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* AuthorTract: Seems like C. S. Lewis appreciated {{Romanticism}}...

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* AuthorTract: Seems like C. S. Lewis appreciated {{Romanticism}}...Ya ''think?!''
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* AuthorTract: [[SarcasmMode If only there was some way of telling]] whether C. S. Lewis appreciated {{Romanticism}}...

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* AuthorTract: [[SarcasmMode If only there was some way of telling]] whether Seems like C. S. Lewis appreciated {{Romanticism}}...
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* EnemyMine: Mr. Neo-Angular, Mr. Neo-Classical, and Mr. Humanist representing Catholicism, Classicism, and Humanism respectively despite being siblings are hate each other, but are trying to form a community together as they all hate; the giant "Spirit of the Age", the city of Eschropolis, and Mr Halfways.

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* EnemyMine: Mr. Neo-Angular, Mr. Neo-Classical, and Mr. Humanist representing Catholicism, Classicism, and Humanism respectively despite being siblings are siblings, hate each other, other but are trying to form a community together as they all hate; the giant "Spirit of the Age", the city of Eschropolis, and Mr Halfways.
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* EnemyMine: Mr. Neo-Angular, Mr. Neo-Classical, and Mr. Humanist representing Catholicism, Classicism, and Humanism respectively despite being siblings are hate each other, but are trying to form a community together as they all hate; the giant "Spirit of the Age", the city of Eschropolis, and Mr Halfways.
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* [[GratuitousEnglish Gratuitous French]]: Mr Sensible likes throwing in French when he speaks for some reason.

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* [[GratuitousEnglish Gratuitous French]]: Languages]]: Mr Sensible likes throwing in different languages like French when he speaks for some reason.

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* {{God}}: Allegorized as "the Landlord."


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* {{God}}: Allegorized as "the Landlord."
* [[GratuitousEnglish Gratuitous French]]: Mr Sensible likes throwing in French when he speaks for some reason.
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* CoitusEnsues: John's first encounter with the first brown girl.
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* BodyHorror: The "Spirit of the Age" has the ability to make a person's skin transparent to reveal the insides of the body and it is not a pretty picture, especially the man with cancer.
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* AdamAndEvePlot: Basically Mother Kirk's story is a retelling of Genesis chapter 1 to 3.
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''The Pilgrim's Regress'' is an {{allegor|y}}ical novel by Creator/CSLewis, dramatizing the process of his [[HeelFaithTurn conversion]] from Atheism to Christianity and [[AuthorTract defending his love for]] {{Romanticism}} in literature and music. It was his first published work of fiction, and his first writing after his conversion.

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''The Pilgrim's Regress'' is an {{allegor|y}}ical novel by Creator/CSLewis, dramatizing the process of his [[HeelFaithTurn conversion]] conversion from Atheism atheism to Christianity and [[AuthorTract defending his love for]] {{Romanticism}} in literature and music. It was his first published work of fiction, and his first writing after his conversion.



* {{Allegory}}: In spades! Despite some critics saying that ''Literature/TheChroniclesOfNarnia'' is "allegorical," by the way, this book is the only proper allegory Lewis wrote. (''Narnia'' is {{applicability}}.)

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* {{Allegory}}: In spades! Despite some critics saying that ''Literature/TheChroniclesOfNarnia'' is "allegorical," by the way, this book is the only proper allegory Lewis wrote. wrote (''Narnia'' is {{applicability}}.) {{applicability}}).



* BoringReturnJourney: Played with. After John's conversion, he realizes that the only way to reach his island was east of his old home, and he's been traveling roughly west for his entire journey. (Hence the word "regress" in the title.) The narrative doesn't skip over John's return journey, but it's much shorter (both in time and in number of pages) than the trip out. Heading west, John had wandered and meandered quite a bit, but heading east, he sticks to the straight and narrow path to his destination. And on the trip back, he finds the landscape has completely changed--or rather, because of his conversion, he sees the world as it truly is for the first time.

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* BoringReturnJourney: Played with. {{Played with}}. After John's conversion, he realizes that the only way to reach his island was east of his old home, and he's been traveling roughly west for his entire journey. (Hence journey (hence the word "regress" in the title.) title). The narrative doesn't skip over John's return journey, but it's much shorter (both in time and in number of pages) than the trip out. Heading west, John had wandered and meandered quite a bit, but heading east, he sticks to the straight and narrow path to his destination. And on the trip back, he finds the landscape has completely changed--or rather, because of his conversion, he sees the world as it truly is for the first time.

