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* MakeMeWannaShout: When she has Ribbit Libido-[=BZ55=] equipped, Bayonetta can do this and when in Demon Masquerade with Baal.
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* AmbiguousSituation: Thanks to ''3'' introducing the multiverse, it becomes difficult to know whether the Bayonetta in ''3'', much less in the previous two games, is the same woman or all three games follow their own versions of Bayonetta. At least two different versions of Bayonetta with her appearance from ''1'' show up, with one lacking the distinct mole she has on the bottom left corner of her lips. Furthermore, its implied that the Bayonetta in ''3'' is a grown-up version of Cereza from the first game, as evidence by [[spoiler:Bayonetta 1 asking her if she was crying while she was gone, harkening back to Bayonetta's words from the first game about ordering Cereza not to cry as its one of the things she hates]].
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* AmbiguousSituation: Thanks to ''3'' introducing the multiverse, it becomes difficult to know whether the Bayonetta in ''3'', much less in the previous two games, is the same woman or all three games follow their own versions of Bayonetta. At least two different versions of Bayonetta with her appearance from ''1'' show up, with one lacking the distinct mole she has on the bottom left corner of her lips. Furthermore, its it's implied that the Bayonetta in ''3'' is a grown-up version of Cereza from the first game, as evidence by [[spoiler:Bayonetta 1 asking her if she was crying while she was gone, harkening back to Bayonetta's words from the first game about ordering Cereza not to cry as its one of the things she hates]].
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* AmbiguousSituation: Thanks to ''3'' introducing the multiverse, it becomes difficult to know whether the Bayonetta in ''3'', much less in the previous two games, is the same woman or all three games follow their own versions of Bayonetta. At least two different versions of Bayonetta with her appearance from ''1'' show up, with one lacking the distinct mole she has on the bottom left corner of her lips. Furthermore, its implied that the Bayonetta in ''3'' is a grown-up version of Cereza from the first game, as evidence by [[spoiler:Bayonetta 1 asking her if she was crying while she was gone, harkening back to Bayonetta's words from the first game about ordering Cereza not to cry as its one of the things she hates]].
* AmbiguouslyBi: There's no doubt she has interest in men, as shown by her teasing Luka in the first game and eventually getting together with him in the third game. However, some of her interactions with Jeanne, such as mentioning a wake up kiss after the latter is rescued by her in 2, their overall closeness, and some of the official artwork, can be interpreted as fairly flirtatious. She also likes inflicting a certain Torture Attack on the very female Joy angels in 1, where the Joy is bound in chains in a sexual manner and is forced to sit on a wooden horse.
* AmbiguouslyBi: There's no doubt she has interest in men, as shown by her teasing Luka in the first game and eventually getting together with him in the third game. However, some of her interactions with Jeanne, such as mentioning a wake up kiss after the latter is rescued by her in 2, their overall closeness, and some of the official artwork, can be interpreted as fairly flirtatious. She also likes inflicting a certain Torture Attack on the very female Joy angels in 1, where the Joy is bound in chains in a sexual manner and is forced to sit on a wooden horse.
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* AmbiguouslyBi: There's no doubt she has interest in men, as shown by her teasing Luka in the first game and eventually getting together with him in the third game. However, some of her interactions with Jeanne, such as mentioning a wake up kiss after the latter is rescued by her in 2, their overall closeness, and some of the official artwork, can be interpreted as fairly flirtatious. She also likes inflicting a certain Torture Attack on the very female Joy angels in 1, where the Joy is bound in chains in a sexual manner and is forced to sit on a wooden horse.
* AmbiguousSituation: Thanks to ''3'' introducing the multiverse, it becomes difficult to know whether the Bayonetta in ''3'', much less in the previous two games, is the same woman or all three games follow their own versions of Bayonetta. At least two different versions of Bayonetta with her appearance from ''1'' show up, with one lacking the distinct mole she has on the bottom left corner of her lips. Furthermore, its implied that the Bayonetta in ''3'' is a grown-up version of Cereza from the first game, as evidence by [[spoiler:Bayonetta 1 asking her if she was crying while she was gone, harkening back to Bayonetta's words from the first game about ordering Cereza not to cry as its one of the things shehates]].
