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* The modern ComicBook/BlackAdam is disturbingly fond of horrible deaths. In ''ComicBook/InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back (as shown in the image). In ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.

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* The modern ComicBook/BlackAdam is disturbingly fond of horrible deaths. In ''ComicBook/InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back (as shown in the image).here). In ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.
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* The modern ComicBook/BlackAdam is disturbingly fond of horrible deaths. In ''ComicBook/InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back. In ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.

to:

* The modern ComicBook/BlackAdam is disturbingly fond of horrible deaths. In ''ComicBook/InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back.back (as shown in the image). In ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.
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[[quoteright:1000:[[ComicBook/InfiniteCrisis https://static.tvtropes.org/pmwiki/pub/images/img_9312.jpeg]]]]
[[caption-width-right:1000:'''Yeesh'''.]]
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While a lot of these don't seem to be aimed at younger audiences, Invincible definitely isn't for kids


* Deliberately and brutally done early in the ''ComicBook/{{Invincible}}'' series, when Omni-Man murders the rest of the Global Guardians. Horrendously. Lethal violence in Kirkman's series tends to deliberately be family-unfriendly: this was merely the first brutal example.
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* In The Amazing Spider-Man Issue 236, a villain, The Tarantula, a couple issues after becoming an actual giant hairy tarantula creature during a failed experiment, takes his own life after jumping off a building. The shot of his corpse is very graphic for a comic in the 80's, with the giant spider's corpse over a large pool of blood.

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* In The ''The Amazing Spider-Man Issue 236, Spider-Man'' #236, a villain, The Tarantula, a couple issues after becoming an actual giant hairy tarantula creature during a failed experiment, takes his own life after jumping off a building. The shot of his corpse is very graphic for a comic in the 80's, with the giant spider's corpse over a large pool of blood.
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Misspelled name.


* One of the few truly horrifying deaths in Superman comic books is the death of Mr Mxysptlk in ''ComicBook/WhateverHappenedToTheManOfTomorrow''. Having been exposed as the true force behind the horrible events of the story, as well as the deaths of Krypto, Lex Luthor, Lana Lang, Jimmy Olsen, Pete Ross, Bizarro and the destruction of the Daily Planet, Mxysptlk stalks Superman through the ruins of the Fortress Of Solitude in his true form: a humanoid EnergyBeing. Realizing that he now has no choice but to break his vow not to kill, as there is no other way to contain someone as powerful as Mxysptlk, Superman threatens him with the Phantom Zone projector... [[PortalCut and activates it, just as Mr Mxysptlk tries to escape to his home dimension.]] He dies screaming, torn apart between dimensions, right on panel...

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* One of the few truly horrifying deaths in Superman comic books is the death of Mr Mxysptlk Mxyzptlk in ''ComicBook/WhateverHappenedToTheManOfTomorrow''. Having been exposed as the true force behind the horrible events of the story, as well as the deaths of Krypto, Lex Luthor, Lana Lang, Jimmy Olsen, Pete Ross, Bizarro and the destruction of the Daily Planet, Mxysptlk Mxyzptlk stalks Superman through the ruins of the Fortress Of Solitude in his true form: a humanoid EnergyBeing. Realizing that he now has no choice but to break his vow not to kill, as there is no other way to contain someone as powerful as Mxysptlk, Mxyzptlk, Superman threatens him with the Phantom Zone projector... [[PortalCut and activates it, just as Mr Mxysptlk Mxyzptlk tries to escape to his home dimension.]] He dies screaming, torn apart between dimensions, right on panel...
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* While trying to write a more realistic comic book SteveGerber had his protagonist meet a young, chubby nerd who is beaten until unrecognizable in a school lavatory for tattling, taken to the hospital, treated, released, then, on his first day back, booted from behind while retrieving a pencil, falling, rupturing a recently-repaired organ, and finally, dying in the ambulance because it was stuck in traffic. And ''ComicBook/OmegaTheUnknown'' was a Comics Code-era book of the seventies.