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* RomanticismVersusEnlightenment: Lewis comes down firmly on the side of Romanticism, but insists that reasoning is also an essential part of the process. A healthy balance between the two is key.

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* RomanticismVersusEnlightenment: RomanticismVersusEnlightenment:
**
Lewis comes down firmly on the side of Romanticism, but insists that reasoning is also an essential part {{Romanticism}}, as you would expect from the subtitle. Much of the process. A healthy balance discussion is concerned with rebutting characters who [[TheyJustDontGetIt Just Don't Get]] romanticism in art.
** Two allegorical characters are named "Mr. Enlightenment." They were father and son, both negative figures. The father was a cocksure "village atheist" who dismissed philosophy, religion, and romanticism without looking into them, assuming we've OutgrownSuchSillySuperstitions. The son was a [[AllPsychologyIsFreudian pathological Freudian]] who claimed every disagreement with his position was a self-serving rationalization.
** On the other hand, Enlightenment and ''Reason'' are two separate characters, and John would not be able to find salvation without the aid of Reason. In the WorldOfSymbolism, the path of Reason runs right through the middle of the country
between the two is key.extremist positions of Enlightenment and Romanticism.



** He also observes that having a character named "Mother Kirk" made it seem (wrongly) that he was arguing for a specific ecclesiastical position, when in fact he only chose it because he thought "UsefulNotes/{{Christianity}}" was an unconvincing character name.

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** He also observes that having a character named "Mother Kirk" made it seem (wrongly) that he was arguing for a specific ecclesiastical position, when in fact he only chose it because he thought "UsefulNotes/{{Christianity}}" was an unconvincing character name.
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* InstantAwesomeJustAddDragons: Well, why ''shouldn't'' [[RomanticismVersusEnlightenment Romanticisim and Enlightenment]] be allegorized as dragon for our heroes to slay?

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* InstantAwesomeJustAddDragons: Well, why ''shouldn't'' [[RomanticismVersusEnlightenment Romanticisim Romanticism and Enlightenment]] be allegorized as dragon dragons for our heroes to slay?

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* YouKeepUsingThatWord: Again in the introduction to the third edition, Lewis surveys several differing meanings of the word "Romantic" and determines that none of them meant exactly what he was getting at in the book. (He was trying to describe a longing for beauty or ''Sehnsucht'', which he personally often found in [[{{Romanticism}} "romantic" art]].) He concludes that the word is far too ambiguous and should be avoided.

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* YouKeepUsingThatWord: YouKeepUsingThatWord:
**
Again in the introduction to the third edition, Lewis surveys several differing meanings of the word "Romantic" and determines that none of them meant exactly what he was getting at in the book. (He was trying to describe a longing for beauty or ''Sehnsucht'', which he personally often found in [[{{Romanticism}} "romantic" art]].) He concludes that the word is far too ambiguous and should be avoided.avoided.
** He also observes that having a character named "Mother Kirk" made it seem (wrongly) that he was arguing for a specific ecclesiastical position, when in fact he only chose it because he thought "UsefulNotes/{{Christianity}}" was an unconvincing character name.
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* BigCreepyCrawlies: Scorpions the size of lobsters are prominently mentioned among the torments of [[{{Hell}} the black pit]].
* BoringReturnJourney: Played with. After John's conversion, he realizes that the only way to reach his island was east of his old home, and he's been traveling roughly west for his entire journey. (Hence the word "regress" in the title.) The narrative doesn't skip over John's return journey, but it's much shorter (both in time and in number of pages) than the trip out. Heading west, John had wandered and meandered quite a bit, but heading east, he sticks to the straight and narrow path to his destination. And on the trip back, he finds the landscape has completely changed--or rather, because of his conversion, he sees the world as it truly is for the first time.
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* InstantAwesomeJustAddDragons: Well, why ''shouldn't'' [[RomanticismVersusEnlightenment Romanticisim and Enlightenment]] be allegorized as dragon for our heroes to slay?


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* OurGiantsAreBigger: The "Spirit of the Age," a form of [[AllPsychologyIsFreudian Freudian pop psychology]] that discredits anything to do with reasoning or beauty or faith as unrealistic wish fulfillment, is portrayed as a giant the size and shape of of a mountain.
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* YouKeepUsingThatWord: Again in the introduction to the third edition, Lewis surveys several differing meanings of the word "Romantic" and determines that none of them meant exactly what he was getting at in the book. (He was trying to describe a longing for beauty or ''Sensucht'', which he personally often found in [[{{Romanticism}} "romantic" art]].) He concludes that the word is far too ambiguous and should be avoided.