* AmbiguouslyBi: There's no doubt she has interest in men, as shown by her teasing Luka in the first game and eventually getting together with him in the third game. However, some of her interactions with Jeanne, such as mentioning a wake up kiss after the latter is rescued by her in 2, their overall closeness, and some of the official artwork, can be interpreted as fairly flirtatious. She also likes inflicting a certain Torture Attack on the very female Joy angels in 1, where the Joy is bound in chains in a sexual manner and is forced to sit on a wooden horse.hates]].
* AmbiguousSituation: Thanks to ''3'' introducing the multiverse, it becomes difficult to know whether the Bayonetta in ''3'', much less in the previous two games, is the same woman or all three games follow their own versions of Bayonetta. At least two different versions of Bayonetta with her appearance from ''1'' show up, with one lacking the distinct mole she has on the bottom left corner of her lips. Furthermore, its implied that the Bayonetta in ''3'' is a grown-up version of Cereza from the first game, as evidence by [[spoiler:Bayonetta 1 asking her if she was crying while she was gone, harkening back to Bayonetta's words from the first game about ordering Cereza not to cry as its one of the things she
* AmbiguouslyBi: There's no doubt she has interest in men, as shown by her teasing Luka in the first game and eventually getting together with him in the third game. However, some of her interactions with Jeanne, such as mentioning a wake up kiss after the latter is rescued by her in 2, their overall closeness, and some of the official artwork, can be interpreted as fairly flirtatious. She also likes inflicting a certain Torture Attack on the very female Joy angels in 1, where the Joy is bound in chains in a sexual manner and is forced to sit on a wooden horse.
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* IdiotBall: In ''3''. Summoning Gomorrah at the beginning of the game? Understandable, since she didn't know he'd attack her for trying to have him eat something that wasn't divine, and she had her Demon Slave ability to keep him in check. Summoning Gomorrah at the ''end'' of the game when [[spoiler:she's running on fumes, knows Singularity isn't divine either, and she's still in range of her "pet?" Not a smart idea.]]
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* ExtremityExtremist: Certain weapons in the first two games can only be equipped to certain limbs. In the first game, [[KatanasAreJustBetter 修羅刃 -Shuraba-]], Kulshedra, and Sai Fung can only be used on the hands, while Odette (ice-infused ice skates) can only be used on the feet. In the second, [[DropTheHammer Takemikazuchi]], [[SinisterScythe Chernobog]], and Kafka (bow) are all hands-only, while the Chain Chomp is the game's only foot-only weapon. Strangely, the sword (Rakshasha, Salamandra) and whip (Alruna) weapons in the second game can be fitted to hands and feet alike, most likely because they come in pairs.
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* ExtremityExtremist: Certain weapons in the first two games can only be equipped to certain limbs. In the first game, [[KatanasAreJustBetter 修羅刃 -Shuraba-]], Kulshedra, and Sai Fung can only be used on the hands, while Odette (ice-infused ice skates) can only be used on the feet. In the second, [[DropTheHammer [[HumongousHeadedHammer Takemikazuchi]], [[SinisterScythe Chernobog]], and Kafka (bow) are all hands-only, while the Chain Chomp is the game's only foot-only weapon. Strangely, the sword (Rakshasha, Salamandra) and whip (Alruna) weapons in the second game can be fitted to hands and feet alike, most likely because they come in pairs.
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** She may not pay heed to all the collateral damage from her fights, but she doesn't condone causing needless misery to innocent civilians. In ''1'', she reprimands the angels for going way overboard in demolishing a civilian bridge just to kill her, and in ''3'' she is definitely ''not'' amused when [[spoiler:Singularity uses Perlucidus to mass-mind control the French military for his sick entertainment, and immediately MercyKill them in droves.]]
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** She may not pay heed to all the collateral damage from her fights, but she doesn't condone causing needless misery to innocent civilians. In ''1'', she reprimands the angels for going way overboard in demolishing a civilian bridge just to kill her, and in ''3'' she is definitely ''not'' amused when [[spoiler:Singularity uses Perlucidus to mass-mind control the French military for his sick entertainment, and proceeds to immediately MercyKill them in droves.]]