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* While trying to write a more realistic comic book SteveGerber Creator/SteveGerber had his protagonist meet a young, chubby nerd who is beaten until unrecognizable in a school lavatory for tattling, taken to the hospital, treated, released, then, on his first day back, booted from behind while retrieving a pencil, falling, rupturing a recently-repaired organ, and finally, dying in the ambulance because it was stuck in traffic. And ''ComicBook/OmegaTheUnknown'' was a Comics Code-era book of the seventies.
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* In The Amazing Spider-Man Issue 236, a villain, The Tarantula, a couple issues after becoming an actual giant hairy tarantula creature during a failed experiment, takes his own life after jumping off a building. The shot of his corpse is very graphic for a comic in the 80's, with the giant spider's corpse over a large pool of blood.
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None

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* Ares' brutal, in-your-face death at the hands of the Sentry in ''ComicBook/{{Siege}}''. The image of him being [[{{Gorn}} messily]] torn in half [[http://vignette2.wikia.nocookie.net/marveldatabase/images/c/c4/Siege_Vol_1_2_page_24-25.jpg/revision/latest?cb=20130114044902 has to be seen to be believed]].
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* Deliberately and brutally done early in the ''ComicBook/{{Invincible}}'' series, when Omni-Man murders the rest of the Global Guardians. Horrendously. Lethal violence in Kirkman's series tends to deliberately be family-unfriendly: this was merely the first brutal example.
Is there an issue? Send a MessageReason:
None


* Marvel's original 1970s run of ''ComicBook/WerewolfByNight'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as terrifying as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!

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* Marvel's original 1970s run of ''ComicBook/WerewolfByNight'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} Creator/ECComics device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as terrifying as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!
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None


* When SquirrelGirl first thought that [[NonHumanSidekick Monkey Joe]] had died this way she started to cry and complain that [[NoFourthWall comic books should be fun and not written in such gruesome ways.]] Later that page it was revealed he was ''just'' trampled to death.

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* When SquirrelGirl ComicBook/SquirrelGirl first thought that [[NonHumanSidekick Monkey Joe]] had died this way she started to cry and complain that [[NoFourthWall comic books should be fun and not written in such gruesome ways.]] Later that page it was revealed he was ''just'' trampled to death.
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* While trying to write a more realistic comic book SteveGerber had his protagonist meet a young, chubby nerd who is beaten until unrecognizable in a school lavatory for tattling, taken to the hospital, treated, released, then, on his first day back, booted from behind while retrieving a pencil, falling, rupturing a recently-repaired organ, and finally, dying in the ambulance because it was stuck in traffic. And OmegaTheUnknown was a Comics Code-era book of the seventies.

to:

* While trying to write a more realistic comic book SteveGerber had his protagonist meet a young, chubby nerd who is beaten until unrecognizable in a school lavatory for tattling, taken to the hospital, treated, released, then, on his first day back, booted from behind while retrieving a pencil, falling, rupturing a recently-repaired organ, and finally, dying in the ambulance because it was stuck in traffic. And OmegaTheUnknown ''ComicBook/OmegaTheUnknown'' was a Comics Code-era book of the seventies.
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* Zoster's death in PaperinikNewAdventures is pretty disturbing: he is disintegrated ''molecule by molecule'' on screen after being overwhelmed by Xadhoom's powers.

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* Zoster's death in PaperinikNewAdventures ''ComicBook/PaperinikNewAdventures'' is pretty disturbing: he is disintegrated ''molecule by molecule'' on screen after being overwhelmed by Xadhoom's powers.
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* The modern BlackAdam is disturbingly fond of horrible deaths. In ''InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back. In ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.

to:

* The modern BlackAdam ComicBook/BlackAdam is disturbingly fond of horrible deaths. In ''InfiniteCrisis'' ''ComicBook/InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back. In ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.
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None


* Neil Gaiman's ''Sandman'' is [[WhatDoYouMeanItsNotForKids famous for these]]. In just the first book, there are human remains coating the walls of a drug addict's home, a woman who ''stabs herself'' through the eyes, a man biting open another's jugular like a wolf, and a girl who uses a knife to draw pretty pictures into her arms.