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* YouKeepUsingThatWord: Again in the introduction to the third edition, Lewis surveys several differing meanings of the word "Romantic" and determines that none of them meant exactly what he was getting at in the book. (He was trying to describe a longing for beauty or ''Sensucht'', ''Sehnsucht'', which he personally often found in [[{{Romanticism}} "romantic" art]].) He concludes that the word is far too ambiguous and should be avoided.
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The story traces the wanderings of an [[TheEveryman Everyman]] character named John, who leaves his boyhood home in [[TheFundamentalist Puritania]] in search of a beautiful island that has enthralled him since childhood. Accompanied by his traveling companion Vertue, John journeys through bizarre lands and encounters many characters and monsters that represent various philosophical and ideological movements that were in vogue in the late nineteenth and early twentieth centuries. Eventually, though, John begins to realize uncomfortably that his quest for the Island might be taking him back toward his abandoned belief in the existence of [[{{God}} the Landlord]]....

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The story traces the wanderings of an [[TheEveryman Everyman]] character named John, who leaves his boyhood home in [[TheFundamentalist Puritania]] in search of a beautiful island that has enthralled haunted him in visions since childhood. Accompanied by his traveling companion Vertue, John journeys through bizarre lands and encounters many characters and monsters that represent various philosophical and ideological movements that were in vogue in the late nineteenth and early twentieth centuries. Eventually, though, John begins to realize uncomfortably that his quest for the Island might be taking him back toward his abandoned belief in the existence of [[{{God}} the Landlord]]....
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* TheWarOnStraw: In an introduction to a later edition of the book, Lewis admits that his younger self wasn't entirely fair to all the ideologies he was criticizing at the time.

to:

* TheWarOnStraw: In an introduction to a later edition of the book, Lewis admits that his younger self wasn't entirely fair to all the ideologies he was criticizing at the time.time.
* YouKeepUsingThatWord: Again in the introduction to the third edition, Lewis surveys several differing meanings of the word "Romantic" and determines that none of them meant exactly what he was getting at in the book. (He was trying to describe a longing for beauty or ''Sensucht'', which he personally often found in [[{{Romanticism}} "romantic" art]].) He concludes that the word is far too ambiguous and should be avoided.
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* OurDragonsAreDifferent: The Northern dragon is made of fire and the Southern dragon is made of ice. Both of them have to be killed in different ways.

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* OurDragonsAreDifferent: The Northern dragon is made of fire ice and the Southern dragon is made of ice.fire. Both of them have to be killed in different ways.
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* ActionGirl: Reason, who appears as a KnightInShiningArmor. At one point she kills a giant; at a climactic moment John realizes he has no chance of beating her in a fair fight.


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* OurDragonsAreDifferent: The Northern dragon is made of fire and the Southern dragon is made of ice. Both of them have to be killed in different ways.

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[[quoteright:333:http://static.tvtropes.org/pmwiki/pub/images/c-s-lewis-the-pilgrims-regress_1877.jpg]]
[[caption-width-right:333:Here there be dragons.]]



The story traces the wanderings of an [[TheEveryman Everyman]] character named John, who leaves his boyhood home in [[TheFundamentalist Puritania]] in search of a beautiful island that has enthralled him since childhood. Accompanied by his traveling companion Vertue, John journeys through bizarre lands and encounters many characters and monsters that represent various philosophical and ideological movements that were in vogue in the 1930s. Eventually, though, John begins to realize uncomfortably that his quest for the Island might be taking him back toward his abandoned belief in the existence of [[{{God}} the Landlord]]....

The title, of course, is a [[LiteraryAllusionTitle shout-out]] to John Bunyan's ''Literature/ThePilgrimsProgress''.

to:

The story traces the wanderings of an [[TheEveryman Everyman]] character named John, who leaves his boyhood home in [[TheFundamentalist Puritania]] in search of a beautiful island that has enthralled him since childhood. Accompanied by his traveling companion Vertue, John journeys through bizarre lands and encounters many characters and monsters that represent various philosophical and ideological movements that were in vogue in the 1930s.late nineteenth and early twentieth centuries. Eventually, though, John begins to realize uncomfortably that his quest for the Island might be taking him back toward his abandoned belief in the existence of [[{{God}} the Landlord]]....