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* ForWantOfANail: This Bayonetta has lived an identical life to the main Bayonetta, and even still ends up teleported to the past. However, in this reality, she goes up against demons and angels and meets the Masked Lumen much later.
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* ForWantOfANail: AlternateSelf: This Bayonetta has lived an identical life to the main Bayonetta, and even still ends up teleported to the past. However, in this reality, she goes up against demons and angels and meets the Masked Lumen much later.
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* GodivaHair: She turns this trope on its head. She is a witch whose default wardrobe consists ''entirely'' of her own magically manipulated PrehensileHair. [[MostWritersAreMale Not surprisingly]], she uses her PrehensileHair for [[OurDragonsAreDifferent other]] [[PowerFist things]] sometimes, which, in turn, makes this both an inversion and an aversion of the trope. And when she's doing some serious witchcraft, [[{{Fanservice}} not much is left on her person nor to the imagination]].
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* GodivaHair: She turns this trope on its head. She is a witch whose default wardrobe consists ''entirely'' of her own magically manipulated PrehensileHair. [[MostWritersAreMale Not surprisingly]], she uses her PrehensileHair for [[OurDragonsAreDifferent [[SummonMagic other]] [[PowerFist things]] sometimes, which, in turn, makes this both an inversion and an aversion of the trope. And when she's doing some serious witchcraft, [[{{Fanservice}} not much is left on her person nor to the imagination]].
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* UnusuallyUninterestingSight: In ''3'', her reaction to first meeting Strider (a werewolf-like being with a cape made of stained glass and a constellation of eyes) is little more than a snarky comment about his lack of "attachments". [[spoiler:After TheReveal that Strider is Luka, Bayonetta's attitude is more concern about ''why'' than any questions as to ''what''.]] Similarly, when Viola and Lukaon show up in the Alphaverse during the finale, she shows very little reaction to this ephemeral man who looks like Luka with ProphetEyes in a stained-glass robe. ''Origins'' reveals that she's met faeries before, so the fairy presence in ''3'' isn't as new for her as it was for the players, [[spoiler:and she might even recognize Lukaon [[HeIsAllGrownUp all grown up]].]]
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** The third game has her pull a muted example, as her realisation that [[spoiler:she and Viola were tricked by Singularity into being trapped in the Alphaverse]] wipes the smirk off her face very quickly.
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** She barges in on Viola's fight with Strider in ''3'', mocking the faerie beast for "bullying Little Red Riding Hood", but [[spoiler:when Viola reveals that he's ''Luka'', her face falls like a rock. In the following conversation, she remains dead-serious until Viola promises she'll keep him safe.]]
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* AnimeHair: Not only is her hair ridiculously long, she uses it as her SOURCE OF CLOTHING, and controls it in such a way that it's a deadly weapon. In a developer interview [[note:https://www.youtube.com/watch?v=2d1wagWcrkQ&list=PLEYQ6LrlM_rGn8EZcretGy78Crr0K-cnQ&index=3]] it's noted her radically different hairstyles in different games are not seen as a big deal to her. Rather, she changes hairstyles as readily and easily as she does clothing.
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* AnimeHair: Not only is her hair ridiculously long, she uses it as her SOURCE OF CLOTHING, and controls it in such a way that it's a deadly weapon. In a developer interview [[note:https://www.[[note]]:https://www.youtube.com/watch?v=2d1wagWcrkQ&list=PLEYQ6LrlM_rGn8EZcretGy78Crr0K-cnQ&index=3]] com/watch?v=2d1wagWcrkQ&list=PLEYQ6LrlM_rGn8EZcretGy78Crr0K-cnQ&index=3[[/note]] it's noted her radically different hairstyles in different games are not seen as a big deal to her. Rather, she changes hairstyles as readily and easily as she does clothing.
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* AnimeHair: Not only is her hair ridiculously long, she uses it as her SOURCE OF CLOTHING, and controls it in such a way that it's a deadly weapon.
