech musical Pied Piper, where most of the songs are conversations between one or more people.
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* Used a lot in the czech Czech musical Pied Piper, where most of the songs are conversations between one or more people.
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* In one episode of Series/PeeWeesPlayhouse, Pee-Wee talks about lip syncing, and lip syncs to an old song called "That Certain Feeling", which is done like this.
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* In one episode of Series/PeeWeesPlayhouse, Pee-Wee talks about lip syncing, lip-syncing, and lip syncs lip-syncs to an old song called "That Certain Feeling", which is done like this.
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''[[ShutUpHannibal More like thoughtless]]''
to:
''[[ShutUpHannibal More like thoughtless]]''thoughtless]]''
----
----
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*"Theatre/Hadestown" as two calls and responds songs the first one being "Wedding Song" Were Orpheus and Eurydice sing about the reason why she should marry him. The other Song is "Chant" song mainly between Hades and Persephone who are arguing in song about there marriage and what they both think is going wrong in it