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* Neil Gaiman's ''Sandman'' ''ComicBook/TheSandman'' is [[WhatDoYouMeanItsNotForKids famous for these]]. In just the first book, there are human remains coating the walls of a drug addict's home, a woman who ''stabs herself'' through the eyes, a man biting open another's jugular like a wolf, and a girl who uses a knife to draw pretty pictures into her arms.
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* In ''WetMoon'', Fall's father dies of (presumably) a stroke. At first we see him sitting on the dock fishing; when Fall calls out to him, though, blood dribbles out of his mouth and his eyes glaze over, more than a little disturbingly, especially considering that [[AndNowForSomeoneCompletelyDifferent they had not shown up in the comic before]] and this was the end of Volume 1.

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* In ''WetMoon'', ''ComicBook/WetMoon'', Fall's father dies of (presumably) a stroke. At first we see him sitting on the dock fishing; when Fall calls out to him, though, blood dribbles out of his mouth and his eyes glaze over, more than a little disturbingly, especially considering that [[AndNowForSomeoneCompletelyDifferent they had not shown up in the comic before]] and this was the end of Volume 1.
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None


* One of the few truly horrifying deaths in Superman comic books is the death of Mr Mxysptlk in WhateverHappenedToTheManOfTomorrow. Having been exposed as the true force behind the horrible events of the story, as well as the deaths of Krypto, Lex Luthor, Lana Lang, Jimmy Olsen, Pete Ross, Bizarro and the destruction of the Daily Planet, Mxysptlk stalks Superman through the ruins of the Fortress Of Solitude in his true form: a humanoid EnergyBeing. Realizing that he now has no choice but to break his vow not to kill, as there is no other way to contain someone as powerful as Mxysptlk, Superman threatens him with the Phantom Zone projector... [[PortalCut and activates it, just as Mr Mxysptlk tries to escape to his home dimension.]] He dies screaming, torn apart between dimensions, right on panel...

to:

* One of the few truly horrifying deaths in Superman comic books is the death of Mr Mxysptlk in WhateverHappenedToTheManOfTomorrow.''ComicBook/WhateverHappenedToTheManOfTomorrow''. Having been exposed as the true force behind the horrible events of the story, as well as the deaths of Krypto, Lex Luthor, Lana Lang, Jimmy Olsen, Pete Ross, Bizarro and the destruction of the Daily Planet, Mxysptlk stalks Superman through the ruins of the Fortress Of Solitude in his true form: a humanoid EnergyBeing. Realizing that he now has no choice but to break his vow not to kill, as there is no other way to contain someone as powerful as Mxysptlk, Superman threatens him with the Phantom Zone projector... [[PortalCut and activates it, just as Mr Mxysptlk tries to escape to his home dimension.]] He dies screaming, torn apart between dimensions, right on panel...

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* Neil Gaiman's ''Sandman'' is [[WhatDoYouMeanItsNotForKids famous for these]]. In just the first book, there are human remains coating the walls of a drug addict's home, a woman who ''stabs herself'' through the eyes, a man biting open another's jugular like a wolf, and a girl who uses a knife to draw pretty pictures into her arms.