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* AnimeHair: Not only is her hair ridiculously long, she uses it as her SOURCE OF CLOTHING, and controls it in such a way that it's a deadly weapon. In a developer interview [[note:https://www.youtube.com/watch?v=2d1wagWcrkQ&list=PLEYQ6LrlM_rGn8EZcretGy78Crr0K-cnQ&index=3]] it's noted her radically different hairstyles in different games are not seen as a big deal to her. Rather, she changes hairstyles as readily and easily as she does clothing.
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* DangerousForbiddenTechnique: The Deadly Sin ritual introduced in ''3''. By ripping out her own heart, Bayonetta can empower any demon she's contracted with. With Gemorrah, she can upgrade it into Sin Gemorrah turning it into a proper twenty-foot kaiju monstrosity that'd look right at home in a Godzilla movie. There are two drawbacks to the ritual, however; if a demon empowered by the ritual is defeated, Bayonetta suffers a huge backlash. Alternatively, some demons can't handle the boost in power for long. In Alternate Giza, [[spoiler:a Deadly Sin empowered Phantom turns into an ActionBomb that can't handle the power boost, with the resulting explosion being so powerful it creates a near honest-to-god black hole]].
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* DangerousForbiddenTechnique: The Deadly Sin ritual introduced in ''3''. By ripping out her own heart, Bayonetta can empower any demon she's contracted with. With Gemorrah, Gomorrah, she can upgrade it into Sin Gemorrah Gomorrah turning it into a proper twenty-foot skyscraper-sized kaiju monstrosity that'd look right at home in a Godzilla movie. There are two three drawbacks to the ritual, however; if a demon empowered by the ritual is defeated, Bayonetta suffers a huge backlash. Alternatively, some demons can't handle the boost in power for long. In Alternate Giza, [[spoiler:a Deadly Sin empowered Phantom turns into an ActionBomb that can't handle the power boost, with the resulting explosion being so powerful it creates a near honest-to-god black hole]]. Lastly, the demon summoned by the ritual is inevitably so powerful or deadly that the area around Bayonetta will suffer even worse damage than usual. Every time she uses it in ''3'' it is in a situation where the location she is in is already destroyed or beyond saving.
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* AmbiguouslyBi: There’s no doubt she has interest in men, as shown by her teasing Luka in the first game and eventually getting together with him in the third game. However, some of her interactions with Jeanne, such as saying she needs a wake up kiss after the latter is rescued by her in 2, their overall closeness, and some of the official artwork, can be interpreted as fairly flirtatious. She also likes inflicting a certain Torture Attack on the very female Joy angels in 1, where the Joy is bound in chains in a sexual manner and is forced to sit on a wooden horse.
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* AmbiguouslyBi: There’s no doubt she has interest in men, as shown by her teasing Luka in the first game and eventually getting together with him in the third game. However, some of her interactions with Jeanne, such as saying she needs mentioning a wake up kiss after the latter is rescued by her in 2, their overall closeness, and some of the official artwork, can be interpreted as fairly flirtatious. She also likes inflicting a certain Torture Attack on the very female Joy angels in 1, where the Joy is bound in chains in a sexual manner and is forced to sit on a wooden horse.
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* MagicKnight: As an Umbra Witch, she mixes the magical Dark Arts as well as a large variety of other magic spells, items and accessories with her SuperStrength, skill with a huge arsenal of weapons and various brutal martial arts and acrobatic moves to decimate her foes.
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* Multi-MeleeMaster: She is incredibly skilled with practically any melee weapon she can get her hands on whether it's katanas, light-sabers, claws, microphones, hammers, staffs, scythes, bladed fans, dual swords, chainsaws,clubs the list goes on and on. She can even use traditionally ranged weapons like guns, rocket launchers and bows in close-quarters combat.
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* Multi-MeleeMaster: MultiMeleeMaster: She is incredibly skilled with practically any melee weapon she can get her hands on whether it's katanas, light-sabers, axes, greatswords, claws, microphones, hammers, flails, staffs, scythes, bladed fans, dual swords, chainsaws,clubs chainsaws, clubs the list goes on and on. This is taken even further in that she can wield a couple of these weapons on her legs too. She can even use traditionally ranged weapons like guns, rocket launchers and bows in close-quarters melee combat.