The title, of course, is a [[LiteraryAllusionTitle shout-out]] to play on the title]] of John Bunyan's ''Literature/ThePilgrimsProgress''.


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* PopculturalOsmosisFailure: In the preface to the third edition, Creator/CSLewis acknowledged that, within just a decade or two after the book was published, the prevailing philosophical schools of thought had shifted so much that many of his references became almost completely obscure to later readers. He added a running series of page headers to explain some of them.


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* TheQuest: John's pilgrimage is in search of the Beautiful Island, which nobody else seems to believe exists.
* ReferenceOverdosed: Boy howdy! Whole ''books'' have been written trying to list all of the allusions and references and allegorizations that appear. [[http://www.lewisiana.nl/regressquotes/ Here's one website]] that attempts it.
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* TrueArtIsIncomprehensible: [[invoked]] Also {{parodied}} with the singing of Glugly, who cannot speak owing to an accident at birth, so just babbles and makes rude noises.

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* TrueArtIsIncomprehensible: [[invoked]] Also {{parodied}} with the singing of Glugly, who cannot speak owing to an accident at birth, so just babbles and makes rude noises. She gets rave reviews from all the critics.
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* LiteraryAllusionTitle: To John Bunyan's ''Literature/ThePilgrimsProgress'', of course. Lewis makes it a a PerspectiveFlip as the title character has to find his way back to a belief in reason and God, unlike Bunyan's story which begins with the conversion.

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* LiteraryAllusionTitle: To John Bunyan's ''Literature/ThePilgrimsProgress'', of course. Lewis makes it a a PerspectiveFlip as the title character has to find his way back to a belief in reason and God, unlike Bunyan's story which begins with the conversion.
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* HonorBeforeReason: Vertue considers himself bound to follow his personal code of rules, but he is stumped when asked why he has the particular rules he does. They're just rules, so he just follows them.
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* TheEveryman: John, the pilgrim of the title. However, Lewis later realized that his own journey to faith (represented in John's journey) was a lot more personal and individual than he had assumed.

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* TheEveryman: John, the pilgrim of the title. However, Lewis later realized that his own journey to faith (represented in John's journey) was a lot more personal and individual idiosyncratic than he had assumed.

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Crosswicks!


''The Pilgrim's Regress'' is an {{allegor|y}}ical novel by Creator/CSLewis, dramatizing the process of his [[HeelFaithTurn conversion]] from Atheism to Christianity and [[AuthorTract defending his love for]] {{Romanticism}} in literature and music. It was his first published work of fiction, and his first writing after his conversion

to:

''The Pilgrim's Regress'' is an {{allegor|y}}ical novel by Creator/CSLewis, dramatizing the process of his [[HeelFaithTurn conversion]] from Atheism to Christianity and [[AuthorTract defending his love for]] {{Romanticism}} in literature and music. It was his first published work of fiction, and his first writing after his conversion
conversion.



The title, of course, is a shout-out to John Bunyan's ''Literature/ThePilgrimsProgress''.

to:

The title, of course, is a shout-out [[LiteraryAllusionTitle shout-out]] to John Bunyan's ''Literature/ThePilgrimsProgress''.


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* DragonHoard: "...the Northern dragon is so greedy that his anxiety for his gold hardly lets him sleep."
* TheEveryman: John, the pilgrim of the title. However, Lewis later realized that his own journey to faith (represented in John's journey) was a lot more personal and individual than he had assumed.


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* TheFundamentalist: The inhabitants of Puritania, including John's parents and family. John quickly grows to reject their beliefs as HolierThanThou.


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* GetItOverWith: John meets Death in a mountain pass on a stormy night. John realizes that it has been the fear of death that has motivated him his entire life. Death hammers home that he only has two choices:
--->"What am I to do?" said John.\\
"Which you choose," said the Voice. "Jump, or be thrown. Shut your eyes, or have them bandaged by force. Give in or struggle."\\
"I would sooner do the first, if I could."\\
"Then I am your servant and no more your master. The cure of death is dying. He who lays down his liberty in that act receives it back."
* ItsNotPornItsArt: The singer in question is Mr. Phally, who is squeezed in between [[TrueArtIsAngsty Victoriana]] and [[TrueArtIsIncomprehensible Glugly]]. John is considered to have made a major social faux pas when he questions why the music arouses perverse lustful thoughts.