* While ComicBook/LesLegendaires usually avoided making death scene look too gruesome with BloodlessCarnage in the first episodes, it was still good at making even those death scenes disturbing by having the deadbodies found with wide-opened, white eyes and a mouth similarly opened. In later episodes however, mainly after the [[CerebusSyndrome Anathos Cycle]], some truly gruesome death scenes were actually shown. Those include Anathos destroying a whole city with all its inhabitant with a island-sized canon, Kasino being killed by having his heart impaled with [[spoiler:Tenebris' blade (though the heroes see it like if Jadina was impaling him on her hand, which made it even worst)]], while his female bodyguards were crushed to death under Shimy's uncontrolled elementary fusion. [[spoiler:Jadina even got ImpaledWithExtremePrejudice just before her reincarnation.]]
* While trying to write a more realistic comic book SteveGerber had his protagonist meet a young, chubby nerd who is beaten until unrecognizable in a school lavatory for tattling, taken to the hospital, treated, released, then, on his first day back, booted from behind while retrieving a pencil, falling, rupturing a recently-repaired organ, and finally, dying in the ambulance because it was stuck in traffic. And OmegaTheUnknown was a Comics Code-era book of the seventies.
* Zoster's death in PaperinikNewAdventures is pretty disturbing: he is disintegrated ''molecule by molecule'' on screen after being overwhelmed by Xadhoom's powers.
* Neil Gaiman's ''Sandman'' is [[WhatDoYouMeanItsNotForKids famous for these]]. In just the first book, there are human remains coating the walls of a drug addict's home, a woman who ''stabs herself'' through the eyes, a man biting open another's jugular like a wolf, and a girl who uses a knife to draw pretty pictures into her arms.



* Marvel's original 1970s run of ''ComicBook/WerewolfByNight'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as terrifying as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!



* Marvel's original 1970s run of ''ComicBook/WerewolfByNight'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as terrifying as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!
* While trying to write a more realistic comic book SteveGerber had his protagonist meet a young, chubby nerd who is beaten until unrecognizable in a school lavatory for tattling, taken to the hospital, treated, released, then, on his first day back, booted from behind while retrieving a pencil, falling, rupturing a recently-repaired organ, and finally, dying in the ambulance because it was stuck in traffic. And OmegaTheUnknown was a Comics Code-era book of the seventies.



* While ComicBook/LesLegendaires usually avoided making death scene look too gruesome with BloodlessCarnage in the first episodes, it was still good at making even those death scenes disturbing by having the deadbodies found with wide-opened, white eyes and a mouth similarly opened. In later episodes however, mainly after the [[CerebusSyndrome Anathos Cycle]], some truly gruesome death scenes were actually shown. Those include Anathos destroying a whole city with all its inhabitant with a island-sized canon, Kasino being killed by having his heart impaled with [[spoiler:Tenebris' blade (though the heroes see it like if Jadina was impaling him on her hand, which made it even worst)]], while his female bodyguards were crushed to death under Shimy's uncontrolled elementary fusion. [[spoiler:Jadina even got ImpaledWithExtremePrejudice just before her reincarnation.]]
* Zoster's death in PaperinikNewAdventures is pretty disturbing: he is disintegrated ''molecule by molecule'' on screen after being overwhelmed by Xadhoom's powers.
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* Zoster's death in PaperinikNewAdventures is pretty disturbing: he is disintegrated ''molecule by molecule'' on screen after being overwhelmed by Xadhoom's powers.
Is there an issue? Send a MessageReason:
added \"Sandman\" entry

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* Neil Gaiman's ''Sandman'' is [[WhatDoYouMeanItsNotForKids famous for these]]. In just the first book, there are human remains coating the walls of a drug addict's home, a woman who ''stabs herself'' through the eyes, a man biting open another's jugular like a wolf, and a girl who uses a knife to draw pretty pictures into her arms.
Is there an issue? Send a MessageReason:
None


* Clayface is the best example in ''{{Batman}}'' lore. Everything he does: the morphing, the voice, that thing he does where he morphs his features back-to-front rather than turn around. the big kicker is the times he absorbed people inside him to kill them, which he once temporarily did to Wonder Woman.

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* Clayface is the best example in ''{{Batman}}'' ''Franchise/{{Batman}}'' lore. Everything he does: the morphing, the voice, that thing he does where he morphs his features back-to-front rather than turn around. the big kicker is the times he absorbed people inside him to kill them, which he once temporarily did to Wonder Woman.
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Removing Nightmare Fuel potholes. NF should be on YMMV only.