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* Multi-MeleeMaster: She is incredibly skilled with practically any melee weapon she can get her hands on whether it's katanas, light-sabers, claws, microphones, hammers, staffs, scythes, bladed fans, dual swords, chainsaws,clubs the list goes on and on. She can even use traditionally ranged weapons like guns, rocket launchers and bows in close-quarters combat.
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* ColourCodedTimeStop: Her Witch Time in a nutshell. It throws a purple/blue tint over everything, with a translucent clock covering the screen to show how much time you have left. By dodging at the last second, Bayonetta can slow down time to mercilessly pummel her frozen opponents. Her Bracelet of Time accessory allows her to activate Witch Time whenever she wants.
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* SuperSpeed: Her Witch Time in a nutshell. By dodging at the last second, Bayonetta can boost her senses and physical abilities, allowing her to mercilessly pummel her opponents who are too slow to fight back. Her Bracelet of Time accessory allows her to activate Witch Time whenever she wants.
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** When foes try and out-dance Bayonetta, she usually entertains them for a moment with a playful dance off. When Singularity forces an army of possessed innocent soldiers to do a Thriller-esque number, she just sneers in disgust before commanding her most violent demon to start wrecking their numbers, only to go back to her usual behavior during the boss encounter against her French variant right after. Given that Singularity was not simply killing off resisting soldiers but also torturing them to piss Bayonetta off unlike the previous few times where he simply kills them, she has every reason to be pissed off.
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** When foes try and out-dance Bayonetta, she usually entertains them for a moment with a playful dance off. When Singularity And indeed, when [[spoiler:her French counterpart]] in ''3'' challenges her to a dance-off, she reciprocates before the two duke it out. Moments before the latter fight, however, [[spoiler:Singularity forces an army of possessed innocent soldiers to do a Thriller-esque number, number for no reason other than to spite her, and she's so pissed off at that she just sneers in disgust before commanding her most violent demon to start wrecking their numbers, only to go back to her usual behavior during the boss encounter against her French variant right after. Given that Singularity was not simply killing off resisting soldiers but also torturing them to piss Bayonetta off unlike the previous few times where he simply kills them, she has every reason to be pissed off.numbers as a MercyKill.]]
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* BadassAdorable: Herself as a younger child in ''Origins'' certainly earns this trope. Downplayed in ''3'' since she's still MsFanservice as always, her new look makes more cuter than the last two.
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* BadassAdorable: Herself as a younger child in ''Origins'' certainly earns this her the trope. Downplayed in ''3'' since she's still MsFanservice as always, her new look makes more cuter than the last two.
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* BadassAdorable: Herself as a younger child in ''Origins'' certainly earns this trope. Downplayed in ''3'' since she's still MsFanservice as always, her new look makes more cuter than the last two.
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* ShowyInvincibleHero: From a story perspective, it takes an equally-strong EvilCounterpart to even inconvenience her. The first game's cutscenes have Bayonetta trashing everything from Affinities straight up to the four Cardinal Virtues; even [[TheRival Jeanne's]] fights only leave her out of breath, and Balder had to outsmart her via playing dead to capture her after losing their fight. Less prominent in the second game -- aside from Gomorrah's betrayal catching her off-guard, Infernals don't give her much more trouble than the angels do, but the Masked Lumen and [[spoiler:Loptr]] both end up either matching or outright defeating her. Even more downplayed in ''3'', as she [[spoiler:ends up breaking her Umbran Watch and getting herself and Luka dragged into the underworld after she kills Singularity, but is instead capable of nullifying his Phenomenal Affirmation ability (and is thus the only person who can beat him in on a reasonable term and undoing all the death and destruction he causes to thousands of universes.]]