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* LiteraryAllusionTitle: To John Bunyan's ''Literature/ThePilgrimsProgress'', of course. Lewis makes it a a PerspectiveFlip as the title character has to find his way back to a belief in reason and God, unlike Bunyan's story which begins with the conversion.


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* PutThemAllOutOfMyMisery: The northern dragon is heard praying for God to destroy all the other creatures in the world so that he won't have to guard his nest.


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* TrueArtIsAngsty: [[invoked]] {{Parodied}} oddly. Victoriana's poetry is not particularly angsty, except perhaps in a "the good times are over" nostalgic way. Victoriana, however, ''is'' angsty; she assumes everyone is persecuting her (which therefore makes her a great artist, because all great artists are persecuted) and slaps, then whines at, anyone who isn't effusively complimentary about her work.
* TrueArtIsIncomprehensible: [[invoked]] Also {{parodied}} with the singing of Glugly, who cannot speak owing to an accident at birth, so just babbles and makes rude noises.


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* WorldOfSymbolism: Did we mention it's an allegory? In the map of the world, "South" and "North" represent the two extremes of RomanticismVersusEnlightenment respectively. The further in each direction you go, the more you get to extremist philosophies. The path of Reason runs right down the middle.
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* OutgrownSuchSillySuperstitions: Mr. Enlightenment and his son naturally take this view.
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* AuthorTract: [[SarcasmMode If only there was some way of telling]] whether C. S. Lewis appreciated {{Romanticism}}...
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''The Pilgrim's Regress'' is an {{allegor|y}}ical novel by Creator/CSLewis, dramatizing the process of his [[HeelFaithTurn conversion]] from Atheism to Christianity and [[AuthorTract defending his love for]] {{Romanticism}} in literature and music. It was his first published work of fiction.

to:

\n''The Pilgrim's Regress'' is an {{allegor|y}}ical novel by Creator/CSLewis, dramatizing the process of his [[HeelFaithTurn conversion]] from Atheism to Christianity and [[AuthorTract defending his love for]] {{Romanticism}} in literature and music. It was his first published work of fiction.
fiction, and his first writing after his conversion



* PerverseSexualLust: Sexual temptation is personified in the "Brown Girls."

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* PerverseSexualLust: {{Lust}}: Sexual temptation is personified in the "Brown Girls."
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''The Pilgrim's Regress'' is an {{allegor|y}}ical novel by Creator/CSLewis, dramatizing the process of his [[HeelFaithTurn conversion]] from Atheism to Christianity and [[AuthorTract defending his love for]] {{Romanticism}} in literature and music. It was his first published work of fiction.

The story traces the wanderings of an [[TheEveryman Everyman]] character named John, who leaves his boyhood home in [[TheFundamentalist Puritania]] in search of a beautiful island that has enthralled him since childhood. Accompanied by his traveling companion Vertue, John journeys through bizarre lands and encounters many characters and monsters that represent various philosophical and ideological movements that were in vogue in the 1930s. Eventually, though, John begins to realize uncomfortably that his quest for the Island might be taking him back toward his abandoned belief in the existence of [[{{God}} the Landlord]]....

The title, of course, is a shout-out to John Bunyan's ''Literature/ThePilgrimsProgress''.

!!Tropes present in this book:

* {{Allegory}}: In spades! Despite some critics saying that ''Literature/TheChroniclesOfNarnia'' is "allegorical," by the way, this book is the only proper allegory Lewis wrote. (''Narnia'' is {{applicability}}.)
* EvilStoleMyFaith: As a child, John abandons his belief in [[{{God}} the Landlord]] on the grounds that he can't be loving yet punish people with a pit of snakes and scorpions.
* {{God}}: Allegorized as "the Landlord."
* PerverseSexualLust: Sexual temptation is personified in the "Brown Girls."
* RomanticismVersusEnlightenment: Lewis comes down firmly on the side of Romanticism, but insists that reasoning is also an essential part of the process. A healthy balance between the two is key.
* ThatRemindsMeOfASong: Throughout the book, characters take opportunities to recite poetry.
* ViewersAreGeniuses: Lewis was writing for an academic audience that was closely familiar with the philosophical, intellectual, and artistic movements of the 1930s. You may want one of the editions with footnotes.
* TheWarOnStraw: In an introduction to a later edition of the book, Lewis admits that his younger self wasn't entirely fair to all the ideologies he was criticizing at the time.

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