* Marvel's original 1970s run of ''ComicBook/WerewolfByNight'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as NightmareFuel as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!

to:

* Marvel's original 1970s run of ''ComicBook/WerewolfByNight'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as NightmareFuel terrifying as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!
Is there an issue? Send a MessageReason:
None


* Marvel's original 1970s run of ''Werewolf By Night'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as NightmareFuel as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!

to:

* Marvel's original 1970s run of ''Werewolf By Night'' ''ComicBook/WerewolfByNight'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as NightmareFuel as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!
Is there an issue? Send a MessageReason:
None


* Clayface is the best example in ''{{Batman}}'' lore. Everything he does: the morphing, the voice, that thing he does where he morphs his features back-to-front rather than turn around. and of course the big kicker is the times he absorbed people inside him to kill them, which he once temporarily did to Wonder Woman.

to:

* Clayface is the best example in ''{{Batman}}'' lore. Everything he does: the morphing, the voice, that thing he does where he morphs his features back-to-front rather than turn around. and of course the big kicker is the times he absorbed people inside him to kill them, which he once temporarily did to Wonder Woman.



* One of the few truly horrifying deaths in Superman comic books is the death of Mr Mxysptlk in WhateverHappenedToTheManOfTomorrow. Having been exposed as the true force behind the horrible events of the story, as well as the deaths of Krypto, Lex Luthor, Lana Lang, Jimmy Olsen, Pete Ross, Bizarro and the destruction of the Daily Planet, the now CompleteMonster Mxysptlk stalks Superman through the ruins of the Fortress Of Solitude in his true form: a humanoid EnergyBeing. Realizing that he now has no choice but to break his vow not to kill, as there is no other way to contain someone as powerful as Mxysptlk, Superman threatens him with the Phantom Zone projector... [[PortalCut and activates it, just as Mr Mxysptlk tries to escape to his home dimension.]] He dies screaming, torn apart between dimensions, right on panel...

to:

* One of the few truly horrifying deaths in Superman comic books is the death of Mr Mxysptlk in WhateverHappenedToTheManOfTomorrow. Having been exposed as the true force behind the horrible events of the story, as well as the deaths of Krypto, Lex Luthor, Lana Lang, Jimmy Olsen, Pete Ross, Bizarro and the destruction of the Daily Planet, the now CompleteMonster Mxysptlk stalks Superman through the ruins of the Fortress Of Solitude in his true form: a humanoid EnergyBeing. Realizing that he now has no choice but to break his vow not to kill, as there is no other way to contain someone as powerful as Mxysptlk, Superman threatens him with the Phantom Zone projector... [[PortalCut and activates it, just as Mr Mxysptlk tries to escape to his home dimension.]] He dies screaming, torn apart between dimensions, right on panel...
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None


* The modern Black Adam is disturbingly fond of horrible deaths. In ''InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back. In ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.

to:

* The modern Black Adam BlackAdam is disturbingly fond of horrible deaths. In ''InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back. In ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.
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namespace


* The modern Black Adam is disturbingly fond of horrible deaths. In ''InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back. In [[FiftyTwo 52]] he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.

to:

* The modern Black Adam is disturbingly fond of horrible deaths. In ''InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back. In [[FiftyTwo 52]] ''ComicBook/FiftyTwo'' he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.
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* While ComicBook/LesLegendaires usually avoided making death scene look too gruesome with BloodlessCarnage in the first episodes, it was still good at making even those death scenes disturbing by having the deadbodies found with wide-opened, white eyes and a mouth similarly opened. In later episodes however, mainly after the [[CerebusSyndrome Anathos Cycle]], some truly gruesome death scenes were actually shown. Those include Anathos destroying a whole city with all its inhabitant with a island-sized canon, Kasino being killed by having his heart impaled with [[spoiler:Tenebris' blade (though the heroes see it like if Jadina was impaling him on her hand, which made it even worst)]], while his female bodyguards were crushed to death under Shimy's uncontrolled elementary fusion. [[spoiler:Jadina even got ImpaledWithExtremePrejudice just before her reincarnation.]]
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* One of the few truly horrifying deaths in Superman comic books is the death of Mr Mxysptlk in WhateverHappenedToTheManOfTomorrow. Having been exposed as the true force behind the horrible events of the story, as well as the deaths of Krypto, Lex Luthor, Lana Lang, Jimmy Olsen, Pete Ross, Bizarro and the destruction of the Daily Planet, the now CompleteMonster Mxysptlk stalks Superman through the ruins of the Fortress Of Solitude in his true form: a humanoid EnergyBeing. Realizing that he now has no choice but to break his vow not to kill, as there is no other way to contain someone as powerful as Mxysptlk, Superman threatens him with the Phantom Zone projector... [[PortalCut and activates it, just as Mr Mxysptlk tries to escape to his home dimension.]] He dies screaming, torn apart between dimensions, right on panel...
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* Clayface is the best example in ''{{Batman}}'' lore. Everything he does: the morphing, the voice, that thing he does where he morphs his features back-to-front rather than turn around. and of course the big kicker is the times he absorbed people inside him to kill them, which he once temporarily did to Wonder Woman.
** And then there's the Clayface whose main power was to ''melt people he touched into bubbling puddles of protoplasmic muck,'' which is described as horrifically painful even though it's extremely fast.
* The modern Black Adam is disturbingly fond of horrible deaths. In ''InfiniteCrisis'' he pushes the Psycho Pirate's mask through his head and out the back. In [[FiftyTwo 52]] he kills Sobek by forcing his jaw open until his head is torn in half. In WWIII he literally tears a man's face off in order to kill him.
** And this is nothing compared to what Sobek did to Osiris...
* When SquirrelGirl first thought that [[NonHumanSidekick Monkey Joe]] had died this way she started to cry and complain that [[NoFourthWall comic books should be fun and not written in such gruesome ways.]] Later that page it was revealed he was ''just'' trampled to death.
* In ''WetMoon'', Fall's father dies of (presumably) a stroke. At first we see him sitting on the dock fishing; when Fall calls out to him, though, blood dribbles out of his mouth and his eyes glaze over, more than a little disturbingly, especially considering that [[AndNowForSomeoneCompletelyDifferent they had not shown up in the comic before]] and this was the end of Volume 1.
* Marvel's original 1970s run of ''Werewolf By Night'' had plenty of these moments. In the Giant-Size Werewolf #5 tale "The Plunder of Paingloss", at the climax of one of the darker and more surreal stories in this series (which, for its era, was saying something), furry Jack Russel gets his claws into Sardanus, a gigantic demigod who's revealed to be [[TheManBehindTheCurtain in reality a skinny dude in tighty-whities.]] The enraged werewolf "ripped him to shreds anyway" in a red-washed panel that featured ''the near-naked dude straddled by the werewolf, whose bloody claws were ripping the dude's belly open.'' The ribbons of gore and screaming look of horror on the face of Sardanus were in no way mitigated by the {{EC Comics}} device of single-hue coloring. The next panel featured a triumphant Paingloss and the werewolf standing over Sardanus' literally gutted body, ''as seen from a foreground view over the dead man's shredded abdomen.'' For 1975, this was about as NightmareFuel as Code-approved comics could get. Someone at the editorial office was asleep at the switch when that issue went through!
* While trying to write a more realistic comic book SteveGerber had his protagonist meet a young, chubby nerd who is beaten until unrecognizable in a school lavatory for tattling, taken to the hospital, treated, released, then, on his first day back, booted from behind while retrieving a pencil, falling, rupturing a recently-repaired organ, and finally, dying in the ambulance because it was stuck in traffic. And OmegaTheUnknown was a Comics Code-era book of the seventies.
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