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* ShowyInvincibleHero: From a story perspective, it takes an equally-strong EvilCounterpart to even inconvenience her. The first game's cutscenes have Bayonetta trashing everything from Affinities straight up to the four Cardinal Virtues; even [[TheRival Jeanne's]] fights only leave her out of breath, and Balder had to outsmart her via playing dead to capture her after losing their fight. Less prominent in the second game -- aside from Gomorrah's betrayal catching her off-guard, Infernals don't give her much more trouble than the angels do, but the Masked Lumen and [[spoiler:Loptr]] both end up either matching or outright defeating her. Even more downplayed in ''3'', as she [[spoiler:ends up breaking her Umbran Watch and getting herself and Luka dragged into the underworld after she kills Singularity, but is instead capable of nullifying his Phenomenal Affirmation ability (and is thus the only person who can beat him in on a reasonable term term) that otherwise makes him a full-blown InvincibleVillain that's completely unstoppable and undoing all the death and destruction he causes to thousands of universes.]]
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* ShowyInvincibleHero: From a story perspective, it takes an equally-strong EvilCounterpart to even inconvenience her. The first game's cutscenes have Bayonetta trashing everything from Affinities straight up to the four Cardinal Virtues; even [[TheRival Jeanne's]] fights only leave her out of breath, and Balder had to outsmart her via playing dead to capture her after losing their fight. Less prominent in the second game -- aside from Gomorrah's betrayal catching her off-guard, Infernals don't give her much more trouble than the angels do, but the Masked Lumen and [[spoiler:Loptr]] both end up either matching or outright defeating her.
** Also notably averted in ''3'', as the various Boss Homunculi are much more powerful as a whole compared to most Angels or Demons, and unlike in previous games, they can actually make Bayonetta bleed conventional blood, where in previous games, Bayonetta would only bleed butterflies when hurt.
** Also notably averted in ''3'', as the various Boss Homunculi are much more powerful as a whole compared to most Angels or Demons, and unlike in previous games, they can actually make Bayonetta bleed conventional blood, where in previous games, Bayonetta would only bleed butterflies when hurt.
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* ShowyInvincibleHero: From a story perspective, it takes an equally-strong EvilCounterpart to even inconvenience her. The first game's cutscenes have Bayonetta trashing everything from Affinities straight up to the four Cardinal Virtues; even [[TheRival Jeanne's]] fights only leave her out of breath, and Balder had to outsmart her via playing dead to capture her after losing their fight. Less prominent in the second game -- aside from Gomorrah's betrayal catching her off-guard, Infernals don't give her much more trouble than the angels do, but the Masked Lumen and [[spoiler:Loptr]] both end up either matching or outright defeating her.
** Also notably avertedher. Even more downplayed in ''3'', as she [[spoiler:ends up breaking her Umbran Watch and getting herself and Luka dragged into the various Boss Homunculi are much more powerful as a whole compared to most Angels or Demons, and unlike in previous games, they can actually make Bayonetta bleed conventional blood, where in previous games, Bayonetta would underworld after she kills Singularity, but is instead capable of nullifying his Phenomenal Affirmation ability (and is thus the only bleed butterflies when hurt.person who can beat him in on a reasonable term and undoing all the death and destruction he causes to thousands of universes.]]
** Also notably averted
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* MiseryBuildsCharacter: In ''VideoGame/BayonettaOriginsCerezaAndTheLostDemon'', we find out when she was very young, she was ostracized due to the circumstances of her birth, her mother was imprisoned, and she [[spoiler:had to kill her mentor Morgana when she finds out the Umbran Witch was just using her as a pawn to free Lukaon's imprisonment. And that's not even getting into her mom being slaughtered alongside her entire clan later on. There's no wonder she grown up into the hardened {{Sadist}} of an Umbran Witch she is in the main series games.]]
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* MiseryBuildsCharacter: In ''VideoGame/BayonettaOriginsCerezaAndTheLostDemon'', we find out when she (or at least the ''Bayonetta 3'' version of Cereza) was very young, she was ostracized due to the circumstances of her birth, her mother was imprisoned, and she [[spoiler:had to kill her mentor Morgana when she finds out the Umbran Witch was just using her as a pawn to free Lukaon's imprisonment. And that's not even getting into her mom being slaughtered alongside her entire clan later on. There's no wonder she grown up into the hardened {{Sadist}} of an Umbran Witch she is in the main series games.]]
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** By default, Bayonetta is a massive DeadpanSnarker who can throw out ComicBook/{{Deadpool}}-esque snazzy one-liners. But when she ''stops snarking'', you have sorely and genuinely pissed her off and the final moments of your life will be in complete agony. Only a few characters in the series have triggered this reaction. [[note]]Father Balder, Loptr, Alraune and Dark Adam; as well as if you count Gomorrah's betrayal in the second game[[/note]] To say it didn't end well for them would be the ''nicest'' way to describe it.
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** By default, Bayonetta is a massive DeadpanSnarker who can throw out ComicBook/{{Deadpool}}-esque snazzy one-liners. But when she ''stops snarking'', you have sorely and genuinely pissed her off and the final moments of your life will be in complete agony. Only a few characters in the series have triggered this reaction. [[note]]Father Balder, Loptr, Alraune and Alraune, Dark Adam; Adam and Singularity; as well as if you count Gomorrah's betrayal in the second game[[/note]] and third games[[/note]] To say it didn't end well for them would be the ''nicest'' way to describe it.
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** She also stops smirking in ''3'' upon realizing that she and Viola had been [[spoiler:tricked by Singularity into going into the Alphaverse to be trapped, spotting the ''real'' Dr. Sigurd's body powering the Homunculi nucleus and his ID card.]]
** When foes try and out-dance Bayonetta, she usually entertains them for a moment with a playful dance off. [[spoiler:When Singularity forces an army of possessed innocent civilians to do a Thriller-esque number, she just sneers in disgust before commanding her most violent demon to start wrecking their numbers.]]
** When foes try and out-dance Bayonetta, she usually entertains them for a moment with a playful dance off. [[spoiler:When Singularity forces an army of possessed innocent civilians to do a Thriller-esque number, she just sneers in disgust before commanding her most violent demon to start wrecking their numbers.]]
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** She also stops smirking in ''3'' upon realizing that she and Viola had been [[spoiler:tricked by Singularity into going into the Alphaverse to be trapped, spotting the ''real'' Dr. Sigurd's body powering the Homunculi nucleus and his ID card.card, which goes to show how dire the situation really is.]]
** When foes try and out-dance Bayonetta, she usually entertains them for a moment with a playful dance off.[[spoiler:When When Singularity forces an army of possessed innocent civilians soldiers to do a Thriller-esque number, she just sneers in disgust before commanding her most violent demon to start wrecking their numbers.]]numbers, only to go back to her usual behavior during the boss encounter against her French variant right after. Given that Singularity was not simply killing off resisting soldiers but also torturing them to piss Bayonetta off unlike the previous few times where he simply kills them, she has every reason to be pissed off.
** When foes try and out-dance Bayonetta, she usually entertains them for a moment with a playful dance off.
Added DiffLines:
* PowerNullifier: The ''Bayonetta 3'' variant is the only person in the world capable of overturning phenomena once thought undisputable. This means that she is the only person who can fight [[spoiler:Singularity on fair terms.]]
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Changed line(s) 130 (click to see context) from:
-->'''Bayonetta:''' I'm not much for the talkative types. How about we have a little fun instead? You did plan on having fun with me, didn't you? There'll be plenty of time for pillow talk afterwards.[[note]]Becomes a StealthPun if Bayonetta actually ''uses'' Pillow Talk on them.[[/note]]
to:
-->'''Bayonetta:''' I'm not much for the talkative types. How about we have a little fun instead? You did plan on having fun with me, didn't you? right? There'll be plenty of time for pillow talk afterwards.[[note]]Becomes a StealthPun if Bayonetta actually ''uses'' Pillow Talk on them.[[/note]]
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Changed line(s) 196 (click to see context) from:
* NoblewomanLaugh: Yes, you wouldn't believe, but she [[https://www.youtube.com/watch?v=6r8ehTfvLMM can do it]].
to:
* NoblewomanLaugh: NoblewomansLaugh: Yes, you wouldn't believe, but she [[https://www.youtube.com/watch?v=6r8ehTfvLMM can do it]].
